The Wedding Veil Journey

The Best of the Bunch

At the beginning of the movie, The three friends have gotten together and since they are also enjoying their wine, we know it’s been well over a year since the end of “Inspiration” when we learned Emma was newly pregnant. It’s been a total of 3 years since they first bought the veil. We follow Tracy (Alison Sweeney) home and we see that she and Nick (Victor Webster) rarely see each other, as she works during the day as the head of an art auction house, and he at night at his two restaurants. After talking to her friends, Tracy is inspired to give her marriage the kick in the pants it needs and the two end up going on their long-delayed honeymoon. They decide on Greece, the veil in tow, to lend to Nick’s still single sister in Spain. As in the second installment, we are treated to some gorgeous scenery throughout the movie.

I believe this one was very well done. It was very well put together and although not really comedic, had plenty of amusing scenes, dialogue, and a lot of heart. Alison and Nick’s relationship was very loving and mature. Any rough patches were handled by communication and a sense of humor. At one point, Nick starts surreptitiously doing the cooking for one of the owners of the struggling inn they are staying at. His food is inedible which is both a running gag and a real problem. Tracy is irritated when he starts “working” on their honeymoon, but, no worries, it is handled with no silly drama. There is drama in this one, but it is definitely not silly. Tracy and Nick get close to a cute orphan boy, a talented artist and athlete, but who lives at his school under the rule of a temperamental headmaster who actively discourages his art. As he explains to the interfering Americans, Leo will have to earn his living when he leaves the school and can’t afford to indulge his talent in a vocation that will not support him.  He has no one to fall back on, unlike impractical art majors. The neighbor who was raising him after his parents died had to be put in a care facility for early Alzheimer’s. Leo lovingly sends him his drawings weekly but it is doubtful he even remembers Leo. It is a very tragic situation and when Tracy and Nick take Leo to visit him it is a real tearjerker.

Meanwhile, in the light sweet romance department,  the veil works its magic with the young beautiful Inn owner and the grandson of a wealthy aristocrat played by Jane Asher, a British actress most famous for being engaged to Paul McCartney in the 1960s. When the young man called her “Granny”, it was jarring, to say the least. Equally jarring was learning she is almost 80 years old! Off the subject, but hey, we all love the romance and happy endings Hallmark is famous for, right? After her very public breakup with Paul, Jane Asher met Gerald Scarfe, a famous English illustrator and cartoonist. They have been together for over 50 years, and happily married for over 40. Can we have a movie about that, please?

There was a lot going on in this 6th Wedding Veil movie: Mystery (the veil keeps disappearing) light romance, Humor (the inedible food and the victims’ efforts not to hurt the amateur chef’s feelings) suspense and drama ( the antagonistic head of the school), and some real heartwarming moments involving how Tracy and Nick handle their attachment to Leo and how they help him.  Tracy and Nick have to have a think about their whole lifestyle and the kind of people they are individually and as a couple.  I thought it was well handled, with due respect given to balancing each of their careers with their relationship along with how they handle the situation with Leo. Unlike some of its predecessors,  All of the plot threads were fully developed, interconnected, and well-integrated into one coherent story. We are also treated to a thought-provoking defense of the importance of art in everyday life.

Yes, Autumn Reeser and Lacey Chabert do horn in on Alison’s honeymoon, Autumn on a small pretext, but Lacey flying halfway around the world on no pretext whatsoever. This does serve to illustrate what a good sport Nick is, however. Tracy is one lucky woman. I want to add that Alison’s acting in this was superb. I once referred to Alison Sweeney as Hallmark’s best crier. She is, IMHO, but in this one, her performance was truly moving. And she was funny too.

After a 7th couple is brought together by the Wedding Veil, (Nick’s sister is now married, we hear,) Tracy, whose skepticism is a running thread throughout the series is forced to admit that she has no choice but to believe in Magic.  The movie ends with the women going shopping, being lured into a shop, and tempted by a beautiful antique necklace that, oh no! has a legend attached to it. Everything has come full circle. Well played, Hallmark.

Rating: 9 out of 10.

The Wedding Veil Legacy

Last but not Least

The script was not a challenge for good actors: no great emotional highs and lows, but the whole cast of seasoned Hallmark actors did an excellent job. All handled the good humor and banter with aplomb. I particularly enjoyed Matty Finochio as the assistant, Stanley.

Tracy, played by Alison Sweeney, the third woman in the triumvirate of Wedding Veil owners begins her story by breaking up with her boyfriend, Finn. It is handled very maturely. He has gotten a great job across the country, and Tracy does not want to leave New York or her own great job. They are sad to part ways, but as we have gathered from the previous two installments, they have grown apart lately anyway.

Tracy takes the veil to a tailor(?) to have a snag repaired and meets Victor Webster getting fitted for a tuxedo. There is some good-natured raillery. Allison is planning an important party for her job and is in the market for a new caterer. Her search brings her to a new restaurant accompanied by Autumn and Lacey. Lo and behold Victor is the head chef and part-owner with his family. The meeting between the women and Victor is chuckle-worthy thanks to the three actresses’ comic timing and easy rapport.

The side story of Tracy’s mission to obtain a newly discovered early draft of the famous Emma Lazarus poem for the museum where it can be enjoyed by the public is interesting. It adds some suspense and provides the pretext (Victor might know an investor), along with picking out art for the new location of Victor’s restaurant, fun with food, and rug hauling around, for the promising couple to spend more time together. Alison and Victor make a good pair both age-wise and in physicality.

Unlike the second installment, the plot is tightly written. There are quite a few little stories, but the focus remains on the couple and their developing relationship. Every individual side element gets tied into the whole, including the Emma Lazarus poem welcoming immigrants to America. The continuing mystery of how the veil got to San Francisco is well incorporated into this final chapter and provides a satisfying conclusion involving a lovely coincidence and a twist. After the veil does its job of finding husbands for the three likable friends, it finds its own happy final home.

Of the three movies, I rank the first one the best for its humor, this one second for the well-constructed plot, and the second one my least favorite. 7 1/2 stars

Rating: 3.5 out of 5.

February 21, 2022

Five Star Christmas

Perfect Set-Up for a Sequel

Hallmark will have SERIOUSLY disappointed me considering the comparatively weak movies that they do build on if they don’t follow this one up. It is very rare that I give 10 stars to a Hallmark movie. This deserved every one of them. The highest praise I could give is that this almost could have been a regular theatre movie. I said almost. It was laugh-out-loud funny while being heart-tuggingly touching. And without being manipulative like the “soldier’s sad widow who finds a new love” movies are. There were multiple engaging story lines and a nice romance. Lucy and her siblings meet at home for Christmas only to discover that their Dad has turned it into a B&B and is making a mull of it. They all join forces to help their Dad turn it into a success. When who they think is an influential B&B reviewer drives up, they all pretend to be staff or happy guests, as there are no real ones, and that would not be a good look. The direction was awesome by veteran Hallmark director, Christie Will Wolf. She has not always helmed good movies, but in this case, the good script was made something special. The acting by most concerned fills the bill.

Once I got used to Bethany’s new eyebrows and Victor Webster as her love interest, it did not put a step wrong. I like Victor, but he was a little miscast. And can you believe no flour throwing scenes or snow-ball fight or snow angels to be found?! Instead, there was a Taffy-Pull! What a concept!

Each cast member had a very engaging story, and any one of the characters could be the focus of a next spin-off or two. Or Three.

Rating: 5 out of 5.

November 28, 2020

Hearts of Winter

Ho Hum Hallmark Elevated by the Cast and their Chemistry

The story and the writing is weak, although the interior decorating and shopping bits were mildly diverting. However thanks to the talented cast and the easy chemistry among all the actors, this one earns an 8 from me. Jill Wagner is a very good actress and she and Victor Webster make a great well-matched couple. Victor’s character Grant started out whiny and ungrateful, but he got over it fairly quickly. Lauren McNamara who played Grant’s daughter was also top-notch and has been in several other Hallmark movies. She gets the plot rolling buy winning a free house makeover from Bethany an up and coming Interior Designer. Brendan Zub has impressed me in other productions, but was under-used as Jill’s sensible and supportive brother. I would like to see him as the lead again in further Hallmark movies. Last and certainly not least is the cute and charismatic Rukiya Bernard, Jill’s friend and partner, who brightens every production she is in. Alas, still in the best friend role and not as the lead. Come on Hallmark! Give her a role worthy of her before she gets away. One thing I really liked about this romance is that it didn’t end with the deal-sealing smooch, like they all do, but went on to add a little postscript by having the cast wrap things up back at the redecorated home.

Rating: 4 out of 5.

January 26, 2020

A Harvest Wedding

Very Nice. And Breaks the Mold in a Few Instances

A Harvest Wedding was above average due to the likability and good acting of the leads, Jill Wagner and Victor Webster. They played age-appropriate, mature, and sensible characters with good heads on their shoulders. Because of this, the plot was not packed with silly misunderstandings, stupid behavior, or battles between good and evil. Jill Wagner has a real Scarlett Johannsen thing going on, though much more down-to-earth looking. Victor Webster was almost too handsome, which made him an unlikely farmer, but his acting was good.

Jill played a wedding planner, Sarah, given the gig of a high-profile society wedding which would really put her on the map career-wise. In addition, a prestigious wedding magazine is doing a piece on the wedding because of the prominence of the family involved despite the fact that the bride, a super nice down-to-earth girl (Andrea Brooks), chose Jill over much more established wedding planners. To add to the complications, the bride does not want a super-fancy formal spectacle, but a simple country wedding at her fiance’s family farm. I liked that the mother of the bride was set up to be a momzilla, but knock me down with a feather, after a heart to heart talk with Sarah and her daughter, she stepped up and helped give her daughter the wedding she wanted, not what fulfilled her own elite society wedding dreams.

In addition, the ending was a refreshing breath of fresh air. Without fail, In Hallmances, the big city career girl gives up all of her professional progress and achievements and moves to the country to be a wife. In this one, the farmer, thanks to his development of a method of rooftop gardening, divides his time between the country and the city, allowing Sarah to pursue her dreams. This is a real departure for Hallmark. The final scene was a treat.**7 stars out of 10**

Rating: 3.5 out of 5.

October 26, 2017

Home for Christmas Day

Tearjerker!

I never thought I would say that a Hallmark movie surprised me, but this one did. Twice! Basically this is a story of an over-protective mom, played very intelligently by Catherine Bell. She was left a young widow due to her own military husband dying in action. She has refused to open herself up to love with her friend, an extremely eligible and attractive man who is in love with her, due to her tough experience. Now she sees her own daughter, who has a bright future, possibly putting that in jeopardy and opening herself up to pain and heartache by her own budding romance with a soldier about to be deployed. The script is good, and is a good bit more daring and multi-layered than most Hallmarks. Bell’s character is over protective, but she never goes too far. I was never angry or too frustrated with her. This is partly because the daughter, Betsy, has a good head on her shoulders, and gives her Mom as good as she gets. The actors are great, all the way around. A special shout out goes to the casting of the young soldier. He was super appealing and this movie would not have been so affecting unless you were half in love with him yourself. He was the young man any Mom would hope for in a son, or would want a daughter to marry. And by the way. Pay attention to the title, I surprised I was so surprised by the ending. **9 out of 10 stars**

July 30, 2017