This is a genuinely amusing little variation on the usual Hallmark template. It starts off with all of the clichés in place: Nice girl gets dumped before the holidays when she is expected to bring the dumper to meet the family for the first time. she can’t bear the humiliation or to disappoint them so she falls in with a plan to substitute an actor to impersonate the architect “”Mr. Christmas” ex-boyfriend. He is a born and bred New York City actor who is anxious to visit a small town to get a feel for a role he is up for. One problem. He is Jewish and can’t even build a gingerbread house. The chemistry between the charming leads was great, there was some ample support from veteran actors Bruce Boxleitner and Teri Rothery. And the talented Anna Van Hooft, who usually plays the villain in Hallmark movies, does a credible job in a throw away part as the supportive sister, for a change. And lets not forget the contribution by a Hallmark stalwart Peter Benson as the brother-in-law.
This was a nice romance with some good laughs fueled by the tension of when will the truth come out, and what will happen then, and the cluenessness of fake fiancee Joel, played with aplomb by new comer Matt Cohen.
One of the best this year. Hallmark Christmas movie fans: Don’t miss it!
I’ve read all of Jane Austen’s books and seen all of the films and series based on her books numerous times. I’ve read a lot of Austen-based modern interpretations as well. I am drawn to the numerous modern riffs on Austen and enjoyed many of them. My favorites are Clueless and Bollywood’s Bride and Prejudice. So of course I’ve seen the previous attempts Hallmark has made to capitalize on Austen’s current popularity. They were shameless exploitations because neither the plot nor the characters had anything to do with Jane’s works.
This one was different. Like Sense and Sensibility, we have two sisters who have an “Us against the world” mentality. One is flighty and starry-eyed, and one is practical and down to earth. They run a party planning business together. They are a believable version of what a modern Marianne and Eleanor might be. The love interest is a reserved button-down and shy corporate head who is dominated by an over-bearing parent and romantically linked to a childhood sweetheart. There is also a secondary love interest called Brandon. But here’s where the scriptwriter wisely mixes it up. Instead of All-business practical Marianne (they also switch the names of the two sisters) being paired off with the Corporate stick-in-the mud, It is the lively Ella who takes him by storm and shakes up his life and attitudes. It is a very cute and more suitable to the modern Rom-com. The chemistry between the two couples and and the sisters was romantic and touching. The acting was some of the best I have seen in a Hallmark lately. Erin Krakow was wide-eyed, energetic, and outgoing as her character called for. Erin surely has been doing these Hallmarks for 2 decades, but she hasn’t changed a bit. She was charming. Kimberley Sustad, a Hallmark stalwart, made Marianne likable and understandable despite her buzz-kill personality. Even though the two characters had conflicts and conflicting world-views, their love and loyalty to each other was touchingly done and affecting. Luke McFarlane was superb. He usually plays a cardboard cut out romantic hero. In this one he started out as a real pill who slowly and realistically melted and opened up. I was very impressed by the job he did with the Edward Ferrar personality. He was funny. I loved the chemistry between Luke and Erin, and couldn’t wait for the final chaste clinch.
So yes, I give this a 10. Overgenerous? Perhaps. But with this one, I’m grading on the Hallmark curve against a singularly lackluster couple of years of Hallmark Christmas movies. I’m amazed at some of the sour and overwrought reviews this one has gotten. I can only think that their experience with modern Austen takes is pretty limited.
I gave this one a “10” on my special scale for Hallmark movies. This one is set apart by the writing, the enjoyable characters, and most especially, the casting. There are probably 5 or 6 basic plots for these things. This one is the closed down/sad widower with a child who needs our heroine (Gwen) to reawaken him and save his relationship with his kid. No the plot is not original, but I judge the good writing in the little details. The relationship between our heroine’s sister (the wonderful Beverley Mitchell-so glad to see her again!) and her husband was fleshed out and added to the enjoyment. The appearance of the Mom at the end was a nice touch and added to the depth (don’t laugh) of the story. Gwen was cute, funny, charming, quirky, and so very likable. The actress(Meredith Hagner) was another Meg Ryan at the height of her romantic comedy powers. She was an absolute delight. Don’t ever change. The Dad was handsome and appealing, making his journey from cold and hostile to warm and open fun to watch. The villainess Anna Van Hooft) was very scary. What more could one ask for? Great Chemistry between the two leads, that’s what. And yes, it delivers there as well. **10 stars out of 10**