By Abby Jimenez
This book started out so good, I was barely 6% in when I downloaded the first one in the series from the library to read it right after this one. I really loved the writing, and the way it started: A nice likable woman still trying to recover from her fiance’s death two years prior, her funny supportive friend, and the adorable dog. The promise of the dog’s absent owner, an up-and-coming acoustic rock star showing up to claim him was the carrot on the stick. Unfortunately, it went south pretty quickly. They text and talk being very cute and flirty before they ever meet in person. The getting to know each other stage was sweet and nice. They find each other online. “ Jason was hot. No, he was beyond hot. He was bearded, thick brown hair, sexy smile, blue eyes hot. Six-pack abs on the beach hot.” I can only take so much of that. When they finally meet and see how hot and gorgeous they both are and how cool and nice, well, it’s a done deal. End of. I’ve read a few reviews of this and this is the part people seem to really like. It’s light and funny and romantic. But I’m sorry, I was just bored with all of the sweetness, perfection, and adorableness. Had I but known.
He takes her to meet his parents (they love her-who wouldn’t) and they finally have sex. Of course, it is mind-blowing. She says “I always considered myself immune to that kind of frenzy.” among many other things. So sex with beloved dead Brandon was not as good as with Jason? I didn’t like that she even implied that, and I didn’t even know Brandon or their love story from the first book. TMI, Sloan. The last half is all drama and angst all of the time. At first, I actually found this to be a relief from all of the perfection. They have really got themselves in a pickle, and I had to keep reading to see how they would get out of it and achieve a happy ending. To make a long story short, Sloan is sick and miserable on the road and Jason is miserable because she is miserable. It was a constant litany of what a miserable life it was and how it was going to last a whole decade so they can’t have kids or a home and Sloan has to give up her career as an artist. He finally sends her to his parents’ house so she can paint and not be miserable, but they are miserable without each other. Maybe he should have sent her to Sting and Trudy, or BonJovi and Dorothea, or Ozzy and Sharon, to see how they did it.
They have a big fight over Jason being a dick without her and Sloan can’t take the separation either so she surprises him by rejoining him. She has decided that the whole being miserable with life on the road was just her attitude problem and vows to make it work with a positive “can-do” approach. Meanwhile, though, Jason finds out that the record company he is tied to is even eviler than he thought it was and if Sloan stays with him, her very life will be in danger since the record company wants him with his crazy ex-girlfriend Lola for publicity purposes. Now I know record companies only care about the money, but it was pretty hard to swallow that they would maim (and maybe kill?) an inconvenient girlfriend. I mean wouldn’t that kind of thing get out? Anyway, Jason lies to her making her believe he is the worst person on earth so she will leave him and be able to lead a normal safe happy life. The other alternative would have been to just have a conversation, but I guess he just didn’t think it through. Or maybe he just likes the dramatic approach. So naturally, they are sick and miserable without each other. Jason says this:
It had been ninety-four days since I’d last seen her, and I was nothing but a husk of myself now. My world was dim. All was faded. And the more time that passed, the darker it got. Life without her was a sensory deprivation of my soul.
This is not the foundation for a healthy relationship, folks. No one should be that dependent on another for not only joy and happiness but not to be an empty shell with no soul. Sloan is actually trying to move on and is pretty successful, except she will never love again and spends her days in ‘various states of numb confusion,” so no, not really happy. They finally do get back together again after Jason overshares his personal business with a stadium full of people and all of the roadblocks are miraculously removed. But one of the things he says in his self-indulgent blubbering under the spotlight is this:
“Yeah. She’s on a date tonight. I saw her. Went down to her art gallery and saw her with some guy when I was about to come out. It fucking killed me,” he whispered. “I thought breaking up with her was hard. But seeing that…”
So in other words his 3-month separation from her was not as painful as seeing her moving on from him and trying to be happy in a nice relationship? And don’t forget, he purposely broke her heart just so this exact thing could happen. That is just messed up.
So there were even more problems for me with this one, as well as some good things. The redemption of Lola was well done. Abby Jimenez can be very funny-loved Kristen. Despite my difficulties, she is an engaging writer if a little over-wrought at times. I tried to skip ahead but had to go back. Life on the road with a rock star was something new for me, It was thought-provoking and educational. I even like that hunting was not demonized. It is told, and told well, from two alternating first-person viewpoints. Despite the bipolar nature of the plot, I might give her another try with a different story and not-so-problematic characters.
August 24, 2022