The Murder of Mr. Wickham (Mr. Darcy and Miss Tilney #1)

By Claudia Gray

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**3 1/2 stars**

“I have learned one thing already,” Emma said, “and will forever heed it.” “To what do you refer?” “That house parties are more trouble than they are worth, and we shall never, ever have another one.” Knightley smiled. “On that subject, we are in complete agreement.”

Despite flagging somewhat in the middle, I ended up quite liking this one. The Darcys, along with their 17 or 18- year-old son, Jonathan, the Brandons, the Wentworths, and the Bertrams have all congregated at the Knightley’s home for a House Party. Also joining them is Juliet Tilney, daughter of Catherine and Henry Tilney. She is a happy mix of her parents best qualities, thankfully inheriting her father’s intelligence. Emma had gotten to know Juliet’s mother (our novel-loving heroine is now a novelist herself) and had a notion that she would do what she could to expand Catherine’s sheltered daughter’s limited horizons, much as what was done for Catherine so many years ago (not to mention Harriet Smith.) The connections between Austen’s characters that see them all invitees to the same party are complicated. Unfortunately, all is not well with any of the couples except possibly the Knightleys themselves (although they will have their own troubles before the book is over). Although the love is still there for all of them, everything is far from idyllic. With all of these couples, it is the husbands that have the most to learn in order to get their lives and marriages in order.

Elizabeth and Darcy, now married 21 years, are a little estranged due to the death of Lydia’s 5-year-old daughter, Susannah, 8 months ago. They took her in and raised her practically as their own upon the death of her mother. Elizabeth is still heartbroken, but Darcy seems strangely unaffected by her death, which hurts and confuses Elizabeth. They also part ways on how to deal with the peculiar ways of their son Jonathan. Today, he would be diagnosed as high functioning autistic. He is socially inept, does not understand the subtle rules of societal behavior, is very uncomfortable with crowds, and all of the other usual symptoms, positive and negative. He was bullied in school and works very hard not to be an embarrassment to his parents, particularly his father.
Upon first meeting him, Juliet Tilney is struck by his unusual demeanor and lack of social graces.

Did Jonathan’s parents keep him locked in the attic of the famous Pemberley? That sounded like something out of a Gothic novel, but how else could he be so unfamiliar with the basic niceties of small talk? Or he could be a simpleton, in need of Christian kindliness and forbearance. His deportment seemed to indicate otherwise, but Juliet decided not to make any assumptions. Perhaps it would be best to speak slowly and patiently. “I hope you enjoy your breakfast,” she said, enunciating clearly.

She soon realizes her misapprehensions as to his intelligence and character.

The Brandons are still newlyweds, and predictably are still trying to navigate married life, their contrasting personalities, and age difference. Marianne actually loves her husband greatly but Brandon does not understand her feelings towards him, assuming she looks upon him as a secure haven she quite likes and respects, but somewhat of a consolation prize after the loss of her true love.

The Wentworths have suffered a serious financial reversal thanks to the pride and foolishness of Captain Frederick Wentworth. In seeking to ensure their daughter’s future prospects and stay on par with Anne’s noble family, he fell victim to a swindle. In his shame, Frederick has turned into an angry and bitter man, despite his supportive wife, who always cared little for luxury, status, and finery. Afterall, her happiest days were spent at sea with her once even-tempered and in command husband.

The Bertrams have been married for 4 years. There is nothing wrong with their marriage per se except that Edmund, although still a good man at heart, has become a know-it-all pompous prig and Fanny is timid, watery, and idolizes him. I am thinking that her deference to him in all things probably contributed to what his character has become. She is very pious and shy. “She was always declaring herself wicked for such vile offenses as failing to get the tea ready on time or riding her horse in hot weather. Often it made Edmund smile.” Although Edmund is very appreciative and protective of her, Fanny senses that his love for her is not on par with hers for him which adds to her diffidence and reserve. I think it is fair to say that they have not been good for each other. And now Fanny harbors a terrible and disturbing secret that she fears to tell Edmund about. I actually found Fanny and Edmund’s journey to enlightenment, wisdom, and a healthier happier marriage the most compelling of the four couples.

As they are somewhat awkwardly getting to know each other on the first evening of the house party, a most unwelcome visitor forces his way into their midst. It is no surprise when he is murdered (see title of the book) and every one of the 8 guests have strong motives. This was well-contrived on the part of the author. It is safe to say that whoever murdered Mr. Wickham did the whole company a service. Being intelligent and liberal minded, Juliet and Jonathan are drawn together by their desire for justice when they see that the magistrate in charge of the investigation (Frank Churchill) is determined to blame the crime on an innocent wandering gypsy or one of the staff. They proceed to investigate while concealing their unconventional and, in the light of the times, improper, partnership.

While the author is establishing the couples’ troubles, their motives for murder, and the early days of the investigation, the book got a little slow and lackluster. However, both Jonathan and Juliet are likable intelligent protagonists. I enjoyed the appearances of some familiar Highbury personages: Miss Bates, The Eltons, and Frank Churchill and his daughter. Jane sadly died in childbirth. The callbacks to the original books were amusing and well done.

Darcy sat at the small desk near their bed, writing a letter. Elizabeth might have teased him about contriving to keep such even lines, were she not equally occupied with letters of her own.

Maybe I am too easily pleased, but I thought the author stayed true to what Austen’s characters might have become and the circumstances of their lives and histories. I was afraid the author would be too afraid to have the killer be a beloved main character, but she didn’t chicken out. I picked this book up because I needed something “low stakes” after finishing two emotionally demanding novels. But by the end, the likability of the two detectives and their developing relationship, as well as the mystery itself, had me hooked. I do believe I will continue with this series.

Rating: 3.5 out of 5.

Big Little Truths

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By Liane Moriarty

Now she was crying all the tears she hadn’t yet let herself shed, and there were a lot of them, and Bonnie was trying to hug her, and Jane was trying to do the same, and everyone in the car except Celeste was weeping with voluptuous abandon, and Celeste was pulling tissues from the packet and tossing them about like confetti. “Find something to cry about, Celeste,” said Jane as she noisily blew her nose. Celeste pretended to dab under her eyes with a tissue. “I never got to speak to the nice man in the blue T-shirt at the library!” “Oh, and he was so cute!” said Renata. “Now he’s gone forever,” Celeste fake-cried. Then she stopped and said, “You know what? I’m actually genuinely sad about that.” Their tears tipped right over into teen-girl hysterical laughter.

4 ½ stars
I can’t quite give it 5 stars, but mostly because that’s what I gave Big Little Lies. It was a worthy sequel. Set 10 years after the events of the first book, it was good to become re-acquainted with the three good friends, plus Bonnie, plus Renata, plus Celeste’s mother in law, Mary Louise. Mary Louise was not in the first book at all, but Liane writes in her introduction that she had such an intriguing role in the mini-series (thanks to Meryl Streep’s portrayal,) that she pushed her way into this book. She does have a great character arc. Renata’s role (played in the series by Laura Dern) was thus expanded as well. But this sequel to BLL has nothing else to do with the TV series. Although there are marriages and even lives on the line in this one, the stakes didn’t seem as high as in the first book. The happiness and security of vulnerable innocent children were not in peril in this one. Jane is not a struggling young single mother and fragile outsider. She is happily married (to Tom of the first book), although there is one big problem to resolve, and Ziggy, her bullied child, has grown to be a great kid. In fact, all of the kids are pretty great (Renata’s Amabella, Madeline’s Chloe, Celeste’s twin boys, and Bonnie’s Skye.) There was one there that I was really worried about for quite awhile, but I think he will be OK. Although there are repercussions for the parents and their children stemming from the killing of Celeste’s abusive husband 10 years ago, the group is now dealing with another unrelated shocking event.

The format is Liane’s signature one where the book begins with something deeply upsetting and mysterious occurring. We look back on that event through the perspective of the teens, who clearly know more than they are telling through their school counseling session with “Brenda.” Meanwhile, we also alternate between their parents and other main adult characters and the happenings in their lives leading up to what the kids call “D-day.” At last, all roads lead to the big explosion culminating in shock, awe, and huge reveals. In this one, even more than in her others, we have a fully fleshed out aftermath following the climax that was incredibly satisfying and hopeful. At every stage, we have twists, turns, and reveals that both dismay and gratify. Adding to the picture is that along with the parents, we have the stories of their teenagers with agency and personalities of their own. There were a lot of tales to tell: both funny and worrisome alike.

My love for Big Little Lies stemmed largely from the suspense. There is a violent death that begins the story. As we meet the players and get to know them, we fear for the characters we have grown to love and be invested in. Not only that they may be guilty of murder but also that one of them may be the dead victim, the identity of whom is part of the mystery. In this, the sequel, I always felt like the big reveal was going to be shocking in a juicy way, not a devastating one. So again, the stakes were not as high as they were when the vulnerable and powerless are involved. I was not tempted to skip ahead to save my sanity but enjoyed the ride as we made our way to the climax. Now that I think about it, that is not necessarily a bad thing.

Although this book ended with hope and enough closure to satisfy me, there were some loose ends that I could definitely see might be tied up in a third book. But one centered on the teens navigating their lives as adults. We saw the beginnings of what their characters might prove to be. I would like to see more of them.

Rating: 4.5 out of 5.

Falling Into Place

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Falling Peacefully to Sleep.

This was the same, yet different. It included all of the usual Hallmark clichés and plot points that loyal watchers have come to expect and even rely on for their weekly dose of cozy happy romance. Yet this one took it to a whole other level of comfort and tranquility. We have the successful city girl, Kaia (Alvina August) going back to her small hometown. But she is not on any kind of mission. She is not there to stage a takeover of a beloved institution or recover from a failed romance. Nope. She is just taking a weeks vacation to attend her High School reunion and to visit her Gigi:  BJ Harrison, Hallmark’s go-to when a wise elderly black woman is required. Don’t get me wrong, I love her. She’s great. There were a lot of comforting familiar faces in this one. Kaia’s boss is demanding and always calling her on her phone, but she is not a bully, she’s nice. Kaia’s career is at a turning point, but there is no deadline she has to meet to secure the promotion she has worked for all her life, or to not be fired. In fact, she gets the promotion halfway through the movie. Her boss keeps calling her because Kaia is hesitant to accept, as this is taking her even further away from what she originally loved about the job: helping the little people rather than big corporations.

She meets old high school best friend, James (Nathan Witte), who has a back-to-nature type career, in contrast to her own. They fall in love while reconnecting trying to complete their High School bucket list. Is a bucket list for 18-year-olds a thing? I don’t think so. But it is Hallmark, after all. Their mission is to check off such aspirational endeavors such as “Win the Maplecrest Scarecrow Contest,” “Obtain the Super-Secret Recipe for the Apple Cider Doughnuts at the Mill,” “Make Mr. Winters Smile,” and “Win King and Queen of the Harvest.” The easy stuff, like “Jump into a Pile of Leaves,” had already been checked off 20 years ago. Like Kaia, James has no tragic romantic history to explain why he is still single at 38 when he is so eligible as far as looks, character, and professional success. There are not even any interested townswomen waiting to swoop down upon him like birds of prey. They just have a nice rekindling of their relationship with a few almost kisses. No lies, conflicts of interest, or secrets to complicate things. The only roadblock is that James lives in Maplecrest and Kaia life so far is in the city.

Kaia has a pregnant best friend of contrasting ethnicity who owns some kind of old-timey store with so many autumn flavored tchotchkes and decorations that I couldn’t really figure out what she sold there. Gigi is selling her house and set to move into an assisted living facility, but it is not against her will. In fact, she can’t wait to get to there with all its fancy amenities. The real estate agent is not greedy and looking to rip her off, but is the husband of Kaia’s best friend. So no stress there either.

There is a flirty baking scene. And there is a Fall Festival! But it doesn’t need to be saved, nor to raise money to save something else. There was that reliable little last minute drama in Kaia and James’ relationship but it was very little and not a stupid misunderstanding. James declares himself and wants to take their friendship to the next level but Kaia is still set on returning to the big city and her promotion (kinda), and is afraid of losing her friendship with James if something goes wrong in their romance. That was pretty weak, because no history of romantic disappointments had been established that might justify her fear of commitment.

Thanks to her best friend and her wise grandmother, Kaia does see the light and takes another position in her company that allows her to work remotely so she can stay in Maplecrest. And, Bonus! She can get back to helping needy small businesses instead of unappreciative Big Businesses. So Handy!

Anyway, this was an 84 minute masterpiece of calm, stress-free, and predictable viewing, amply decorated (but not too tackily) with Fall embellishments. James even wears at least one flannel shirt. Unfortunately it was so calm that I kept falling asleep. It took me hours to get through the whole thing, and even so, in my re-winding and fast forwarding I may have missed some important points. If this is the case, I apologize. I prefer the Hallmarks that are more out of the box and with a little suspense and drama. But I can certainly appreciate the appeal of ones like these. It didn’t make me mad or trigger contempt or disdain, so I’m giving it 7 stars.

Rating: 7 out of 10.

Happy All the Time

by Laurie Colwin

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Misty realize that she had spent a good deal of her life ready to ward off some terrible low blow. She did not believe that most people were decent or kind. She had never believed that life went along smoothly. She did not believe that life left you alone to be happy in this world. Vincent believed all these things. He thought that his happy vistas and Misty’s grim vision fused into one full-balanced picture of the world

That was what a moral system was: it helped you be good when you weren’t very nice. From Vincent, Misty learned that goodness and stupidity were not necessarily linked. You could be good and smart.

I read this book many many years ago in my twenties. I have no idea why I picked it up. Probably the title. At the time it was out of my comfort zone, but I remember I enjoyed it very much. I’ve recently seen this title by Laurie Colwin mentioned and raved about by some of my favorite reviewers, so I decided to re-read it. I really didn’t remember a thing about it. It was a sheer delight.

Set in 1970’s Manhattan, and positively reeking with the vibe and atmosphere of privilege, we follow two life-long friends, themselves fairly normal guys though very different, and their love for, courtship, and marriage to two very unusual women. Unusual for them, and just unusual period. I wish I could encapsulate them in words, but words fail. They are quirky to the point of being peculiar. But maybe they weren’t so unusual for the times and their milieu. I don’t know. They were certainly outside my experience. Endlessly unpredictable, loveable, and entertaining, I felt like I was, with them, on the edge of my seat constantly. They are not hilarious women, quite the contrary, but I was constantly chuckling and shaking my head at them in wonderment.

We meet Guido’s Holly first. Guido is smitten at first sight, but Holly is unimpressed.

“Are you still working on your thesis? I’m almost finished,’ said Guido.
I can never remember what it’s on,” said Paula. “Medieval property law and its relationship to courtly love,” said Guido. Holly Sturgis snickered.

Yet, despite her lack of warmth and cool self-possessed detachment, Holly loves him and they get married. She is very accomplished.

Holly had no ambitions to speak of, except to live nicely from day to day. It amazed Guido that she knew so much and did so little with it

… [insert a very long list of a smattering of Holly’s talents and skills]

Guido had once recited this list to Vincent, including the fact that Holly spoke French and Italian. “Does she fly on commercial airlines?” Vincent had asked. “Of course she does. Why?” “Anything short of a transport carrier would crash under the weight of those accomplishments,” Vincent had said.

She is a domestic goddess and creates a beautiful home and life for Guido, despite his constant state of bewilderment over what is going on in her head. The reader is also very intrigued about and interested in Holly. She keeps Guido and us on our toes. But with Guido, it is more that just curiosity. “…when Holly came back from so little as a trip around the corner to buy a bunch of parsley, Guido felt his life had been saved.”

We are still trying to get a handle on Holly when Vincent meets Misty. Another largely closed book.

One morning, Vincent had discovered a girl named Misty Berkowitz. He found her sitting in her office, slumped over her old-fashioned calculator stirring her coffee with a fountain pen. She had amber-colored hair that fell into her eyes and small gold spectacles that slipped down her nose. She looked bored and misanthropic. The sight of her caused Vincent’s heart to leap in an unexpected manner

“I see,” said Vincent. “Why can’t I simply take you out for lunch?”…
I don’t permit myself to be taken out for lunch.” “Is that some sort of militant stand?” “No,” said Misty. “I’m just not that sort of girl. I don’t go in for all that adorable socializing. I think it’s stupid and disgusting.” “I see,” said Vincent. “You’re not very nice, are you?” “No,” said Misty.

“Well, now, said Vincent “is Misty your real name, or is it short for something?”…:It’s real said Misty. “How did you get a name like that?” “Because my mother is a jerk,” she snarled.”

And like Holly with Guido, Misty improbably falls in love with Vincent who is her opposite in everyway. Like Guido, Vincent is equally at sea with Misty. But despite her difficult ways, as Misty reflects one day, “How happy Vincent would have been to know how often she thought of him, how secretly she doted on him.”

We follow the two couples’ married lives. There is drama in the workplace, we meet the families, Holly gets pregnant, Holly disappears for awhile. Twice. Once to a nunnery. Holly has a baby. We meet some of their off-beat friends and acquaintances,

“Is Sybel a runaway slave?” said Vincent. “Or is there something wrong with her feet? She seemed to have some sort of shackles on her ankles.” “Those are her leg weights,” said Misty. “She says they keep her calf muscles clear and full of physical intelligence.” “She ought to try wrapping one around her head,” said Vincent.

Towards the end, we meet a cousin of Holly’s whom Misty realizes should have been Vincent’s perfect match, at least on paper.

Gem stood for a part of Vincent that was not second nature to Misty—the part that was sporty and larky and on cheerful terms with the world, the part that had grown up sailing and fishing. Suppose Vincent got tired of someone who was not second nature to him?

It turns out this is one of those “slice of life” novels that I seem to gravitate to on a regular basis except for the setting, which is not early or mid-century England. Also, it’s funnier. I was reminded of another recently-discovered-by-me author, Amy Poeppel. So A Comedy of Manners, if it must be categorized.
I see that this review is full of quotes. If you were the least entertained, interested, or amused by these samples of Laurie Colwin’s writing. I highly recommend this book. Because there are literally gems and nuggets like this on every single page.

Rating: 4.5 out of 5.

Much About Love

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Much Ado

About a Shrew

This one requires a complicated set up so I’ll get right to it. Bea (Ashley Williams) is a successful television director who has returned to her mother’s annual Shakespeare Festival to direct the last play staged for that summer, The Taming of the Shrew. Her mother tells her this is her last season heading the Festival which is the impetus for Bea (Bee-a) confessing that she has been wanting  to take over for her mother once she retired. They learn that not only does her contract to do that rest on whether her Taming of the Shrew turns out to be a critical and financial success, but that the continuation of the festival itself is at stake. Someone wants to buy it and the board is willing to sell it unless Bea can show she can successfully take over from her mother and insure its continued success.   Bea and company are not too worried because Bea is an experienced director and she has gotten a famous award winning television actress, Hannah Michaels, to play Kate. Hannah wants to boost her acting cred by doing Shakespeare on the stage and there has been a lot of publicity about it already. As for Bea’s love interest, to Bea’s dismay, the actor her mother has already hired to play Petruchio is well-known actor Benny Gersten (Niall Matter) with whom Bea had a romance 20 years ago while they were young actors playing Romeo and Juliet. Benny returns to the festival every year to recharge. It has been awhile since he and Bea have met but their relationship has always been rocky stemming not only from their break-up but their differing approaches to Shakespeare. They bicker a lot. Kind of like…well, you know. Before rehearsals begin, Benny tells Bea that he thinks it would be better for all concerned if he played a smaller role and let another actor, Clay, have the leading role. This seems to be because he can’t tolerate Bea’s non-traditional approach to Shakespeare but didn’t make a lot of sense. It did have the benefit of making the Kate/Petruchio pairing more age appropriate as Niall Matter is old enough to be Lindura’s (the actress playing Hannah/Kate’s) father. It also sets up the secondary romance between Clay and Hannah (Claudio and Hero).

I liked this one quite a lot. Hallmarks based on great works of literature always have a head start with me. And this features two of them! Niall Matter and Ashley Williams worked well together and their romantic pairing was believable and engaging. We get a lot of The Taming of the Shrew during Bea’s directing and rehearsals, and a bit of the contentious relationship between Kate and Petruchio is reflected in Benny and Bea. I appreciated that the modern troubles staging this play, which, after all, is based on domestic abuse, were addressed. Bea’s reading is not an unusual one, to get around the dilemma. As far as the play this movie is supposedly based on, Much Ado About Nothing, there are almost enough connections for it to be called a modern retelling. Barely. The names are similar (Bea/Beatrice and Benny/Benedict). Both couples relationship is contentious based on their history. Also, the company, recognizing that beneath their snarky banter, the two are actually a perfect match, trick them into believing that each are hiding romantic feelings for the other. This leads to a truce between the two which gives them room to develop a relationship. Also there was a masquerade ball. 

But I didn’t feel the connections between the Shakespeare play and this movie really shone through in this story. The tropes in “Much Ado” are now all too common and oft repeated. There were too many differences and it was kind of confused by the other Shakespeare play which was more a part of the story. Why couldn’t the play they were putting on be “Much Ado” and not “Taming”? There was too much other unrelated stuff going on, including Hannah’s surprising ineptness in her role. Though likable, she was kind of a flake. Was Hero a flake in the Shakespeare play? I’m afraid I don’t know. She is having trouble learning her lines and is more interested in flirting with Clay than focusing on the play. Bea is concerned because she sees her own experience playing Juliet to Benny’s Romeo 20 years prior. She had let her feelings for him override her focus on her role resulting in bad reviews which caused her to quit acting and focus on directing. And then we have the big crisis of Hannah quitting the play and running off when she finds out the whole future of the festival rests on her being a success as Kate. I mean, really? She is supposed to be a professional. The whole episode was dumb, including why she came back.  But despite the distractions, this was pretty entertaining thanks to the jam-packed plot and bright script. I should probably watch it again to look for more shout outs to “Much Ado.” I’m sure I must have missed some. I love the way “William Shakespeare” is credited as a writer of this movie on IMDb. The Bard can rest easy now.

Rating: 7.5 out of 10.

The Keeper’s House

By Jane Fraser

I went ahead and purchased this hard-to-find early Rosamunde Pilcher title when it came my way at a good price. It was part of Harlequin’s Golden Library collection. It was her second to the last book she wrote under “Jane Fraser”, the name she used to publish her Mills and Boon romances. It would be 4 years before she published The Sleeping Tiger, the first book I read by one of my favorite authors and still a favorite of her “little” books. When I first started reading, I had high hopes that this would turn out to be one of the best of the Jane Frasers I have read. I liked our “not pretty” heroine pretty well, and I liked the hero too, thanks to his being introduced with a good bit of his backstory, before the heart of the novel started. The book turned out to be a pretty good one, but a bit below my favorites. I did feel that it was very close in quality to many of her Pilcher titles. In a few cases, better, as far as the character of the heroine. Some of her young ladies can be very weak, lazy, and not too bright.

The book opens with 20-year-old Amabel on the last day of a ski vacation in Europe. She meets Jeremy, a Major, and a former underling of her retired military father there by chance, whom we know from his description is not destined to be her love interest though he is a perfectly nice guy. He has a bristly blonde mustache and a receding chin. As usual, Pilcher’s leisurely pace is full of background and detail which established an atmosphere that drew me right in. As with her more acclaimed novels, the smallest detail conveys atmosphere, nuance of character and paints a whole picture. She makes everything interesting no matter how seemingly inconsequential.

Unfortunately, upon Amabel’s return home to England she is met with the devastating news of her 49 year-old single father’s death. She, her two young siblings, Emma and Adrian, and their Nanny are forced to move from their large farm to a much smaller cottage on the property, the Keeper’s House. Their former estate has been rented for two years to Bill Hopper, a very rich Canadian rancher. We met 26-year-old Bill in New York City in the process of his being dumped by his beautiful model fiance. Because of this abrupt change in his plans he has decided to turn a quick purchase of a prize bull into an extended stay in Scotland. He hears about Kilgenny being available and rents it for two years, planning to spend his time raising cattle for his father’s huge cattle concern.

Although Amabel takes a dislike to Bill thanks to her resentment of his occupation of her beloved home and his amusement of catching her in an embarrassing situation (under the piano with flour on her face) at their first meeting, she pretty much behaves herself. She is not rude or petulant, and though they have a few unpleasant run-ins after their initial meeting, she even apologizes for her fractious behavior. Bill is a very likable guy, making friends with whomever he meets, besides being very large, tall, and very good looking. He takes fatherless young Emma and Adrian under his wing and they make themselves right at home at Kilgenny, spending most of their time there “helping” him with the farm. It isn’t long before Bill and Amabel also make friends and are well on their way to falling in love with each other. Things eventually come to a head when Jeremy makes a re-appearance and Bill goes rushing off to London after an unexpected phone call from his ex-fiancé.

I liked this one quite well. The plot did kind of flag in the middle once Bill and Amabel became friends and started to fall for each other. Everything was proceeding a little too predictably with seemingly no trouble on the horizon to shake things up a bit. When things did start to perk up, Amabel behaved like a really stupid idiot, actually putting her and her family’s whole future happiness on the line by a knee jerk reaction. Luckily she ran into a brick wall (rather amusingly). Also, a highly anticipated confrontation on another front happened off stage which is one of my pet peeves. One aspect which was distracting and bothersome was Bill’s constant smoking. It seemed like he was buying a carton of “Players” at every opportunity. I know, it was usual for the times, but I don’t have to like it. It’s one of those old-fashioned aspects of vintage novels that is not a bit charming. As far as the happy ending, thank goodness for Nanny, who pokes her nose in and saves the day. Those crazy kids.

Rating: 3.5 out of 5.

Love Finds You

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“Woo-Woo” Wooing

Although there were some good things about this movie, it was pretty much sabotaged by the premise, which was contrived and absurd. It’s like the writers had the idea for the male and female to fall in love on a delivery truck while on a quest for the owner of a mysterious package who is someone on the driver’s route.  But since they couldn’t think of a reason to get her on the truck, they decided to put fantasy and magic in there so no one would question how the plot didn’t make sense because it had fantasy and magic in it. It’s magic. It’s fantasy. It isn’t reality. So it does not have to make sense. Right? Wrong. Magic always makes sense, even in a Hallmark. Magic is the doing of a magical person like Santa Claus, or an elf, an angel, or a ghost of a loved one. Or it comes from a magical object, like a magic dreidel, or lemon drop, or comet, or baked goods (so, so many). There are probably others, but the point is, it always has a reason for being. Not in this one. All we get is a musical chord one time, a bar code scanner that is behaving mysteriously,  and some shout outs to “fate” and “destiny ” to try to explain the unexplainable.

Alex Brown (Aimee Teagarden) is a Jewelry Designer who has a knack for customizing jewelry to reflect in some way the personality and history of her clients. They or the loved one fills out a questionnaire about themselves or the giftee and she designs a piece that is exactly right.  She also has had a string of unhappy love affairs which we hear all about. Thanks to one of her best friends, she has too much wine and does a new age type ceremony that is going viral, called “Fire and Aspire.” This involves burning the artifacts left by old boyfriends (Alex conveniently has a whole box full) and saying out loud or “manifesting” the qualities she really wants in a boyfriend. The next day, she receives a purple box delivered by Jack, her regular delivery guy (Chris McNally) who is a grumpy curmudgeon who also has an unhappy romantic history. Alex has been unable to befriend him with her cutesy post-it notes and cupcakes. She does not have a romantic interest in him per se, she just wanted to be friendly and get him to unbend a little because she is the perky sunshine type. It’s the “Grumpy-Sunshine” trope. He only cares about delivering his packages in good condition and on time and has no interest in “customer service,” i.e. being friendly and pleasant. He is also one of two top runners in a contest his employer is having, the prize being enough money to pay off the remainder of his sister’s college loan.

Back to the purple package. When Alex opens it, every item in there reflects an aspect of every quality she wished for in a man during the ceremony the night before. So the other “Alex Brown” this package is meant for must be her soulmate. She and her friends confront Jack with the package that was delivered to her by mistake but won’t give it back to him because they want to find and meet the Alex Brown it was meant for. They force Jack’s hand, but when Jack scans the barcode on the label,  no address comes up. The scanner is being spooky. To make a long and annoying episode short, this is how Alex gets to wheedle herself aboard Jack’s delivery truck. Where she procedes to whine, make demands, and stick her nose in his business. There are several other Alex Browns on his route, (what are the chances?) but none of them are the right guy. Meanwhile, Jack displays by his words and actions that he  actually possesses all of the qualities she wished for in a man. Alex shows him how being more personable can win him the contest, and they fall in love. The romance wasn’t bad, but other than that, it was just one stupid thing after another.

So what were the good things about this movie I mentioned? I really liked Chris McNally in this. He made a great curmudgeon. Even when he transformed into the typical Hallmark hero (all too soon), he was still good. I thought Aimee Teagarden was kind of miscast as the perky sunshine type, but she ended up being just fine, even though her character was super irritating. The side characters were positives and the pacing was good. Despite the stupidities and the annoyances with the plot elements themselves, the dialogue and conversations were smart and had some wit. Most importantly, it did not rely on the usual Hallmark core plot elements, like saving a beloved institution or the last minute misunderstanding to hang the story on.

**Major Spoilers**

So do we ever get to the bottom of what was behind the appearance of the magical box? Yes we do! It turns out it was all a big coincidence! There really was an Alex Brown who ordered all of the items that pointed to him being the other Alex’s soulmate. And his order was mistakenly delivered to the one and only of the many other Alex Browns in the area who had just “manifested” everything the box contained. It was just that his delivery area was just annexed. Coincidence! But too bad for him,  Alex was already in love with Jack, so he ends up with Megan, Alex’s best friend. Also, Jack ends up winning the contest even though he dropped out the day before. So many unanswered “But-What-About???s”. Even though many probably don’t, I didn’t like the way Hallmark just took for granted that their viewership wouldn’t notice or care about so many nonsensical things in this movie. And this includes how Megan is going to navigate having both the love of her life and her best friend having the same name. I guess it’s better than a match between Alex Brown and Alex Brown.

Rating: 5 out of 10.

Dolly All the Time

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by Annabel Monaghan

“Well, hello, Dolly,” says Grant, at the head of a table for eight. If I had a nickel.

And what do you do, Dolly?” asks a woman whose name I’ve already forgotten. “I teach kindergarten in Boston.” “Ah,” she says, resting her hand on the golf ball–sized emerald around her neck. “You two are like Charles and Diana!” It’s a grim comparison to say the least. “Well, sort of. Except he cheated and she’s dead,” I say, and look up at Stewart, who winces a bit. I could have just said nothing. Nothing was the thing to say. I feel a little blush creep up my neck.

There were times when I was reading this that I just loved it. I liked the brand of humor and I was actually a little excited about the similarities with at least one of my favorite and most dependable authors. I really liked Dolly and continued to like her throughout the book. I loved the set up of a romance between two socially and financially unequal partners. It is called the “punching up” trope and is one of my favorites. So many humorous and dramatic possibilities as well as opportunities to develop or reveal character. Some of my favorite authors incorporate this dynamic: Georgette Heyer, Jane Austen, and old timey gothics as well as some great rom-com movies including Pretty Woman, Notting Hill, Sabrina, and Crazy Rich Asians,-book and movie. and lets not forget dramas like Downton Abbey, North and South (Elizabeth Gaskell) and Titanic.

Overall, this one did it well. Dolly is a single mother whose father owns the local fish store in the New England tourist town of Whitfield, Rhode Island. She works as a Kindergarten teacher in Boston, but as the novel begins she has been called home to help her father and her mentally disabled brother when the roof of their beloved family home has to be repaired due to a fire. They do not have the money. Yet. While delivering fish to the local “nobility” she comes across the handsome scion of the family stuck on the side of the road with a flat tire. Stewart Whitfield of Whitfield is having a very bad day. His beautiful socialite fiancé has just publicly dumped him and has made him look like a victim in the eyes of his family and society. The timing is particularly bad as he is up for a hotly contested promotion in his family’s real estate firm. When a picture is snapped of Dolly changing his tire for him and goes viral, it is a hit to his image that he can’t afford. Can Dolly can play along and pretend to be his public girlfriend so as to avoid having him look like a helpless rich-guy dumpee? With two side hustles, helping at the family fish store and taking care of her family, Dolly doesn’t have time for such foolishness. But when he offers to pay her, she tells him she will do it for $60,000, enough to fix the roof plus a little extra. Also a clothing allowance for the hoity-toity functions that she will be required to attend.

As the romance progresses, we are treated to a bit of a makeover courtesy of Stewart’s nice sister, a supportive if a little giddy ride-or-die friend, interactions with Stewart’s powerful family where we meet both good people and bad, Dolly’s lonely son, Gus, whom Stewart takes under his wing, and Stewart’s conflicts and challenges with the direction the family business is taking. And that is just a random sampling that just scratches the surface. Lots happens in this book. Being with Dolly helps him enormously and starts to change his priorities from giving everything to his career to carving out time for a personal life and relationships. His mental health has suffered because of the enormous pressure he has put on himself.

And it is somewhat the same with Dolly. Ever since her mother deserted them when she was only 11, Dolly took on the caretaker role in her family, which has led to an estrangement with her younger sister Paula. Reading between the lines of Dolly’s narration, we see that despite her strengths she takes on too much for the sake of her loved ones. This has not been good for her or them.

I really could not have asked for a more likable heroine than Dolly. In addition to her voice and her wry observations, I loved the way she was unapologetic about her rather pedestrian background. She was not defensive or even proud of it either. When snooty people at the various social situations would ask her, she was just very matter-of-fact and up front about things in her life that some might, shall we say, not be able to relate to. And sometimes, she finds some kindred spirits when she didn’t expect to.

*Spoilers*

The romance proceeds smoothly. So smoothly that it started to get a little boring. Of course there is no doubt about Dolly’s feelings. She repetitively spells out her physical and emotional attraction to him for the reader. Not a fan of this tendency in romantic comedies. Stewart’s devotion to Dolly is not in question either, by his words and actions. Which makes it such a shock when does a 180 with a very hurtful and confusing ghosting, betraying everything she and the reader had come to believe about him. Similar to the MMC in the author’s Nora Goes Off Script he behaves abominably. But it didn’t bother me as much because it didn’t stem from an idiotic and inexcusable misunderstanding, but from internal psychological issues he had been struggling with. The drama ends up being a good thing for him. As for Dolly, the whole experience ended up giving her insight into how her own behavior had not been helpful to her or to her family. The repair of her relationship with her sister Paula was very satisfying, though I was hoping for an appearance of and confrontation with her much talked about mother. That didn’t happen, but I was mostly satisfied with the way her abandonment was dealt with. Of course, Dolly and Stephen are reconciled in the end, but not without her giving him a piece of her mind first. It was a turning point and I liked that she was ready and willing to move on before he came back hat in hand, though it was a whole year after the initial parting of ways. But maybe it had to be. I believed in their happy ending. After three of Monaghan’s books, this is my favorite so far. I had some reservations, but not nearly to the extent as I had about the other two.

Rating: 4 out of 5.

Aussie at Heart

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Nice Yacht!

One good thing about these ones that are set in faraway lands is that we almost inevitably avoid the bone tired tent poles that too many Hallmark movies are propped up by. I don’t have to list them, do I? This one is set on a small yacht travelling along the coast of Queensland, Australia. Samara Hughes, an event planner and former lawyer, has been hired by her friend and former colleague to plan the details for her parents’ 40th wedding anniversary celebration Down Under, where they met and married. They will be visiting the places that marked the high spots of their courtship, culminating with a renewal of their vows. The captain of the yacht is also a former colleague and friend, Nate, played by real life Australian Daniel Lissing, who is more famous for playing a Canadian Mountie or an American in other Hallmark and Hallmark-clone productions. At least, that’s how I know him. Samara is played by Rhiannon Fish. I have to admit, I have not been a fan of hers thanks to some of the mannerisms and expressions she uses as an actor that she carries over from movie to movie. They were absent from this movie for some reason, possibly because she was playing a capable mature adult rather than a character with strong gormless nitwit overtones. I liked her just fine in this one and hope she has moved on from her previous affectations.

Anyway,  Samara’s friend Liv and her husband were all lawyers at the same firm as Nate and Samara. Nate left Seattle where they all were based,  to work with his brother in their Australian Yacht Tour business when his Dad got sick. It is a temporary thing with Nate, but Samara’s switch in profession is a permanent one. Event planning has always been her dream. She is just getting started but is very good at it. She was also excellent at being a lawyer. We know that her leaving that career had something to do with a falling out with Nate, the nature of which is revealed in the course of the movie. Escaping the influence of her overbearing lawyer father was apparently a factor as well.

So we have 3 couples on the yacht, 2 of them deliriously happy: The wise older couple celebrating their courtship and marriage, the younger one, who we learn are pregnant, and Samara and Nate, the estranged couple, who are destined, with the help of the first two couples, to also be a happy couple by the end of the movie. Need I say more? Just a little bit. In this romance, Samara is the well-adjusted one (“The Fish” playing against type) and Nate is the one with the hang-ups and issues that he has to tackle before he can have his happy ending. His issues are all related to each other but are all about control: He is very risk adverse and all about staying on the prescribed path and following the rules. Set against the beautiful Northern Queensland coastline, the unhappy couple work out their problems and fall in love. We learn why they fell out and I must say, if I were Samara, I am not sure I would have forgiven him quite so easily. I almost always have a problem with the big last minute conflict and this one was no exception. Of course it was Nate’s fault, and given all of their talks and what he knew about Samara, it made no sense whatsoever. Let’s just say good ol’ Nate has a lot more work to do on himself (and with a good therapist involved). There was also a big conflict over whether to launch a fireworks display from the stern of their boat which should have been worked out between the two on Day One. Seemed like a no brainer to me (NO!), but whatever. A last minute alternative safer plan ensured the movie ended with the requisite pyrotechnics as the background to the final kiss. This one was pretty standard Hallmark fare: Some good positives, like the scenery, and no deal-breaking problems other than the predictable, if unusually befuddling conflict at the end. And it was a little on the boring side. **6 1/2 stars**

Rating: 6.5 out of 10.

Draco Malfoy and the Mortifying Ordeal of Being in Love

by isthisselfcare

Granger caught Draco watching her as the house-elf vanished. “What?” she asked. “I await your Manifesto,” said Draco. Granger sniffed. “I’ve come to terms with the fact that there are some parts of wizarding society I shall never understand.” “But you accept them?” “No,” said Granger. “I tolerate them.” “Hm.” “Don’t worry, I shan’t begin a house-elf revolution within your halls.”

I didn’t realize that the last book I read (Once, Again, Always by Amanda Gayle) had started its life as Draco/Hermione fanfiction when I got it from Netgalley. If I had, I probably would not have put my name down for it. I had never heard the term “Dramione” which is fiction that imagines a love story between the two enemies of the original series. I’ve never “shipped” the pair, though I’ve been aware that some yearn for that love story. Mostly this is because Ron is my favorite character and I love him. The first book threw me into a bit of a Harry Potter fan fiction rabbit hole and I emerged with this book. The reviews were wonderful across the board, and I was intrigued. 15 % into it, I was completely charmed and thoroughly hooked. I was thrilled that it measured up to the hype. As I got deeper into it, I was lost in admiration of the writing and the way J.K. Rowling’s world was expanded on, altered a bit, and picked up 15 years later. I was emersed in that world, and in awe of author’s take on Rowling’s creation. It recalled how I felt while reading the original series. It made me happy like that.

15 years on from the 2nd Wizarding War, Hermione Granger has straddled the Muggle and the Wizarding World. She is a respected surgeon, professor, and scientist at Cambridge University and in the Magical World she is a renowned “Healer.” She is as famous as Harry Potter and even has her own Chocolate Frog Card. I think that gives you an idea of her status. Draco Malfoy hasn’t changed a bit except that he is more mature and has rejected his former racist attitudes toward non-purebloods and deeply regrets his involvement with the Death Eaters.

…vivid memory returned, of Bellatrix’s handiwork, stark against Granger’s skin. Of Granger, limp and wrought-out, lying like a dead thing on the drawing room floor. Of the blood oozing out of the fresh-carved letters. Draco had never used the word Mudblood again, after that. Draco hid his own inner arm shame from the world, but he would’ve thought that Granger, of all people, would’ve been able to heal hers away. Clearly, she still bore the mark of Bellatrix’s knife.

He is considered, along with “Pothead” and “Weasel” One of the foremost Aurors in the country. For this reason, much to his irritation, he is assigned to protect Hermione Granger who is working on a secret medical project so important, the current minister of magic (Shacklebolt) fears that her life may be in danger. What Hermione is working on is an ongoing mystery in the novel and the reveal is worth the wait.

The book is told from Draco’s point of view. His feelings for Hermione progress from bored irritation to utter devotion, as Draco must stay handy and on the look out for any potential dangers she may face as she works on her project. It is very “two steps forward one step back” as their relationship develops. Despite their personality conflict however, their mutual respect, almost from the beginning, is never in doubt. Though it is very well hidden. The snark is top-tier.

The book is part romantasy, part rom-com and part swashbuckling adventure and quest. With a little horror and thriller thrown in. It is the whole package as far as plot, and is also rich in wit and dialogue. The author takes great care to bring in people and elements from the original series, but not too much. This is the love story that never was between the bossy insufferable swot and the shallow, morally questionable, and bad-tempered womanizer (as they see each other.) Harry Potter and Ron Weasley, for example, are still great friends with Hermione, but they are definitely peripheral to the action. They have moved on and academia-loving Hermione frankly doesn’t have that much in common with them (as we already knew anyway.)

When’s the last time Pot and Wheeze even read a book?” “Is that a rhetorical question?” asked Granger. “No. Answer me.” “Damn it.” Granger lapsed into silence….

The two share a grudging if respectful professional rapport with Draco.

The author sticks close to canon while imagining the future but sometimes she diverges from it pretty significantly. But it was good. Both of the Weasley twins are still alive, as are Nymphadora Tonks and Lupin. In fact, Tonks is the Head of the Auror Office and Draco’s boss. Poignantly, Hermione was never able to reunite with her parents.

However, Granger continued. “I Obliviated both of them during the war. Sent them to Australia to keep them safe. By the time I’d found them again, it was too late to reverse the spell without risking damage to their minds. They’re living quite happily in Adelaide and have no idea that they ever had a daughter.”

As a mother, that killed me. Some of the departures are a little strange. Ron is now in a serious relationship with Luna Lovegood, and Neville Longbottom is with Pansy Parkinson and part of Draco’s social circle. (I’d liked to know how that happened!) Also, in this book, Wizards and Witches are limited as to how much magic they can use at once, and often have to wait to recover their full strength if engaged in lengthy and challenging confrontations or undertakings.

Wizardkind is still (kind of endearingly) clueless about much of the Muggle world, although Owls have now been pretty much replaced with “Jotters”, a kind of text message machine. (Distributed by Weasley’s Wizard Wheezes) and even embraced by Draco’s traditional and old fashioned mother. Draco wants to learn the computer.

The internet was a thing that Draco was not quite certain he understood, but Granger could write things like ‘cat’ or ‘house’ or ‘oncology’ in a box, and information about the things came up, and pictures, too. It seemed extraordinarily useful. An instant encyclopaedia. Granger said that the entire contents of libraries were on it…Granger…explained the cloud and Hackers. The cloud was interesting, conceptually. The Hackers’ lack of axes or other violent weaponry disappointed him. Granger confirmed that there was usually no bloodshed involved. Anticlimactic, overall.

The book is over 700 pages so this review barely scratches the surface. It seemed so authentic. I was in a state of constant awe while I was reading it. It was a great love story. When Draco and Hermione finally come together it got a little too spicy for me, but the author (who injects her own voice periodically) thoughtfully and courteously gives the reader an Adult Content Warning. “Please scroll down to the tilde (~) if you prefer to skip to softer things.”
And bonus! It has pictures! This book is available for free (per one of J.K. Rowling’s requirements for fan fiction based on her books) on a website called Archive of Our Own and can be downloaded to e-readers. If you love Harry Potter and can’t get enough, I highly recommend this book.

Rating: 5 out of 5.