Don’t Look Now, but There’s an Elephant in the Room
No one does cheesy like Hallmark and they brought out the big guns with a cute but naughty dog, soldiers, and letters from the dead. But thanks to the acting talents of the deservedly universally admired Kimberley Sustad, it all worked out to be a very enjoyable movie with a minimum of cringe. This despite the fact that Kimberley’s character Ceci is unfortunately in the most annoying profession for a Hallmark lead, a freelance photographer. She was more than ably supported by Hallmark regulars Karen Kruper and a favorite of mine, Leanne Lapp. Kudos also to Hallmark newcomers Mark Ghanime and the appealing Luisa d’Oliveira as our heroine’s supportive and funny best friend. Thanks to the smart and often amusing script the movie never descended into the sappy melodrama I kept dreading was just around the corner. And all of the characters, even the secondary ones, were well rounded with hints of interesting back stories.
Ceci is trying to recover from her beloved father’s recent death while dealing with a new stepmother whom he married right before he died. Vivian is a strong personality (we find out why later) and Ceci is standoffish with her. Her suspicion is understandable, as we learn her father surprisingly left his brand new wife half of everything, including a piece of parkland that Ceci had always thought of as her own legacy. Every Christmas Ceci and her father raised money for worthy causes by having the townspeople decorate the Christmas trees on this land for a donation. The event is called “To all a Good Night” but she is canceling it this year because of her grief.
Enter our hero, Sam, a combat veteran, who though well on the road to recovery, has gone through an emotional and physical ringer. He is working for his father a wealthy and high-powered property developer, but really isn’t happy there. Leanne Lapp plays his supportive cousin who is very much suited to take over the business from her aging uncle. Sam gets a letter with only an ink stamp of an elephant for the return address, and the next thing we know, he is on his motorcycle racing towards Harmony Bay, Ceci’s home town. He wipes out on a trail in the woods and is rescued anonymously by Ceci, whose only identifier is her elephant pendant given to her by her father which she never takes off. Except now that she wants to keep her identity secret from him. I forget why? Eventually, she finds out he is a property developer and the trail he was on leads only to her piece of land. What is he up to? Is her stepmother planning to sell her share? Refreshingly, these characters actually communicate with each other in a timely manner. While we wonder and wait in some suspense, conflicts don’t go on past all logic and understanding.
There are many threads that come together, tears shed, and secrets revealed along the way to the satisfying conclusion. I don’t need to tell you that by the end, Ceci not only gains a future husband but a surrogate mother in Vivian. The “To all a Good Night” event goes on and her land is her own to be developed as she wishes. Although there was hardly a Hallmark trope left by the wayside, this movie was elevated by the acting and well-written characters. The pathos was kept palatable by the humor and lightheartedness that was worked into the script. Almost an 8.