I recorded this on a whim when I looked at the cast and vaguely remembered that it was pretty good. Sometimes I just don’t have what it takes to invest in a recent premiere movie that I haven’t seen yet. I just read what I wrote there. That is a sad commentary right there. Usually, I look at these re-dos in bed when I wake up in the middle of the night or the last thing before I try to fall asleep.
The plot was entirely predictable of course. The appeal lay in the cast of Arielle Kebble, Andrew Walker, and Kimberley Sustad in particular. Arielle Kebble is one of the better early Hallmark actresses. Her movies for Hallmark are as memorable as they are few and far between. She is particularly good in those that emphasize lighter comedy rather than earnest heart-tuggery. Although don’t count her out when the story calls for heartbreak, however temporary (as this one does). Our heroine is a runaway bride who we meet Just as she is about to go down the aisle to wed door #3. We know trouble is on the horizon in the dressing room when she asks her mother how she knew her Dad was “the one.” But she walks down the aisle with a big smile. Arielle is very funny as her smile turns from happy and excited then stiff and then a bit panicked as she keeps walking past the wedding party and out the side door without a pause. Andrew Walker does his usual thing (which is a very good thing) as the commitment-phobe who bets his buddies he can get get a woman to accept his marriage proposal by Christmas. It was a little unclear what this was meant to prove. He settles on Arielle.
This is classic romantic comedy material as the “player” courts the gun-shy reluctant jilt and they fall in love for real. Kimberly Sustad, who was only 22 when this movie was made, practically a baby by current Hallmark standards, plays Arielle’s sister and turns a nothing part into one in which she almost steals every scene. I also want to single out Sage Brocklebank as Mike, the jilted bridegroom who is a creepy looming presence as he hopes to win Arielle back and sees her and Andrew falling for each other. He manages to elicit pity for his heartbreak and uneasiness as to what menace he is capable of.
I gave this a ‘7″ initially, but by today’s standards it is a solid “8.” Terrible promotional poster by the way.
December 26, 2021