Love Under the Mistletoe (a.k.a. Operation Mistletoe)

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Hair and Holly

Last night’s (07/25/2026) Christmas in July premiere, the last of them for this year, thankfully, did not disappoint. It met my expectations, set up by the 3 preceding offerings in the series, as basic and only minimally entertaining at best. And it was not so bad as to be deliciously awful. Even the presence of Jen Lilley, my least favorite Hallmark actress, could not push it that low. Like the others, this is one that could not quite cut the fruitcake as a bona fide Hallmark premiere as an original new movie. Like the first in the series, Christmas Under Construction, this is a movie that Hallmark purchased from Hulu and is still being aired there. The other two C in J movies were ones that were wrapped up and sitting on the shelf for two years until Hallmark rescued them and put them on the air.

Ryan (Nick Bateman), a successful financier, returns to his hometown to sell his beloved deceased Grandmother’s (Nan’s) house. He becomes reacquainted with his former high-school crush, Grace (Jen Lilley), an interior decorator. Yes, it was just basic. Plot-wise it was as routine as Snowbound for The Holidays without the talents and appeal of Vanessa Lengies or real snow.  The Christmas decorations were scene stealing and a little tacky but not as over-the-top as Christmas Under Construction. The decorations in that one were so bad they actually constituted a highlight. This one featured a real estate guy that wanted to tear down “Nan’s” home, but he was not evil or powerful enough like in O Little Christmas Market, to be a focus of hissing and booing. This guy is kind of pitiful and ineffectual. When he was trying to get Ryan to sign on the dotted line, he turns around and disrespects and insults him to our heroine while he is standing right there. Yeah, that’ll work. We find out later that our hero (shocker!) didn’t sell to this bozo, but we are deprived of the pleasure of seeing the poor sap getting his comeuppance or even a telling off. (followed by the standard Hallmark change of heart/first step to redemption, of course)

Most of the negativity towards this movie in its first incarnation on Hulu seems to be focused on Nick Bateman’s hair style and whether the eponymous plant is actually mistletoe. Nick Bateman is very handsome and likable in this movie and he has always combed his hair that way, so I am not going to jump on that train. As for whether the plant that Jen Lilley’s best friend is randomly attaching to the ceilings of the town in hopes that Ryan and Grace will kiss, is really mistletoe, I think that the jury is out. It is certainly not holly, as some critics claim. In some scenes it does look like mistletoe, and really, why would they risk not using mistletoe in a movie that mistletoe is such an integral part of the plot? Can you imagine? “The Mistletoe” is played by…”Holly” ? I think it is mistletoe in most scenes albeit probably plastic. As for my main prejudice against this movie, the lead actress, she was a non-issue. Her character was neither despicable nor TSTL* and her portrayal was just fine. Although she and her best friend acted like giddy high-schoolers rather than mature adults, that is just par for the course. Her hair was firmly under control in this one. She still talks too fast and I needed the closed captions when she put more than two sentences together. To end on a positive note, I did like Lisa Michelle Cornelius as “Mayor Sami”.

*Too Stupid to Live

Rating: 5 out of 10.

Snowbound for the Holidays

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The Ski Lodge One

This was the one about the Ski Lodge. You know, the struggling old fashioned family one which is about to be taken over by the multinational resort developer, which will erase everything that made it special with its hateful updates? Like Wi-Fi and indoor plumbing? Haha, I kid. But you get the idea. My goodness this year’s “Christmas in July” offerings have been lame and run-of-the-the-mill. Have they always been like that? Or is it just me? This one starred Vanessa Lengies who has been in some very good Hallmarks which were very good mainly because of her. She plays Cassie Evergreen (last name is Christmas-y instead of first, for a change of pace. The only.) She is  the daughter of the owner of a small chain of boutique hotels who is visiting from the big city to assess the value of Linden Lodge to determine its fair market value. Her mother is an old friend of the owner and if Cassidy does a good job, she will give her a big promotion. She hates the cold. The original owner’s widowed son-in-law, Trey, has equal shares in the lodge which is interesting. He is trying to fight off his father-in-law’s plans to sell. He is a single Dad and technology averse. He still listens to his music on a Sony Walkman and “Could you print that out for me?” All hopes rest on “The Christmas Fest” which will benefit from Cassidy’s computer skills while she drags Trey (Marcus Rosner) kicking and screaming into the 21st century. The big deadline of Christmas Eve (of course) looms, but they do everything but worry about the deadline.

I had a glimmer of hope for this one because of the talents of Vanessa Lengies and a cute scene in the preview with Skywalker Hughes, who plays Lily, Marcus Rosner’s daughter. But not even Vanessa could raise this one above the mundane. I was not surprised to learn that this one is also a movie that has been sitting on the shelf for two years, waiting for Hallmark or someone else to air it. I’m giving it a generous 6 because there wasn’t anything blatantly dumb about it and didn’t make me too mad. It also had real snow (I think). To answer my original question posed in the previous paragraph, Yes, Hallmark “Christmas in July” movies have been pretty much second stringers, at least for the last two years. Last year was the unremarkable “Unwrapping Christmas” quartet. And before that, the only one that rose above the fray was the delightful Rescuing Christmas, which was actually featured on the Hallmark streaming service prior to the Network premiere. So. Next Week’s offering does not look promising either “for reasons.”

Rating: 6 out of 10.

O Little Christmas Market

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Rinky Dink

“Christmas in July” does seem to be the season for unambitious efforts and not breaking out of the tried and true. This one was made in 2024 and I guess has been on the shelf until Hallmark pulled it out this year for their “Poor Man’s Countdown to Christmas”. This one features Katherine Barrell, who has given some nice performances, going for it. She is stars with Hallmark mainstay, Stephen Huzsar. Their pairing was OK. I didn’t have a problem with it.

 I’m not going to go over the plot in detail. Suffice it to say it’s about saving a small town Christmas Market from a big city developer. He was as “bad guy” as these characters usually are, putting the demands of “the board”, and profits ahead of everything, including his son Grayson (Huszar). Unlike his father, Grayson yearns to be creative and to use his architect skills for good to bring communities together and to go outside of the box with his building designs. Unfortunately he is firmly under his father’s thumb and won’t stand up to him or just leave. Katherine Barrell plays Olivia, who is still grieving her Dead Father. Her first priority is saving the Christmas Market he founded as a way to hold on to him. Her hobby is making miniature scenes or dioramas. This plays a pretty big part of the plot as it turns out to be the key to selling the solution that will make Grayson’s father happy and save the market at the same time. Also, she must learn to spend more time with the hobby that she loves, and make her “art” a serious business. She does nothing with her creations when she could be selling her work online or in her own shop. Instead she busies herself with prioritizing everyone else’s business over herself. 

There were a quite few things about this movie that I couldn’t buy into. First of all, I am sorry to say that Olivia’s miniatures seemed pretty rinky dink to me. Other than painting a rock a strange shade of blue (for a rock) and putting teeny tiny little miniature Christmas ornaments on a pre-fabricated tree, we do not see her actually doing any art. At one point, she goes to a hobby shop to buy the little miniature accessories which she arranges on the base. We  should have seen her actually making her miniature buildings from raw materials, or her making the molds of the real people she puts in there. I mean my late mother-in-law put a Hallmark miniature Christmas scene on her mantel every year but that did not make her an artist. She would have hooted at that idea. And it looked much better than these creations.

The merchants or vendors we see selling stuff at the market seem to be very uninvested in doing anything to help themselves or in keeping the (also rinky dink) market afloat. We are never given a good reason why they don’t have the market all year round to make more money. Something about the stalls being old and decrepit? Well, couldn’t they invest a little of their own time and money to fix them up? For their own good? And what’s wrong with a tent and a table? That’s what the food, farm, and craft vendors in our city do at our “Soda City Market”. It takes up 2 to 3 blocks on our Main Street every Saturday all year long. 200+ dealers every week. It’s quite the draw. It looked like there were about 12 at this market. I didn’t see anything that needed any “infrastructure” to sell, except for some guy selling hot soup along with his homemade fudge (!). “Infrastructure” being an electrical outlet. At end they do rally, starting with with a jar for their customers to put change in. Way to go all out, guys! They come through with a huge wad of cash from somewhere to pay for the transport of free metal shipping containers some company was trying to off load. These containers were to be the new stalls for the vendors and my goodness were they ugly. This whole idea seemed pretty spurious to me.

My sympathies were all with the guy wanting to sell the vacant lot to the developer. He was an old guy with grandchildren and all of his money was tied up in that property. He had to sell. But he had to endure the scowls and guilt trips that everyone (especially Olivia) were trying to lay on him. When you’re rooting for the opposition, that’s not a good sign.

Lastly, our hero, Grayson, came across as pretty weak for not standing up to his father or striking out on his own as their values and philosophies were so diametrically opposed. He finally did at the end (about 15 years too late), but before Olivia had to pitch her solution for his development to his scary father, he actually left town! Without a word to her. Olivia had to chase after him. Not a good look. 

One of the themes of this movie is the importance of creativity and willingness to go outside of the box rather than resisting change at every turn. This movie’s showrunners could certainly have taken a page out of their own book because in every aspect, this effort was firmly stuck right there in that Hallmark box.

Rating: 5.5 out of 10.

Renovation Romance (a.k.a Christmas Under Construction)

It’s an Old Story

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This movie which premiered on the Hallmark Channel last night is actually one from 2024 which has been running over on Hulu ever since. It reunites stars Daniel Lissing and Jessica Lowndes who were last paired together in an old Christmas movie from almost 10 years ago called A December Bride that many remember fondly. If you are a Jessica Lowndes fan, don’t read my review. Although the talented Ms. Lowndes is beautiful if not stunning, I was not a fan of her acting back then, and I still am not despite her conquering at least one of her distracting quirks. Daniel Lissing will always have a place in Hallmarkies hearts for his role of Jack, Elizabeth’s dead Mountie husband, in the popular series When Calls the Heart, a show that I have never been interested in personally. Anyway, the nostalgia factor of the pairing surely accounts for Hallmark acquiring this movie from Hulu for its kick-off to this year’s Christmas in July. It can’t have been anything else.

Chelsea and Jake, who have become “America’s Sweethearts” are the hosts of a reality show called “Renovation Romance” in which the pair guide a couple through their relationship challenges while renovating their home. After filming the last show of the season, Chelsea is looking forward to a vacation with Jake to repair some cracks in their own relationship. Jake is not as enthusiastic and when their boss, Don, proposes to cap their season off with a Christmas Special, he is all for it. Chelsea relents because of a huge check to her favorite charity and because she is a people pleaser. Enter Janice, Cooper, and Cooper’s “country cabin” that he inherited from his grandpa. Their relationship is confusing. I thought they were engaged because the idea is that Cooper wants the renovation so they can live in it together, but later in the movie Don wants Cooper to propose to her live on the air. Anyway, Cooper wants to maintain his grandfather’s old world rustic charm and Janice wants to make it sleek, modern, and re-sellable. Chelsea and Jake have their work cut out for them as the couple’s differing taste in architecture extends to their lifestyle choices as well. Cooper is the proverbial country mouse and Janice is the proverbial city mouse. And the proverb is sited in so many words. In case we don’t get it. To make the project even more complicated, the Cabin is decorated for Christmas within an inch of it’s life even though some demolition will be involved. There are a lot of bows which turn out to be very significant at the end. In the middle of the movie they decide that the cabin needs even more Christmas and they add even more Christmas trees and bows. There are at least 15 trees in one room of the cabin at final count.

After the first episode of the show, Jake and a disgruntled Janice suspiciously go off to New York together on supposedly separate business which leaves Cooper and Chelsea to film the renovation project and work on Cooper and Janice’s relationship all by themselves. This was as awkward as it sounds with them flirting shamelessly, having lots of laughs and chemistry together and being deliriously happy without their partners all in front of the camera. After a lot of Christmas-y shenanigans, carpentry, heartfelt discussions, longing gazes, and futile attempts to communicate with their supposed loved ones, Jake and Janice finally return from New York. Don has decided that nothing would be better than a live reunion and reveal of the newly renovated cabin capped off by the previously mentioned marriage proposal! To her credit, Chelsea puts the kabosh on that notion, but a few minutes before the live show, Chelsea decides to break up with a more than willing Jake. During the live filming, Janice, although she is pleased with the cabin, decides she is not so pleased with living there and breaks up with Cooper even though she still loves him but just has to live in the city. For some reason, at this point, Daniel Lissing decides to look totally heartbroken even though we know that his character Cooper could not have been more pleased and relieved since he is totally in love with Chelsea. It was a very odd acting choice. To save the show, Jake decides that this is a fine time to propose to Chelsea live on the air even though she has just broken up with him. Now this dumpster fire, in the right hands, could have been absolutely hilarious, but the whole thing just comes across as cringe. Foregoing her people pleasing ways, after a tense inner struggle, Chelsea turns him down, turns to the camera, and gives a fine speech to their live audience all about knowing that they would prefer honesty to having everything wrapped up with a big happy, but phony, bow. She walks off and then ruins the whole thing by kicking herself off camera for being an idiot for sacrificing the ratings by all of her silly honesty and authenticity and wishing she had just gone along with Jake’s proposal on the air! But don’t worry, Cooper swoops in with words of wisdom and a big kiss. And just to put another big bow on it, all of the drama has resulted in the live special being a massive hit after all, so she’s happy again. Do Janice and Jake get together? No bows tying up that story, I’m afraid.

Almost everything in this movie missed the mark with me by a little or a lot. But frankly, I think the worst thing about it was the Christmas Decorations. Also, at the end, the cabin looks exactly the same as it did before the so-called renovation.

Rating: 5 out of 10.

The Christmas Baby

Two Wise Women and a Baby

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Erin (Ali Liebert) and Kelly (Katherine Barrell) are a happy couple just as they are. They are two successful women with large families and good friends. Their lives are full and complete and they have no desire to add children to the equation. But in the words of an old proverb, “Man plans, God laughs”. Erin is still at her store and rushing to get ready to attend an awards ceremony where Kelly is receiving an award for her production design. She hears someone enter her closed store and rushes out from the backroom only to find a baby boy in a carriage attached to a handwritten note.

“Kelly and Erin, I know you will take good care of him. His name is Nicholas. I’m sorry. I tried.”

Erin takes the baby to the event and together the couple decides to call social services. They are lucky enough to get lovely Barbara Niven who plays Betty, as the assigned case worker. Despite her assurances that a nice foster home awaits the baby, they ultimately  decide to take care of little Nicholas (nod to the season) temporarily over Christmas. Unlike Three Wise Men and a Baby the abandoned baby plot is not played for laughs. It is not without lightness and humor, but in the end, it is a quiet, sweet, and gentle story about a couple who opens up their lives and decides to redefine what it means to be a family. 

The two are never really in serious conflict, but Erin is decidedly more open to the idea of adding a baby into their lives. In fact, she is all in almost from the very beginning. Practical Kelly, on the other hand, is more reluctant and concerned about getting too close to Nicholas lest the mother show up and take the baby back after coming to her senses. As well she should be. She is unsure whether they can give him the stability and consistency he needs. I was a little surprised that Erin was full speed ahead with fostering the child given the possibility of having the baby taken away hanging over their heads. Or worse, being the baby’s foster parents for an extended time while waiting to adopt, before such a thing happens. Kelly is also concerned with the disruption to their lives and navigating the social challenges. She shares that she has always known in her heart and down to her toes who she is supposed to be and who she was supposed to love, but doesn’t know how to raise a child in a world that she herself does not understand: A world where complete strangers just look at her and think that she is wrong. But seeing how much it means to Erin and also falling for little Nicholas herself, Kelly puts her concerns to one side and they start the paperwork to be Nicholas’s official guardians and foster parents on more than just a temporary basis. Both women’s families and friends are part of their lives and are with them for the holidays. Their mothers are also important parts of their lives. The fathers, however, are absent and unaccounted for as far as I could tell. They even make friends with their grouchy neighbor and they inspire him to mend things with his estranged daughter. They will need all the support they can get when Betty calls with the scary news that the mother has turned up and wants to meet with them. 

Ali Liebert and Katherine Barrell have always been favorites and they give wonderful and authentic performances in this. There is a lot of conversation and introspection in this one but it was well balanced with happenings in their lives and steps forward and back. And always the question of who the mother is (it is obviously someone they must know), what will happen if or when she comes back, and why did she do what she did?  I was still left with some questions and concerns at the end which hopefully will lead to a sequel next Christmas.

Rating: 7.5 out of 10.

A Make or Break Christmas

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White or Colored Twinkly Lights?

I hate-watched this one off and on through most of it. But there were glimmers of goodness. There were lots of on-target cultural references:  Lessons learned from Mary Kate and Ashley Olsen, Iyanla Vanzant, Friends, and Wings, and some so on-target that I am apparently too out of the loop to get them. (Dom Toretto? Fast Five? What’s that?). Even though I have never been a fan of either Hunter King (Liv) or Evan Roderick (Daniel) the chemistry between them was really good. For once, I actually liked a role Evan played, faults and all. He made a character that could have been as annoying as she was in his own way actually lovable. Hunter King, his costar, played a character who was very grating at first, but got less so as she started to redeem herself. Also there was one hilarious scene where Daniel’s Mom gives them a painting representing what she sees as the couple’s future together. It was so funny, I can’t even describe it. Actually I can. Imagine a Margaret Keane sad big eyed waif painting but with a family of cheerful elves and done by a 6 year old.

Liv and Daniel meet at a friend’s Christmas Party and the attraction is sudden and mutual. We flash ahead one year and look back on their year’s courtship in flashbacks. It is now Christmas again and they are definitely together to the point of having bought a huge house together. They’ve known each other less than a year are not even engaged. Yikes. In their first scene in the present, they are making Christmas preparations for their families, including siblings and a grandmother, to visit for the holiday. It will be the first meeting for the two families and their first introduction to the new house. Typically Liv is all stressed out, and Evan is not, which leads to a huge fight and a break up. But in order not to ruin everyone’s Christmas, they will pretend to their families that they are still a happy couple.

 Right from the start, at the party where Liv and Dan first meet, Liv really got on my nerves. Because she is such a perfectionist and control freak she basically takes over her friend’s hosting duties for her friends party in her friends house. She calls it “helping.” A year later, in their new home, Dan has put Liv’s beloved Christmas Village out on display as a surprise for her. Liv is delighted but as they are going over the Christmas plans, Liv proceeds to rearrange all the pieces into the “right” configuration. We can see that this makes Dan feel bad. The planning devolves into an argument where we see all of the problems in their relationship summarized. We learn that Dan is irresponsible, disorganized, and unreliable, and Liv is hypercritical, controlling, and inflexible. Dan does everything to avoid stress, and Liv is all stressed out all the time. All this is symbolized by Dan’s decoration of the Christmas tree. Because of lack of planning, the tree is only lit on the top half and with, according to Liv, “frivolous and unreliable” colored lights instead of Liv’s, according to Dan, “rigid and controlling” white twinkly lights. Although I understood Liv’s frustration with Dan’s ways, it was her behavior and attitude that really got on my last nerve. Everything has to be perfect for Christmas because her mother and father are just like her and snipe at everything that doesn’t match with their personal preferences. As Liv herself says, they are “out for blood.” When Dan forgets to order “The Gobbler Farms Christmas Turkey” which Liv’s father apparently can’t live without, it is the last straw. Although everyone in their two families have their irritating ways and outrageous behaviors, except Dan’s mother who is a dear, Liv’s parents are truly insufferable. But in true “The enemy of my enemy is my friend” fashion, Liv and Dan find themselves uniting in the face of numerous family challenges, and come at last to the understanding that they balance each other out and are better together than apart. They acknowledge their own faults, vow to change, and they love each other. 

The last scenes, which include Dan’s Christmas present to Liv, are actually touching and romantic. And, much like Dan and Liv’s relationship, the last 20 minutes or so (minus a really cheesy speech by Grandma), evened out the annoying parts of the previous 100 minutes for me. So it turned out to be a respectable but not spectacular “7” for me.

On a final note, although it is not spelled out, this Hallmark is notable for having an unmarried couple in the same bedroom and bed, at least before they broke up. Now the couple are not exactly living together full time, which is blamed on him still having a lease on his apartment. But, in truth, it probably has more to do with Hallmark not wanting to cross that particular line. Maybe next Christmas.

Rating: 7 out of 10.

Oy to the World

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Oy to Joy

Hallmark’s Hanukkah based holiday movies of recent years have been some of their better ones, so I was cautiously looking forward to this one. The title seemed a little iffy but I do like Jake Epstein in most everything, and I thought he had really good chemistry with Brooke D’Orsay, his co-lead. Overall this was a pretty standard enemies to lovers plot, although both were so nice and family and faith oriented that I use the term “enemies” with a huge grain of salt. It was very sweet, if very too good to be true. But you know what? It’s Christmas. But it has little to do with actual Jewish beliefs. Or Hanukkah.

Nikki and Jake were childhood friends who at some point became rivals during their high school years. It all probably had it’s beginnings in their opposing personality traits. Nikki being structured, organized, and serious, and Jake being free-wheeling, unfocused, and fun. In a flashback scene we see Nikki getting up to sing “Joy to the World” in front of the whole school. She hits a bad note, her voice breaks, and she runs off the stage in embarrassment only to see Jake backstage smirking at her. The whole experience was so devastating to her that she quit singing in public despite her love of music. She is now the “choir director” of her father’s Episcopalian Church. I put that in quotes because the choir consists of 4 kids one of whom quits mid-movie. This is apparently her only job because she is in her mid-thirties and seems like she is still living at home, although I may be wrong about that. This struck me as pretty sad though it does not seem to be an issue and no mention is made of it. Jake, on the other hand is a singer/songwriter in New York City and has enjoyed moderate success though he has yet to get his big break with an actual record deal. His dad is the rabbi at the temple across the street from Nikki’s church and their families are close. When the pipes burst at the temple, and Jake’s grandmother injures herself in a resulting fall, it brings Jake home to take her place as the temple’s choir director. Not using quotes because his choir has 5 teens in it.

Needless to say (a phrase often used when talking about Hallmark movies), The two single thirty-somethings continue their rivalry while simultaneously falling in love. The tipping point is kind of sweet. Nikki and Jake make a wager that if Nikki’s family loses a bowling match to Jake’s family, Nikki will have to get up and sing in front of the whole bowling alley. On the verge of winning the bet, Jake purposely throws a gutter ball to lose the match when he sees how horrified and sick Nikki becomes at the prospect of singing publicly. When one of Nikki’s 4 choir members quits the choir because under her direction, the choir is no fun (poor Nikki! Again, so lame) the two choirs are merged under their dual direction for a big concert on Christmas Eve (which also happens to be the last day of Hanukkah) at Father Paul’s church. The joint effort will be raising money for Rabbi Levi’s broken pipes. To kick off the extravaganza, Nikki and Jake will sing the fateful “Joy to the World”. And Nikki is fine with that because Jake will be there by her side and supporting her. Won’t he? I mean surely he will not be called away back to New York for a big career break on that very day! Will he?!

Needless to say, we have a flirty baking scene complete with flour throwing, in which Nikki’s gentile gingerbread cookies recipe gets mixed up with Jake’s Jewish rugelach cookies recipe and they are delicious. The symbolism reflects the whole movie’s message which is peace, love and acceptance between the two religions and amongst people everywhere, despite their underlying differences. Yes, it was very cheesy, but it is tough times these days and I welcomed the message wholeheartedly. I won’t comment how accurate and faithful certain things in this movie were to Jewish customs and culture because I am not qualified to do so. But I did detect a few Jewish stereotypes, and I had to cringe when the Jewish part of the congregation had to listen and smile to a song which celebrates baby Jesus as the king of the world. To be fair, the Hanukkah song written by Jake was really beautiful. It was a very sweet comfort movie. And thanks to these Hallmark movies I can now spell Hanukkah without looking it up.

Rating: 7 out of 10.

A Suite Holiday Romance

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“Oh My Lord!”

~~Eloise (on the tippy top floor of The Plaza)

This is one of those Hallmarks that feels like it has to retcon what we have seen and heard with our own eyes and ears in order to create a last minute drama that tears the couple apart so they can get them back together at the very very end. In this one it is the “You’ve Been Lying to Me the Whole Time!” scenario. I understand that this is the formula. And I really don’t mind it when there is a reason for the conflict and drama. Like if the guy or girl had really actually been actually lying to the other one the whole time. But in this case, there was no lying to be had. At All. Well Ok, maybe just a little bit very near the end, when he realizes for the first time that she thinks he is someone he is not. He doesn’t immediately correct her misapprehension. It would have been difficult. He is in a state of shock probably because he is thinking she was only pretending to love him because she thought he was a higher status person than he actually was. Depressed as well, probably. And it’s too bad, because otherwise this was a pretty good Hallmark.

By virtue of a great article she wrote about Hazel Holley,  a famous children’s book author, Sabrina, our heroine, has been tapped to ghost write the memoirs of a great world famous art-broker.  He, Grayson Westcott, was once Hazel Holley’s butler while she lived at the famous Grand Fairbanks Hotel in Manhattan while writing her books. This book series is about a little girl named Cordelia who lives at this same world renowned and very fancy hotel. If you are familiar with Kay Thompson’s children’s series about Eloise and The Plaza, you will recognize a lot of parallels with this movie. Right down to Sabrina staying in the “Cordelia Suite” and a huge oil painting portrait of “Cordelia” in a place of honor. So that was fun! Also staying at the same luxurious hotel, is Lord Braxton, who is vaguely part of the royal family of England, and his secretary, Ian, who also works for the family’s charity, “Read for the Stars”. They are there to exhibit the Braxton family’s jewelry collection to raise money for this charity which fosters reading skills for learning disabled children. After they have their meet-cute (she starts to eat his delicious-looking sandwich by mistake at the hotel bar), Ian and Sabrina form an instant connection, start doing stuff together (remarkably not ice skating at Rockefeller Center, however), and fall in love.  Meanwhile Ian is trying to keep the immature and fun-loving Lord Spencer Braxton out of trouble, specifically keeping him from proposing marriage to the hotel jewelry clerk (who is doing post graduate work on the Victorian author, Elizabeth Gaskell. Kudos there, script writer!). Also meanwhile, Sabrina is interviewing Grayson Westcott for her book. He tells her the story of his love affair with an 18-year-old debutante while he was taking care of Hazel Holley. It ended sadly because she had to go to London to fulfill her dream and the dream of choice of seemingly all young Hallmark heroines: being a fashion designer. They keep in touch but when he finds out down the road that her family lost their money and her fashion designer dream is dead, he doesn’t go to her rescue. This was badly done on Grayson’s part and quite a plot hole. Especially since when she was rich he didn’t think he was good enough for her. 

Now the crux of the matter, which everyone sees coming. Thanks to Sabrina’s daffy and obnoxious friend, Sabrina thinks that Ian is really Spencer the royal Lord, but he is just calling himself Ian to protect his privacy. The fact that Ian, she thinks, is royalty and very rich doesn’t seem to bother her too much at first *wink*, but she finally realizes that the romance cannot be because they live in two different worlds and two different countries. So inspired by Grayson’s frustrated romance, she writes him a letter breaking up with him. Please note that he never lies to her except when he finally realizes, near the end, that she has the wrong end of the stick and thinks he is a rich royal and not a lowly secretary. At that point he is shocked, discombobulated, and he doesn’t know how to tell her the truth. And then she breaks up with him before he can set her straight. All this while, Sabrina knows he has no idea that she thinks he is a Royal. Very early on, she comments to him that he didn’t tell her he was “with” the Braxtons. Not that he was Lord Braxton, but “with” the Braxtons. And later than that, when their romance is in full swing, she tells her flakey friend that Ian has no idea that she knows he is really royalty. In other words Ian thinks she thinks he is just a normal guy. Which he is. After a pow-wow with Grayson, she has a change of heart and decides to try to make their relationship work despite the challenge of him being a Royal and all. But when the truth is finally publicly revealed she stalks off accusing him of lying to her “the whole time.” and “Was any of this even real?!” The only unreal part was what was going on in her own head. You’d think she’d be happy. How could he be lying to her? He never claimed to be a Royal, and thought she knew that. Which she knew. My head is still spinning.

Other than that, I liked the movie. It was good to see Jessy Schram again after 2 Hallmark-free years. The male lead was good as was Adam Hurtig as the volatile Spencer Braxton. The production was very well mounted with the hotel and New York City background. And, small spoiler, I’ll never have a quarrel with three happy endings. But it lost a star due to the rewrite of established facts.

Rating: 6 out of 10.

Single on the 25th

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Thirty, Flirty, and Thriving

This was but a simple love story set in Chicago with no gimmicks or even much of a secondary plot line to distract us from the romance. Everything was focused on the character development and the growing connection between the two leads. And it was lovely. Lyndsy Fonseca, Hallmark Christmas movie veteran, usually seen only during the Holidays (once in January), was charming and charismatic as always. I am not sure this would have worked without her talented presence. She was paired with Daniel Lissing and he was good. I would say the time we spend with them in the movie was pretty much equally divided between the two.

Christmas-loving Nell Duke is looking forward to her family visiting her in the city during Christmas and she has taken the whole week off from her successful career to show them a good time with a host of curated activities. So refreshing not to have our heroine dealing with career woes or trying to convince an awful boss that she deserves the big promotion! Unfortunately her family has to all drop out due to unexpected family emergencies and Nell decides to go home with her good friend and cancel all of the reservations. Unfortunately some are non-refundable. She is discussing the situation with her friend when she runs into her apartment building neighbor with whom she has a cordial but rather awkward relationship. He helps her carry in her Christmas tree, and later, she locks herself out of her apartment, knocks on his door for help, and they get to talking. He convinces her to stay in Chicago during the holidays and embrace her singleness, taking part in all of her planned activities all by herself. He is kind of a loner at work, not seeming to have a lot in common with his obnoxious office buddy. When he is roped into planning the important office Christmas party, he has to cancel his own planned skiing trip and stay in Chicago himself. Nell and Cooper get to know each other and they start doing some of the activities together. Cooper, who prides himself on his independence, coaches Nell on how to be successfully single while living in a world seemingly made up of happy couples and babies.  Nell, who is experienced at planning parties, helps Cooper make his office party for clients extra special to impress his bosses. They slowly become good friends and start to fall for each other while Cooper’s family welcomes her into some of their traditional events. Cooper learns that going it alone is sometimes not as fun as being part of a couple and he can show his true self, a goodhearted guy and a bit of a nerd, and still not be an outcast in the corporate world full of yuppies.

The romance is developed slowly and steadily and is well founded. They open up to each other, learn about each other, and when they resolve that dreaded last minute misunderstanding and get together at the end, it is because of choice, not need. 

One of the highlights was seeing Cooper’s obnoxious office buddy learn from Cooper’s example and quit being such a phony. Bro Hug! The movie was well paced with lots going on despite the slow steadiness of the romance development. I loved the messages this movie conveyed, the Christmas in the city atmosphere, and seeing both leads have real character arcs and backstories. There was nothing “wrong” with either of them, but they brought out the best in each other and learned to be happier people together. I loved that it seemed to be aimed at a younger than usual demographic. Of course there were a few of the usual tropes, but they were not crutches for a weak plot. And it was nice to see Lyndsy Fonseca star in a movie that didn’t rely on paranormal activity.

Rating: 8 out of 10.

She’s Making a List

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Coal-Worthy

It’s not that I didn’t understand this movie, it’s that so many little things did not make sense. And it was boring. I really had high hopes for it. The premise was cute and different, and it starred two of Hallmark’s biggest and most popular stars: Lacey Chabert and Andrew Walker. I would have thought they would have given them a better script. And I don’t know much about direction, I just know when it’s good, but things were said or implied that I didn’t see on screen. Then at the end, the plot just went off into La-La Land, and by that I don’t mean Los Angeles.

In a nut shell, here is the plot. The naughty or nice list is real. But Santa’s elves have long since been relieved of the huge responsibility of deciding whether the children of the world get presents or coal in their stockings. That  job has been sourced to Naughty or Nice, Inc. who uses modern technology and algorithms to separate the good, the bad, and the in-between. They have a huge fancy office building in a big city so the whole company and its mission is right out there on Front Street. The algorithm is adequate for most kids, but some kids are on the line between naughty and nice. And that is where the human inspectors come in. Isabel (Chabert) is one of the best and up for a big promotion. The inspectors are dispersed throughout the Santa Claus believing world assigned to take a closer in-person look at the actions and behavior of these fence-straddling kids. They are armed with a huge guide book detailing, among other things, the rules of engagement in order to make the final determination of coal or presents for Christmas. And no one knows the rule book better or follows it more closely than Isabel. Sounds cute, right? And I am the last person to turn my nose up at a little whimsey. The production values were good, there were some clever and cute lines and concepts, and Lacey Chabert and Andrew Walker are always competent at the very least. But it ended up in a muddle that could have been done much better. And easily fixed.

The first case has Isabel scrutinizing two little boys playing with a ball. One dares the other to throw the ball as high as he can and when he does it breaks a car tail light when it lands (somehow?). It was just an accident, but the one kid runs away and the other struggles with his conscience and then runs away. Lacey writes down “Mischief, Destruction, and Evasion”. Both the boys are judged “Naughty.” Case Closed. No presents. One of the messages this movie seems to be trying to convey is about digging deeper past the surface actions before putting a label on a child. Wouldn’t it have been more effective if the kid would have changed his mind and taken responsibility for his actions but after Lacey had left the scene of the crime? Or some other extenuating circumstances?

The next case is a boy named Teddy who is apparently planting seedlings (In December?) with his classmates. He sprays bleach on everyone’s plants except his own! Why? Were they in some kind of plant competition? Why would a kid be so malicious? It’s never made clear. Isabel’s assistant thinks that he meant to spray fertilizer, not bleach. But if that’s true, why would he not fertilize his own plant? Isobel later claims it was the only bottle of bleach in a row of fertilizer bottles so it must have been a mistake. Which is clearly what the viewer is supposed to believe. But the frame showing the bottles clearly shows that is not true.  And why would bottles of bleach be right next to fertilizer in a children’s garden in the first place? And he was definitely acting guilty and sneaky. Making mountains out of mole hills? Maybe. But it was disengaging and distracting for no reason. Nothing about it made sense. If he was spraying bleach on innocent little baby plants that is more than just mischievous, it is very concerning behavior. The lesson of not jumping to conclusions about kids’ motivations was confused and murky.

Those two cases are just prologue to Isabel’s main case of Charlie, played by Cadence Compton, who was fantastic. 11-year-old Charlie is an amateur magician we first see making a little kid’s $20 bill “disappear.” Basically she steals it from him. And the other older kids are so impressed that they start waving their money at her so she can make all their money “disappear” too. What the Hell. As far as we see, she never gives them their money back, and the kids never report her to the authorities either. Again what would have served the moral of the story was her giving their money back when judgmental Isabelle wasn’t looking. Or maybe using the money to buy a warm coat for a homeless kid, or do some other good deed. No, what she did was more than just “naughty.” She does other bad stuff too. But since Isabel is now dating her handsome father Jason (very much against the rules but she couldn’t care less all of a sudden), she starts looking to make an exception for Charlie and protect her from getting coal instead of presents. Because you see, Charlie’s mother died last year, so all is forgiven and excused. Plus she picks up litter. We find out later that when she did get coal for Christmas last year, her Dad secretly replaced it with real presents anyway. I’m like, “Maybe a little coal in her stocking would have done her a lot of good!” Isabel is breaking all the rules when it comes to this one girl because of her crush on Charlie’s father. It just wasn’t right or fair to all the other gray-area kids. Not that Charlie was actually that “gray area” in my opinion. But let’s just overlook Isabel’s shady behavior. I mean it’s Lacey Chabert after all.

I won’t go on with other examples of badly presented and mixed messages, but trust me. Isabel gets closer to Jason, finds out she has been doing more harm than good in putting kids on the “Naughty List,” and Charlie is miraculously transformed from bad girl to good girl at the drop of a hat. As it turns out, next year Isabelle’s boss (Steve Bacic) is going to take the whole human element out of labeling the children of the world and rely strictly on the algorithm. There will no longer be any excuses or human input. A now wiser Isabelle is so upset by this, that she quits and then decides to visit the top man, Santa Claus, along with Charlie and Jason to plead her case: No child is ever really naughty, they are just trying to find their way in the complicated adult world. No comment. But it all ends in a happy ending with a world free of coal, naughty lists, and children not being held accountable for their actions. I’m sorry, but this is a 5 in my book.

Rating: 5 out of 10.