A Grand Ole Opry Christmas

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A Good Daddy

I didn’t expect this to be as good as it was. Often highly promoted efforts by Hallmark fall a little short for me. But if it gives me some chuckles, and this one did, I am prone to look benevolently on it no matter how much it otherwise annoys me. But if it makes me cry in a good way as well, it might qualify for an 8 thru 10 stars out of 10. And this one certainly did. The story was moving, but that can go for naught if the acting is not there. Thank goodness Nikki Deloach played the lead. She is easily one of the best actresses that works at Hallmark and I have praised her skills before. More than once. Honestly, she has never given a bad performance, even if the movie wasn’t so great. And Kristoffer Polaha, who plays her leading man, has his own acting style which can get a teeny bit old sometimes, but he is one of my favorites anyway. Just because I can see what he’s doing there, doesn’t mean I don’t like what I see. And they were great together. Add in some time travel, and I’m all in.

Gentry Wade (Deloach) is the daughter of a country music star who died when Gentry was just a teenager. She was once an aspiring songwriter, like her Dad, but things got in the way, and she now runs a popular bar and music venue which is a gathering place for Nashville country stars. The 100th anniversary of the Grand Ole Opry is coming up and the legendary duo of Jett Wade (Gentry’s late father) and Von Winters are going to be honored on stage during the annual Christmas show. Gentry has been invited to appear and is encouraged by her “Uncle Von” and her late father’s cousin Rita (the always welcome Sharon Lawrence), who was a talent coordinator for the Grand Ole Opry back in the day. Before his tragic and unexpected death Winters and Wade mysteriously broke up and Von Winters went on to great solo fame. But Gentry is hesitating because she feels she has not earned her right to appear on the hallowed stage as she gave up on her dream to be a songwriter (for what appears to be several reasons). Also in the mix is Mac, (Polaha) a lifelong friend who has returned from L.A. to pursue his successful talent manager career in Nashville.

While all of the talent is preparing for the big Christmas show, Gentry sits down on one of the onstage pews which are reserved for family and friends of performing artists, and she is sent 30 years back in time! It’s the day before the 1995 Christmas concert which was also Winters and Wade’s final appearance together. I’m skipping some steps but Mac follows soon after. Together they spend time with the young Rita. Gentry (who calls herself Jen, because if she had the same name as Jett’s teenage daughter, who is not around, thank heavens, that might be confusing) also gets to reconnect, as an adult, with her beloved father. Also his pal, Winters. At one point she finishes, with the help of her Dad, an old song she started to write as a young girl but never finished. Winters hears it and he is so encouraging, she knows that if she stays in 1995, she will be able to finally pursue her career as a songwriter. So will she stay in the past? Will it be with or without the love of her life, Mac? Why did the legendary duo break up that fateful Christmas in the first place? Will Gentry be re-inspired to try to write again in 2025 (If she goes back, that is)? The answer to at least one of these questions brought me to tears. And 3 subsequent scenes kept them flowing.

A few things added even more to the overall appeal of this movie. One was the mystery of whether two of the main characters remembered the 2025 Gentry as the 1995 Jen that was a brief part of their lives for one day. From a few things that were said or happened, I’m pretty sure one of them did, but am not so sure about the other. There is even a little hint (not in anything in the script, but in the actor’s subtle performance) that her father might have suspected something. It was a welcome wrinkle to the usual Hallmark where everything is spelled out. I like a little thought provoking mystery, sometimes. Of course, the appearances of real life Nashville stars were entertaining (even if the only one I recognized was Brad Paisley). You could really tell that everyone involved was committed to this production, and was glad to be a part of it. Finally, and I’m not sure I should mention this because I may be the only one, but I saw a great resemblance between the two actors who played the younger Winters and Wade to a Wyatt Earp-era Val Kilmer and present day Leonardo di Caprio. For me, it added a certain Je ne sais quoi. One thing I would have liked was to touch base with the poor Opry Guard who saw Gentry and Mac disappear into thin air. That might have long term consequences. 9 stars thanks to a little “Opry magic.”

Rating: 9 out of 10.

Journey to You

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Monica Gets a Pebble in Her Shoe and Falls off a Log

I’m sure this one will get a lot of criticism regarding its slow pace and many references to God and faith. But maybe not. Because honestly what would anyone expect from a Hallmark that was based on a workaholic nurse who goes on a Christian pilgrimage to learn to slow down and find balance in her life? The evening before Easter? Wouldn’t anyone guess what was in store for them with this movie and give it a pass if this kind of thing did not appeal to them? Those that stick with this past the first 15 minutes are those that are either masochists or appreciate more contemplative leisurely paced entertainment packed with lots of talk, walking, praying, nice scenery, life lessons, and inspirational religious stuff. At least the Hallmark version of all of the above.

Popular Hallmark actress Erin Cahill stars as Monica who is a Nurse Practitioner who has just been passed over for a long yearned for promotion to Practice Manager. This is very odd because she is a very hard worker and has been working very hard making herself indispensable to everyone, patients and colleagues alike, for a long time. She hasn’t been on vacation in 4 years, because, as she tells her new boss, “This place depends on me. I wouldn’t want to leave my patients high and dry.” Wow and Yikes. This to the woman who the higher ups hired instead of promoting her. And one who appreciates the value of teamwork. Maybe not so odd she got passed over, after all. After a talk with her mother and a visit to the chapel, Monica has a glimmer of self-awareness and decides to take up her mother’s suggestion that she would benefit from walking one of the routes of the Camino de Santiago. This is a Christian Pilgrimage through France and Spain that people take for many reasons: physical challenge, spiritual enlightenment, a break from modern life, renewal of their Christian faith, and in Monica’s case, to get a grip. Actor and famous devout Catholic Martin Sheen made a movie about this with his son Emilio Esteves called The Way.

Monica’s companions on her journey include a handsome divorced father, his teenage son, and his handsome not all that elderly father who is the same age as their wise and friendly guide, Consuela. It turns out that Monica’s glimmer of self-awareness was just the tiniest of glimmers. Her control freak ways have followed her to Spain. All of them have a lot to learn and no prizes for guessing that we will have two successful romances by journey’s end.

Even though the movie was not actually filmed along the Camino, it was filmed in Spain, and the scenery was a real plus. The characters were all likable, despite their flaws and weaknesses, especially Consuela who was an oasis of calm and wisdom. Even though the morals of the stories were nothing new and ones that Hallmark belabors on a regular basis, I liked the not too subtle suggestion that Monica’s journey was guided by a force greater than herself. Some of the coincidences turn out not to be coincidences. I liked it pretty well, but again, if you can’t tolerate talky faith-based leisurely movies stay far far away.

Rating: 7 out of 10.

Autumn at Apple Hill

An Easy Watch

Erin Cahill plays Elise, a divorcee who is not-a-mother and is trying to keep her struggling Apple Hill Inn that she inherited from her late grandparents afloat while trying to keep the large hotel chains who are trying to move in on her at bay. It is a beautiful and beloved Inn, but it is falling apart. Her friend and employee Nora has been trying to get her to computerize the administrative duties and use social media for promotion, but Elise feels that this would take it too far away from its roots and old-fashioned charm. Meanwhile, the guests eat their breakfasts with umbrellas at the ready so the pipes don’t leak on their food.  She has a lot to fix and update to make the Inn viable but can’t get a loan until she shows a 15% profit by the end of October. Her banker encourages her to consider partnering with one of the big hotel chains who have come a callin’ but she is dead set against becoming nothing but an employee in her own hotel.

Meanwhile Luke (Wes Brown) is the CFO of a large hotel conglomerate headed by his mother. He is a workaholic who is running his staff ragged. His Mother puts her foot down during a lunch where he will not get off his phone. He is very annoying. To protect her employees from his punishing management style, she cuts off access to his cell phone account and suspends him from his position so he will go on a mandatory vacation. He is horrified and discombobulated. Paula Boudreau plays his elegant resolute mother and when she spikes his guns, we cheer her on. She is a force to be reckoned with. Completely at loose ends, he sees an old photo and fondly remembers growing up in his old hometown of Landover and decides to spend his forced vacation time there. And Landover just happens to be where The Inn at Apple Hill is located! He has fond memories of the Inn and it is there he insists on staying! When Elise looks at the old paper register book (“Oh but the tactile feel of paper though!”) she recognizes his name as a big hotel magnate and assumes he is there to worm his way into taking over her hotel. She proceeds to make his stay as miserable as possible giving him the worst room in the place. The Bates Motel is mentioned.

Eventually Elise finds out that Luke has no nefarious designs on her Inn and they start to get to know each other and work together. With Luke’s help and expertise, will Elise be able to get that loan and save her Inn? It all rests on the success of bringing back the Inn’s traditional Halloween Party that had gone by the wayside 15 years ago.

Despite the often used and predictable storyline. I rather enjoyed this. The surprising twist in Luke and his mother’s business relationship near the end was an unexpected and welcome development. The secondary romance between Nora and the electrician was sweet and added a nice touch. Sarah Luby as Nora was funny and charming. In fact, all of the supporting characters were likable and well-written. Erin Cahill and Wes Brown were fine, especially Wes Brown. They had an easy-going and natural rapport. Before Luke and Elise started making nice, she was the recipient of some pretty brutal and much-deserved assessments of her hospitality. Their back and forth was pretty funny. (“I can show you my plaques!” “ Did you buy them on the internet?”).  When she finds out he is old pals with a respected local tavern owner and mutual friend, relations between them are quick to thaw. She is genuinely ashamed of herself and her learning curve in embracing modern methods and a new attitude were engaging and realistic. She was intelligent and reasonable and didn’t try my patience with stupid pig-headedness. The movie did use my least favorite Hallmark trope, “Bad Business”, but it wasn’t the focus and was over before it became too irritating. It was nice to look at. The tasteful fall decor in contrast to the random and eccentric seasonal bric-a-brac of other networks and Hallmarks not Hallmark-produced, added to the overall pleasantness.

This one had too familiar a plot to get really high marks from me, but it had enough positives to overcome a formula that could have made it tired and boring. Instead, it had a comforting tried and true old-fashioned feel that I really liked. It was easy to watch.

Rating: 7.5 out of 10.

A Taste of Love

Keep the Fried Chicken but Go Back to the Chili con Queso Dip and the Sliders.

Although generally pleasant with a nice beach location in Dunedin Florida, this was just not up to snuff. All of the plot points were utterly predictable from the romance to her career decision to the fate of her parents’ restaurant. I won’t review the plot because you know it even if you haven’t seen this particular version. I will just say: Unfulfilled TV chef,  Parents’ selling their small town restaurant, Memories of Granny, Looming decision over taking $$$$ vs. Creative Dream, and hometown old boyfriend living his best life. Throw in a black best friend/agent, a token gay couple, a festival, a cooking contest, a mean-girl rival, kitchen shenanigans, cooking montages, and lots of misunderstandings due to miscommunications. I was suspicious of this movie when it premiered on a Monday instead of the usual Saturday. Sadly, my suspicions were confirmed.

I am not an Erin Cahill fan, though I can’t give you a good reason. No matter her role, I always feel kind of stabby at her at some point. She is very popular so it’s all on me. I did like the guy who played her farmer love interest though (yes, farmer not former, He’s a farmer and he wasn’t former well before the first hour.) The guy who played her father was the bad guy in the Karate Kid and I couldn’t get over that. “Yes, Sensei.” The plot centers around Taylor (Erin Cahill) being offered millions of dollars to take her popular cooking show to primetime, but she doesn’t like the show’s “Quick and Easy” theme because she wants to be a real chef and do her own thing. I mention this only because after lots of angst, she actually decides to take the money! I was very pleasantly surprised. Throughout all of the waffleing (pun intended), I was like “Take the generational money now, girl, you can be a great chef later!” With the fame and the dough (pun intended), the sky’s the limit! But get this. Her agent/best friend doesn’t send in the contracts! Contracts that would make her close to a million dollars on the deal herself! For no other reason than it “felt off” plus a mysterious phone call from the formerly benign farmer boyfriend behind Taylor’s back. Words fail at the utter gall of the agent and all of the red flags being waved by the boyfriend.

Well of course, no harm done, she ends up doing another cooking show filmed in the family restaurant that she now owns and being all creative with her food. Oh, and she won the cooking contest at the festival albeit with two horrible-sounding creations featuring fried chicken, blueberry syrup, waffles, ice cream, donuts with blue icing, bacon, and something that looked like, I swear, jalapeños.

Rating: 4 out of 10.

Christmas on Cherry Lane

Pass the Advil, Please.

Ohhhh my head!  This one made my brain hurt.  I love ensembles, and movies with multiple stories that tie together in some way are favorites of mine, so I was really looking forward to this one. It did not get off to an auspicious start. We are introduced to 3 different sets of people and their stories. Right off the bat, I hated either the people or what was happening with them. The first featured Erin Cahill and John Brotherton as Lizzie and John, a happy couple expecting their first baby. These two are not my favorite actors, although it may be because of the parts in which I have seen them in the past more than anything personal against their talent. Actually, I was kind of looking forward to having this one change my attitude towards them as Ms. Cahill is a Hallmark mainstay, and John Brotherton looks to become one. And they were fine in this. The two are looking forward to enjoying a quiet Christmas together nesting in their brand-new house and waiting for their baby, when Hell descends upon them in the form of her mother and father. They barge in uninvited and unwelcome announcing they are intruding staying for the holidays. And they have the gall to have invited more members of the family to overflow our couple’s modest little home. And the gall continues. The mother and father start insulting their housekeeping (they haven’t even unpacked the moving boxes yet), implying they are incompetent at everything, and needling John about his job, which is owning a struggling gas station/body shop, unlike Lizzie’s brothers who make a lot of money as professionals. The father even reminds them that he had to help them buy their house. So strike one. I was filled with rage.

In the second story, we meet Regina (a radiant Catherine Bell), who is expecting her two adult children for Christmas Eve dinner. She plans to tell them that she is engaged to be married to her boyfriend Nelson (James Denton), selling their childhood home, retiring, and moving to Florida. The kids do not take it well. At All. They worshipped their late father and love their old home. In fact, they (especially the son) act like petulant brats about it. The son informs his mother that he does not approve of her plans. Regina responds that it is none of his business, they are her and Nelson’s decisions, and he can get on board or….Not. Yay for Regina. Loved it. The son storms out in a self-pitying huff and takes off for a friend’s house. Strike two. So far, all I am getting out of this movie is rage and disgust.

In the third story, we meet Zian and Michael, a gay couple who are hosting a Christmas Eve dinner party for 12 guests, are waiting to be approved as foster parents, and whose kitchen, where Michael, a chef, is cooking the fancy dinner, is still not finished and a wreck. The contractor who is doing the remodel does not inspire confidence (“How badly do you need your oven?”) and is too busy chatting and doing anything else except working on the cabinets, appliances, and countertops. The turkey has to be in by 5pm and it is not looking good. In the midst of the chaos, the couple learns that they have been approved for their first foster child and the little girl will be arriving that very evening. Strike 3. I was angry at the contractor and full of tension over the turkey deadline and the nice couple having to redecorate the little girl’s room, buy her some presents, and prepare for a 15-person dinner party in a matter of hours. And Jonathan Bennett, who plays Michael, gets on my last nerve sometimes.

In fact, these 3 stories take place in the same house, but approximately 25 years apart, in 1973, 1999, and 2023. We learn this about 20 minutes in, in a blink and you might miss them fade-in/fade-out pictures of the house through the years. I knew something of the sort was going on, but I didn’t fully grasp all of the implications until way over halfway through the movie. For some reason, I thought we were only looking at 1973 and 50 years later, and was very confused.  I didn’t get right away that they were all in the same house, but around 25 years apart. Were they members of the same family? Yes? No? Are their ages right though? No. Is this like This is Us? Not Really, but Kinda. I knew that the 3 couples were somehow connected but trying to figure it all out took second place to my anger and disgust with Lizzie’s parents, Regina’s son, and the contractor for the gay couple.

There were some things that I kept seeing that were in all 3 stories besides the house. A helpful neighbor, Daisy, a car, which sometimes looked brand new, and sometimes looked like a beater, and a Christmas ornament. In the end, all of the stories were resolved satisfactorily (if a little too patly) and tears even came to my eyes…even though I wasn’t quite sure why! I understood most of the connections but there were still so many loose ends and links between the 3 families I didn’t comprehend that I had to go through and replay the movie a second time. Thank heavens for fast forward. I’m the type of person that has to understand and fully grasp what is going on. I can’t stand aspects of a story slipping through my fingers. After the second go-round and with the help of Twitter (Ok, Ok, “X”) and Reddit things were clarified considerably. And I also learned that I was not the only one who was tearing their hair out. Once I got all the ins and outs of the timeline and between the characters, I have to say that this was, indeed, a very clever, well-plotted, and touching story with a great message. I even cried a little at the end again, and this time I knew why. But though I loved the ambitiousness, points off for being so worrisome and confusing. That is something I don’t need in a Hallmark movie. More clarity early on would not have been hard to provide. Call me. And we never find out who Linda and Emily are. Do we?

Rating: 7.5 out of 10.

Hearts in the Game

Error on the Pitcher

This one started out well, but in the end, it kind of collapsed under the weight of mystifying motivations and irrational feelings and decisions on the part of the hero, which was key to the whole purpose of the story.

Erin Cahill plays Hazel, a NYC-based publicist known to be the best in her field. She is hired to get a star pitcher, coincidentally her former high school boyfriend who broke her heart, some good publicity and rehabilitate his image. No team wants him due to him mysteriously freezing on the mound in the 7th game of the World Series, losing his former team the championship. As a baseball fan, I understood the concern. The New York Mets are thinking about hiring him, but not without positive publicity high profile enough to assure the owners and the fans that it won’t happen again. It goes without saying that this must include the explanation of his breakdown on the mound. Ideally, the explanation must not destroy his reputation further but restore it. But Diego refuses to talk about it to anyone. It is completely off the table. When Hazel meets him and his agent, she is treated with hostility and sarcasm by Diego. I was intrigued by the mystery of what in the world she did to him to deserve his snarky anger. Hazel succeeds in convincing him to trust her and gets him an interview with a respected magazine and journalist, Morgan, on the condition that it takes place back in their hometown (which neither has visited for, I’m guessing, about 10 years). Once back in Ashtabula County Ohio, it soon becomes clear that Hazel also has some beef with her old best friend who wanted to be a writer once but now is a teacher, a wife, and a mother. So, three mysteries to keep my interest going, although by now, I realized that this movie was not holding up to its early promise. This is because the romance part including the big misunderstanding is telegraphed clearly at the beginning and it’s old and boring. Since Diego stubbornly refuses to disclose the reason for his breakdown, the only reasonable conclusion is that it must be very very bad, intolerable, inexcusable, unforgivable, and humiliating! So there is still hope for a couple of shocking reveals, a touching redemption, and a strong ending.

I’ll skip right to the chase which is why this movie fizzled so badly. **spoilers** Let’s start with the high school breakup. It turns out Diego stood Hazel up the night of the Senior Prom. But why? Because he found out that night that his beloved mother was sick with cancer. But he didn’t have the decency to call her and explain. He just ghosted her on prom night. Dude! I guess that explains the initial hostility on his part towards Hazel. Not! Then, when he finally explains after a romantic evening, Hazel apologizes to him for not being the type of person he could confide in. What. Moving on.

 It turns out the big secret as to why he lost his team the World Series is because it was the anniversary of his mother’s death and he always has a panic attack on the anniversary of his mother’s death. Plus it was additionally triggered by seeing a mother in the stands who looked like his mother and her child. Yes, that certainly is shameful. I can certainly understand why he is killing his career by keeping that nefarious information secret. Not!

On to the big misunderstanding with 20 minutes to go. He overhears Morgan the journalist telling Hazel the article is dead, because Diego will not explain why he froze on the mound. He becomes irate because Hazel “sold him out.” Huh? Surely the article being pulled proves that Hazel did not sell him out. Quite the contrary. He leaves the diner in a rage after bullying poor Hazel into admitting she promised Morgan the true story when he told her it was not up for discussion. So what? (”I was just going to read my biggest secret as a headline????!!!!!”). But first, he yells at Hazel over his shoulder while running out of the diner where this drama occurs, to go ahead and “tell Morgan anything you want to tell her.” Drama queen. Of course, Hazel keeps his shameful secret even though it will ruin her career. Later, Diego finds out from his agent what he already knew, that the article has been killed, which makes him so happy(??????) that he invites Morgan the journalist to his house to interview him and tells her the whole freaking truth, including how he lost the “love of his life” on Prom Night. It just made no sense. This Diego guy, our hero, was dangerously irrational and erratic with no judgment, common sense, or balance.

As for the third mystery, the cause of Hazel’s fallout with her girlfriend, it was a big nothing. I won’t even go into that side of the story. In the final couple of minutes of this mess, we learn that Diego is now a Met, and has pitched a no-hitter on his first outing, Hazel is representing her old girlfriend who is now a best-selling author, and Diego and Hazel are together forever in New York City. Hallmark really piled on the happy endings with this one. To top it off, Diego is being touted by the press as a  champion of mental health. Snort. Now it is certainly possible that Hallmark had the laudable intention of addressing the serious issue of mental health. But they whiffed. He comes across as emotionally stunted and asinine, not mentally ill. What exactly was Diego’s problem? So much machismo that he could not admit to softer emotions? Mommy issues? Unhealthy grieving process? Self-hatred? Plain old arrogance? Self-sabotage? Anger management problem? I would hardly call one panic attack a year as having a mental health problem. Or not being able to talk about it and then being able to talk about it. Don’t look too closely at the future of Diego and Hazel’s relationship. Be like Hazel and ignore all of the red flags.

On a historical note, Hazel’s best friend and personal assistant is Jax, played by a non-binary actress, Donia Kash. it is never stated, but it is inferred that the character is also non-binary. Donia/Jax was one of the few bright spots in this production.

Rating: 3 out of 10.

Christmas Bedtime Stories

Just What is the Message Here?

**Spoilers**

Even though his body was never recovered, Danielle’s husband has been declared dead by the military. His jet was shot down in the middle of a large sea. Even if he survived the crash, there is no way he could have reached land. It was fully investigated by military intelligence and it was determined that there is no hope he survived. A young mother of an 8-year-old, she has turned the corner on her grief and has gotten engaged to her husband’s best friend, Pierce, who has been an unfailing support and a second father to her daughter. Her daughter wants her to tell her stories about her dead father to help her remember him. As Danielle starts to recount her history with Colby, her husband, she starts to see things (another soldier who resembles him,  something he said repeated, a lost ornament found, etc.) in real life. Danielle sees these as signs that the universe is telling her to slow down with Pierce. She thinks that Colby might still be alive. She begins to have second thoughts. She goes to the base commander, the father of a good friend, to get a better grip on the situation. He lays out all of the whys and wherefores of why he couldn’t possibly have survived. She is convinced, but the “signs” keep coming. She just can’t shake her doubts off. This negatively impacts her relationship with Pierce and they finally break it off, breaking the wonderful wonderful Pierce’s heart who is played by lovely Steve Lund whom we never hear from again. The night before the dance she sees breaking news that 4 POWs have been found and will soon be coming home. She goes to the base commander for more info, but he tells her he already checked and that the POWs were all “foreigners.” There is no chance. She goes to the dance, and there is her husband bathed in a misty light, fit as a fiddle, looking for her. What the What?! Is it a dream? No. It’s not.  The family is reunited.

Words just fail me (not really). But where do I begin?  Is there any military-related entity or person that this movie didn’t hurt or offend? It makes the base commander and military intelligence look incompetent. Not necessarily for declaring him dead when he wasn’t, although that certainly didn’t earn them any points, but for the misinformation about the POWs being foreigners, killing Danielle’s hopes yet again. And then the recently rescued POW just shows up a day later, all alone, with no warning at a Christmas dance? No hospitalization? Debriefing? No communication to the next of kin? No support or even acknowledgment of him or his widow? No press? Did he even check in with his superiors when he escaped from Yemen? Did he just teleport to the dance?

It insults POWs. This guy shows up out of the blue after being in captivity under brutal conditions, not only unscathed physically or mentally but looking like he has been spending those 3 years at Club Med taking full advantage of the gourmet meals and the fitness facilities. When Danielle asks how he survived, he responds that he just thought about his family and their love. Oh Really? So any ex-POW who died or actually suffered physical and/or mental damage just didn’t love his family enough?

This movie is a slap in the face and potentially harmful to any military wife who has suffered the tragedy of losing a husband but is trying to move forward and build a new life. Stay in the Past! Don’t believe anyone in authority that tells you your husband is dead! If there isn’t a body, there is still hope, no matter what!  Pay no attention to the facts or the insights and good sense of other women who grieved for their husbands but have found peace and happiness with a new partner in life. Any coincidence is a sign from your dead husband trying to tell you he is still alive!  No, I don’t think any woman in a similar situation as Danielle will take this movie seriously, but Hallmark put this scenario out there thoughtlessly with no regard for people who have rightly been told there is no hope even if a body has not been recovered.

It is insulting that Hallmark thought they could just conjure up a happy miracle out of absolutely nothing in the last 5 minutes of the movie and think their viewer’s hearts would be moved. Hey Hallmark, your viewers have brains too. And one more thing. Do not cast the wonderful Steve Lund in a movie where he does not get the girl. I venture to guess that that is not going to fly with 95% of your viewership.  It certainly didn’t with me.

Rating: 1 out of 10.

Random Acts of Christmas

Bad Acting on Display Here

A single mother and journalist is investigating random acts of kindness in her hometown. Are they random or are they the doings of one “secret Santa?” She figures out it has to be someone rich. The guy and Patrick Duffy and Jaclyn Smith are fine. They are the ones that rescue this one from 1 or 2 stars. I also appreciated the semi-original premise of the plot. The actress and her annoying son doom this movie. I can’t believe the good reviews. They were horrible. The kid was the epitome of the super cheerful sweet cliché fantasy child. And the Mom was like a Miss America wanna be. So phony. I choose to blame the director, as I actually did not mind the actress in one of her efforts and the kid is not to be blamed as yet for bad acting. As far as her character. Why is she so mad when she finds out who the secret Santa is? Probably because she hadn’t thought through the idea that the guy was hooked on her and he was super-rich. Well, she finally got it. Set for life. Get a prenup, dude.

Rating: 2 out of 5.

November 8, 2020