“In the willingess to fail, the extraordinary will often appear.”

**Spoilers**

I caught this 2020 Countdown to Christmas movie last night. I had only seen part of it back when it first came out, but it caught my interest because I always like Luke McFarlane and I was happy to see Merritt Patterson again. She has been absent from Hallmark for the last four years. Although she was not the most talented Hallmark actress, she is very pretty and has a sweet and gentle vibe that I kind of like. And Luke has the same type of kind and sunny quality when he is not being an excellent comedic actor.

Margot Hammond (great name!) is a world renowned pianist who is getting a little burned out from the travel, the constant pressure to not disappoint, and fear of not living up to her reputation. She got a rare bad review from a highly respected critic who credited her technical expertise but called her out on her lack of musicality and passion in her playing. It really stung because she knows it is the truth. When an upcoming concert is canceled due to the venue’s roof falling in and almost killing her, she decides to join her family for their traditional Christmas vacation at the Chateau Neuhaus, a ski lodge in Colorado. She is looking forward to licking her wounds in the bosom of her nice, supportive, and charming family.

While tinkling the ivories in the hotel lobby she is approached by her ex-boyfriend and musical partner, Jackson (lovely Luke Mcfarlane). They are surprised but happy to meet up again after so many years even though they parted badly.  8 years ago they were in a quartet together and were in love. But when Margot was offered the opportunity of a lifetime in New York, she did not hesitate to follow her dream of being a concert pianist, unfortunately leaving the group in the lurch. Jackson, who was the cellist, stayed in Colorado and became a music professor who is currently up for the department chair. The PR guy for the lodge, Adam, charmingly played by Jesse Hutch, is another old college buddy and he is in a pickle. The Chateau hosts a highly anticipated and sold out Christmas concert but all of the performers have had to drop out for one reason or another.  Jackson has agreed to replace the director and find replacement musical acts. When the headliner also drops out, he prevails on Margot to take her place. Refreshingly, although Margot feels a teeny tiny bit guilty about the way they broke up, and Jackson was very hurt, there is no bitterness or childish sulking between the two, as is usual in these things. Another example. Margot waffles a bit, but agrees and they take up where they left off, but as friends. They both are wary of acting on their still active romantic feelings for each other because their lives are so different and neither wants to get hurt.

Together they whip the concert into shape (Adam is hopeless), focusing on securing a famous quartet who have been broken up for 20 years and have been incommunicado with each other. Their break up mirrors Margo and Jackson’s in that two of the quartet were in love but Sarah wanted to settle down and start a family and Sam wanted to focus on his career and touring. He confides that he has regretted it ever since. The re-uniting of the surviving members of the Lafayette Quartet and the re igniting of the romance between the now divorced Sarah and curmudgeonly Sam was sweet and engaging.

Now if all romances were as trouble free as this one, it would get pretty boring. But it was nice for a change to have the leads behave like mature adults and professionals. Even when Margot learns the critic that caused her so much grief would be reviewing the concert and that Jackson didn’t tell her right away, it was the set up for the notorious big misunderstanding and temporary breakup with 15 minutes to go. But they communicate, she listens, and she understands his side of the story. My jaw dropped.

Thanks to the advice of the older couple who are given a second chance at love, Jackson and Margot resolve that they too can marry and have a family without compromising her stellar career. Margot overcomes her fears, rediscovers her passion for her music, and gets a stellar review from the critic, who turns out to be really smart and nice. The concert goes off without a hitch and even better than originally planned. Jackson gets the chairmanship of the music department, and of course Jackson and Margot live happily, kindly, and harmoniously ever after.

This was a old school Hallmark but without many of the usual tropes and cliches. The romance is definitely a focus, but not the main focus. More time is taken by the challenges of putting on the last minute concert, Margot finding her musical mojo again, and the secondary romance of the older couple.