Christmas Above the Clouds

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God Bless Us, Everyone

It’s Countdown to Christmas and time for another remake of Dickens’ A Christmas Carol. This makes the third fantasy movie this year for Hallmark and half of its offerings so far. And that’s great, if, like me, you enjoy a little fantasy with your Christmas Romances. But you can stop now, Hallmark. This modern adaptation of the Christmas classic was well done. Ella Neezer is the worst sort of scrooge as the C.E.O. of a successful travel agency (Great Expectations Travel). It is in a huge high rise in New York City with a huge staff, so apparently that business model is not as defunct as I thought it was. Her latest crime against humanity is turning down a marketing campaign that highlights couples in love. “Why can’t we see a nice high powered single woman having the vacation of her life without anyone else around?”. This means that her staff has to work through Christmas on a new one, while she flies first class to Australia on a business trip (turning down, once again, her loving sister’s invitation to spend Christmas with her family in Utah.) Spending Christmas on an airplane suits her just fine as she has nothing but contempt for the holiday. But she is dragging along her personal assistant, Bobbi Cratchet (Emily Tennant), stuffed in coach, poor kid. Bobbi not only will not be able to spend Christmas with her loving family, but with all of the last minute duties Ella gives her, will not even have time to say goodbye to her little son, Tim, who struggles with severe asthma.

Once on the flight, she is barely keeping it together as the flight turns out to be a special Christmas edition full of merry holiday making with a relentlessly cheerful (and singing!) flight staff. All Ella wants is to be left alone peacefully wallowing in her solitude. But to her dismay, she finds herself seated next to her ex-fiancé, Jake (Tyler Hynes). 

Let’s skip to the ghosts. The first one, of course, is Christmas Past, the perkiest flight attendant ever played by Faith Wright, who is adorable. We get a glimpse of Ella and her sister Frances’s neglected childhood, her happy college days with Jake, and how they broke up over her workaholism on Christmas 6 years ago. She learns the reason why Bobbi was late for work one morning which caused Ella to almost fire her. She was in the emergency room all night with her son. Bobbie is struggling financially due to the company’s less than generous health plan. Ella starts to show a bit of humanity and remorse. But just a bit.

The Ghost of Christmas Present shows Ella what her employees and her family really think of her. Her employees hate her and conspire behind her back. Although her sister still loves her, the rest of the family is glad she did not join them for Christmas. Even the kindest of the people she comes in contact with only pity her. She sees that Jake, for some mysterious reason, is still hung up on her and doesn’t date. Up to this point, she is only partially seeing the error of her ways. She is still complaining and tries to defend herself (Why didn’t Bobbi tell me her little boy was so sick? Why did she “agree to skip Christmas”?) Christmas Present is like “Oh really?!” and sets her straight.  Enter Christmas Yet to Come. This ghost is played by a big black dude dressed in black complete with sunglasses. Unlike peppy and chatty Past and Present, he is very scary and does not say a word. It is Christmas a year from now and she finds out that she is dead! How? How did she die? We are not told but inquiring minds want to know. Jake is now a lonely librarian “like Donna Reed?!” And also poor little Tim is dead too! Jeez, Hallmark. Needless to say, Ella, threatened with death, finally sees the light, and makes up for her bad behavior.

I have to say that Erin Krakow did a good job in this one. She used to be more of a miss than a hit with me, but in the last couple of years, she has won me over. I am no longer on edge when I see her cast as the leading lady. That cannot be said about Tyler Hynds. He seems to have found a niche of playing tortured weak characters who have a lot of work to do on themselves, ideally in therapy. But I am happy to report that he played a normal good guy in this one and I liked him. The script provided nice dashes of humor both during the ghostly visitations and between them, when she was trying to process what was happening to her and interacting with Jake. On a final note, I have to say that I hated the roomy white athleisure lounge wear Erin wore throughout almost the whole movie. I’m sure it was comfy, but it did nothing for her at all. Despite that outfit however, on the Christmas Carol remake scale, this was a “God Bless Us Every One.”

Rating: 7.5 out of 10.

Debbie Macomber’s Joyful Mrs. Miracle

But She’s Not

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Angel in disguise, Mrs. Miracle descends to earth again to fix the lives of us humans. This year played by Rachel Boston, she takes on the persona of a real estate appraiser who enters the lives of three estranged siblings mourning the death of their grandmother, the chairman of the board of a large real estate firm. Her mansion is full of valuable antiques that  “Ann Merkle” is there to appraise and get on the market. Not a “Mrs.” in the movie. Each of the two brothers and one sister want to take over the chairmanship of the company. Charlotte is a single mother of a little boy who has some anxiety and perhaps other issues. She is a former lawyer who is recovering from a bad marriage and wants to prove herself. One of the brothers flies in from London where he is a financier and almost engaged to a nice woman. The youngest brother is a ne’er do well who is indebted to a threatening character, possibly mob-related, who is going to remove his fingers and other things unless he is paid. He wants the chairmanship for the money. They are at odds with each other due to an unfortunate business debacle mostly the fault of the youngest brother. Thanks to the magic, machinations and truisms of not-Mrs. Miracle they re-discover their love for each other and the importance of family just in time for Christmas. Meanwhile, Charlotte successfully navigates a second chance romance with the former stablehand, now estate manager. And the right person is chosen for the chairmanship.

Rachel Boston represents a new take on Debbie Macomber’s Mrs. Miracle character. The series is based on her books. The first Mrs Miracle (Mrs. Miracle and Call Me Mrs. Miracle-both terrific) was perfectly played by Doris Roberts who embodied the role for two years until she died. A decade later, (in A Mrs. Miracle Christmas ) the role was taken up by Caroline Rhea who was, in my view, just as great. Her movie added a new character, Mercy, who was a treat as Mrs. Miracle’s daughter, who, in a heart tugging touch, was also an angel. In between, there was a movie called Mr. Miracle, which didn’t work for me. This year, Mrs. Miracle, in a totally unneeded refresh, is a much younger woman. See above poster.

Rachel Boston embraces the role and her typical Rachel Boston (over the top cheerful, energetic, and animated) take on the character could have worked. But she was too overwhelming. She sucked all the air out of room. And this was partially the fault of the script. This Ms. Miracle was much too bossy and too intrusive into the business of the family she was sent to guide. Unlike the previous Mrs. Miracles, she comes across as a real busybody. Always hovering around night and day so very handy with her wise observations, unasked for (but good!, it must be admitted) advice, a sympathetic ear, and direct orders. She can not be ignored or avoided. They do ignore her magical purse however, never questioning how she can pull out crisp legal papers and folders, large toy horses, bunches of huge carrots, etc. like Mary Poppins and her carpet bag. Her references to dancing with Ted Williams, how they baked cookies in the 1890s and other references to her immortality earn a few quizzical looks, but are never challenged. They didn’t even google her. Ms. Boston’s performance and the script was totally lacking in subtlety, mystery, or the dawning sense of wonder of the other Mrs. Miracles. I think what happened was that Hallmark decided to go with a younger more energetic character, decided on Rachel Boston, and wrote the script with her in mind. It’s not the first time RB has played an angel. I don’t really blame the actress, but the casting, script and the direction. They would have done better to cast one of the many talented older actors to carry on the role. Wouldn’t Jane Eastwood, Teryl Rothery, or Barbara Niven have been great? Among many many others. Hallmark has motherly and grandmotherly actresses coming out the ying yang. For that matter, why didn’t they just recast Caroline Rhea? If they wanted a younger vibe, they could have expanded her young daughter Mercy’s role, perhaps laying the groundwork for a spin-off series. I’m ok with Hallmark going younger in their choice of actresses for many of their movies, but in this case, it just didn’t work as well as it could have. The movie as a whole was just OK, but to be fair, Rachel Boston did have her moments.

Rating: 6.5 out of 10.

Guiding Emily

That was the First Time I Saw Emily, and the Last Time She Saw Me.—Garth.

I have been looking forward to this one as soon as I started to see the previews. The story is about how a woman who suddenly loses her sight due to a rock climbing accident learns to cope with her new life. It is also the story of Garth, a guide dog in training, voiced by Eric McCormack, and how he learns to curb his rambunctiousness and love for snacks in order to focus on his role of being the eyes for a blind person. Unknown to his trainer and the head of the guide dog facility, Garth has already decided that Emily is his person even though they met only briefly. She is his motivation to be a good dog, learn his craft, and graduate from guide dog school. Unfortunately, there are many people ahead of Emily to be assigned one of the highly trained dogs. The wait time for a blind person to get a guide dog can be years. But I’m getting ahead of myself.

Besides the story, one of the reasons I was anticipating this one was the cast. I’ve been very impressed with Sarah Drew, who plays Emily, in earlier Hallmarks. I like her natural acting, and I am a sucker for long red hair and girl-next-door looks due to my love for Anne of Green Gables. I also love Antonio Cupo. Have a little crush on him, actually, but he has been spending more time behind the camera in recent years, other than a few cameos and supporting roles. I figured it must be a special movie to tempt him into a lead acting role in a Hallmark production. I was also happy to see good ol’ Matty Finochio in a secondary role as well. He is a Hallmark “go-to” for a supportive friend and comic relief. And he did a wonderful job in this as usual. And Peter Benson, another Hallmark stalwart plays the owner/manager of the guide dog facility.

Emily is the head of a professional team at work and is popular and respected. She is also engaged to be married to someone who was not Antonio Cupo. So I knew he was destined to exit stage left after Emily had her accident. He was not a bad guy, but he did not have the time or focus to give Emily what she needed after she lost her sight, even though there was every reason to believe it would be a temporary situation. About an hour in, when the bandages are removed, Emily finds out it is permanent. We follow Emily through her despair, depression, and apathy for doing anything other than sitting on the couch. She struggles to cope with everyday challenges and is pretty defeated. When she asks her friend and work buddy, Matty F., to give HR her resignation letter, he returns with the whole team, and they refuse to let her give up. This is a turning point for her. She enrolls in blind school, eventually returns to work, and reconnects with her old friend Matthew (Antonio Cupo), who runs a rock climbing fitness thingy. It’s all uphill from there. No pun intended.

Meanwhile, Garth is having his own journey with his training. When Emily shows up at the guide dog facility, Garth is overjoyed. But this is where he learns that dogs can’t pick their owners and vice versa. There is a waiting list, and they are matched accordingly. Will Garth and Emily be reunited? Well, it’s Hallmark, so we know the answer. But how it all came together made sense and was quite touching.

This was an excellent movie. It was a romantic and very engaging story, full of suspense, interesting, and educational. They did a good job condensing Emily’s journey into the last hour of the movie and still found time to fit in a romance and Garth’s story as well. I liked that she does not go from defeat to triumph but to just learning to cope with challenges, standing on her own two feet, and getting back to her old self. It was good that other than Sarah Drew, the blind characters in the story were all played by blind actors.

Rating: 8 out of 10.

Big Sky River: The Bridal Path

Welcome to the Teenage Years

The first Big Sky River didn’t seem to be a likely candidate for a sequel. Everyone was all sorted out with a pretty seemingly trouble-free straightforward path forward to happily ever after. Especially when a little research revealed that the book this is based on is the third and last one in the series. Now there are a few Hallmarks that would make good fodder for a sequel ( Five Star Christmas and Ghosts of Christmas Always for two) but not this one. But they do manage to eke one out.

And it manages to be quite watchable thanks to the relationship challenges between Boone and Tara and their family dynamics. Also, the kid actors were all great. There is a halfway engaging side story between Tara’s BFF, the country star,  and her former professional partner who is now divorced. Emphasis on the halfway. Most of the drama and conflict come from raging teenage hormones and fragile emotions threatening to break out and run rampant at every turn. So the stakes are pretty low in the scheme of things. “This too shall pass,” and all that, you know. Tara’s stepdaughter Erin starts the ball ruling with an overreaction to her New York-based father’s thoughtless and clumsy remark at the gender reveal party for his due in 6 weeks wife. She is nice, in this one, BTW. He bursts out with joy that he has always wanted a boy which Erin interprets as “he never wanted” her and “doesn’t love” her. Kids! AmIright? On the boy side, Boone’s 11-year-old son is struggling with the upcoming changes to his life now that his Dad is  (finally) engaged to Tara. Not prone to tantrums, unlike Erin, he shuts down and is sad remembering his dead mother and being told they will be moving out of the only home he has ever known. Unfortunately, Dad seems to just want to not deal with his pain and instead of really talking about it and paying attention, just gives lip service. The younger son, by the way, by the way, is an oasis of calm and sense throughout. Sawyer Fraser is a charmer as Fletcher. Both Boone and Tara are also not immune to missteps along “the bridal path.” Boone forgets to pick up the kids while Tara is heavily immersed in parent-teacher conferences. He has to deal with a shutdown interstate but doesn’t even call. He just forgets. Although he apologizes, he really seemed to discount Tara’s distress (much like he discounts his son’s emotions) despite saying all the right words. On Tara’s side, when Boone rightly calls Princess Erin out for screaming at him disrespectfully and for maybe being a teensy bit spoiled, she overreacts giving him the ole “don’t yell at my daughter” routine which leads to a 1 or maybe 2 day break up. (Boone had to haul her friend Dawson in before a judge for breaking the law-don’t worry it’s not that bad).

Boone and Tara maturely heal the breach, and the almost break-up brings the kids to their senses. By the end of the movie, the little family is beginning to look like the Brady Bunch of the West. The reconciliation between Boone and Erin is very satisfying. I’ve never been a particular fan of Kavan Smith, because I prefer romantic heroes to be above average in height. But I do like him much more after his authentic good-humored performance in this one. Near the end, in lines that were obviously written in, his older son remarks to him “that he is almost as tall as you” and his younger son retorts, “That’s not saying much!” Kavan Smith responds laughlingly with an “Ouch!” Good for him.

Rating: 7 out of 9.

The Wedding Contract

Signing on the Dotted Line

I have always liked Becca Tobin in the movies I have seen her in and this was no exception. And I have really really liked Jake Epstein. He is good-looking, but with a nice normal guy-type vibe as well. They star together in this low-key Jewish-themed romance. Ms. Tobin has never looked lovelier. This one is a little different as the couple has a meet-cute, time goes by, Jake meets Rebecca’s close-knit family, and they are engaged to be married in the first 18 minutes. Rebecca teaches art, and we have a montage of pencil drawings of the couple having fun and such like to prove to the audience they have spent the necessary time together and they are a good match. And… it’s time to plan the wedding and bring home Jake’s single Mom ( I’m redecorating a Castle in Romania) from her world travels.

Of course, the mothers are…challenging. They have completely opposite tastes and lives. One likes lots of pizzazz and one favors understated sophistication. But their antics are mostly held in check. The conflict is limited to dirty looks and extreme civility. Plus, this bride actually has a backbone. There is also the matter of religious differences. Although they are both Jewish, Rebecca is fairly devout and holds to all the traditional customs and ceremonies. Adam on the other hand is Jewish in name only. His now-divorced mother married a gentile after his father died, and the pair lost touch with that side of things. There are a number of scenes of Adam getting immersed and educated in his heritage and he does it to make Rebecca happy. This involves meetings with a Rabbi, who looks more like an agent for the Mossad and is terrifying. The second and far more serious source of conflict is Adam’s career. After they are engaged and planning the wedding, Adam gets a big promotion to partner but it means he and Rebecca will have to move to Los Angeles. Rebecca is very close to her family and the after-school program she created and runs in Chicago. She is sad but rightly agrees with good grace that move is what they must do. Bonus Perk: He will be making twice as much money! So yes. Good decision. So far so good. They love each other and are willing to put the other first and work things out together. However,  after navigating their share of stormy waters the boat starts to flounder when Adam has to go to L.A. to handle an emergency just a few days before the wedding, and is late getting back in time for the rehearsal. Rebecca, already stressed and questioning Adam’s priorities walks out. I thought that was a little extreme.

All is (miraculously) resolved of course, with some thanks to the sage guidance of the two Moms. The actors were excellent. Becca Tobin managed to convey teacher-like qualities outside of the classroom without coming across as overly high-handed. Jake Epstein conveyed his character’s high-strung tendencies without making him seem like a ditz.  Jake’s mother, played by Laura Soltis had a lovely and touching scene near the end which softened her hard sophisticate facade. Oh! and good ol’ Peter Benson was in this. This was a low-key story that did include some drama and tension but didn’t turn into a silly circus. It was very pleasant.

Rating: 7 out of 10.

When I Think of Christmas

I Got Distracted From the Story

**spoilers**

This had some good things about it. I really like Niall Matter and I saw Shenae Grimes in a few things a while back and also liked her very much. She plays a lawyer in the big city who comes home for Christmas to help her mother downsize and move into a new condo. She comes across her old music partner (Niall Matter) and we learn that she used to be a talented musician and singer like her late father. Niall gives her the cold shoulder and there is a lot of anger behind his eyes. They have a fight and the truth comes out. She won a scholarship to Yale University and abandoned their dreams to go to Nashville together and try to make a go at music. She didn’t discuss it with him and just left with no warning. She basically ghosted him after a long relationship. But after she got to Yale, she wrote him and tried to call him numerous times and he just ignored her. The best he could do on his own was be part of a band. He couldn’t attain any degree of the success he dreamed of without her, although he did make a little name for himself. He has been blaming her all this time for his lack of success and for choosing Yale over him and leaving with no discussion. He is back in town directing the town’s big amateur Christmas concert. They air it all out and forgive each other and start to work together.

To be frank I was so busy trying to figure out how old the Niall Matter character was supposed to be, that I kind of lost interest in all the ins and outs of the story. Shenae’s character is definitely 28 years old. She got her scholarship as a senior in high school and it’s been 10 years. The 10-year gap between 18 and present-day is confirmed several times. Given the situation and what we learned about their relationship, it appears that Niall is about the same age. They were a music duo and were singing together since she was about 15. They were young and in love and making plans to leave town together to make a go of it in Nashville. It is mentioned later in the movie that they were in 6th grade together. But later, when it becomes obvious that his career is not going well Shenae asks him what happened. He says he got tired of just playing national venues as just part of a band and wanted to strike out on his own. At this point, Shenae confirms that this was when he was 29. As if 29 was several years ago. He says he put everything and every dollar into it, but just failed. He is still a performer, but he is not a success. He is so beaten down and discouraged that surely he struggled for at least a few years? (He even churlishly refused to join a singer on stage during the tree lighting, when given a shout-out, publicly turning his back on her) I figured he was 31 to her 28 at the youngest. It just didn’t hang together chronologically or logically. My guess is that the part was written for them both to be 28 or so years old, but it was too much of a stretch when 42-year-old Niall Matter was cast, no matter how attractive he looks. So they added some lines to age him up a bit. My head hurt trying to make it all make sense. I don’t know, it just bothered me.

They both behaved badly and they were whiny about it. For a 30 or 31 (or older) year-old man, Niall was very immature and did not seem to have much gumption or a firm grasp of the realities of the importance of being able to make a living. Shenae blamed her mother for her very successful career in New York as a lawyer. She made her feel guilty about being a responsible caring mother and guiding her teenage self to make the choice of the Yale scholarship rather than probably throwing her life away on a big gamble in music. They both just acted like babies. The mom actually ended up apologizing to her. So that was just so wrong as well. Especially when we find out more about her Mom’s struggles before and after her husband was killed.

The performers at this all-important concert were not good. The whole thing was like high school amateur night. Peter Benson’s cameo rapping A Christmas Carol was a treat, though. For all of the build-up, Niall, Shenae and her mother were not great at performing either. They all had very pleasant serviceable voices, but not professional quality by any means. I liked Mom’s new romance, but there was too much involvement in past history.

The end didn’t help. Shenae decides to follow Niall around, take up music again, and maybe practice law on the side (?). Meanwhile, Niall buys a plane ticket to New York to be near Shenae and her big career as a lawyer. The end is very vague as to what they end up doing and how. But one thing’s for sure, actor Daniel Bacon has a lock on the post of the official Mayor of Hallmarktown. This is at least his fourth turn in that role in as many years.

Rating: 5 out of 10.

Big Sky River

A Parable for Step-Parents.

**spoilers**

This was a low-key pleasant way to pass the time while also serving as a cautionary tale for loving step-parents. There’s not a whole lot of action, but then again it also avoided a lot of tired tent pole scenes and tropes that Hallmark is famous for. This was on Hallmark Murders & Mysteries, and those usually have something a little more to offer than the usual stuff that Hallmark churns out like an assembly line.

Tara is a recent divorcee whose ex-husband wants to distance her from his daughter, her stepdaughter, Erin, so she can bond with his new girlfriend without Tara in the way. Tara and Erin love each other dearly. Of course they do. Tara is the only mother Erin has ever known, and Erin has been Tara’s daughter for 10 of her 13 years. But Tara has no rights now that she is divorced from Erin’s father. This is a sad and scary situation for both of them, but being a mature, reasonable woman Tara respects James’ wishes (not that she has much of a choice) and is leaving for the summer. As a young girl, she spent a vacation at a dude ranch in Parable, Montana with her parents and she has always thought back on that time fondly. No, surprisingly, this is not a Dude ranch story. The dude ranch is now defunct but she is renting a house nearby.  

While in her summer home she takes care of the resident chickens, rides horses, makes friends, and dances, but more importantly meets a handsome next-door neighbor who is also the local sheriff, and his two boys. They form a connection right away, but being parents they are cautious and careful. And, as they both know, Tara will be leaving at the end of the summer. Meanwhile, the ex-husband, Hallmark’s longstanding never-the-romantic-lead-and-also-director Peter Benson, is not having a smooth time with his daughter. She has chased off 4 nannies and the agency won’t send anymore. He basically wants to just get rid of her and she won’t go to camp. He calls Tara and asks her to take Erin for the rest of the summer. Both Tara and Erin are thrilled and Erin happily joins her mom and makes herself at home in Parable.

And that’s about it until the big crisis. I won’t go any further, but it results in Tara finally putting her foot down with James and James caving in immediately. It was the highlight of the movie.  By the end, Tara and Erin will be together in Parable with Tara and Boone pursuing their promising relationship and hopefully forming one big happy family.

I appreciated late 30 and 40-somethings dealing with age-appropriate situations. Too often, Hallmark has had their 40-year-old actors dealing with life situations more common to twenty-somethings. The moral, or parable, if you will, of this story is, that if you’re the loving parent of a stepchild, better go ahead and adopt them. Marriages are not always forever but parenthood is. Don’t lose your rights to your child.

Rating: 7 out of 10.

August 18, 2022

Just One Kiss

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Too bad They’re All Not This Good-but then, It wouldn’t be Hallmark.

I knew this was going to be a 10 out of a 10 in the first 10 minutes. The dialogue was sharp and witty from the get-go. The stars were appealing and didn’t have the usual GQ male model vibe for the male or beauty pageant runway vibe for the female. Upon our first meeting with the striking Mia, an English professor, she is delivering a bitter cynical lecture on romantic poetry. Two students comment on her diatribe: “Professor Rivera needs a date.” …” Or a drink!” The girls make a few more appearances throughout the movie with their astute conclusions on the state of her love life going by the tone of her lecture. Very cute. We learn she is on her way to her lawyer to divorce her too handsome husband. He is 90 days sober but was a lying alcoholic who lost their house. He wants her back. And her tween daughter wants them back together too. She meets cute (a couple of times) with our leading man who is handsome but in a normal guy kind of way instead of looking like he just stepped out of a Vanity Fair ad. He is a lounge singer (now isn’t that an unusual profession for a Hallmark hero!?) and the music is wonderful. He is a bit of a flirt and plays the field but thanks to his conversations with a good friend and bartender we know he is a good guy and a keeper.

Despite her suspicious hostile attitude toward love and romance they bond over a love for old movies and he gradually thaws her icy sarcastic façade. The romance is facilitated by their two mothers who meet in the movie theatre the two frequent and know they would be perfect for each other. “He likes her! And she HATES him!… It’s perfect!”

Despite being wisely advised and cheered on by her best friend and his husband, all does not go smoothly in their enemies to friends to lovers journey. Mostly thanks to her jerk of an ex-husband and the inevitable misunderstanding with 20 minutes to go. I loved the unusual-for-Hallmark creative touches. The authentic New York vibe, the black and white dream sequences, the songs, the Greek chorus-like moms and the two female students, and even the original movie poster (not pictured but you can still see it on IMDb as of this writing)!

There is a cute twist at the end that was telegraphed early and often, and it just added one more unusual touch to the whole wonderful production. The cast of fresh faces have outstanding resumes, including Illeana Douglas. There were a few Hallmark veterans (Matty Finochio, David Ruttle, and Peter Benson in a short cameo.) and to my surprise, this was written by a veteran Hallmark writer. They must have told her to “do the opposite of what you think we want” or something. A movie like this is one of the reasons I doggedly look at almost every Hallmark movie. In addition to the crazily predictable and boring, there’s always a chance they shock with a truly excellent romantic comedy.

Rating: 10 out of 10.

April 3, 2022

A Bride for Christmas

Great Cast

I recorded this on a whim when I looked at the cast and vaguely remembered that it was pretty good. Sometimes I just don’t have what it takes to invest in a recent premiere movie that I haven’t seen yet. I just read what I wrote there. That is a sad commentary right there. Usually, I look at these re-dos in bed when I wake up in the middle of the night or the last thing before I try to fall asleep.

The plot was entirely predictable of course. The appeal lay in the cast of  Arielle Kebble, Andrew Walker, and Kimberley Sustad in particular. Arielle Kebble is one of the better early Hallmark actresses. Her movies for Hallmark are as memorable as they are few and far between. She is particularly good in those that emphasize lighter comedy rather than earnest heart-tuggery. However don’t count her out when the story calls for heartbreak, however temporary (as this one does). Our heroine is a runaway bride whom we meet Just as she is about to go down the aisle to wed door #3. We know trouble is on the horizon in the dressing room when she asks her mother how she knew her Dad was “the one.” But she walks down the aisle with a big smile. Arielle is very funny as her smile turns from happy and excited then stiff and then a bit panicked as she keeps walking past the wedding party and out the side door without a pause. Andrew Walker does his usual thing (which is a very good thing) as the commitment-phobe who bets his buddies he can get a woman to accept his marriage proposal by Christmas. It was a little unclear what this was meant to prove. He settles on Arielle.

This is classic romantic comedy material as the “player” courts the gun-shy reluctant jilt and they fall in love for real. Kimberly Sustad, who was only 22 when this movie was made, practically a baby by current Hallmark standards, plays Arielle’s sister and turns a nothing part into one in which she almost steals every scene. I also want to single out Sage Brocklebank as Mike, the jilted bridegroom who is a creepy looming presence as he hopes to win Arielle back and sees her and Andrew falling for each other. He manages to elicit both pity for his heartbreak and uneasiness as to what menace he is capable of.

I gave this a ‘7″ initially, but by today’s standards it is a solid “8.” Terrible promotional poster by the way.

Rating: 8 out of 10.

December 26, 2021

Time for Them to Come Home for Christmas

A Road Trip to Remember

Amnesia stories usually provide rich material for a nice story, and this one is no exception. Jessy Schram, a favorite of mine, plays a young woman who gets dunked in a river after being bumped by a car. We next see her in the local hospital near the Canadian border with amnesia. Her luggage has been lost. The only clue to who she is is an ad for a Christmas Tree lighting in Charleston, SC that she left behind at a local diner. It has a handwritten message on the back saying “Please Come” and signed “Mark”.

“Jane Doe” is an immediate hit at the hospital due to her friendly, spirited, and outgoing nature. Jessy conveys all of that with the underlying vulnerability that she is so good at. She makes a friendly connection with a nice nurse, Paul, who offers to drive her to Charleston as it is on his way to his family’s home. It is almost immediately apparent that Paul is hiding some secret pain as he is very conflicted about going home. Jessy and Brendan are perfectly cast and their performances are spot on. I like that they made Paul a nurse instead of a doctor, thus it made sense when he drives her in an old dilapidated car that conveniently breaks down on the way. A doctor would have flown.

On their road trip, they have a positive impact on all of the people they meet along the way. Including Alison Sweeney in a brief cameo appearance! This is a real thing this year. This is the third movie I have seen in which other Hallmark stars appear briefly in another movie not their own. I think it’s really cool. And very smart given the competition other networks are giving them for the attention of the Christmas movie-viewing public.

The movie keeps you engaged at all times what with the mystery behind Paul’s sadness and conflicted feelings going home and Jessy’s real identity. Jessy starts having flashbacks which hint that she may be married and have a child! Why would she leave a husband and child? Is she a bad person? Is he a bad person? It won’t be a spoiler to reassure you that she is not a bad person and her future lies with the nice and attractive Paul.

Rating: 8 out of 10.

November 29, 2021