Laughter and Tears

Lift Me Up

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By Milly Johnson

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I did enjoy this long short story/novella. It is a pretty typical Milly Johnson novel only instead of 3 women sharing the spotlight, we have just one. I had just finished a reread of one of her older novels and went right into this one. So yes, although some of her characters do get on my last nerve, I am still a fan. In fact some of my disenchantment with some of Milly’s “ways” stem from the fact that I have re-read many of her books multiple times because I am such a fan. As with most of her books, it’s light on the romance, but a romance is included to provide our heroine a hopeful happy future.

Tamantha has been denigrated all of her life by her awful family and we see an example of this as she goes to the family dinner every Sunday. She is about to get married, and no surprise, she has picked a guy that is cut out of the same cloth. He has managed to influence her to change almost everything about herself to make her fit into his personal mold of how he wants a wife to be. Why she has put up with this treatment by her family and her fiancé is not very well established so I ceased having a lot of sympathy for her long before the novella/short story was finished. His sister is a bully and has taken over Tam’s wedding to the point that she is not allowed to even invite her best friend to her own reception. This initial weakness and oppression of her protagonists is a pattern with Milly that I am increasingly losing patience with. She makes her victimized characters so blind and self-deluded that it is positively painful. They all finally see the light and successfully rebel against the tide of abuse, but often it is too late to retain my good will and concern for their well being. And there is even less justification for this heroine to put up with the disrespect and contempt in her personal life. She is a successful business woman and who was once a vibrant unconventional woman despite her black sheep status in her family.

On the professional side, Tam is on her way to a big meeting with the board of directors where she assumes she is going to be fired. She gets stuck on the elevator with the wunderkind that the board brought in to head the company instead of promoting her. She is bitter about that and makes a lot of false assumptions, but it turns out that Jack, who is the love interest, thinks the world of her and what she has accomplished for the company. Though he is still the boss, she gets full credit for her work and a big promotion. This part was good. However, despite more red flags than a Chinese parade, Tam persists in going through with her wedding until she is standing with her fiancé in front of the altar and he says something mean to her (!). She was like a lemming jumping off a cliff, or a turkey drowning itself in the rain. It is strongly implied that she would still have married the dirtbag despite everything (including her growing love for Jack), if he had just kept his mouth shut. I would have been much better with the story had Tam come to her senses on her own steam with her very own brain. Despite Jack showing her everyday how she should be treated, and the concern expressed by others, her fiancé and family have to cross the line of agreed standards of decency before she’s had enough. The story happily comes full circle, ending, as it began, in an elevator, but I would have wished for more closure with her oppressors. There could have been more balance there even though, yes, I know I know this wasn’t a full length novel. No free passes on that front from me, because Milly is usually brilliant with comeuppances.

Rating: 3 out of 5.

Once in a Blue Moon

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By Kristan Higgins

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This was just terrific. So often when an author continues the stories of quirky or unconventional characters, they undergo a transformation in the second book. I guess to make them easier to write about or more fit the mold of a romantic hero or heroine. Not so in this one. Dr. Satan is just as arrogant and obnoxious as ever, and I was turning pages to see if Kristan could manage to make him fall in love and be lovable without compromising the integrity of his personality. She succeeds brilliantly.

After reading Look on the Bright side, I had no real desire to read a book about Dr. Satan aka Dr. Lorenzo Santini. Apparently I was in the vast minority. I was, however, very amenable to revisiting the Smith family and having the boring sensible sister as the heroine. Pairing the two together was perfect. In a family of 3 beautiful and accomplished sisters and a charming handsome brother, Winnie (Windsor) was ‘the other one”: Not beautiful and not brilliant. No one can even remember her name. In a typical KH running joke, Her brother teases her about this affectionately: “Winnebago,” “Winona” “Winster-the-Spinster” “Winipedia,” “Window”, “Winfrey,” “Windmill” “Winnipeg”. … yes, I think that’s all of them. But everyone loves her and depends on her, because she is the most competent person in Christendom. She has made being a “behind the scenes” person work for her.

When her party planning business collapses through no fault of her own, Winnie is hired as the personal assistant of the world renowned surgeon and former fake fiancé of her older sister Lark. He needs someone who can keep his life in order so he can focus on being brilliant. He is intimidating, demanding, cold and is the definition of “arrogant.”

Was he really supposed to go to Whole Foods to buy kale when he could be, oh, saving a life? Teaching future doctors? Writing a paper that would change the way a procedure would be done, therefore raising patient survival rates?… He…didn’t want to have to call the florist himself to order flowers for his mother’s birthday. It was enough that he even remembered his mother’s birthday. Most years, he even called.

Winnie is not intimidated. She knows her worth, and it is not long before Dr. Satan does too. She becomes his right arm and virtually indispensable. She is so good at her job, that Lorenzo realizes that eventually she will organize herself out of his life, no longer having to constantly be at his side to keep his life on an even keel. And that bothers him. He doesn’t know why it bothers him, but it does.

It is a very slow burn romance, and perfectly paced. Dr. Satan (“I’ve been working for you for a month now, can I just call you Satan?”) may start to show some vulnerabilities, sensitivity, and a sense of humor, but then he will do or say something to prove once again he will never quite get off “the spectrum” completely. Things do blow up a few times, (how could they not?) but Kristan never does the predictable thing, to my great relief. Winnie always saves the day with her aversion to drama and unshakeable good sense. I loved her, never more so when she forgets she is the steady predictable one. And yes, she does do that, but only on occasion, and usually under the influence of alcohol.

As always, Kristan’s ability to make you laugh, then touch your heart, make her one of my top 5 favorite authors. One of the few who has never disappointed me the least little bit. This book is described as a novella, but it doesn’t read like one. Her later books are more “women’s fiction” than romance and are great. But this one is unabashedly a romance. And one of her most romantic ones. It is a little shorter because she took a metaphorical red pencil to most of the “women’s fiction” stuff, but somehow left a lot of depth on the page.

Rating: 5 out of 5.

And the Crowd Went Wild

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by Susan Elizabeth Phillips

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I was afraid that Susan Elizabeth Phillips, although all her books except the last one were very entertaining, had kind of lost her mojo. I had given several of her books 4 stars in recent years, but she is an author that had been consistently 5 stars for me back in the day. And in looking back I think some of those 4 star reads had an element of “benefit of the doubt.” My least favorite of all of her books was the last one, Simply the Best, which it certainly was not. It had some good parts, but overall, it just was not up to snuff. There were problems, and I really really did not get on with the heroine’s brother Clint. When I saw that this one was Clint’s story, for the first time in decades, I did not buy her new book, but got it from the library. Mea Culpa. This one was her best book in 15 years. I am so grateful to be wrong. What a comeback!

The heroine is one of SEP’s “bad girls”, Or I should have said, not bad “just drawn that way”? Some of her heroines are likable and relatable from the get go, like Lady Emma or “Neely” Litchfield Case. But every so often she will throw in a gorgeous but very flawed and at first unsympathetic heroine. They might have done lamentable things in the past but have paid the price and when we meet them they are desperate. Add Dancy Flynn to the Sugar Beth Careys and Francesca Days of SEP-land.

Dancy is a washed up former Bond Girl who was married to a Tom Cruise level action hero until he traded her in for a younger model. When we meet her she is a border-line alcoholic whose plan for jumpstarting her career is about to cover her in such shame and humiliation that it is hard to imagine she could ever recover from it. To get out of the public eye, she flees to the only person in her past life that might provide a port in the storm: Her high school boyfriend, Clint Garrett, who is now the star quarterback for the Chicago Stars. So what if she hasn’t seen him since she broke his heart with her bad behavior 20 years ago? She is all alone in the world and he is “Saint Clint of the Gridiron,” a squeaky clean all around Mr. Nice Guy. Although Dancy is new to us, Clint was introduced in SEP’s previous book, and as I said, I was not impressed. But it has been 5 years since the events in that book, and Clint is no longer the whiny immature victim that I found him to be in Simply the Best. I really liked him. He has retreated to his vacation home on Lake Michigan to refocus and prepare himself for the upcoming football season after the last couple weren’t up to his usual standards. The last thing he needs is a troublesome Dancy distracting him from his work. But being the good guy he is, he can’t completely turn his back on the pitiful (but snarky!) mess that she is, so he allows her to stay on his property in an old semi-converted train caboose until she can make other plans. Overnight only. Yeah right.

I really liked both Dancy and Clint. And that’s half the battle to really loving the book. The more I learned about her history and saw how she reacted to things that she was confronted with I liked her more and more. Clint’s admirable character is established from the beginning although he has some lessons to learn as well. They each have each other’s number and give as good as they get as the relationship develops into friendship then love. The back and forth between them was funny and engaging. Dancy forms a friendship with another woman in the community and rescues a pitiful dog. Not one, but two bad villains emerge. Dancy has a bad set back which was so predictable, but she is never a victim.

She stumbled to her bedroom, tugged at her clothes, and got into bed only to stare at the ceiling. Minutes ticked by. She shifted her weight and pulled the covers up only to shove them back down. She didn’t want oblivion. She wanted revenge.

Every time I was going to put the book down there was a twist or a turn or a new character that kept me reading. Of course we also have some more than welcome appearances by characters in Simply the Best.

In the first pages when we learn that Dancy is a washed up mostly B movie actress, I was 89% sure she was going to end up getting an Academy Award by the end. I won’t say if she does or not, but rest assured, her triumph is complete and satisfying. It was a solid 4 ½ star book until the epilogue. I loved it. It wasn’t original: Emily Henry did the same thing to great success in one of her books. This was done just as well and was as cute as could be. 5 stars.

Rating: 5 out of 5.

Catch of the Day

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by Kristan Higgins

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I enjoyed re-listening to The Perfect Match so much that I looked for another KH novel I hadn’t read or listened to in a while. This is one of her first books, and one of the first by the author I read. I was surprised to see that I hadn’t already done a review of it. Or maybe Goodreads swallowed it before I could get it on my blog. Although our heroine Maggie is straight out of the Kristan playbook, her hero is one of a kind. Many of her readers would say, “ Thank Goodness!” But I liked him when I wasn’t periodically shaking my head at the same things that drove Maggie up the wall. The two were complete opposites and in some ways served as antidotes to each other. When Maggie got too puppydogish for me, Malone was there to provide balance, and vice versa

Maggie, as many of her heroines are, is a warm and generous “giver.” She cuts her elderly tenants toe nails, she employs a developmentally disabled teen to help in her diner, babysits her niece at the drop of a hat. She pays her head cook more than she, as the owner of a diner, makes herself. She is a good deed doer and she is devoted to her dog. Kristan Higgins never describes her characters’ personalities but shows us what they are about by their words and actions. And almost all of the characters are layered with good and bad qualities like real people. One example is Maggie’s difficult mother. She is very unlikable and insensitive. Yet, she has a kind of endearing malapropism quirk. She’s always full of advice and helpful platitudes: “When the Lord closes a door, a window breaks,” and “A rolling stone gathers no dirt” come to mind. Later we find out there is more to her than meets the eye, although she will always be more Mommie Dearest than Marmee. You can’t hate a person too much who also makes you laugh. And their relationship at the end is in a good place. But I digress.

Maggie is a single 33 year old who longs for a husband and family of her own like her twin sister Christy. Three things have gotten in the way of this. She was rudely and publicly dumped in front of her whole town by her longtime boyfriend after they graduated from college. (Yet Skip and his sweet wife are a happy family with three daughters-so as always, KH doesn’t take the obvious path). The pickings of good eligible men in her home town of Gideon’s Cove are pretty slim. And she is in love with the local parish priest. And unfortunately he is Roman Catholic, not Episcopalian. After a series of disastrous and funny blind dates (which were to become a KH mainstay in her future books), she finally meets her destiny in Malone, “Maloner the Loner”, a local lobster man. This happens not until almost a third of the way into the book. Maggie has lots of other things to talk about to the reader. That’s another of her character traits. She is a blabbermouth. Not a gossip, but an over-sharer who starts to babble when she feels uncomfortable, which is rather a lot of the time. Malone is completely opposite to Maggie: very unsociable, brooding, and mysterious. He gives new meaning to “the strong silent type” hero. Neither Maggie nor the reader even know his first name till the very end of the book. Yet he is a very hard worker, is genuinely respected, even liked by the community, and has a daughter he loves and is seen to unbend with when she visits. Every so often Maggie thinks she detects a quirk in his lips that might be a smile and that he just might have a sense of humor behind his dour exterior. Also Maggie’s dog likes him, and he has come to Maggie’s rescue twice: Once on an 10 mile walk home after a bike crash, and once from social humiliation when she is stood up by one of her blind dates. After that incident, Maggie and Malone finally start seeing each other.

Most of the rest of their relationship consists of Maggie trying to get two words in a row out of Malone. He is very uncommunicative and Maggie has no idea what their relationship really is. The reader is similarly in the dark about what is going on in his head. Meanwhile Maggie is the opposite of that. For the most part, I loved this tension of their completely opposite personalities. Something had to give. Malone was very much an enigma and this fostered a lot of anticipation of what was going on. We know him and his feelings by his actions not his words. At one point, Maggie dresses up as her twin to confront Father Tim about something and no one sees through her disguise except Malone. From across the street.

On this re-read, there were some things that bothered me more than before. I don’t really have a major problem with Embarrassment Humor as such, as long as it’s funny. But there was an incident with Maggie getting drunk and hurtling towards public doom that was really yikes. I didn’t like it when she hears part of a conversation (while sneaking around and eavesdropping no less) and jumps to an insulting conclusion about Malone. She does not handle it well. I really did not like her for this part of the book. But Malone’s reaction when she finally comes to her senses was just as frustrating. I didn’t know which one to be more disgusted with or side with. Another character that bothered me this time was Father Tim. He was described as such a good, kind, and compassionate man and the perfect priest. But he takes advantage of Maggie’s generosity and willingness to volunteer her services to the church in the name of friendship. She wasn’t even an active member. He should have been doing his best to keep his distance, but he did just the opposite. It kind of gave me the creeps at times, although no lines were crossed. In the end, we see his loneliness and it’s a bit sad. Thankfully, although she still had a soft spot for him, her crush on Father Tim was pretty much at an end as soon as she gets together with Malone.

Maggie has a more clear-eyed view of herself and Father Tim by the end of the book. As lovable as she is, Maggie had some work to do on herself as well. As does Malone who has also learnt some things and changed for the better. I thought it was a nice touch that though she is far from religious, she realizes that church may have something to offer her besides a handsome priest. We get a peek at Gideon’s Cove and Joe’s Diner in a subsequent book and all is well with Maggie and Malone.

Rating: 5 out of 5.

Let the Bells Ring Out

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By Milly Johnson

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Coincidence is God’s way of remaining anonymous’, Einstein said. Freud disregarded such nonsense: everything could be explained was his mantra; whereas Jung believed coincidences were a manifestation of a deeper order in the universe. Certainly, after Clifford’s ‘experience’ he was more inclined to believe in the magic of them. ‘Accept the mystery, Jane,’ he’d say. ‘I am a happier man for doing so.’

One of Milly’s specialties is telling the stories of women (and sometimes men) who are victimized and dominated by their (usually narcissistic) partners who finally see the light and find the strength to stand up for themselves and escape. Usually into the loving arms of another man (or woman) who is kind, strong, and worthy of them. Although I love Milly Johnson’s writing and eagerly anticipate these characters’ final victories and the comeuppances in store for their abusers, it’s all starting to get a little old. Let me put this feeling about this aspect of Milly’s books in context. I have read every Milly Johnson book at least twice and some several times. Even when I first started reading Milly some of her female characters (usually self-inflicted) plights were way too much for me. But sometimes as much as the designated doormat in her cast of characters frustrated and sometimes even infuriated me, the situation was usually balanced out in some way. For example, an epic take down of the abuser( The Yorkshire Pudding Club), or the woman (or man) having the epiphany fairly early on, and determined and committed to her escape route (The Queen of Wishful Thinking.) What I can’t abide is what happened in this one.

We follow a diverse group of English men and women who are struggling in their lives in some way and are traveling for Christmas. Due to a rather mysterious storm, they end up snowbound together on a luxurious private train. This is very similar in structure to Milly’s 2020 Christmas themed novel, I Wish It Could Be Christmas Everyday. We first meet Tom, the attractive owner of a Taxi service who is chauffeuring a beautiful and posh young woman, Elizabeth, to a Manor on the outskirts of Durham where she is meeting her fiancé and their two sets of parents for their annual celebration. It is apparent immediately that her relationship with her fiancé is not only unhappy but toxic. Jane is an elderly woman who has been recently widowed and missing her wonderful professor husband and happy marriage. Wherever she is going she is not looking forward to it. It is clear that those who remain in her life do not appreciate her. Grace and Frank are a married couple and we learn that something happened in their lives that turned Grace from a lovely woman to a cold, snappish, and sour killjoy who holds something against her very nice and warmhearted husband. “Roo”, or Ruby, is a lively young woman who seems a bit eccentric but nice. She is not a fan of Christmas and has suffered a recent setback. Tim is a middle-aged man who is grumpy and standoffish. He is a big guy with a white beard who ironically works at playing Santa Claus at Christmas. As they make themselves at home on the train, they are surprised and delighted that every luxury they could wish for, from accommodations, to food, to drink is theirs for the asking. As they get to know each other and each other’s stories even the least sociable and closed down among them start to open up. With the others’ help and advice they start to understand and come to terms with truths about what has damaged them and their lives. Paths forward to healing slowly reveal themselves to each of them. As the 7 castaways become friends they start to notice strange things going on in some of the train cars. They are not alone.

This was a likable and enjoyable book in many ways, and of course happy endings abound at the end in true Milly Johnson fashion. There were some twists and turns I saw coming a mile away, but a few I didn’t. Unfortunately, Two of the main women characters, Elizabeth and Grace, got me so frustrated and angry that I almost wished they had been left with the unhappy endings they deserved! Almost. The story is told, as in most ensemble type books and movies, by visiting each character as they contribute to the present day plot while their backstory is unwoven. Most if not all of Milly’s stories involve (heavenly?) enchantment to some degree, but this one, like her other previously mentioned holiday tale, is all about the Christmas magic.

As usual Milly weaves good stories around each of the engaging characters. They deal with grief, estrangement from loved ones, disappointment in love, unrealized potential, or greedy or rotten families. All written with plenty of Yorkshire dialect, humor, and a light touch. My first problem was that every single time we came to Elizabeth’s turn in the spotlight, it was one horror after another showing how badly she was treated by her horrible family, her horrible fiancé, and his horrible family. She reflects on their horribleness, clearly sees how she is being gaslighted and bullied, but still never wavers from going back to her toxic environment. Even as a clear path to living her dream in life and love unfolds before her! She acts like a lifetime of misery is preferable to rocking her boat. She comes to her senses at the last second but even then has to be driven away by the nice guy. We never see her stand up to confront her rotten family and fiancé. I imagine they were all kinds of gobsmacked and irate over her rebellion, but we never have the pleasure of reveling in their downfall. All we get is a glimpse of them in the rear view mirror as they are sprayed with the gravel of her getaway taxi. Not even an engagement ring-toss out the window.

I’m not going to dwell on Grace, but she was a stone cold b***ch to her kind, popular, and patient husband. Yes, they experienced a horrible tragedy together, but to Grace it was all about her. She blamed her husband for something completely out of any human control. Both women held on to their painful circumstances much too stubbornly for me. They continued on their roads to disaster despite almost miraculous escape routes being provided right in front of them. To add to my exasperation, I even started to despise poor Frank for putting up with Grace so patiently for so long. I have never given any of Milly’s novels less than 4 stars, but sadly, I couldn’t give this one more than 3 in the end. It was Dawn in Summer Fling, my least favorite character in my least favorite novel by the author, all over again. Kind of a bummer, actually.

Rating: 3 out of 5.

Checkmate (#6 in the Lymond Chronicles)

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By Dorothy Dunnett

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At the moment, I am tired of journeys. It is time I arrived somewhere.

He wondered why his lordship had claimed to be unable to identify the boy on the bridge. Then he recalled something he had heard rumoured. Once, Lymond had questioned a child and lived to regret it.

“You may give me a brooch. A sapphire one.”
“Ah,” he said. “But will you take care of it?”

It’s been about 3 weeks since I finished this last book in The Lymond Chronicles. And this review has been hanging over my head. Between finishing the book and seriously tackling this review I have had a ball reading other peoples thoughts and insights into the series which I was unable to do while I was reading it because of fear of running into spoilers. More on that later. In short, I have been, off and on, just immersing myself even further in the series.. I have a lot more exploring yet to do down the Lymond/Dorothy Dunnett rabbit hole.

As I look back on this book, Checkmate, I am amazed at how much happened action-wise, the character arcs, and the seamless involvement of our fictional characters with the military actions, politics, and religion of the time. In the course of the series, Dorothy Dunnett has shown herself to be ready, willing, and able to kill off important characters as well as animals. So while I was happy at the return of those whom we kind of left by the wayside during Pawn in Frankincense and/or The Ringed Castle, I feared for them. These included Kate, Philippa’s mother, Jerrott “I don’t understand” Blythe, Marthe, his difficult and troubled wife, and Archie Abernathy, the rock. Of course Lymond’s mother, Sybilla, so beloved and admired by me in previous books was certainly under threat of ye old chopping block given her advanced age (at least for those times) alone. And what of his estranged brother Richard? It would be just like DD to kill him off before he and Lymond could be reconciled. Though frankly, Richard was such a dumbass throughout most of this one, I can’t say I cared much about his ultimate fate.

What we went through in this book, along with Lymond and Philippa, our daring duo! We begin the book, right where The Ringed Castle left off, picking up with Lymond shortly after he has landed back in France after being kidnapped by Philippa and his friends, for his own good. They successfully conspired to prevent him from returning to what he saw as his mission in Russia where he would face certain death. Which was OK with him, but not with anyone else. I know I sure didn’t want him to go back there. Although at the end of TRC, he loves Philippa “in every way known to man” he is determined to divorce her for her own protection and because of his own self-loathing. Philippa is as yet unaware of the nature of her attachment to “Mr. Crawford.” He enters into an agreement to serve embattled France in his capacity as a military leader without peer. In return, the powers that be will see that the divorce is granted. Along with placing Lymond in the middle of real historical military battles and political machinations, we experience all manner of…stuff. High spirited swashbuckling adventure, a love story for the ages (which for me, had its earliest beginnings in The Disorderly Knights), deep dark mystery, family drama, mental and physical anguish of all sorts, sacrifice, evil, goodness, triumph and…well, just name it. And that’s just Philippa. Kidding. But Philippa and Lymond are equal or almost equal partners in all that transpires in this book.

Before I bought the books many moons ago, I vetted the series enough to know it ended in a rewarding and satisfying way. But as the books went on, I didn’t see how the ending could possibly be completely happy due to Lymond’s physical and mental health challenges. But Dorothy accomplished it. At least I chose to buy it. As much as I loved the book, it wasn’t perfect. I struggled with getting my head around the motivations, mindsets, and decisions of Philippa, Lymond, and Sybilla. So much harm and suffering for, what I felt, were weak and not very well supported reasons. I asked the DD in my head, at too many points, “Because why now?” “Huh? But.…” Also, I feel like the title of the book is a little misleading and I felt a bit cheated by part of the conclusion. Because the book is called “Checkmate” I expected a battle of the titans between Lymond and his nemesis throughout most of the series, Margaret Lennox. With, of course, Lymond outmaneuvering, tricking, and finally conquering the wily Margaret in an exciting showdown for the ages. Of course it would exceed in guile and excitement the climaxes we were treated to in 4 of the 5 preceding volumes. The word “Checkmate” comes with certain expectations. The confrontation between the two had its rewards, but in the end that part was anticlimactic. But, thanks to the gorgeous and fulfilling conclusion to Francis’ and Philippa’s love story, It is a fairly minor quibble. In the end there is peace and joy at long last, and that is enough. But still so many questions! I learned from reading this series that sometimes that’s not a bad thing.

So many lovers of this series have read it many times. They comment how much they missed the first time. I had a different experience, thanks to helpful websites and Youtube chapter by chapter discussions posted years ago which leant valuable insights, and conscientiously avoided spoilers. They added historical political and religious context, explained obscure literary allusions, translated foreign language passages, and a whole lot more. Many personal opinions and speculations over countless plot and character points were offered and explored. Not to mention, “What did Dorothy Dunnett really mean by that?” Some hearty souls read this massive work while it was still being written and had to wait years between books. I can’t pretend to imagine what that experience was like. Many forged ahead while up in the air as to whether all would end tragically with Lymond’s death (or worse!). Given his death wish, it seemed more than likely. I had the advantage of knowing the end would be a happy one, though I took great care to avoid any other spoilers. But a funny thing happened. I went through Checkmate and part of The Ringed Castle, under a misapprehension. In looking up an innocuous factoid, I ran across what I thought was a huge spoiler. I caught a glimpse of the answer to one of the big running mysteries we had been teased with throughout the series: Lymond’s true parentage. But since I shut down what I was reading immediately, I got it wrong. It would have been quite juicy, had it been true, so I was a little disappointed when I finally realized that all of the clues that pointed in another direction were not, as I thought, red herrings. Also I read that one very important character died, and he/she didn’t. Where that came from I’ll probably never know. But I was sure happy about it.

So there you have it: A small part of my experience with this scholarly, flamboyant, and, yes, sometimes preposterous series which is influencing writers to this day. But I am certainly not done with Dunnett. I now have the audio books in my library and another series to look forward to: Niccolo Rising. Which from what I gather should be almost as profound a reading experience as was The Lymond Chronicles. We’ll see.

Rating: 5 out of 5.

The Ringed Castle (#5 in The Lymond Chronicles)

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By Dorothy Dunnett

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‘I lost three ships,’ Chancellor said. ‘And eighty- five souls.’ ‘I stopped counting,’ Lymond said, ‘after I had seen the first hundred or so of my soldiers dispatched to their earthly rest through me. You lead, therefore you kill.’

‘Your son will be John Dee’s next pupil. You cannot face marriage again?’ Richard Chancellor drew in a short breath, and let it carefully out, without stirring the candle. He said, ‘I have only met one girl to match Eleanor. And you are married to her.’
Lymond slid his hands off the table. On his shadowless face rested, openly, an astonishment so unexpected, so vivid that Chancellor himself was taken aback and said quickly, almost in anger, ‘I’m sorry. But she is a remarkable girl.’ ‘She is a remarkable girl,’ Lymond repeated. He looked startled still. ‘She must be Christopher’s age.’

I was trying to explain to a non-fiction reading loved one the other day why reading fiction was an enriching and important part of my life. Particularly when you find something so involved and complex and written so brilliantly and beautifully as the Lymond Chronicles. I tried to explain how it was like entering another world which doesn’t really fully go away even when you are not reading the words but going about your day to day business. Even when you are not actively contemplating the book, you go through your day knowing there is an alternate reality waiting for you when you choose to go back to it. You live safely through fear, tragedy, and grief. But also through triumph, wonder, joy, and love. People who don’t read stories don’t know about this, I guess. Not every reading experience does this for me. I’ve enjoyed and even loved other books without having this feeling of it being part of my life. For me, It’s mostly been series or at least connected books where there is world building involved. Like Harry Potter. And a sadly somewhat forgotten writer of historical and swashbuckling adventure and romance named Patricia Veryan.

The Ringed Castle, I was thrilled to discover, begins not with Lymond on the way to Russia from The Levant, as the previous book ended, but with Philippa coming home to her mother, Kate.

Not to every young girl is it given to enter the harem of the Sultan of Turkey and return to her homeland a virgin….The most prosaic schoolgirl in England, Philippa Somerville arrived home from Stamboul in the summer….

Kate, nor Lady Culter, cannot reconcile the “The Queen of Sheba”-like stylish young woman with the formerly bedraggled Philippa,

“the undersized fifteen- year- old who had left her uncle’s home in London two winters ago, to plant herself willy nilly in the unsuitable company of Lady Culter’s younger son Francis… Francis Crawford of Lymond, the hard- living leader of mercenaries whose by- blow Kuzúm had been snatched and used in a game by his enemies.”

But it’s her all right. Not being sure what her reception would be, her face is “green with fright.” But after an exchange of quips with her Mom, she slides giggling into Kate’s waiting arms.

From there, Lady Dunnett alternates between Lymond’s adventures accumulating power while navigating the insanities of Russia and the terrifying court of Ivan the Terrible, and Philippa’s continuing maturation in the home of real historical figure Henry Sidney and his family and friends. Lymond is the hated and feared Voevoda Borshoia, The Supreme Commander of the Tsar’s army, and Philippa is a very popular lady-in-waiting in the court of another troubled ruler, Mary I.

As a highly qualified Turkish-trained concubine from the harem of Suleiman the Magnificent, Philippa Somerville settled into English court life as a kite among chickens, and as a kite among kites into the Spanish court of the new King-consort Philip.

She has lots of suitors, except she’s married and her divorce from the Voevoda of all Russia is being held up. As much as I hated sporadically leaving Philippa and the English Court (which includes Mary’s dearest confidant and Lymond’s worst enemy, now that Gabriel is dead, Margaret Lennox. Also an important historical figure), I was always quickly immersed in Lymond’s exploits in Russia. Dorothy Dunnett knows how to keep things interesting no matter what. The husband and wife (in name only) are re-united around a year later when Lymond is forced, through political machinations of his enemies, to leave Russia to accompany the English Muscovy Company back to England to promote trade between the two countries.

Now I, your Tsar, beg it of you. Sail to London, the home of this strange, married Queen, and speak to her in her own tongue, but with the heart of a Russian. Bring me what I want.’ There was no escape. No loophole; no answer, no argument; no excuse. ‘Then of course, Lord, I shall go,’ Lymond said.

With him goes Richard Chancellor another real historical figure much admired by DD. who has become Lymond’s true friend and match in intellect and spirit.

“The Ringed Castle” refers to Moscow and the Kremlin, but it is also a metaphor for Lymond. Since the horrific occurrences in Istanbul he has coped by shutting down all emotion and putting up a virtually impenetrable wall between himself, his comrades and his family. “He can make you want to knock him down, if he feels like it, by simply saying “good morning”. Those who still care for him fear for his humanity: He has become a machine. The alert reader sees that is not entirely true. Further isolating Francis is the knowledge that his parentage is not what he thought it was, and a prophecy that he thinks will doom his brother if he returns home. He wants nothing to do with his formerly beloved and formidable, now heartbroken and fragile, mother. And, as usual, someone is trying to kill him. It is in England, thanks largely to Philippa, that chinks start to appear in his armor. But he is determined to return to Russia where certain death surely awaits.

As always some of the plot elements border on the preposterous, despite the erudition of the writing. And Lymond is surely one of the most maddening heroes in popular fiction. If you don’t like flawed (really flawed), you might want to give this series a pass. But if you gird your loins and proceed, there is always Philippa, who starts to become a major player after the second book. And Archie. And Sybilla. And Richard. And Kate. And Adam. And Danny. Not to mention a growing number of late lamenteds, and not so lamented.
And despite the often grim happenings (don’t get attached to any domesticated animals), there is humor. One of my favorite “running jokes” is Philippa’s and Lymond’s perception of each others ages. Lymond still thinks of her as a schoolgirl, and Philippa believes (and she is not alone) that Lymond is her mother’s age. They are only 10 years apart, and usually only the reader seems to realize it. Also banter, sophisticated wit, and comedy.

On to the last book in the series, Checkmate. I expect to be awestruck, amused, frustrated and saddened, but from what I gather, not disappointed.

Rating: 5 out of 5.

Pawn in Frankincense (#4 in the Lymond Chronicles)

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By Dorothy Dunnett

Evil matters. So does love. So does pity. My pilgrim,’ said the Dame de Doubtance gently, ‘you have still three bitter lessons to learn.’

The penultimate scene of The Disorderly Knights foreshadows the age-old ethical dilemma that one is devastatingly confronted with in this, Pawn in Frankincense: When does the greater good outweigh the good of the individual? When it is a matter of life or death, how does one choose the sacrifice, and how will one live with the consequences of the decision?
Francis Crawford of Lymond’s hand is stayed by the redoubtable Philippa Somerville just as he is about to execute the malevolent and malignant Graham Reid Malett a.k.a. Gabriel. In the devastating scene Malett has shockingly revealed that Francis has a baby son who is under his power and if he dies, his son dies. Nevertheless, Francis, knowing the depth of threat Malett represents to the world is determined to carry through killing him after besting him in mortal combat. He is willing to sacrifice one child (Is GRM even telling the truth?) to save thousands.

And a child’s voice, echoing his in turn said, “No!”… No, Mr. Crawford!” cried Philippa forbiddingly, and ducking under the snatching arms that tried to prevent her, she ran forward…..sinking on her knees she shook, in her vehemence, Lymond’s bloodstained arm…There is a baby. You can’t abandon your son!” …Philippa Somerville, who believed in action when words were not enough, had leaned over and snatched the knife from Lymond’s left hand.

It is enough. Gabriel escapes back to the Ottoman Empire as, thanks to Lymond, he is persona non grata anywhere in Europe. There, in this book, he will betray his brothers, the Knights of St. John, and abandon all pretense of Christianity. He will successfully consolidate the power he craves under Suleiman the Magnificent while planning the entrapment and downfall of Lymond using his son as a pawn in the game.

The final scene in the preceding book has Lymond in front of a church altar vowing to find and save his lost son while somehow destroying Gabriel. Pawn in Frankincense is his quest.

We start out in Baden, in the Swiss Confederation, where Philippa, accompanied by Lymond’s sidekick, the usually very confused Jerott Blythe, has snuck away from her mother Kate and tracked Lymond down. She has come, she says, to look after the baby once he is found. One may ask, how could Lymond agree to take a 15 year old schoolgirl, the daughter his one of his closest friends, on such a treacherous journey?

As I have said before, and am now saying for the last time, I cannot tell you with what awe my family and friends, not to mention yours, would receive the idea that I should ship a twelve- year- old girl along the Barbary coast——’

Not surprisingly (if one has gotten to know her) Philippa prevails. And thank God for it. She provides the only safe haven and flashes of light in a book full of tension, fear and horror. Somehow, we know that she will always be all right. She is a master of “the feat of keeping her head, her reason and her sense of the ridiculous amid conditions of civilized lunacy.” Not that she doesn’t have a difficult journey. At one point, Lymond decides he must place killing Gabriel over finding his son and sends Philippa back home. He thinks. Philippa decides to continue the hunt virtually on her own and ends up entering the Sultan’s harem to protect the young toddler (because of course she finds him) from the cruel tentacles of Gabriel. As she writes to her mother, Lymond’s good friend,

Dear Kate. As you will see from the address, I am staying as a concubine in the harem of Sultan Suleiman the Magnificent, son of Sultan Setim Khan, son of Sultan Bayezid Khan, King of Kings, Sovereign of Sovereigns; Commander of All that can be Commanded, Sultan of Babylon, Lord of the White Sea and the Black Sea, most high Emperor of Byzantium and Trebizond, most mighty King of Persia and Arabia, Syria and Egypt, Supreme Lord of Europe and Asia, Prince of Mecca and Aleppo, Possessor of Jerusalem and Lord of the Universal Sea….There are two hundred and ninety- nine other girls here: but no one else from Northumberland. Tell Betty I have the dearest little black page.

We meet and continue our acquaintance with many intriguing characters, some fictional, some not. Some lovable, some not. They include Marthe, a young woman who could be Lymond’s twin. Sybilla’s child? But that’s impossible. Isn’t it? We learn there are two supposedly indistinguishable babies in peril, the other one being Gabriel’s own son from an unspeakable union. At times it seems we are in a retelling of the Odyssey, at others, Raiders of the Lost Ark, Ladyhawke, or an Errol Flynn pirate movie situation. Even once, a very strange romantic comedy fake marriage, one bed trope. At one point, horribly, Sophie’s Choice came to mind.

Dunnett’s books are very cinematic thanks to the lush realism of her descriptions. She is merciless with what she puts Lymond and those he cares for through and they will not emerge triumphant unscathed. In one of the last chapters, I was physically trembling as I read. I love Dorothy Dunnett, but thanks to this at times painful book, I kind of hate her too.

Rating: 5 out of 5.

Dear Mrs. Bird

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By AJ Pearce

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Despite a slow start, this turned out to be a charming and delightful novel very similar in style and substance to D.E. Stevenson. I expected something of the sort, set in England during the Nazi blitzkrieg of London, but I didn’t expect that long swaths could almost be mistaken for her writing. The characters could have stepped right out of one of Stevenson’s wartime novels (except they mostly are not set in London). Our two young heroines are kind, pretty, spunky, bursting with moral fiber, and determined to do their bit in the war. And the young men are their equivalent. If they are not in the military, they prove their bravery by contributing in some way to the war effort. There is at least one thoroughly obnoxious character to challenge them, a daunting parental figure/mentor and a wise protective one. Sad and bad things happen but the overall tone is light and comfortable and sprinkled with gentle humor.

Emmy and her life-long friend Bunty are living in London during the blitz. Fired up by the idea of being a lady war correspondent, when Emmy sees an employment advertisement in the London Evening Chronicle, she applies for the position, and she gets it! To her dismay she soon finds out that she is nothing more than a junior typist for Henrietta Bird, the “Acting Editress” and advice columnist for Women’s Friend magazine. Worse, one of her duties is to read the letters to Mrs. Bird and cut up the letters that request help regarding anything “unpleasant” according to her very rigid lights.

Topics That Will Not Be Published Or Responded To By Mrs. Bird
(NB: list is not exclusive and will be added to when required)
Marital relations
Premarital relations
Extramarital relations
Physical relations
Sexual relations in general (all issues, mentions, suggestion, or results of)
Illegal activities
Political activities and opinions
Religious activities and opinions (excl. queries regarding church groups and services)
The War (excl. queries regarding rationing, voluntary services, clubs, and practicalities)

Words and Phrases That Will Not Be Published Or Responded To By Mrs. Bird For further references see Girlhood To Wife: Practical Advice By A Doctor (1921)
A–C
Affair
Amorous
Ardent
Bed
Bedroom
Bed jacket
Berlin
. . . The list went on for pages.
In other words, the Women’s Friend problem page only wants to be friends with women who have no actual problems or dilemmas. And in the England of 1941, those women are few and far between. And the magazine’s subscriptions and advertising revenue show it.

But as Emmy reads the comparatively few letters that she and Kathleen, her co-worker, receive, her heart is rung by the sometimes desperate cries for help with real world difficulties exacerbated by wartime. Finally, she starts to respond to the most heart-wrenching on the sly if they include a stamped self-addressed envelope. Emboldened by her success (and the fact that she doesn’t get caught) she even starts to sneak a few letters into the magazine (Since Mrs. Bird never reads it.) Meanwhile she tackles her own challenges with her volunteer work as a phone operator for the Auxiliary Fire Service and her personal life, along with her friend Bunty, who is engaged to be married to their childhood friend, William.

Needless to say, “No Good Deed Goes Unpunished” for our heroine on more than one front, and all Hell breaks loose all over the place for poor Emmy who tries her best to Keep Calm and Carry On in the face of several disasters.

*A few spoilers you would probably guess anyway*

It wasn’t quite a 5 star read for me. There were things that didn’t seem right. Emmy was too wishy-washy about trying to help the women who were desperate for advice and support. Of course she should try to help them! Not to do so would have been practically unpatriotic! And her supposedly super-plucky friend Bunty is horrified and scared at the very idea when Emmy feels her out on her dilemma. This didn’t track either. I was kind of shocked at her attitude. In one incident, Emmy lays into Bill for endangering his life and the lives of his crew to rescue a little girl’s doll that was buried in the rubble following a bombing. While on the surface this was kind and brave of Bunty’s fiancé, it was also very dangerous and foolish. She is wracked with guilt for scolding him and the incident has far-reaching consequences. It was frustrating because I thought she was absolutely right and she had nothing to apologize for. I had problems with Bunty and her actions v. what we are told about her character. Lastly, it turns out that the one mistake that Emmy made in writing back to the desperate women was signing Henrietta’s Bird’s name to the letters. That was really dumb, dumb, dumb. She didn’t have to sign them at all.

Naturally, Emmy triumphs in the end. Thankfully, her response to the final letter of the book is very courageous. Her nemesis, Henrietta Bird, one of the most obnoxious and “unpleasant” women I have fictionally experienced in recent years, is summarily disposed of. But unfortunately with more of a whimper than the bang I was hoping for. Still, If you liked the final courtroom scene in Miracle on 34th Street, you will get similar vibes with the dramatic showdown in this book. I’ll probably read one more in this series of four books and then see how it goes. But, like with D.E. Stevenson, I have to take a break and wait for the right mood to hit me.

Rating: 4 out of 5.

Great Big Beautiful Life

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by Emily Henry

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“I’m fine. Everything’s fine.”

I have had mixed feelings about the very ballyhooed Women’s Fiction/Romcom/Chick Lit author, Emily Henry. She is good, don’t get me wrong, but I do not understand all of the hype considering there are much better and more consistently great authors out there in the same genre. At least in my (not very shared) opinion. Case in point. I believe there are five of her books being adapted for the screen, the last I counted. I approached this one hopefully but not too confidently. I also did not have a great mindset when I started it as I was anxious to get it over with (it was a library book) so I could get back to the very involving historical fiction series I am in the middle of. But I thought it was excellent and right up there with her best. It would have even been 5 stars except for a lame temporary break up of the couple near the end caused by a totally unnecessary and silly inability to communicate what was going on. It could have been done without compromising anyone. I get enough of that irritating and overused plot device with Hallmark. It was out of place here, considering everything which had gone before. That brought it down ½ of a star.

It was a dual time line plot, which we all know can be tricky since almost inevitably the reader is lots more interested in one story than the other. But in this case, both stories were engaging and interesting. (I was surprised and prepared to kind of speed read through the back story one, but to my irritation I had to read every word. Haha.) Two journalists are given the chance to write the authorized biography of a famous former media star and tragic poor little rich girl heiress of yesteryear who has, until journalist #1, Alice, tracks her down, and journalist #2, Hayden, is summoned to her small coastal town, where she has been hiding in plain sight for 20 years. Margaret will allow herself to be interviewed by the competing writers for the right to tell her story in full. But it isn’t long before Alice and Hayden agree that there is something weird going on. Margaret is not telling the whole truth to one or both of them. Alice is a cheerful, gregarious, and likable writer for a light-weight People Magazine type publication. And Haydon is a Pulitzer prize winning serious biographer who is hard, reserved, and moody. You know the drill.

The romance between the two writers was sweet, well paced and believable. I really liked how Hayden opened up and fell so hard for sweetie-pie Alice step by step. It’s told from Alice’s point of view so we know her inner feelings, but Emily Henry did a wonderful job of showing Hayden’s developing inner feelings towards Alice by his words and actions.

“I murmur, “Tell me something no one knows about you,” and he’s quiet and still for so long I start to wonder if I’ve crossed a line. Then he tips his chin down to his clavicle to meet my eyes and says simply, “I’m in love with you.”

For me, authors need to bring a lot more to the table than just a romance, and EH delivered in that department as well. Margaret’s tale of her life, starting with how her great grandfather made his fortune, Her grandfather’s, grandmother’s, father’s and mother’s ups and downs, and then her own romance with a rock idol and her relationship with her almost pathologically shy sister went from at least tolerably interesting to fascinating and gripping. Additionally, as the story developed, some mysteries emerged both in the past and the present. I was in anticipation of the answers and resolutions and hoped for happy outcomes. Alice had a difficult relationship with her mother and the exploration and resolution to that also added a lot of interest to the story. To top it off there was a twist that I didn’t see coming in how Margaret’s narrative of her family results in a reveal about a main character’s history.

There were parts of Margaret’s story that seemed a little weak, especially some decisions she made concerning her relationship with her sister. Didn’t make a whole lot of sense and seemed to be manufactured to create drama. I also wished for more closure to Alice’s relationship with her largely “off screen” boyfriend. Definitely expected him to show up at some point so Alice could give them the heave-ho he so richly deserved. But on the whole, I thought this was almost her best book. But then, I lean towards women’s fiction with the romance not being the be all and end all.

Rating: 4.5 out of 5.