Hallmark Movies

Christmas Above the Clouds

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God Bless Us, Everyone

It’s Countdown to Christmas and time for another remake of Dickens’ A Christmas Carol. This makes the third fantasy movie this year for Hallmark and half of its offerings so far. And that’s great, if, like me, you enjoy a little fantasy with your Christmas Romances. But you can stop now, Hallmark. This modern adaptation of the Christmas classic was well done. Ella Neezer is the worst sort of scrooge as the C.E.O. of a successful travel agency (Great Expectations Travel). It is in a huge high rise in New York City with a huge staff, so apparently that business model is not as defunct as I thought it was. Her latest crime against humanity is turning down a marketing campaign that highlights couples in love. “Why can’t we see a nice high powered single woman having the vacation of her life without anyone else around?”. This means that her staff has to work through Christmas on a new one, while she flies first class to Australia on a business trip (turning down, once again, her loving sister’s invitation to spend Christmas with her family in Utah.) Spending Christmas on an airplane suits her just fine as she has nothing but contempt for the holiday. But she is dragging along her personal assistant, Bobbi Cratchet (Emily Tennant), stuffed in coach, poor kid. Bobbi not only will not be able to spend Christmas with her loving family, but with all of the last minute duties Ella gives her, will not even have time to say goodbye to her little son, Tim, who struggles with severe asthma.

Once on the flight, she is barely keeping it together as the flight turns out to be a special Christmas edition full of merry holiday making with a relentlessly cheerful (and singing!) flight staff. All Ella wants is to be left alone peacefully wallowing in her solitude. But to her dismay, she finds herself seated next to her ex-fiancé, Jake (Tyler Hynes). 

Let’s skip to the ghosts. The first one, of course, is Christmas Past, the perkiest flight attendant ever played by Faith Wright, who is adorable. We get a glimpse of Ella and her sister Frances’s neglected childhood, her happy college days with Jake, and how they broke up over her workaholism on Christmas 6 years ago. She learns the reason why Bobbi was late for work one morning which caused Ella to almost fire her. She was in the emergency room all night with her son. Bobbie is struggling financially due to the company’s less than generous health plan. Ella starts to show a bit of humanity and remorse. But just a bit.

The Ghost of Christmas Present shows Ella what her employees and her family really think of her. Her employees hate her and conspire behind her back. Although her sister still loves her, the rest of the family is glad she did not join them for Christmas. Even the kindest of the people she comes in contact with only pity her. She sees that Jake, for some mysterious reason, is still hung up on her and doesn’t date. Up to this point, she is only partially seeing the error of her ways. She is still complaining and tries to defend herself (Why didn’t Bobbi tell me her little boy was so sick? Why did she “agree to skip Christmas”?) Christmas Present is like “Oh really?!” and sets her straight.  Enter Christmas Yet to Come. This ghost is played by a big black dude dressed in black complete with sunglasses. Unlike peppy and chatty Past and Present, he is very scary and does not say a word. It is Christmas a year from now and she finds out that she is dead! How? How did she die? We are not told but inquiring minds want to know. Jake is now a lonely librarian “like Donna Reed?!” And also poor little Tim is dead too! Jeez, Hallmark. Needless to say, Ella, threatened with death, finally sees the light, and makes up for her bad behavior.

I have to say that Erin Krakow did a good job in this one. She used to be more of a miss than a hit with me, but in the last couple of years, she has won me over. I am no longer on edge when I see her cast as the leading lady. That cannot be said about Tyler Hynds. He seems to have found a niche of playing tortured weak characters who have a lot of work to do on themselves, ideally in therapy. But I am happy to report that he played a normal good guy in this one and I liked him. The script provided nice dashes of humor both during the ghostly visitations and between them, when she was trying to process what was happening to her and interacting with Jake. On a final note, I have to say that I hated the roomy white athleisure lounge wear Erin wore throughout almost the whole movie. I’m sure it was comfy, but it did nothing for her at all. Despite that outfit however, on the Christmas Carol remake scale, this was a “God Bless Us Every One.”

Rating: 7.5 out of 10.

A Newport Christmas

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Dimensional Fractures Cannot Be Tolerated.

Strange. For the second time this year, Hallmark, in a way, buried the lead on two weekend Christmas movies. The one premiering Saturday night was OK, but nothing special, but the one on Sunday Night, which I assume would have less viewership, was really great.

A Newport Christmas was a time travel romance, one of my favorite plots, responsible for some of my favorite Hallmark movies like Next Stop, Christmas, Love Strikes Twice, and last year’s A ‘90s Christmas. This, unfortunately, was not quite up to those standards, because of a couple of things, but it was right up there in the conversation. The plot, the concept and the writing were outstanding. It also included some unique wrinkles that I was not expecting. As for the couple of things, nothing against Wes Brown, but he just didn’t seem like a good match for the time traveling Ginna Claire Mason. I thought their chemistry seemed off. Also, GCM’s acting was a little over done.

Ella (Mason)  is a wealthy resident of Newport, Rhode Island in December of 1905. She is somewhat of an independent dynamo and is engaged in numerous charitable activities. She is not interested in marriage but wants to use her dowry to start a charity to help the less fortunate.  While preparing for her father’s inaugural Christmas Ball, her father calls her in to his study and informs her that he has arranged a marriage for her with a man called Everette Thornton whom she has never even met. She is not happy and goes out on her boat alone to clear her head. She sees a comet while wishing for a different life and to fall in love one day. Suddenly, out of nowhere, in the boat with her is Nick, played by Wes Brown. He was on a rescue mission for a missing boat and is as shocked as she is to find a stranger in the boat. Ella has jumped forward 120 years to 2025, which she is forced to admit pretty quickly once they land back in Newport and she gets a load of all the modern stuff. Her former home has been turned into a museum, The Grafton House. Nick is the local historian there and she also meets Christine, the museum director, and Francis, her assistant (secondary romance!). Nick, supported by Christine and Francis, shows Ella around and introduces her to the 21st century. She loves it. Paper cups! Pants! Lady Bosses! Lattes! Computers! Inflatable Snowmen! She finds out that she became a prominent historical figure and an important philanthropist, helping many many people through the years. But this means that she must go back to that influential life. It is not an option, despite the fact that she and Nick have fallen in love.

In addition to the usual “fish out of water” amusing situations and quips, there were many interesting  complexities to Ella’s predicament.  As Ella learns more about her life (it turns out she was happily married to an ex-naval officer named Rex Grafton who supposedly rescued her at sea after her “disappearance”. But it is very mysterious that they can’t find a picture of him anywhere. They figure out that The 1905 “Christmas Comet” that seemingly is responsible for her time travel is reappearing on Christmas Eve in a matter of days and is her best chance of getting back to the life she was meant to lead. It soon becomes apparent that the longer Ella stays in the future and the more she learns about herself and history, the closer she comes to creating a “dimensional fracture” which is symbolized by her portrait disappearing and a biography of her turning into blank pages. One day, Ella spots an old coast guard buddy of Nick’s named Adam and she knows him from somewhere! How can that be? Ella remembers that Adam sold her her boat over 120 years ago. He is a time traveler too, but got here 20 years earlier!  And that is all I will say about that, but the whole situation actually had me pretty mystified and marginally concerned as to how this was all going to resolve itself into a happy ending for Nick and Ella. To further complicate matters, I liked Adam better than Nick. 

This movie was entertaining and sure kept my interest. There were some anachronisms where they got history wrong. Christmas lights were actually pretty common in 1905 as was the QWERTY keyboard. The arranged marriage between two people who had never met? Nope. Not in America, anyway. Ella’s hairstyle was all wrong. And once again, Hallmark missed an opportunity for a little fun social commentary by having Ella ignore the fact that Christine is black. It’s the usual stuff that just has to be ignored or will drive you crazy.  Other than those quibbles it was well thought out and I liked it. I really did.

Rating: 8 out of 10.


Christmas on Duty

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Oorah!

First of all, I don’t have a military bone in my body, so I am not going to comment on how authentically or inauthentically military culture, protocol, uniforms, etc., etc. were depicted in this movie. But kudos to Janel Parish for being outfitted in bulky military camouflage throughout, except when she was wearing an elf costume, instead of the usual array of red and green coats and cute winter hats our heroines are usually garbed in. She really took one for the team because that cap was really ugly. The one thing I did learn about the military was how much our soldiers love the insurance company, USAA. Honestly, I was expecting Rob Gronkowski to pop up at any minute. Oh wait, they sponsored this movie. I get it.

 We first meet Blair and Josh when they are in basic training at Quantico. They are rivals but also kinda like-like each other. Blair is a star student and Josh is not far behind, but when the rankings come out, Blair is first in her class and asks for the very assignment that Josh has made no secret of hoping for. She had told him she was going after something else but changed her mind at the last minute without telling him. Naturally, Josh was quite put out by this dirty trick  oversight. It ends their friendship and they go their separate ways. Cut to the present day, 6 years later. It is Christmas time and Blair is shown to be very competent and respected in her position on the Marine base as some kind of trainer or instructor. We learn the commanding officer of the base is retiring and  Blair is up for a company commander position. At the Christmas/retirement party her old enemy Josh is introduced as a newly promoted company commander, one of the coveted slots Blair had hoped to get. Blair is vexed. Karma’s a bitch, girl. Josh and Blair get into a big loud fight and knock a big fancy cake all over a visiting Colonel and his wife. Apparently, this kind of thing is frowned upon, and Blair and Josh are reprimanded and relegated to spend Christmas Eve and Day working together at the base instead of at home with their families. Speaking of families. Blair and Josh are both products of longstanding military traditions. Their fathers are retired and have been nursing a grudge against each other for years and years. The sins of the fathers are visited on the children and all that.  Josh’s dad is very strict, scary, and demanding and it was to please him that Josh wanted the assignment that Blair ended up getting 6 years ago. Blair’s dad is nicer, but was always very discipline- oriented, until his wife, Blair’s mother, recently died. Now he is trying to lighten up and take her place as far as Christmas cheer and more traditional holiday fun is concerned. Josh finds out some bad news from his sister, who bears an unsettling resemblance to Blair. (This  led to a bit of confusion on my part at one point-Why is Josh dancing at the party with Blair when they are so hostile?!) It turns out that his little nephew, along with all the other military children in the neighborhood, are not going to get their Christmas presents on time because of a snowstorm shutting down all deliveries. Josh and Blair propose to the retiring Colonel, their commanding officer, that since they have access to a military vehicle, that they go south to where the toys are and the snowstorm isn’t, and bring back Santa’s bounty for all of the kids. He says no way and that is that. Ha ha, I jest. Of course he agrees, especially since he has a little granddaughter whose heart is set on a pink skateboard.  And how else are we going to have all the high jinks, teachable moments, and the enemies to lovers romance that Hallmark is famous for?

This was an OK effort by Hallmark. Although the overall arc of the romance and plot was predictable as usual (the feuding fathers bury the hatchet in the end and Josh’s father learns not to be a d*ck) the actual activities were a little different (no festival, institution saving, or climactic holiday ball!), adding a little freshness to the 88 minutes or so. The opening credits were really cute. Janel Parish and newcomer Parker Young were fine and made a good couple. Also, thanks to Josh, all professional and personal misunderstandings are cleared up and Blair is recommended for a Company Commander. It’s all Happy Families on the personal side, and Janel finally gets to ditch the camos.

Rating: 6.5 out of 10.

Merry Christmas, Ted Cooper!

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Ted’s Misfortunes

This hugely enjoyable movie is what results when Hallmark brings a gimmick free well written and plotted story together with two of their most engaging and talented lead actors. I am happy to report that this was, well, fantastic. A rare 10 out of 10. In the arc of the story, there was not a tired and over-used trope to be found. Well, to be strictly accurate, some tropes were to be found, but they were not over used. This is, after all, a Hallmark Countdown to Christmas movie. It starts out on an attention getting note, when we realize that this is centered around a male character, not a female, or a couple whose individual stories get an equal focus as they merge together.

Robert Buckley plays sunshiny Ted Cooper, a TV meteorologist in Corning, New York. He is, for good reason, “the most likable man” in the state. Ted has achieved some notoriety for always having bad luck during the Christmas season. He has been attacked by a possum living in his Christmas tree, and almost burned his house down another year. One time, he contracted a disease so rare that it was named after him. In fact, this year, his co workers have a pool set up as to which possible disaster(s) will befall Ted this year. Will he be impaled by reindeer antlers? Get run over by a sleigh? Go to jail? Electrocuted? Choke on a chunk of fruitcake? But, contrary to what one might expect, Ted’s Christmas Spirit has not been dampened. Ever optimistic, he is confident that this is the year he will not fall victim to his legendary bad luck. He takes the ribbing and teasing (primarily from his co worker, Ken the slightly smarmy anchorman, played by Brendan Penny in a funny turn) in good part, and even throws back a few zingers of his own. He is not a victim. We are not only told that everyone loves Ted, but it isn’t long before we love him too. He is kind and considerate, always putting others first, but he’s also cute, funny, and smart.

Being the good brother he is, he is spending Christmas with his older sister in Lackawanna who is in charge of the Gingerbread Invitational which will be raising money for the local hospital. Of course he can’t get his car started so he has to take the bus, and then mistakes a college girl’s luggage for his own. So he spends the first few acts of the movie dressed like a “sorority girl during rush week.” Cue pink sweater jokes. He is soon squared away in the wardrobe department when his old favorite teacher, Ms Mittens, takes him in hand, and, with her walking group, takes him shopping. Of course he becomes an honorary member of her crew, The Sole Sisters. But it isn’t long before a box of Christmas lights falls on him and knocks him out. At the emergency room, he is seen by the doctor whom he had a massive crush on while in high school. They have some banter and make a connection which is further facilitated when he has to get further treatment later that day after getting poked in the eye by a Christmas tree. “Oh, our favorite customer!” “What can I say? I like to support local businesses.” He has to do his first TV spot promoting the Invitational while wearing a Santa Claus eye patch much to the amusement of his crew back in Corning. It looks like Ted’s run of Christmas bad luck is continuing apace and someone in his newsroom is going to strike it rich with the “Ted’s Misfortunes” betting pool. And did I mention that the “Lands in Jail” choice is soon quickly checked off?

That’s just the first 20 minutes. I was just so almost-in-awe of all of the twists and turns, the humor, the heart, and the sweet romance in this story, I wish I could talk about them all in exhaustive detail.  Kimberly Sustad is wonderful as usual as Hope, who as a doctor and the once most popular girl in highschool, Ted thinks is too good for him. Thanks to his sister’s manipulations they start dating and Hope is smitten by his cuteness and fun personality. But trouble looms when she starts to question whether Ted is letting her in to see the real person under the good guy persona. First, he refuses to send back a hamburger which was not made to his instruction because he doesn’t want to get the waiter in trouble. Her worries are confirmed when she learns he is putting off accepting a big promotion in nearby Buffalo out of gratitude to the station in Corning who gave him a chance when no one else would. Ted is loyal to a fault and always gives up what he wants to make everyone else happy. 

There is heart in this story as charm. We learn why Ted puts everyone else’s feelings ahead of his own and how, thanks to his sister and Hope, he finally learns that he can balance advocating for himself while still being a friend to all.

It is no surprise that Robert Buckley, who developed this story, and Kimberly Sustad who are always engaging and natural on their own, make an irresistible pair together. Their partnership in the romance and repartee is effortless. The humor is warm and integral to every interaction, not based just on a few clever one liners. The conflict is not manufactured out of some phony machinations, but is a natural result of plot and character. What a concept! Every detail was on point, including nods to “national treasure” Mark Harmon and Taylor Swift. Kudos for including an actress in a wheelchair as Hope’s best friend! The movie concludes with Janice in Corning winning a fortune for her perverse guess that Ted will end up “Kissing a Beautiful Woman on Live TV” (odds 10,000 to 1) and anchorman Ken having to sell his boat. Mark my words, this one is destined to become a Hallmark Classic and top 5 all time popular Christmas favorite along the lines of A Biltmore Christmas, Snow Bride, and Round and Round.

Rating: 10 out of 10.

A Christmas Angel Match

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Winging It

There seems to be some mixed, mostly negative, (man, I thought I was a little sour sometimes) reviews for this one, but I really enjoyed it. Written by the lead actress, Meghan Ory, it had some cute lines, ideas, and “world building” as far as angel and heaven culture was concerned. I thought the sets and the costuming were terrific. 

Monica (Ory) is an experienced and award winning angel who has worked at the Department of Christmas Connection all her life. She is 587 years old and we are told that she was born an angel, so has never been human. She takes a thoughtful and serious approach to helping singles find true love during the Christmas season. She goes strictly by the Angel Handbook aka The Hark. But she’s been in a slump lately.  Young people these days are too distracted and busy on their phones to look up and make an in-person connection with one who might be their soulmate. She loses the Angel of the Year award to the new kid on the block (only 97 years old), Michael (Benjamin Ayers), who takes a “fun” approach to match making. Monica believes that a more serious well planned methods facilitate more meaningful long-lasting relationships. Michael may have put together more matches than her, but how solid are they once the Christmas magic wears off? The tidings are bad, not glad, when a mistake happens and they both are assigned the same couple to match and are forced to work together. There is a lot riding on this particular assignment. “Cloud Command” is not happy with the DCC’s performance lately and they may be forced to downsize and merge with the Valentine’s Day folks. And the office manager Gabriel does not get along with Cupid.

I like when there is a lot going on in a Hallmark romance. In addition to getting together the “tenderheart” (human) young couple, their grandparents are making a match of it, as well as, of course, Monica and Michael. Monica takes the lead at first. But the plan to have Patrick and Daisy bond over cute puppies goes awry as well as the tried and true “Brewed Awakening”, the old collision with coffee routine. They are both called on the carpet and Monica and Michael realize that they have to work as a team. Along with trying (unsuccessfully) to get Patrick and Daisy to connect throughout most of the movie, Michael makes it his mission to show Monica some human type fun and get her to loosen up. Neither Michael nor Monica are exactly likable at first “We are not arguing, You’re just wrong!” But I liked their journey. As they tick off all of the meet-cute tropes on the Hallmark checklist, (Christmas crafts, picking out a Christmas tree, snowball fight, hot chocolate, getting caught under the mistletoe, etc. etc.) the two angels slowly learn to work together and develop a friendship and mutual respect.  I still haven’t tired of the self aware humor that results when Hallmark makes fun of their own Christmas romances. And this movie was all about that-right down to the partially heard convo that results in a misunderstanding and temporary heartbreak.

There were some nice touches that added a little depth.  Along the way, we learn that  Monica has been matching Patrick’s family for generations which is one reason why this one is so important to her. At one point Michael finds Monica in church looking for divine intervention, she says. He thinks church is a good place for that. It wasn’t perfect. It started out repetitive and got a little draggy in the middle and although Daisy was adorable, I didn’t take to Patrick. Some of the acting was a little forced. Daisy’s best friend was a gay man who also gets matched up and he was too stereotypical and it had too much of a “Check that off the list” feel. As was the interracial aspect of Daisy and Patrick, I suppose. Hallmark really has a lot to balance, so I can’t be too hard on them. On the other hand, “Baby Steps” just doesn’t cut it anymore. All in all, I appreciated the fast paced dialogue and banter and the out of the box plot. I wonder what will happen next with Monica and Michael. A heavenly wedding and little baby angels?

Rating: 7.5 out of 10.

A Royal Montana Christmas

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Dude!

It’s not often that I have nothing to say. The title says it all. But it’s the Saturday premiere of the first movie in Hallmark’s Countdown to Christmas. So. The overscheduled and stressed out Princess Victoria of Zelarnia escapes to a Montana dude ranch where she went as a child with her late father for a little R and R and falls for Huntley, the son of the owners. Besides having no free time in Zelarnia she is discouraged from being herself or straying outside the lines in any way, shape, or form while doing her princessly duties. After Christmas she will be taking over for her mother the queen full time. Luckily her mother is supportive and Victoria doesn’t really so much as “escape” but is allowed to go to Montana as long as she takes her head scheduler and assistant, Gabriel along with her and is back by December 19th for the official lighting of the third Advent candle. Also she has a nice sister, who is much more suited for her duties than Victoria is, to fill in. Gabriel is from New York City, and he will help Victoria navigate the strange ranch customs of America. In the one amusing line, Gabriel protests that the only ranch he is “acquainted with is ranch dressing.”

And that is pretty much that. No one recognizes her at all, so there is no cloak and dagger hiding her identity or escaping from the paparazzi going on. The fact that she is a royal princess doesn’t really play into the story at all. No culture shock, no nothing. She might as well be another Hallmark American stressed out business woman on vacation. Except for the German (?) accent. Even citified prissy Gabriel is a good sport about all they have to go through. For some strange reason, Victoria and Gabriel, paying guests mind you, are given nasty chores on their first day including mucking out the stalls (“Charlie made a big ole mess last night.” snicker snicker. Charlie being a horse.) There is some mystery about why they no longer have the annual Christmas dance which Victoria remembers so fondly.  But with the help of Huntley’s gorgeous high school friend, Shelby, she enthusiastically and competently revives it to raise money for the volunteer fire department. Shelby is nice and even though she and Huntley were the homecoming Queen and King there is no romance there at all. Drama and misunderstandings averted. Huntley’s deal is that he used to be a baseball player and even made it to the pros. But he blew out his rotator cuff during his first spring training, letting down his community who cheered him on at the last Christmas Dance that they held many years ago.  Next year’s dance was canceled because his parents were too busy seeing to his recovery. Ever since, instead of helping his parents run the ranch full time he has been assistant coaching unhappily in the minor leagues there in the hinterlands of Billings Montana and struggling with some kind of complex for letting down his community. The community doesn’t care, bro. They are too busy with their own lives.

When the Christmas dance is scheduled the day after Victoria is supposed to leave she just calls up her mom and gets an extension. No problemo. Meanwhile Huntley and Victoria have fallen in love while doing ranch activities under the big sky of Montana. At one point things get serious (they almost kiss) and she tells him she is a real princess. No problemo. Even though he is now going to help run the ranch full time, and her destiny is in Zelarnia, they are going to work it out and be together “as a team”, “whatever that looks like.” Holy matrimony is not mentioned. Sure enough, she goes back to Zelarnia to light the last Advent candle, and comes back seemingly the next day (going by what I know about Advent Candles) on Christmas to live the dream in Montana with her mother and sister in tow. They fit right in and little sis happily agrees to take over Victoria’s princess duties for ever after they get back home.

This one was not an auspicious start to Hallmark’s Countdown to Christmas 2025 version. Fiona Gubelman and Warren Christie were well cast, had good chemistry and did the best they could with a really boring script. Warren looks excellent in a Cowboy hat and the kisses were solid.

Rating: 5 out of 10.

Haul Out the Halloween

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“What in the Samhain?”

Taking Christmas decorating drama as far as it could go, what else was Hallmark to do but to move on to the next challenge and take on Halloween? The folks on HOA loving Evergreen Lane, a cul-de-sac in Provo Utah, are thrown into a panic when the Halloween (and Shakespeare) obsessed Marvin and Luna Balmer (The M. Balmers) move into the house vacated by the Jolly Johnsons and start setting up for their favorite holiday of the year. Not Christmas. Something must be done. It’s Evergreen Lane, not Everscream Lane. They call in the big guns, Jared (Wes Brown), President of the HOA, and Emily (Lacey Chabert) Director of mumble mumble Activities, just back from their honeymoon. To not shorten a long story, when Emily was a child, she was traumatized when a mean girl, Ashlynn Ashworth “Yard Yelped” her by scaring her with scarecrows on Halloween shortly before the death of her beloved Grandmother. From then on, the neighbors dialed back all of the other holiday decorations to focus only on Christmas to protect Emily. The Ashworths pulled up stakes and moved away shortly thereafter. However, the ban on Halloween was never officially written into the bylaws of the HOA (!). So, Alas poor Yorick, the Balmers can not be stopped. A Big cul-de-sac meeting is called, and led by sweet and kind Emily, they decide to welcome the Balmers and in a “if you can’t beat ‘em, join ’em” spirit, totally embrace all of the art and science of Halloween celebration complete with costumes, contests, yard displays, and child-friendly activities. (They agree to only go up to 5 on the “Nosferatu Scale”.) It doesn’t hurt that thanks to Luna Balmer’s life being saved when she was just a kid, all proceeds will go to the local Children’s Hospital. And as Emily points out, Halloween is for remembering the dead, and this year’s celebration will be the perfect tribute to Emily’s Gram-Gram.

I really liked this one much more than the previous two Haul Out the Holly movies, which had some very problematic and disturbing aspects to them. The fascist undertones of the HOA were dialed down considerably. It was very fast paced and the wisecracks, jokes, and gags came thick and fast. And they were mostly quite funny. I probably missed a lot of them, but one that stands out was when Jared calls Emily’s messy attic “the portal to Pan’s Labyrinth”. It was very episodic with no one gradually unfolding plotline to be seen. The neighbors tackle a number of challenges including baking contest drama, Jared’s dismay over his widowed mother being courted by weird Ned (Stephen Toblowsky), Jared’s suspension as HOA president, and Emily not being fulfilled in her career and wanting to write children’s books. Also it turns out that the local media star who holds in her hands the success or failure of the money raising aspect of the cul-de-sac’s Halloween hijinks is none other than Ashlynn Ashworth, the mean girl whose family may or may not have been chased out of the neighborhood when she dared to scare young Emily out of her wits. But no one, not even a former mean girl, can resist the niceness of Lacey Chabert’s Emily. So we were not worried. Even though a lot of the side stories kind of fizzled out, I would certainly be on board with another one with these next year. Perhaps an Independence Day or Thanksgiving Day edition? This was fun and silly. If you can embrace that, it’s a treat, not the other thing.

Rating: 8 out of 10.

Home Turf

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Extracurricular Activities

I will give this one extra credit for a pretty unusual and fun premise. Nikki Deloach plays Cassidy, a tightly wound new president of a small Ohio university trying to save The Arts program from being cut. Warren Christie does a nice job as the new college football coach trying to lead his struggling team to its first win. When the pipes burst in the dorm flooding out 21 members of the football team, the only solution is to put 5 of them up in the 10+ bedroom mansion that functions as the home of the President of the University. Of course they act like barbarians destroying Cassidy’s peace and quiet and her flower pots. They also drink her oat milk and don’t use coasters. In order to corral the savage beasts (a.k.a. teenage boys and football players to boot) Nikki insists that Logan move into the room above the garage to keep his guys in line. The whole set up was jam packed full of all sorts of opportunities for romance and humor. It makes one wonder why it’s never been used before (to my knowledge).

Back story time! Cassidy is one of Hallmark’s highly organized very busy, busy, busy but closed off  (but enthusiastic!) personalities who feels like she can’t depend on anyone but herself. This is because of her ex-husband. He did the usual “let his wife put him through school but when it was his turn to return the favor, he bails.” The President before Cassidy had handled the school’s budget irresponsibly leaving a big mess on her hands. Logan is the son of a legendary coach of “Buckeye State” University whose shadow he has always struggled in. He had been one of his dad’s assistant coaches at the Division I school, but had to leave despite his success due to charges of nepotism. Cuz that never happens in Football. That is why he has landed at Whittendale College. Together they formulate a plan to get a very rich alumnus to donate money to build a new football stadium in order to save the Arts program (!!!???). You may well be scratching your heads over this plan, but it turns out the millionaire they have set their sights on loves The Arts but loves football more. And as everyone knows football brings in a lot of revenue which will trickle down to The Arts. Yeah.

Now don’t ask me why the parsimonious board would target The Arts program in the first place rather than some other program (like football?). After all, it is The Arts program that the small college is known for and presumably attracts more aspiring The Arts students than student-athletes. “The cost of instruments” is thrown out there as justification but that doesn’t fly because according to my research, usually student musicians provide their own instruments. Do Student Athletes provide their own helmets and pads? I don’t think so. I guess we will just have to go with the well known fact that it is always The Arts program, no matter what, that is sacrificed when there is a budget shortfall in school-based movies.

Warren Christie and Nikki DeLoach were a nice match. They were age appropriate for each other and for their characters. It was not their first movie together and they had a good rapport. Nikki kind of over-did her character’s initially jittery personality in my view, but I’ll give her a pass on this one because she is usually one of Hallmark’s most exceptional actresses. After their coffee-spillage meet cute, the romance proceeded smoothly and believably with a kiss in the middle of the movie like mature adults. The almost break up at the end was for good reason as Logan did a really bad thing. They both had good character arcs with Cassidy learning how to loosen up, become a team player, and embrace her little ersatz family. Logan learned that there is more to building a good team than good discipline and to be his own man not a carbon copy of his famous Dad. And of course the young men learned many many things from “Mommy and Daddy”. “Respect the Wood!” 7 1/2 stars.

Rating: 7.5 out of 10.

Adventures in Love & Birding

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Love Birds

Back to the Hallmark saltmines (I kid) after a three week hiatus while The Groomsmen trilogy was being shown instead of new premieres. I had already seen them thanks to a free trial of Hallmark+. They weren’t horrible or anything, but not particularly memorable either and I had no desire to see them again for reviewing purposes. 

This seemed like it could be a promising back to business movie as it paired two longtime Hallmark veterans for the very first time in a Hallmark (which was hard to believe). Predictably, they were very good together in this first of the “Fall Into Love” grouping. Only a few weeks until “Countdown to Christmas!” Yikes!  Rachel Boston was her usual very very animated self and Andrew Walker was Andrew Walker, which is a pretty good thing. It was about the hobby of birding which was different. They were age appropriate for their roles which caused the movie not to lose 1 (or sometimes 2) stars in my 1 to 10 star rating scale.

Rachel plays Celeste who was recently dumped by her husband of 22 years. She is fine though, other than the usual busybody friends who are trying to set her up with various men and are constantly hounding her to “get back out there” when all she wants to do is reorganize the garage. She is also a little verklempt because her high school senior daughter will be going away to college soon. She wants to spend more time with her but her daughter has her own busy life. Actually, her daughter is trying to distance herself a little to prepare for the wrench of leaving her home and Mom. Also she is nursing some doubts about going to college right away, but we don’t know that yet. Andrew plays John who was recently dumped by his long time girlfriend and birding partner. He quit pursuing his doctorate and left teaching for an office job which pissed her off. He likes the outdoors and wants to start his own birding guide business. (Add this one to the Hallmark Dubious Business list.) Celeste is recruited by a mutual friend to be John’s birding partner in the annual NorCal Ornithological Society’s Bird-a-Thon. And Celeste gets the idea that she is supposed to pretend like she is his fake girlfriend as well as mutual birding enthusiast to show up the cheating competitive b**ch who is also participating. She is mistaken in this extra assignment, which leads to an amusing first meeting with John in front of his Ex and her new partner/boyfriend. The stakes are a lot higher this year because a corporate sponsor has put up prize money to the tune of “5 figures”. So if he wins it, the 10,000 to 99,999 dollar prize (I’m guessing closer to the lower figure) will decide John’s path in life: risk going into the Bird guide business or staying on the corporate fast track at the office. By the way, the number of different birds each couple count in the 3 week long contest (the highest count wins), is run on the honor system. That seemed very naive to me especially this year since money was involved. They couldn’t take a picture of the birds they spot? Just to keep honest people honest? Sounds like Bad Business to me.

Anyway, bird montages and romance ensue. Besides the birding, Celeste and John also attend some outside functions together and the relationship building was good. Extra points for a rare mid-movie uninterrupted kiss. Rachel and Andrew had an easy rapport and really played well together. The secondary story of Celeste and her daughter Morgan’s changing relationship and Morgan’s doubts about her future played well also. I even had a little sniffle at  the end. Speaking of Morgan, the actress who played her, Talisa Mae Stewart looked awfully familiar. It turns out she is a dead ringer for similarly named Taissa Farmiga who played Gladys in The Gilded Age.

Talisa
Taisa

 

So that was pretty interesting. The last minute temporary break up was dumb as usual but at least it didn’t involve hearing one half of a private conversation while eavesdropping and totally getting everything ass-backwards. All in All, lots more good than bad. A respectable but unspectacular “7”.

Rating: 7 out of 10.

Catch of the Day

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Doesn’t Flounder

**Spoilers Ahoy**

My reaction to this one is similar to last week’s premiere. That is, nothing to write home about, but likable and an easy watch. It managed to avoid the most irritating tropes including the last minute “misunderstanding due to miscommunication”. It hit enough of the usual Hallmark beats to give off that nostalgic comfortable feel. And it lacked anything super annoying, barring Evelyn, the truly awful and mean boss of our heroine, that is. But those over the top meanies can be a good thing if dealt with correctly by the end. I spent half the movie in suspense hoping for a massive telling off/”serves you right!” scenario. I was thinking this movie will rise or fall on what happens with Evelyn. It wasn’t quite the bolt of lightning moment I was hoping for, but it was good enough and at least the big showdown was face to face.

Sophie is a talented chef working at an elite fine dining restaurant in New York City. She is promoted to head sous chef and is one step closer to her dream of being an executive chef. Inconveniently, she receives a call from her sister who is struggling to run the family seafood restaurant in Montauk Long Island. She needs her help to get ready for the make or break July 4th celebration. The restaurant is dying a not-so-slow death, and to make things worse, it just got a bad review from a local influencer who bemoans how far this former Montauk institution has fallen since the death of their father. If Sophie can’t help, they will have to sell, which would make her mother very unhappy. Evelyn reluctantly gives Sophie 10 days off instead of the 3 weeks she asked for on the condition that Sophie prepares an impressive meal for some investors she will be entertaining there in her mansion on Montauk. Evelyn is the typical Hallmark Bad Boss: harsh, unappreciative, entitled, and unreasonable. In case we missed her role in the movie, when Sophie makes a command appearance at her vacation home but with her two nieces in tow and asks for some water for the little girls, Evelyn reacts like they are asking for pints of blood. Her own blood.

Sophie is scandalized when she gets to her family’s restaurant. She rarely visits since she doesn’t get any time off. The decor is tired, there are no customers, and horrors, they are using frozen fish instead of fresh when they are in one of the salt water fishing capitals of the world. Her sister, who doesn’t even like to cook, is financially and emotionally stressed, and even though Sophie is right in her criticisms, you can’t help but feel for both of them. I liked that there were no villains or idiots here. When the sisters said something hurtful to each other or had a disagreement, it was not silly but understandable and they both acted like adults and apologized in a timely manner. And that also goes for Sophie and Cam, the love interest. Sophie decides to shut the place down temporarily and have a grand re-opening on July 4. Whether they sell up or keep on going will depend on that crucial day.

When Sophie goes down to the docks to score some fresh fish, she runs into an old beau who gave her the cold shoulder in highschool, who runs his Dad’s fishing business. They re-fall in love over dinners, field trips, and walks on the beach which serve to showcase the beauty and appeal of Montauk. They seem to have plenty of time on their hands to re-kindle the romance even though she only has less than a week and a half to whip the old restaurant back into shape including a new menu, hiring a manager, establishing a social media presence, and re-decorating. Not to mention planning and preparing a stellar Michelin star level feast for Evelyn’s investors. This is standard operating procedure for Hallmark heroes and heroines when faced with a life altering impossible-to-meet deadline. Thankfully, I no longer get stressed out over the main couple’s poor time management skills and lack of urgency. I just go with it, trusting in Hallmark magic to avoid failure and disaster. At least Sophie comments on how much she has to do and looks stressed from time to time. Needless to say, as we see how wonderful her life could be at home in Montauk it becomes obvious to everyone but Sophie where her happy and fulfilling future lies. Especially contrasted with Evelyn’s unpleasantness and abuse. 

Like last week’s movie, this one was filmed partially in the United States (what’s going on?), but it ups the ante by being filmed right there in Montauk and environs. The show runners took full advantage, and I wish I could go there. Michael Rady, who played Fisherman Cam, and Emilie Ullerup, who played Sophie were a good match. The relationship was built realistically.  Sophie’s overhaul of her family restaurant wasn’t entirely smooth sailing (providing some humor), and the romance with Cam wasn’t either.  It took a while for Sophie to see how happy her future could be running her family restaurant compared with what her life would be continuing to work for Evelyn. Thanks to her heroics planning the meal for Evelyn’s investors, including overcoming disasters not of her making, Evelyn finally realizes Sophie’s worth and offers her the executive chef position at her new restaurant…in Las Vegas. In case it wasn’t obvious what Sophie would ultimately do, that revelation pretty much sealed the deal. Sophie herself doesn’t get it until on the helipad with Evelyn on the way out of Montauk. The confrontation scene was OK even though there was no screaming involved and they both acted like mature adults. Sophie even got back in time to enjoy the 4th of July fireworks with her family and her man.

Rating: 7.5 out of 10.