Kimberley Sustad

Game of Love

/ rebroxanna / 1 Comment

Let the Games Begin

I think so highly of Kimberley Sustad that I’m not sure whether I liked the non-Kimberley Sustad parts or not. I suspect if her character had been played by anyone else, I would have absolutely hated her. As it was although she was very flawed with many issues to tackle,  Sustad managed to make her sympathetic and likable enough that I could put up with her with patience until she started to see light. If only how she managed that could be formulated, bottled, and distributed to her colleagues.

Audrey is a quest and adventure game designer. She is a loner in her personal life-her only friends are an older woman whom she plays board games with at a cafe, and an unseen person that she plays a word game with that is not Words with Friends, but she does “chat” quite a bit with him (or her). Of course, she is not interested in romantic love and dating is a big no-no. If she were a guy, she would be living in her mother’s basement. Right off the bat, she has to be shamed into going on a blind date she had already agreed to arranged by her only friend. She shows up to the elite restaurant in a hoodie and jeans. She has the grace to be embarrassed when her date is a real hottie and smartly dressed. They get thrown out because there’s a dress code. Her date calls her out on her rudeness and arrogance and leaves. Her behavior did not endear her to me either. But you know, Kimberley Sustad.  In her professional life, she is known as “Not a Team Player.” She works on her own and doesn’t want help or input from her fellow employees. She wears headphones all the time to keep people away. Nice little detail. When eagerly approached by Patti, a hero-worshiping new employee, adorably played by Christin Park, as yet uncredited on IMDb, she is politely dismissed. Actually, how Audrey treats her is very rude and unkind, but Kimberley plays it so you don’t hate her.

Needless to say, because PLOT, Audrey’s world is about to be rocked. Her boss tasks her to work with a marketing consultant (Matthew, played by Brooks Darnell) to develop a game that will finally win a coveted award and the deadline is only a month away. It will be called “Love Life” and is based on the search for love (Uh-Oh!). Audrey is horrified but she has no choice. Kimberley needs a strong co-lead to keep up with her, and Brooks Darnell fills the bill nicely. Matthew has the opposite problem from Audrey in that he is anxious to fit in and be accepted by everyone. Everything he does is “on trend.” Meanwhile, he has lost his true self.

Audrey does a terrible job developing a game about something she has no use for and finally realizes, thanks to Matthew, that she needs help from others. With the help of her newly formed team, including adorable sweet Patti, they start to make great strides. Both Matthew and Audrey learn about each other and start to like each other. We learn why they are the way they are and they help each other become better. Audrey learns how to play well with others and also starts to get close to Matthew. Matthew starts to shed the need to pretend to be something he is not. He takes down the trendy anonymous abstract painting in his stark apartment and replaces it with his own original photographic art. Symbolism! This from his former profession that he had been pressured to give up as too quixotic and unprofitable. Their learning curve which involves a lot of game stuff takes up the bulk of the movie, and got a little long.

This movie did not escape the usual “big crisis with only 18 minutes to go” syndrome. Kimberly backslides into her old ways which was stupid and didn’t make sense, but it was brief. Had to be because only 5 minutes to go by this time. Anyway, the Hallmark Happy ending followed apace with love, happiness, and professional success for all. Oh. And guess who her Not-Words-with-Friends chat buddy turned out to be? Yup.

The backdrop of game development was pretty interesting and unusual, the script had some nice details, the set decoration and graphics were on point, and the romance was serviceable. The acting and character development were its strength. There was not a lot of humor, except stemming from Sustad’s delivery, warmth, and authenticity.  It was good but not outstanding. All in all, I give it a 7 1/2 on my special Hallmark scale.

Rating: 7.5 out of 10.

Three Wise Men and a Baby

/ rebroxanna / 1 Comment

Three Very Popular and Attractive Actors and a Baby

This was cute with some good lines and good physical comedy. Three bickering brothers all live with their Mom, Margaret Colin, who was in the original Three Men and a Baby and Independence Day. She was a welcome surprise. Luke, the well-adjusted and responsible fireman  (Andrew Walker) is there just temporarily while his house is being built. The immature tech guy and gamer (Tyler Hynes)  unsurprisingly lives in the basement and the shy pet therapist (Paul Campbell) in a small house in the backyard. These actors are three of the most popular Hallmark actors, and the script gave each of them an opportunity to shine and show off their appeal. I’m sure this will be very highly rated.

In the familiar plot, a baby is left at the firehouse with a note addressed to Luke to take care of him until Christmas Eve, when she will be back. Luke takes the baby home for his mom to take care of but Mom has to leave for a family emergency, which leaves the unemployed Taylor (fired for being a loudmouthed jerk) to bear the brunt of the babysitting. Paul who is self-employed pitches in and predictable shenanigans follow predictably if amusingly.

Penned by the multitalented Paul Campbell and Kimberley Sustad (who makes a brief cameo appearance, along with Preston Van der Slice), this one had some good lines of which curmudgeonly Taylor got the majority. There was some contrived physical comedy consisting of dressing up in elf costumes for no discernable reason, and the re-creation of a Christmas dance performance the boys made up as kids. Taking care of the baby helps the brothers reconcile and work together. In a dramatic scene after a scare at the hospital, they each admit their share of the blame for their estrangement. Taylor in particular comes forth with a much-needed apology for his past behavior. They also realize and appreciate what an awesome mom they have. They have trouble enough with a baby, while their mother raised three rambunctious boys, damaged by their father’s desertion, by herself.  They decide to enter the neighborhood Christmas light decorating contest. Both to win a cruise for their mother as a special Christmas gift and to beat the former school bully who lives across the street and has been taunting them throughout the picture. Unpredictably, they don’t win due to a last-minute technological malfunction. They compensate with an off-the-cuff no-tech retelling of the Christmas story which, although only vaguely resembles the gospel version, is much more authentic to the true spirit of Christmas. Even though they lose, Mom is more than compensated by the joy of seeing her boys being close friends again.

Oh, and there’s some romance too. After the human “wrecking ball”, Taylor, makes up for his behavior at work he is reconciled with his workmate and former girlfriend, Ali Liebert, who has been popping up throughout the movie. Stephan, the reclusive brother, gets together with a single dog-mom who has pursued him relentlessly throughout the movie. It was a bit of surprise when she turns from a man-hungry cliche into a nice woman. Still, his declaration at the end That he is “enraptured” by her was very much over the top and came out of nowhere. We see in the “One Year Later” epilogue that Luke has gotten together with the down-on-her-luck young mother of the baby. It turns out he helped deliver her which was why she left it with him while she found a job. Even their former nemesis, Mark the neighbor, is included in the festivities.

Rating: 4 out of 5.

Lights, Camera, Christmas!

/ rebroxanna / Leave a comment

Cute and Clever, but I Didn’t Buy the Love Story.

Hallmark had a little fun with this parody of Hallmark Christmas movies. And I had fun with it as well. Kimberley Sustad, who is a favorite with many viewers including me, plays Kerry, a formerly aspiring dress designer who now owns a dress shop in a small town. She lives with her mother and her shop is on the verge of failure. She is very self-effacing and lacks confidence. Hallmark, oops, excuse me “Dazzle”, comes to town to film their latest Christmas movie, My Favorite Santa, which is super-cheesy. We get to know the cast and crew including the male star and love interest, Brad “the King of Christmas” Baxter.  He embodies all of the cliches attached to a phony vain movie star, including his trademark flirty wink to the camera which caps off all of his movies. When the production’s costume designer quits, Kerry is dragooned into taking her place. She proves her worth time after time. As she gets to know  Brad, she realizes that beneath the Hollywood facade, he is a nice guy. They start to fall for each other.  There is a secondary romance as well between the producer and the director. They are exes who used to be the most successful movie-making team at Hallm…um, “Dazzle”. They go from only being able to talk to each other through an intermediary, a put-upon P.A., to mutual respect, and then re-igniting their love for each other.

Unfortunately, although very promising, it fell short for me. First of all, it was kind of boring. There was no drama, tension or suspense. The enemies-to-lovers conflict between the divorced showrunners was slow and predictable with a minimum of fireworks. I didn’t buy the Brad character. How could a truly genuine and nice guy act like such a dolt? His character is meant to be funny, but also mildly contemptible as well. He certainly wasn’t worthy of Kerry especially as played by the lovely and talented Kimberley Sustad. At one point, he offers Kerry a job as his costume designer after he gets a game-changing movie role in London. She takes a leap of faith and turns down her dream job in New York to go with him. But when he reads a piece criticizing his going against type to play a villain, he chickens out and backs out of the gig. He didn’t even think of his promise to Kerry. So Kerry lost her dream job and the London opportunity.  Thanks, Brad.

I give Hallmark props for parodying itself in an amusing and effective way. And the structure was unusual for Hallmark as well. It is told in flashbacks at the premiere with the principals taking questions from the audience. We learn that Brad changed his mind again and took the role in London (without Kerry) but she is now working in Hollywood as a costume designer for the re-married team with a 6 picture contract. Brad and Kerry get together at the end after Brad apologizes and vows to change, but I didn’t believe in the relationship. And, so far, I’m not a fan of John Brotherton. I have to add that the final scene was very funny. I chuckled.

Rating: 3.5 out of 5.

North to Home

/ rebroxanna / Leave a comment

Finding Your True North

This is another high-quality offering by Hallmark and was shown on Hallmark Murders and Mysteries. They seem to be using this branch of their network to show productions that go a little deeper and are a little more complex than a romantic comedy. They are more about family relationships, drama, overcoming problems, and learning life lessons. There is a bit of a romance included but it’s hardly the main attraction.

The movie starts off with three sisters and their relationship. The two oldest live in the same city, not in Alaska, and are at odds because the oldest, Hannah, is so wrapped up in her career that she has no time to spare for the younger and her two daughters. She is married happily and, also happily, they do not have any children. The younger, Beth, is a happily married stay-at-home Mom, who is getting tired of that role and feels unfulfilled. She is being tempted to go back to her successful career. The younger sister, Posy, lives in Alaska with the parents. She yearns for travel and adventure but feels obligated to take over their parents’ café upon their imminent retirement. They are all about to meet up in Alaska to celebrate their mother’s 60th birthday which is also the 25th anniversary of a mysterious bad happening.

As the movie goes on, surprising aspects to the girls’ relationship and their family are revealed. All is not as we were first led to believe. The career-oriented Hannah learns she is pregnant (not terminally ill-Yay!). What will be the fallout with Adam her husband? Beth’s husband finds out she is secretly testing the waters of going back to her successful career and feels betrayed. Posey is falling in love with a mountain climber and travel writer which falls in with her dreams of travel as opposed to running her parents’ café.

The lesson of the story is “”sometimes you find your calling but sometimes you’re calling finds you” and each of the sisters in turn learns this is true for them. In the process, a tragedy is explored, a mother is released from a 25 year long guilt, a young man finds closure. And revelations lead to understanding and new paths forward.

The actors were well cast, and their parts well-acted, especially Kimberley Sustad as the middle sister and overprotective mother, Beth. At one point she is accused of “Catastrophizing everything!” I also loved Matthew James Dowden who played Adam, Hannah’s husband. He usually plays sketchy characters, but he was wonderful as an unqualified good guy in this. The one fly in the ointment was the casting of Luke, Posey’s love interest. His looks, demeanor, and speech cried vacant surfer dude, not educated sophisticated world traveler and author. It was laughable. Where was Ali Liebert, the director? Everything else was so good.

Rating: 4 out of 5.

January 13, 2022

A Bride for Christmas

/ rebroxanna / Leave a comment

Great Cast

I recorded this on a whim when I looked at the cast and vaguely remembered that it was pretty good. Sometimes I just don’t have what it takes to invest in a recent premiere movie that I haven’t seen yet. I just read what I wrote there. That is a sad commentary right there. Usually, I look at these re-dos in bed when I wake up in the middle of the night or the last thing before I try to fall asleep.

The plot was entirely predictable of course. The appeal lay in the cast of  Arielle Kebble, Andrew Walker, and Kimberley Sustad in particular. Arielle Kebble is one of the better early Hallmark actresses. Her movies for Hallmark are as memorable as they are few and far between. She is particularly good in those that emphasize lighter comedy rather than earnest heart-tuggery. Although don’t count her out when the story calls for heartbreak, however temporary (as this one does). Our heroine is a runaway bride who we meet Just as she is about to go down the aisle to wed door #3. We know trouble is on the horizon in the dressing room when she asks her mother how she knew her Dad was “the one.” But she walks down the aisle with a big smile. Arielle is very funny as her smile turns from happy and excited then stiff and then a bit panicked as she keeps walking past the wedding party and out the side door without a pause. Andrew Walker does his usual thing (which is a very good thing) as the commitment-phobe who bets his buddies he can get get a woman to accept his marriage proposal by Christmas. It was a little unclear what this was meant to prove. He settles on Arielle.

This is classic romantic comedy material as the “player” courts the gun-shy reluctant jilt and they fall in love for real. Kimberly Sustad, who was only 22 when this movie was made, practically a baby by current Hallmark standards, plays Arielle’s sister and turns a nothing part into one in which she almost steals every scene. I also want to single out Sage Brocklebank as Mike, the jilted bridegroom who is a creepy looming presence as he hopes to win Arielle back and sees her and Andrew falling for each other. He manages to elicit pity for his heartbreak and uneasiness as to what menace he is capable of.

I gave this a ‘7″ initially, but by today’s standards it is a solid “8.” Terrible promotional poster by the way.

Rating: 4 out of 5.

December 26, 2021

The Nine Kittens of Christmas

/ rebroxanna / 3 Comments

Kittens!

The sequel to the Nine Lives of Christmas starts out with a shocker! Marilee and Zachary have broken up! And she’s with another guy! In Miami! And she looks happy! AAAAAIIIIIEEEEEE!!!!! HOW DID THAT HAPPEN? Well, it turns out that she wanted more (marriage) and he didn’t want to “ruin a good thing”. She enrolled in a veterinarian school in far away Miami by way of a wake-up call, and he didn’t stop her or come after her. So yes, it was totally his fault.

But there’s hope. She goes home for Christmas, as one does, looking forward to spending time with Miles (her boyfriend) and her family. But he prioritizes their veterinarian practice over family, they have a fight and they break up over the phone. She remarks sadly to her sister that she thought Miles would have fought harder for their relationship. Poor Marilee burned again. But she doesn’t get a complex over it, she goes on and reconnects with Zack over finding homes for 9 adorable kittens. The chemistry is still there.

Kimberley Sustad is great as always. Beautiful in an accessible way, charming, and funny. Brandon Routh is very handsome and does a good job. He works well with Kimberley. She gets some good digs in. She steals the Christmas tree he and Sam (Gregory Harrison the Fire Chief) had their eye on. When he protests she tells him “Well think of it as a teachable moment. The next time you find “the one” don’t drag your feet.” Thanks to good acting, the banter is entertaining.

The only quibble I have with this one is that she seems to do all the work in the relationship. He is very passive. At one point, she grabs him and kisses him and then apologizes and walks away. He lets her. He admits to Sam that the break-up was his fault and it was the worst mistake of his life. Sam asks him whether he ever told her that. Uh, No. He sees her with her ex (yes Miles shows up in Oregon all contrite) and he jumps to conclusions and runs home. She has to call him. He doesn’t answer his phone. When his cat answers it for him, she confesses her love, but he has to think about it and remains silent. Paul Campbell, Kimberley’s frequent partner in past Hallmarks, makes a cameo in this one. At this point, I’m thinking she missed the boat.

Finally, in the end, he says and does everything he should and even puts a ring on it. I am making the decision to have faith that this relationship has a future because I like the couple so much. Plus, breaking up with her now that they’re engaged would take some initiative on his part, so I think Marilee is safe from another heartbreak.

Rating: 4 out of 5.

November 26, 2021

Spotlight on Christmas

/ rebroxanna / Leave a comment

Started off Very Promisingly, but Fizzled in the Last Half

This started off strongly with the great casting of Tori Anderson as a believable A-list movie star. I also liked the actress that played her little half-sister, though I was at first confused about the family dynamics. I found Victor Zinck just OK as the hometown love interest and was underwhelmed by the chemistry. I didn’t believe him in the role. I am apparently in the minority on this issue.

Olivia returns to her hometown after a long absence to escape from the paparazzi after a messy break with her country-western star boyfriend. Alas, she is followed. I immediately liked the character of Olivia, because she was so pretty and nice. Unfortunately, her story got slower and more boring as the movie went on. Interestingly I noted a small cameo by one of my favorite Hallmark actresses at the beginning of the movie, Kimberly Sustad. Had she continued her small contribution in the role of the conflicted paparazzo, it might have added a needed spark to one of the dull subplots. I also noted that it was directed by another favorite, Ali Liebert. Hallmark Actresses Unite! Good for her and better luck next time. I would like to see more of Tori Anderson in these Hallmark-type movies.

Rating: 3 out of 5.

December 24, 2020

Wedding Every Weekend

/ rebroxanna / Leave a comment

Way to Go, Hallmark!

I agree with all of the positive reviews regarding this movie. Kimberley Sustad is a very likable and talented actress and does comedy very well. I liked the plot and the slow-building realistic growth of her feelings for Paul Campbell and his for her. It’s been a long time since I have looked forward to the inevitable happy ending with such anticipation in a Hallmance. Too often it’s just a big yawn. They did avoid most of the usual Hallmark tent poles in the plot although the “big misunderstanding” was front and center.

Yes, the diversity was laid on with a trowel. Jewish, Black, multi-ethnic, and gay weddings. But sometimes the politically correct thing is also the right and good thing. In fact, the only “normal” (Ha Ha) couple was the lead couple, now that I think about it. Hopefully, the religious right can take some comfort in that. As for me, I hope Hallmark doesn’t think they’ve done their duty for the time being as far as diversity is concerned and non-WASP non-straight people go back to being relegated to tokens. I choose to give them the benefit of the doubt that they will be guided by the praise and not the invective.

Rating: 4.5 out of 5.

August 17, 2020

Sense, Sensibility, and Snowmen

/ rebroxanna / 6 Comments

A Defiant 10

I’ve read all of Jane Austen’s books and seen all of the films and series based on her books numerous times. I’ve read a lot of Austen-based modern interpretations as well. I am drawn to the numerous modern riffs on Austen and enjoyed many of them. My favorites are Clueless and Bollywood’s Bride and Prejudice. So of course I’ve seen the previous attempts Hallmark has made to capitalize on Austen’s current popularity. They were shameless exploitations because neither the plot nor the characters had anything to do with Jane’s works.

This one was different. Like Sense and Sensibility, we have two sisters who have an “Us against the world” mentality. One is flighty and starry-eyed, and one is practical and down to earth. They run a party planning business together. They are a believable version of what a modern Marianne and Eleanor might be. The love interest is a reserved button-down and shy corporate head who is dominated by an over-bearing parent and romantically linked to a childhood sweetheart. There is also a secondary love interest called Brandon. But here’s where the scriptwriter wisely mixes it up. Instead of All-business practical Marianne (they also switch the names of the two sisters) being paired off with the Corporate stick-in-the-mud, It is the lively Ella who takes him by storm and shakes up his life and attitudes. It is very cute and more suitable for the modern Rom-com. The chemistry between the two couples and the sisters was romantic and touching. The acting was some of the best I have seen in a Hallmark lately. Erin Krakow was wide-eyed, energetic, and outgoing as her character called for. Erin surely has been doing these Hallmarks for 2 decades, but she hasn’t changed a bit. She was charming. Kimberley Sustad, a Hallmark stalwart, made Marianne likable and understandable despite her buzz-kill personality. Even though the two characters had conflicts and conflicting world-views, their love and loyalty to each other were touchingly done and affecting. Luke McFarlane was superb. He usually plays cardboard cut-out romantic heroes. In this one, he started out as a real pill who slowly and realistically melted and opened up. I was very impressed by the job he did with the Edward Ferrar personality. He was funny. I loved the chemistry between Luke and Erin, and couldn’t wait for the final chaste clinch.

So yes, I give this a 10. Overgenerous? Perhaps. But with this one, I’m grading on the Hallmark curve against a singularly lackluster couple of years of Hallmark Christmas movies. I’m amazed at some of the sour and overwrought reviews this one has gotten. I can only think that their experience with modern Austen takes is pretty limited.

Rating: 5 out of 5.

December 3, 2019

Cooking With Love

/ rebroxanna / Leave a comment

This should Cement Ali Liebert’s Place in the Hallmark Pantheon of Female Leads

After several turns as “the best friend” of the heroine, where she has all but out shown the leads, Ali Liebert has finally been getting much deserved leading roles in these Hallmark seasonal romances. This one is the best yet. Kudos to Hallmark for recognizing her appeal and giving her prominent roles. I hope she becomes as ubiquitous as Chabert, Reiser, Boston, Polo, and several others.

This one is also helped by a tightly woven plot, good character development, and an attractive leading man who has a real arc into becoming (or being revealed as) a good guy after all. I must quibble at this point over one plot hole. Our hero, a diva chef, has his career almost ruined by a viral video of him throwing food on a restaurant critic in a fit of temper. He reveals later that the video edited out the fact that prior to the food on the lap incident, the victim had made his waitress cry by being so mean to her. Why didn’t he just explain that on Facebook or Twitter? Instead of needing an image rehabilitation, he becomes a hero. It is also absent some of the overdone stupid gimmicks that most of these Hallmarks seem to hinge on. No angels, City bad, country good, factory shuttings, time travel, nor I Hate (just fill in the holiday). What keeps it from getting a higher rating from me is the lack of depth, suspense, pathos, or super hot chemistry between the leads. But it’s good. Really good.

Ali has the super nice girl who is maybe a little too nice role down pat. Plus she has the most energetic eyebrows I’ve ever seen. Very cute, if a bit distracting. Couldn’t take my eyes off of them.**8 out of 10 stars**

Rating: 4 out of 5.

February 26, 2018