Love’s Greek to Me

Monster-In-Law?

**spoilers**

I came into this one 15 minutes late because my DVR malfunctioned. But I wasn’t afraid I couldn’t figure out what was going on because, you know, it’s Hallmark.

Newly engaged Ilana (Torrey DeVitto) and Mike (unknown Greek actor) are in beautiful Santorini visiting his home and attending his sister’s traditional Greek wedding. Right away we see that Ilana has some doubts despite her love for Mike and his love for her. His mother, Athena, played by marvelous Marina Sirtis, has made all the decisions for her daughter’s wedding and is already trying to take over Mike and Ilana’s wedding and their future as well. “She’s already naming my nonexistent Children!” “It’s the Greek Way!” I certainly thought I knew where this was going.

Despite the fact that this one came close to making me boilingly remote throwingly mad, and close to hating Marina Sirtis’s guts, it avoided that.  Athena is a, I guess,  “typical movie-Greek” future mother-in-law: overbearing, controlling, and worshiping tradition. For one of many many examples, Mike and Ilana want a  simple wedding on the beach, but Athena goes over their head and books a church. Mike is seemingly too weak to confront or challenge his mother who is using love as a weapon to beat everyone into submission.  Ilana seems to be choosing her battles with her loving but manipulative future mother-in-law. The first time she stands up to her is pretty epic and it occurs early on. Ilana and her mother had always planned for her mother to design her wedding dress. Even though she is manipulated into trying on the overly elaborate gown of Athena’s choice, she politely but firmly tells her she will be wearing her mother’s design. End Of. Despite her stated wishes, Athena buys the wedding dress anyway behind her back and even has it altered so it can’t be returned! I mean, Wow. Ilana blows a gasket (in a dignified and articulate way), even accusing Marina of gaslighting her, which she actually was. Even though she doesn’t know the meaning of the word (“Lampgassing?”, “Gasolining?”) Ilana pulls no punches defining it for her. Athena has to return the dress without getting her full refund and now knows that Ilana is not a doormat. And while she still didn’t completely give up on her passive-aggressive tricks, it’s not as bad, and since the viewer also sees that Ilana will put her foot down when it really matters, it makes Athena’s machinations tolerable and even entertaining. And it turns out that Mike was not being cowed by his mother but that he was actually not entirely happy in the U.S. and kind of wants to return to Greece. Ilana had no idea and also learns that her fiance is actually a traditional guy after all. This is worrisome, and both Mike and Ilana start having second thoughts about marriage. Meanwhile, his sister, influenced by Ilana’s independence, has started to take her life and her wedding back from her mother’s control. Nice side story, that.

What made this one interesting is that Ilana actually has some therapy-level issues due to her parents’ divorce and her father’s abandonment of her. Even though she loves Mike she has kept a part of herself apart from him, putting up barriers, and being not entirely open and sharing. Getting married and the thought of not having her life in her sole control and having to rely on someone else and let them in has really shaken her up.

Meanwhile, Athena actually shows some great insight into what is going on with Ilana and shocks her by frankly but lovingly confronting her with some on-target psychoanalysis. But she does truly recognize that she has been wrong with both Ilana and her daughter, and in an act of love and kindness, gets Ilana’s mother over to Greece as a wonderful surprise for her. So this was not the usual simplistic loving but misbehaving Mother/Mother-in-law plot line. Both were right but both were wrong and I wasn’t entirely sure how this was going to play out. During the first hour, I was rooting for Ilana to run for hills, or Mount Olympus, from seemingly weak Mike and his crazy mother. The next hour I saw that things were more complex than they seemed. As the going got tough, would Mike and Ilana call it quits or stand and fight for their love and their future?

It was all resolved very patly and conveniently with a wedding that was not on the beach, but not in the Church either. Yes, Mike and Ilana end up getting married, but hopefully, after they have gotten a lot of pre-marital counseling. I didn’t mention the Archeology part or the vineyard part, but they end up happy on Santorini career-wise as well.

P.S. I actually made a point of seeing the first 15 minutes when the movie was replayed. It’s a good thing I didn’t see it before I wrote this review, because Athena was completely obnoxious, even intruding on Mike’s proposal to Ilana! I don’t know if I could have given her a pass after that.

Rating: 7.5 out of 10.

Wedding Season

Silly Season

How many times has a Hallmark movie started out with a youngish career girl hoping for a promotion into her dream job, usually in a creative field, end up back in her hometown for some reason pressured by a strong boss to meet a deadline in order to achieve her goal. And there meets the love of her life. Infinity times, that’s how many. This one started out in this same stale manner. But Despite this bone-tired beginning and a resolution to the romantic conflict at the end that I most certainly did not approve of, this wasn’t too bad in the middle.

Stephanie Bennett made a credible main girl, and the main guy, Casey Deidrick, I found to be very attractive. They had excellent chemistry together. I really like his type: Tall and powerful looking with a beard. Hope Hallmark keeps him on. And I had no problems with her.

Trish is an assistant at a magazine doing stupid fluff like how to choose the correct nail polish color. She dreams of being a feature writer doing personal pieces that move, surprise, and illuminate. She is taking a month’s vacation time to go back home and be a bridesmaid at three good friends’ weddings which are happening only a week apart. But first, she has a meeting with Helen, her boss, about some of her ideas for features she can do when she gets back. All of her proposals are tired and stale and have all been done before, as Helen points out. And it takes her boss to tell her that she has the perfect unusual story right in front of her. Being a bridesmaid 3 times within 3 weeks. So here’s the thing. Right away we see this girl has no initiative, imagination, or creativity. It certainly looks like she needs to stay with the fluff and be grateful for it.

The love interest is the big brother of her male best friend who is one of the grooms. They are both single so they decide to be each other’s plus one. The 3 weddings each have their challenges to overcome and to my mind, there is plenty for Trish to write about. But she struggles. The second couple is even brave enough to call off their wedding the day before even though they love each other, because they realize that their careers are more important to them than their marriage. And they are both OK with that. Happy even. That was certainly different for a Hallmark movie! Their shocking decision throws a wrench into Trish’s 3 weddings in 3 weeks theme. Instead of realizing that this bombshell might make her feature story better (in the hands of a good writer) she calls her boss to give up and quit! Honestly, this girl is hopeless. Her boss is made of sterner stuff though and points out that writing about nail polish is easy and personal experience features are hard. She has an assignment. She just can’t quit. She has a magazine to publish. Finish the damn article. I loved her. Well, she does, in between falling in love with the big brother, being a bridesmaid, and paddleboarding (she has a very casual approach to deadlines which also doesn’t bode well for an aspiring journalist).

Like I said, I didn’t approve of the ending either. Ryan, the love interest, is a world-traveling photographer who is pretty well-known and successful. He is starting to long for family and stability with all of these weddings and true love going on. He gets a message the day before his brother’s wedding that he has to skip the reception because the rarely visible Southern Lights (in Australia) have made an appearance and it is his dream to photograph them. Trish understands and rightly encourages him to go. It’s his dream. When he asks her whether they can continue getting to know each other and kissing and stuff after he gets back, she says no, because he is always on the move and all these weddings and such have made her realize she wants love and marriage too. Girl. Putting a halt to a budding relationship with such a sexy good guy without giving him a chance is not the way to accomplish that. To make a long story short, he gives up his dream assignment to stay home and do something else for a career so he can start a relationship with Trish. This was all ass-backwards. She’s the one who should have had a think about her career goal because she doesn’t, from what we saw, have what it takes. She should have followed him to Australia, written about it-hello?!, and then they could have figured out their future later.  Argh. He quits his life and great career and doesn’t even have a plan.

Enid-Raye Adams who played Trish’s boss was a stand-out. Trish’s office mate and friend was Latonya Williams who is a favorite of mine. I was sorry to leave her behind in New York City when we moved to the small town. I wish she could have come along. Trish could have used her good influence and advice.

Rating: 6 out of 10.

The Wedding Cottage

Nothing to fix except the Cottage

In watching the previews for this one, I was irritated to see that Erin’s eyelashes looked very black and furry. Over-the-top false eyelashes are on my list of make-up “no-nos”. Ahem Natalie Hall. Plus I had already yelled at her a while back for this very issue. However, she won me over pretty quickly and I soon forgot about them. Erin was very good in this and I also appreciated that the upper half of her face helped her convey the appropriate emotions unlike some of her peers. In fact, the whole cast was great, and her chemistry with Brendan Penny could not be denied. I normally don’t talk about “chemistry” because I think it’s pretty much in the eye of the beholder, and it’s kind of cliche, IMO. But to me, those two had “it.”

Erin plays Vanessa, a former Wedding Planner who has moved on to writing wedding guides. To promote her first one she has chosen a deserving couple as the winner of a free wedding of their dreams. They want to be married at The Wedding Cottage in Stoney Bridge, Vermont, where her grandparents were married. To Vanessa’s dismay, she soon finds out that the historic and famous Wedding Cottage has been closed permanently for 5 years upon the death of the elderly owners. Advertising a closed venue in her guidebook and disappointing her hand-picked couple would be very bad publicity and a severe blow to her credibility. She goes up to Stoney Bridge to see what she can do and is further alarmed by the state of disrepair the old cottage is in. The owners’ hostile and grouchy grandson appears and tells her to get lost. He is in a bad mood because he is a famous sculptor, and, like all artists and writers in Hallmarks, is blocked and can’t do his thing. And (of course) he has a looming deadline. I loved Brendan Penny in this. He needs to keep the scruffy beard and do more cantankerous heroes. He was a good foil for cheerful and very very animated Erin. He is dead set against a wedding in the Wedding Cottage but finally relents at Erin’s desperation and her offer to restore the old building to its former glory all at her expense. She has to beg him to take this very sweet deal which seemed a little improbable. It isn’t long before Brendan starts to soften towards Vanessa and the project, and even starts to pitch in to help.

I liked the relationship-building in this one. The attraction and subsequent falling in love did not come out of nowhere. I didn’t count them, but I bet there were at least 4 or 5 kissing scenes as opposed to the usual lone smooch at the very end.  Although the plot was basically wedding planner theme 101 and very predictable, the script flowed well and made sense with some nice touches (grandma’s paintings), good dialogue (You don’t have to bow!), and funny scenes. Erin and Brendan made the most of these opportunities for comedy. That was not Vanessa wrestling with the leaf blower, but Erin having a ball with it. The new bride and groom were charming and Matreya Scarrwene especially as the bride was absolutely adorable. That smile! The scenery was very pretty. Finally, the plot of Brendan regaining his sculpting mojo by rejecting his old dark urban rebel approach to his art and embracing the peace and beauty of the countryside worked well. His sculpture (in wood rather than metal) was beautiful and even sexy, reflecting his new hopeful relationship with Vanessa. A job well done.

Rating: 8 out of 10.

The Professional Bridesmaid

Harmless Fun

This was light, fun, and amusing in spots. A pleasant diversion, especially if you are really into wedding stories, one of Hallmark’s main spring themes. And what Hallmark fan doesn’t like weddings? The two leads, Hunter King and Chandler Massey, were young, attractive, and appealing, and the set decoration made it nice to look at. The rest of the cast was on point. There wasn’t anything annoying about it. Or even anything even vaguely irritating. There was one “Huh?,What?” moment, but it wasn’t anything big or super stupid. Hunter King seems to be being groomed for a role as a Hallmark regular and I’ve enjoyed Chandler Massey in previous productions with no reservations.

Hunter King plays Maisie Ryder (real name Maggie), an undercover “professional bridesmaid.” She has been hired to make the Mayor’s daughter Alexis’s road to her wedding as easy and as stress-free as possible. I had recently read a book based on this concept so I guess this might be a real thing. As her love interest, Chandler Massey plays Henry, an investigative political reporter who is forced to cover her wedding. He is under strict orders to stay focused on dresses, cakes, and flowers, rather than whether or not the Mayor is going to take a stand on saving a local park from development. But he just can’t help himself because he loves the park so much. Maisie’s job description is soon expanded to include keeping Henry away from the mayor. He is running for office, doesn’t want to commit to a stand on the park just yet, and wants to avoid bad press. Henry falls hard and fast for Maisie/Maggie and is adorable doing so. The feeling is mutual.

There were the usual almost disasters with dresses, the bridal shower venue, invitations, and gift bags, most of them courtesy of the Maid of Honor, a disorganized and flaky young lady trying too hard to make up for past missteps with her cousin, the bride. All were averted thanks to Maisie’s competence and professionalism. I liked the actress, Lillian Doucet-Roche, who played the maid of honor. She had an expressive face and good delivery. I wouldn’t be averse to seeing her again as the head girl. Also kudos to Francesca Bianchi, who played the beautiful and down-to-earth bride.

Much of the humor stems from Maggie’s cover story to protect her identity and function. The bride, put on the spot, came up with her name and cover on the spur of the moment. A champion rider, She names Maggie after her horse and tells everyone Maggie is a wine sommelier or distributor or something. Maggie knows nothing about wine and comes up with some real howlers. The “Huh, What” moment? Henry googles “Maisie Ryder’s” name and she doesn’t exist on the internet. Hmmm. He narrows his search and up comes the bride, “rider,” and “Maisie,” Alexis’s horse. How odd. But it doesn’t trigger any questions or further research on the part of our crack investigative reporter. And it’s such a shocker when Henry learns that “Maisie” is really Maggie and has not been forthcoming truth-wise. Always grounds for temporary heartbreak and temporary conflict in Hallmark World.

**Spoiler Alert**The Wedding goes off without a hitch, Maggie gets her business loan thanks to the Mayor (yes, there’s that), and the reconciliation of the two sweethearts happens. Henry is back on the political beat, the Mayor turns out to be a good guy after all, and the Park is saved.

Rating: 7 out of 10.

The Secret Bridesmaid

By Katy Birchall

What?” I laugh, as though his throwaway comment is not affecting me to the core. “I don’t just watch rom-coms. I like lots of films.” “Only the ones when you know there’s a happy ending,” he notes, taking a sip of his drink. “Any hint that things might not turn out as they should and you’d scarper.” He sees my expression and grins. “It’s not a bad thing!”

“Always doing the right thing. Never breaking any rules. Playing it safe.” She narrows her eyes at me. “Something tells me you’re afraid.” … Suddenly Daniel flashes into my brain, his stinging comments about my love of happy endings and lack of brazenness to pull off red hair echoing in my mind. Ugh. “You’re afraid to get out there and take chances.” She sighs, tilting her head at me sympathetically as she twists the knife in further. “So you hide behind your brides, no eyes on you.” “That’s not true,” I protest, glaring at her. It’s a bit true, though. Isn’t it? 

This was an engaging funny 4-star read right out of the gate (or should I say, from the first step down the aisle?) At one point I thought it just might be a 5-star chick-lit comedy but when something inevitable happened, it did not happen in the way I wanted it to, so it stayed a 4-star.

Sophy has carved out a successful career as a professional bridesmaid. This is like a wedding planner, but she acts more as a buddy and “girl Friday” to the bride. She is a confidant, go-fer, advisor, and troubleshooter. Her professional identity is a secret to everyone except the bride. She’s just a friend with a cover story of why no one else in the wedding party has ever heard of her before. Her goal is the happiness and satisfaction of the brides under her care, and Sophie is a master at it. It’s not only what she does but who she is.

When a satisfied client refers Sophie’s services to the mother of the bride of one of the first families in England to help her daughter with what is destined to be the wedding of the year, Sophie knows that much is riding on the success of the Bride-to-Be’s big day and her experience leading up to it. Unfortunately, the bride, Cordelia, is a very difficult person at the best of times and does not want Sophie’s help. Just to give you an idea, Sophie is the only bridesmaid because Cordelia does not have any friends. With good reason. Her goal is to make Sophie’s life so difficult with outrageous demands that Sophie quits.

It is a great setup for comedy, family drama, relationship development, suspense, and romance. It mostly lives up to the promise. We learn that Cordelia is beloved and respected by some surprising people in her orbit, including the groom, despite her well-earned nasty reputation and nasty behavior toward Sophy. How can this be? So that’s intriguing. Another reason I enjoyed this book so much was Sophy. She is so funny and nice. And she is so good at her job, that despite some reprehensible behavior and tricks on the part of Cordelia, she just refuses to quit trying to make her happy. Of course, Sophy has some growing to do as well. She is too nice. She is too eager to please and be accepted by Cordelia. As Cordelia herself points out, she is a “goody-goody.” She finally is driven to the end of her rope and decides to give up. Something the reader wonders why she didn’t do 120 pages earlier. Her mother convinces her not to quit and reminds her why she is so good at what she does. When she takes her mother’s advice on how to turn things around it is a turning point. And could it be possible that Cordelia may have had an ulterior motive for putting Sophie through fresh hell? Sophie’s best friend Cara points out, “I hate to say it, but this Miranda Priestly bride of yours isn’t a complete idiot. She may have gone about it in a weird way,” she says, taking a sip of wine, “but she pushed you right into your spotlight, whether you wanted it or not.” She finally wins Cordelia over, but we know, this being the kind of book it is that disaster awaits before the happy ending is achieved. How all was made well and smoothed over was why this wasn’t a 5-star read for me. **Big Spoiler**

A scandalous secret that Cordelia shared with Sophie in confidence finds its way to the British press the next day. The family somewhat understandably thinks Sophie is to blame. But they persist in blaming her despite her assurances of innocence. They know she has proven to be a person of honor and has been unfailingly loyal and supportive in the face of extreme challenges. They know what a great person she is. They know what a “goody-goody” she is. And she has no motive. Their faith is only restored when the guilty party confesses (thanks to Sophie.) Ironically, the guilty party is someone that was discounted and forgotten about, which only serves to bolster British upper-class stereotypes. Cordelia was supposed to be different. So that, along with Sophie jumping at the chance to too eagerly resume her bridesmaid duties after their apology further weakened the book for me. **end spoiler**

 If this would have been handled more thoughtfully and less patly it could have reflected some real growth on the part of both Cordelia and Sophie. It was an entertaining and engaging book in many ways and I would recommend this book to any and all chick-lit readers who don’t need a romance front and center taking up most of the book. Rest assured, Sophie does find romantic love, but she is much too busy with Cordelia (and her other weddings) to give it too much of her time. It was so close to being a 5-star read, it is frustrating.

Rating: 4 out of 5.

The Wedding Veil Journey

The Best of the Bunch

At the beginning of the movie, The three friends have gotten together and since they are also enjoying their wine, we know it’s been well over a year since the end of “Inspiration” when we learned Emma was newly pregnant. It’s been a total of 3 years since they first bought the veil. We follow Tracy (Alison Sweeney) home and we see that she and Nick (Victor Webster) rarely see each other, as she works during the day as the head of an art auction house, and he at night at his two restaurants. After talking to her friends, Tracy is inspired to give her marriage the kick in the pants it needs and the two end up going on their long-delayed honeymoon. They decide on Greece, the veil in tow, to lend to Nick’s still single sister in Spain. As in the second installment, we are treated to some gorgeous scenery throughout the movie.

I believe this one was very well done. It was very well put together and although not really comedic, had plenty of amusing scenes, dialogue, and a lot of heart. Alison and Nick’s relationship was very loving and mature. Any rough patches were handled by communication and a sense of humor. At one point, Nick starts surreptitiously doing the cooking for one of the owners of the struggling inn they are staying at. His food is inedible which is both a running gag and a real problem. Tracy is irritated when he starts “working” on their honeymoon, but, no worries, it is handled with no silly drama. There is drama in this one, but it is definitely not silly. Tracy and Nick get close to a cute orphan boy, a talented artist and athlete, but who lives at his school under the rule of a temperamental headmaster who actively discourages his art. As he explains to the interfering Americans, Leo will have to earn his living when he leaves the school and can’t afford to indulge his talent in a vocation that will not support him.  He has no one to fall back on, unlike impractical art majors. The neighbor who was raising him after his parents died had to be put in a care facility for early Alzheimer’s. Leo lovingly sends him his drawings weekly but it is doubtful he even remembers Leo. It is a very tragic situation and when Tracy and Nick take Leo to visit him it is a real tearjerker.

Meanwhile, in the light sweet romance department,  the veil works its magic with the young beautiful Inn owner and the grandson of a wealthy aristocrat played by Jane Asher, a British actress most famous for being engaged to Paul McCartney in the 1960s. When the young man called her “Granny”, it was jarring, to say the least. Equally jarring was learning she is almost 80 years old! Off the subject, but hey, we all love the romance and happy endings Hallmark is famous for, right? After her very public breakup with Paul, Jane Asher met Gerald Scarfe, a famous English illustrator and cartoonist. They have been together for over 50 years, and happily married for over 40. Can we have a movie about that, please?

There was a lot going on in this 6th Wedding Veil movie: Mystery (the veil keeps disappearing) light romance, Humor (the inedible food and the victims’ efforts not to hurt the amateur chef’s feelings) suspense and drama ( the antagonistic head of the school), and some real heartwarming moments involving how Tracy and Nick handle their attachment to Leo and how they help him.  Tracy and Nick have to have a think about their whole lifestyle and the kind of people they are individually and as a couple.  I thought it was well handled, with due respect given to balancing each of their careers with their relationship along with how they handle the situation with Leo. Unlike some of its predecessors,  All of the plot threads were fully developed, interconnected, and well-integrated into one coherent story. We are also treated to a thought-provoking defense of the importance of art in everyday life.

Yes, Autumn Reeser and Lacey Chabert do horn in on Alison’s honeymoon, Autumn on a small pretext, but Lacey flying halfway around the world on no pretext whatsoever. This does serve to illustrate what a good sport Nick is, however. Tracy is one lucky woman. I want to add that Alison’s acting in this was superb. I once referred to Alison Sweeney as Hallmark’s best crier. She is, IMHO, but in this one, her performance was truly moving. And she was funny too.

After a 7th couple is brought together by the Wedding Veil, (Nick’s sister is now married, we hear,) Tracy, whose skepticism is a running thread throughout the series is forced to admit that she has no choice but to believe in Magic.  The movie ends with the women going shopping, being lured into a shop, and tempted by a beautiful antique necklace that, Oh No! has a legend attached to it. Everything has come full circle. Well played, Hallmark.

Rating: 9 out of 10.

A Country Wedding and The Perfect Catch

A Reassessment

Withdrawal from my routine of watching then reviewing the new Hallmark (and occasionally other) Christmas movies led me to re-watch two old Hallmarks from 2015 and 2017. These are ones that I have rated but never reviewed. A Country Wedding, I originally rated as a 7, and The Perfect Catch I rated as a 6. A Country Wedding is a favorite with Hallmarkies with glowing reviews on IMDb and is frequently included in “All-time Favorite, Best of” type lists. Also, it stars one of my favorites, Autumn Reeser.  I anticipated going up in my rating as is usual with movies that I originally rated long ago. With due respect for their recent first-rate efforts, I have sadly had to adjust my standards downwards for Hallmarks in the last few years. At the end, it remained a 7. The Perfect Catch stars a favorite duo:  Nikki Deloach and Andrew Walker. I bumped this one up to a 7 when I finished with it.

I was pretty disappointed in A Country Wedding given my expectations.  Autumn as the owner of a struggling horse rescue ranch was great of course, and Jesse Metcalfe as a country music star was a good match for her.  Also good was Laura Mennell in a ropy blond wig as Jesse’s movie star fiance as was Lauren Holly as her henchwoman/manager. Jesse leaves  Lauren in Hollywood while he cuts ties with his past by finally selling his dead family’s old farm. While there in the country he gets re-acquainted with his old childhood best friend and next-door neighbor, played by Autumn.

There were two main reasons why this one did not impress me as much as I thought it would. First, the southern accents were way over the top and really got on my nerves. Related is the SOP of stereotyping southern small-town people. More importantly, were the characters of the two leads. Autumn was smart and strong. Jesse was dumb and weak. What was he doing engaged to that shallow self-centered Hollywood thing to begin with?  But worse, he persists in stubbornly deceiving himself that he lu-u-u-vs her and continues planning the wedding in the face of huge red flags, not to mention his growing love for Autumn. She is helping him plan the wedding as he had the fine idea to get married there in a barn instead of in Hollywood. When he kisses her in front of everyone on a crowded dance floor, Autumn wisely realizes she is getting in over her head with an engaged man and backs off. Jesse won’t let her alone and follows her around like a puppy dog. He doesn’t get it. Since he won’t take the hint, Autumn is forced to lay it all on the table with no kidding around, even telling him that he does not love his fiance because he doesn’t even know her.  This straightforward honesty is rare in a Hallmark. But instead of seeing the light, he ignores the good advice and ends up apologizing for the kiss explaining that he just got “lost in the moment” and was carried away. It takes the spectacular arrival of his fiance and a lot more hits with the clue stick before he finally finally finally wises up. Autumn takes him back at the end, the fact that he bought her ranch (without knowing it!) having nothing to do with it, of course.

A Perfect Catch met my expectations of impressing me more now than it did originally. It deserved to be bumped up a notch. First of all the easy rapport between Nikki Deloach and Andrew Walker was very enjoyable as usual. Andrew plays a star pitcher who hasn’t been able to find a new team after giving up a grand slam in the World Series. He returns to his hometown and his Mom and Dad to lay low while waiting on his agent to bring him some good news. He meets his old girlfriend, Nikki, who owns a struggling diner in town. She is a divorced single mother of a son who loves baseball but is awful at it.  While he coaches her son he starts to feel more and more at home in the small town and with Nikki. Meanwhile, he repairs the strained relationship with his Dad and encourages Nikki in her brave idea for boosting the diner’s profile and sales. Even though she is in debt and against the advice of her stick-in-the-mud risk-averse accountant boyfriend, she buys a food truck. Her standing her ground against her boyfriend and giving him the heave-ho in a timely and decisive manner is definitely cheer-worthy. And the food truck is a massive success! Yay! Andrew retires from pitching but gets a great position in  MLB that allows him to stay with Nikki and her son! Yay! Plus he will coach at the local school! Yay! And the kid hits a home run! Yay! Totally predictable but very satisfying with an especially neatly resolved and very happy ending for everyone involved. And a special shout out to Lisa Durupt, Hallmark sister/supportive friend/ second fiddle extraordinaire who gives another cute and charming performance. Also liked Andrew’s haircut. He should go back to that floppy-hair look.

Rating: 7 out of 10.

Wedding of a Lifetime

A Breath of Fresh Air

**spoilers**

Jake and Darby have known each other for 15 years and engaged for 10. Yes, I know. But there was a career-derailing skiing accident and Nana ( the wonderful Paula Shaw) had health issues. It will be no surprise that they are in a rut and have lost that special spark. In fact, they are about ready to call it a day and break up when their parents and friends enter them in the “Wedding of a Lifetime” competition on national television. Rather than hurt their loved ones’ feelings they decide to enter and lose on purpose. Unfortunately, they both are pretty competitive and hate to lose.

This was a breath of fresh air.  Even though we all knew where this was going, the plot was new and fresh, not one of the usual in the Hallmark grab bag. The acting by Jonathan Bennett was top-notch both in comic scenes and dramatic scenes.  Brooke D’Orsay is always very appealing and lends sweetness and authenticity to any production, but this one gave her more to work with than usual.  Her scenes of heartbreak were very affecting and her comedic ones were amusing. She is one of the best criers at Hallmark, the other being Allison Sweeney.

The couple acted like rational mature adults. Even though they have an argument, they don’t flounce off in a snit.  Darby gets great news via text right in the middle of it, and the argument is forgotten and Jake is happy for her and supportive. The next day, they apologize to each other. What a concept!

Thanks to working together as a team they find their way back together and decide to give their relationship another chance. They win the competition, and “The Wedding of a Lifetime”. But it’s not over yet! When Darby has to deal with a hilarious wedding dress from hell (see picture but with braids like Heidi), and Jake is given fake groomsmen, they both quit in despair and walk out at the same time. Is it the notorious “Big Misunderstanding?” It’s about 15 minutes til the end, after all. NO! They embrace in solidarity in the middle of the street. Damned if it’s not the opposite of “Big Misunderstanding!”

With the gratifying side story of their failing businesses saved by the publicity from the show, this would be an 8 out of a 10. But I’m adding a point for the cute graphics, the funny bickering TV hosts, and the excellent cast of secondary characters. Not to mention a pretty hot scene on a balance beam.

Rating: 9 out of 10.

September 20, 2022

Marry Go Round

Round the Bend

This is the surprise surprise still married to old husband trope. It’s tried and true, but unfortunately, I did not like the behavior of the old husband and really liked the new fiance who was eventually and inevitably dumped. Needless to say this negatively impacted my enjoyment of this movie.

Amanda Shull was excellent and sympathetic as the successful marketing executive who is soon to be married and moving to Paris.  And Brennan Elliot, her leading man, has some quirks, but in general, is still a favorite of mine. Top 10, anyway ( used to be top 5). But the character he plays is a bad guy hiding behind a nice guy smiley facade.

When preparing for her marriage and the move to Paris, Amanda finds out that due to some paperwork snafu, she is still married to her old high school boyfriend whom she hasn’t seen or heard from in 20 years. When she goes back to her hometown to straighten this out she meets him in court and he won’t sign the divorce papers. He needs time to “digest” this. “It’s not chicken salad! There’s nothing to digest” She cries. Amen Sister! The guy broke his marriage vows and abandoned her and their marriage and moved over 4000 miles away where he couldn’t be found like a coward. No discussion, no explanation, no goodbye except a note left on her pillow. **spoiler alert*** He let himself be bullied by her awful mother into deserting her because her acceptance letter from Princeton came in the mail. What. So no married person ever went to college? They did not discuss the possibility of her acceptance before they got married? Letters of acceptance from Princeton just don’t come in the mail without a lengthy application process.  Besides treating his bride as a child with no agency in the marriage by abandoning her, he doesn’t contact her for 20 years. Not a peep. And this isn’t some strangers in the night, they got married in a fever situation. They had been friends since childhood. Amanda was devastated and emotionally and psychologically crippled for years because of his cruelty. But once she has recovered and is happily engaged, he wants to derail her life again.

With the exception of Sweet Home Alabama, this trope usually only works if the other woman/man is a jerk and the heroine/hero doesn’t love him. But Amanda and Edward, her fiance, profess their love throughout the movie. And Edward is not a jerk. He is a demonstrably better man than the hero.

Amanda is not blameless in this fiasco, by the way. Needless to say, Brennan Elliot wheedles and manipulates her until her heart starts to soften. Isn’t there some sort of guy-rule about not making the moves on an engaged woman? Well, someone forgot to tell Brennan. But we already know he couldn’t care less about promises and marital commitment, so no surprise, I guess.  When the strong mature, wise, patient, and loving Edward shows up, Brennan scurries away. Now that he has all but won her over to giving him another chance, he starts playing hard to get. Or maybe he has either developed a conscience or at least a sense of shame? Nothing so profound. He was just embarrassed, and probably scared of Edward punching him in the nose. No such luck.

Before the “happy ending” Edward releases her to find her happiness with her still husband. He lets her go (face to face, unlike Brennan) saying “I deserve your whole heart.” Not only is he the better man, but he is eloquent too. I appreciate that Hallmark didn’t follow the usual template of making the new man a weasel, but they did too good a job of not making him a weasel and on top of that they made the so-called hero the weasel.

Rating: 5 out of 10.

September 15, 2022

Two Tickets to Paradise

I Like Her Again

I used to be a huge Ashley Williams fan. Her perky cheerful demeanor really energized many of the Hallmarks she starred in. I just couldn’t help smiling whenever she came on the scene. Then I got a little tired of her. Instead of perky, she came across as over-caffeinated and exhausting. Instead of cheerful, she came across as manic. And she started to wield that mega-watt smile like it was a weapon. So I approached this latest Ashley Williams vehicle with caution. I did look forward to how she would pair with one of my fave Hallmark actors Ryan Paevey.

I would like to renew my membership to the Ashley Williams fan club, please. At least on a movie-to-movie basis. She plays a happy bride who is dumped the morning of her wedding. Sitting on the floor of the church toilet stall Boo-Hooing hysterically with Mascara running all over her face, she was hilarious. I never liked her more. “I never should have forced him to watch The Sound of Music!!!!,” she wails to her mother and sister frantically pounding on the bathroom door.  “Best Movie Ever!” they chorus. Out she tumbles from the window of the church in full wedding regalia and meets Ryan Paevey, who has been similarly dumped. They engage in some banter and Ryan talks her into going on her Hawaiian honeymoon by herself. She is taken under the wing of a sweet resort manager and starts having a good time. “ Mango-Lime Mimosa? Sounds Gross. I’ll take it!” Ryan later shows up at the resort himself (Are you following me?”). No, he has a good friend on the island and also needs a break. They become friends, go on adventures, start to recover from their trauma, and the inevitable happens. Yes, that. But also her ex-fiance shows up.

The dialogue was funny and the rest of the scripting was good too. Ryan and Ashley’s relationship develops naturally and they both experience a needed change of attitude towards how to approach life. Ashley really nailed both the comedy and the serious stuff and her good-humored rapport with Ryan was spot on. Yes her too famous for her own good grin was front and center, but somehow it was just fine. Great Scenery, well-played secondary characters, and topped off by a nice satisfying “One Year Later” scene. I love those.

Rating: 8 out of 10.

June 27, 2022