Sugarplummed

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A Very Meta Christmas

Hallmark making fun of itself in their own movies seems to be a bit of a thing lately. They take all of the usual Romantic Comedy ingredients, fold in all of the cliches and tropes that are exclusive to Hallmark itself, and fill up a movie with them. If I was a cynic, I would be  a little suspicious that it’s an excuse to get another Christmas movie in the tank without having to think of an original plot. And they can still say, “ Hey, aren’t we clever? See how we are laughing at ourselves!? Our movies are filled with cliches but that’s OK!”  I thought this was the way this one was going and I felt the tedium coming on, but then it took a turn.  And I started to really enjoy it.

 We meet lawyer Emily (Maggie Lawson), her architect husband (Brendon Zub-love him) and her two teenage children. Although the family love each other, we see there are troubles a brewin’ . Emily is over-organized and tightly wound. She is determined to give her family “the perfect Christmas” (or else) so they can reconnect and become closer together the way it used to be. We see her husband is overworked by his bully of a boss who has been making his and all of his coworkers miserable since his divorce. “It’s like I’m working for Scrooge, but instead of 3 fun ghosts, he’s just haunted by regret.” Their son is struggling in a new school and feels like an outsider. Emily’s relationship with her daughter though is the most troubled. Nina has dreams of being a singer and going away to a performing arts school. Emily discounts her dream and insists she go to the university close to home and study for a more practical career.

Emily gets to the office and and her assistant is watching the famous  and beloved series of Sugarplum Christmas movies. Sugarplum saves a bakery, Sugarplum meets a secret holiday Prince, etc. They have a long conversation over the rules of Christmas movies, as seen on the “Harmony Home Network”, where following these rules will always result in a perfect Christmas for the cast of characters. Later that evening, Emily wishes on one of her mother’s old ornaments, a Christmas star, for the perfect Christmas to make her family happy and create special memories like her mother did for her. Christmas Magic happens and Sugarplum herself appears, a little discombobulated over being sucked out of her perfect Christmas movie world and into the real one, where she assumes things will work just as smoothly as she is used to. And at first, it does! Everything goes according to the rules in her very thick Christmas rule book (which she pulls out of her bottomless purse where all of her fashionable coats and matching accessories also live.)

**Spoilers**

She replaces the artificial tree with the perfect real one, which she cuts down herself from Emily’s grinchy neighbor’s yard. She uses a magic snow globe to cause a snowfall inside the son’s school which proves very popular with the students and helps him bond with his classmates. She solves a dispute between one of Emily’s clients, the owner of an old ski lodge/Christmas tree farm and a developer who wants to knock it down and put up a resort. Sugarplum takes one look at the couple (played by Fiona Gubelman and Victor Webster, Hallmark regulars in amusing cameo performances) and knows they are destined to fall in love and come to a compromise solution on their own. And they do! Right before our eyes! Lots of other stuff happens, and Emily is well on her way to her “perfect” Christmas. Except her family is still disconnected and stressed out.

But then things start to go awry for poor Sugarplum and Emily. Sugarplum meets a handsome man by an elevator (another cameo-this time by Carlo Marks) and romance beckons, as it does when elevators are involved in Rom-Coms. Until he serves her with a summons for criminal trespass (the Christmas tree incident). The rapprochement between Emily’s  client and the developer turns out to be nothing but a ruse to get her to sell her land to him. And finally, Sugarplum is thrown in jail for starting the snowstorm and snow ball fight in the school lobby and causing damage to government property. Also, the police are very suspicious because “Sue Garplum” doesn’t exist according to the internet and she might be a terrorist(?) because her fingerprints all look like snowflakes. Apparently Sugarplum’s Christmas magic is fading due to all of the heavy lifting needed bringing magic to the real world. It’s just getting worn out. Can anything revive it? Hmmm. I wonder. Maybe Emily learning the true spirit of Christmas? In the meantime, it’s a good thing she is a lawyer.

After a slow start, this turned out to be one of the most entertaining, funny, and clever of  2024’s Christmas movies. At first, Janel Parrish as Sugarplum seemed too over the top cheerful and perky. She was getting on my nerves and I was getting antsy. Emily’s blindness to what would truly make a warm and wonderful family Christmas was frustrating. She confides that her favorite childhood memory with her late mother was the Christmas all of their presents were stolen, the tree caught on fire, and they ended up spending Christmas day in a motel. But it was great because they were together! She won’t listen to her own words! Her assistant, seeing Emily’s holiday stress, advises her to quit chasing perfection and live in the moment.  Emily cynically tells her she sounds like a Christmas movie and discounts that advice, which turns out to be the lesson of the whole movie. But then things got great.  I think it all turned around for me when Emily, fully invested in Sugarplum’s magic, makes gingerbread cookies even though she doesn’t have any ginger. But that doesn’t matter because in Christmas movies all cookies are delicious and perfect even if they don’t have all the ingredients! “I didn’t have any ginger so I just threw in a whole bottle of gin!”,  she boasts. Luckily, Sugarplum “couldn’t drink another bite.” because last thing we need is a drunk Sugarplum.

Being a Hallmark movie, Emily finally gets the message, the faded magic returns, and everything comes together for her and her loved ones in all phases of their lives. But it’s all about the journey to the inevitable happy ending, isn’t it? For Emily’s family, all is resolved very poignantly at the school Christmas Pageant starring Emily’s singing daughter.  But there’s more! The final scenes back home, with some unexpected visitors, were funny, surprising, and are what really tied the bow on top of this almost perfect gift of a movie.  Right down to the kiss under the mistletoe.

All of the actors in this did well but Maggie Lawson and Brendan Zub were perfectly cast and I was glad to see them again as Hallmark leads after such a long time. Kyra Leroux was also as stand out as Emily’s rightly resentful and talented daughter. The imperfections in her singing at the beginning turned out to be perfect in the end, reflecting the moral of the story. This movie was a solid 8 1/2 or 9 but those last scenes were just so fun.

Rating: 10 out of 10.

The Wedding Veil Journey

The Best of the Bunch

At the beginning of the movie, The three friends have gotten together and since they are also enjoying their wine, we know it’s been well over a year since the end of “Inspiration” when we learned Emma was newly pregnant. It’s been a total of 3 years since they first bought the veil. We follow Tracy (Alison Sweeney) home and we see that she and Nick (Victor Webster) rarely see each other, as she works during the day as the head of an art auction house, and he at night at his two restaurants. After talking to her friends, Tracy is inspired to give her marriage the kick in the pants it needs and the two end up going on their long-delayed honeymoon. They decide on Greece, the veil in tow, to lend to Nick’s still single sister in Spain. As in the second installment, we are treated to some gorgeous scenery throughout the movie.

I believe this one was very well done. It was very well put together and although not really comedic, had plenty of amusing scenes, dialogue, and a lot of heart. Alison and Nick’s relationship was very loving and mature. Any rough patches were handled by communication and a sense of humor. At one point, Nick starts surreptitiously doing the cooking for one of the owners of the struggling inn they are staying at. His food is inedible which is both a running gag and a real problem. Tracy is irritated when he starts “working” on their honeymoon, but, no worries, it is handled with no silly drama. There is drama in this one, but it is definitely not silly. Tracy and Nick get close to a cute orphan boy, a talented artist and athlete, but who lives at his school under the rule of a temperamental headmaster who actively discourages his art. As he explains to the interfering Americans, Leo will have to earn his living when he leaves the school and can’t afford to indulge his talent in a vocation that will not support him.  He has no one to fall back on, unlike impractical art majors. The neighbor who was raising him after his parents died had to be put in a care facility for early Alzheimer’s. Leo lovingly sends him his drawings weekly but it is doubtful he even remembers Leo. It is a very tragic situation and when Tracy and Nick take Leo to visit him it is a real tearjerker.

Meanwhile, in the light sweet romance department,  the veil works its magic with the young beautiful Inn owner and the grandson of a wealthy aristocrat played by Jane Asher, a British actress most famous for being engaged to Paul McCartney in the 1960s. When the young man called her “Granny”, it was jarring, to say the least. Equally jarring was learning she is almost 80 years old! Off the subject, but hey, we all love the romance and happy endings Hallmark is famous for, right? After her very public breakup with Paul, Jane Asher met Gerald Scarfe, a famous English illustrator and cartoonist. They have been together for over 50 years, and happily married for over 40. Can we have a movie about that, please?

There was a lot going on in this 6th Wedding Veil movie: Mystery (the veil keeps disappearing) light romance, Humor (the inedible food and the victims’ efforts not to hurt the amateur chef’s feelings) suspense and drama ( the antagonistic head of the school), and some real heartwarming moments involving how Tracy and Nick handle their attachment to Leo and how they help him.  Tracy and Nick have to have a think about their whole lifestyle and the kind of people they are individually and as a couple.  I thought it was well handled, with due respect given to balancing each of their careers with their relationship along with how they handle the situation with Leo. Unlike some of its predecessors,  All of the plot threads were fully developed, interconnected, and well-integrated into one coherent story. We are also treated to a thought-provoking defense of the importance of art in everyday life.

Yes, Autumn Reeser and Lacey Chabert do horn in on Alison’s honeymoon, Autumn on a small pretext, but Lacey flying halfway around the world on no pretext whatsoever. This does serve to illustrate what a good sport Nick is, however. Tracy is one lucky woman. I want to add that Alison’s acting in this was superb. I once referred to Alison Sweeney as Hallmark’s best crier. She is, IMHO, but in this one, her performance was truly moving. And she was funny too.

After a 7th couple is brought together by the Wedding Veil, (Nick’s sister is now married, we hear,) Tracy, whose skepticism is a running thread throughout the series is forced to admit that she has no choice but to believe in Magic.  The movie ends with the women going shopping, being lured into a shop, and tempted by a beautiful antique necklace that, Oh No! has a legend attached to it. Everything has come full circle. Well played, Hallmark.

Rating: 9 out of 10.

The Wedding Veil Legacy

Last but not Least

The script was not a challenge for good actors: no great emotional highs and lows, but the whole cast of seasoned Hallmark actors did an excellent job. All handled the good humor and banter with aplomb. I particularly enjoyed Matty Finochio as the assistant, Stanley.

Tracy, played by Alison Sweeney, the third woman in the triumvirate of Wedding Veil owners begins her story by breaking up with her boyfriend, Finn. It is handled very maturely. He has gotten a great job across the country, and Tracy does not want to leave New York or her own great job. They are sad to part ways, but as we have gathered from the previous two installments, they have grown apart lately anyway.

Tracy takes the veil to a tailor(?) to have a snag repaired and meets Victor Webster getting fitted for a tuxedo. There is some good-natured raillery. Allison is planning an important party for her job and is in the market for a new caterer. Her search brings her to a new restaurant accompanied by Autumn and Lacey. Lo and behold Victor is the head chef and part-owner with his family. The meeting between the women and Victor is chuckle-worthy thanks to the three actresses’ comic timing and easy rapport.

The side story of Tracy’s mission to obtain a newly discovered early draft of the famous Emma Lazarus poem for the museum where it can be enjoyed by the public is interesting. It adds some suspense and provides the pretext (Victor might know an investor), along with picking out art for the new location of Victor’s restaurant, fun with food, and rug hauling around, for the promising couple to spend more time together. Alison and Victor make a good pair both age-wise and in physicality.

Unlike the second installment, the plot is tightly written. There are quite a few little stories, but the focus remains on the couple and their developing relationship. Every individual side element gets tied into the whole, including the Emma Lazarus poem welcoming immigrants to America. The continuing mystery of how the veil got to San Francisco is well incorporated into this final chapter and provides a satisfying conclusion involving a lovely coincidence and a twist. After the veil does its job of finding husbands for the three likable friends, it finds its own happy final home.

Of the three movies, I rank the first one the best for its humor, this one second for the well-constructed plot, and the second one my least favorite. 7 1/2 stars

Rating: 7.5 out of 10.

February 21, 2022

Five Star Christmas

Perfect Set-Up for a Sequel (which never happened)

So Haul Out the Holly gets one and this one doesn’t? Inexplicable. It is very rare that I give 10 stars to a Hallmark movie. This deserved every one of them. The highest praise I could give is that this almost could have been a regular theatre movie. I said almost. It was laugh-out-loud funny while being heart-tuggingly touching. And without being manipulative like the “soldier’s sad widow who finds a new love” movies are. There were multiple engaging storylines and a nice romance. Lucy and her siblings meet at home for Christmas only to discover that their Dad has turned it into a B&B and is making a mull of it. They all join forces to help their Dad turn it into a success. When who they think is an influential B&B reviewer drives up, they all pretend to be staff or happy guests, as there are no real ones, and that would not be a good look. The direction was awesome by veteran Hallmark director, Christie Will Wolf. She has not always helmed good movies, but in this case, the good script was made something special. The acting by most concerned fills the bill.

Once I got used to Bethany’s new eyebrows and Victor Webster as her love interest, it did not put a step wrong. I like Victor, but he was a little miscast. And can you believe no flour-throwing scenes or snow-ball fights or snow angels to be found?! Instead, there was a Taffy-Pull! What a concept!

Each cast member had a very engaging story, and any one of the characters could be the focus of a spin-off or two. Or Three.

Rating: 10 out of 10.

November 28, 2020

Hearts of Winter

Ho Hum Hallmark Elevated by the Cast and their Chemistry

The story and the writing are weak, although the interior decorating and shopping bits were mildly diverting. However thanks to the talented cast and the easy chemistry among all the actors, this one earns an 8 from me. Jill Wagner is a very good actress and she and Victor Webster make a great well-matched couple. Victor’s character Grant started out whiny and ungrateful, but he got over it fairly quickly. Lauren McNamara who played Grant’s daughter was also top-notch and has been in several other Hallmark movies. She gets the plot rolling by winning a free house makeover from Bethany, an up-and-coming Interior Designer. Brendan Zub has impressed me in other productions, but was under-used as Jill’s sensible and supportive brother. I would like to see him as the lead again in further Hallmark movies. Last and certainly not least is the cute and charismatic Rukiya Bernard, Jill’s friend and partner, who brightens every production she is in. Alas, still in the best friend role and not as the lead. Come on Hallmark! Give her a role worthy of her before she gets away. One thing I really liked about this romance is that it didn’t end with the deal-sealing smooch, like they all do, but went on to add a little postscript by having the cast wrap things up back at the redecorated home.

Rating: 8 out of 10.

January 26, 2020

A Harvest Wedding

Very Nice. And Breaks the Mold in a Few Instances

A Harvest Wedding was above average due to the likability and good acting of the leads, Jill Wagner and Victor Webster. They played age-appropriate, mature, and sensible characters with good heads on their shoulders. Because of this, the plot was not packed with silly misunderstandings, stupid behavior, or battles between good and evil. Jill Wagner has a real Scarlett Johannsen thing going on, though much more down-to-earth looking. Victor Webster was almost too handsome, which made him an unlikely farmer, but his acting was good.

Jill played a wedding planner, Sarah, given the gig of a high-profile society wedding which would really put her on the map career-wise. In addition, a prestigious wedding magazine is doing a piece on the wedding because of the prominence of the family involved despite the fact that the bride, a super nice down-to-earth girl (Andrea Brooks), chose Jill over much more established wedding planners. To add to the complications, the bride does not want a super-fancy formal spectacle, but a simple country wedding at her fiance’s family farm. I liked that the mother of the bride was set up to be a momzilla, but knock me down with a feather, after a heart-to-heart talk with Sarah and her daughter, she stepped up and helped give her daughter the wedding she wanted, not what fulfilled her own elite society wedding dreams.

In addition, the ending was a refreshing breath of fresh air. Without fail, In Hallmances, the big-city career girl gives up all of her professional progress and achievements and moves to the country to be a wife. In this one, the farmer, thanks to his development of a method of rooftop gardening, divides his time between the country and the city, allowing Sarah to pursue her dreams. This is a real departure for Hallmark. The final scene was a treat.**7 stars out of 10**

Rating: 7 out of 10.

October 26, 2017

Home for Christmas Day

Tearjerker!

I never thought I would say that a Hallmark movie surprised me, but this one did. Twice! Basically, this is a story of an over-protective mom, played very intelligently by Catherine Bell. She was left a young widow due to her own military husband dying in action. She has refused to open herself up to love with her friend, an extremely eligible and attractive man who is in love with her, due to her tough experience. Now she sees her own daughter, who has a bright future, possibly putting that in jeopardy and opening herself up to pain and heartache by her own budding romance with a soldier about to be deployed. The script is good, and is a good bit more daring and multi-layered than most Hallmarks. Bell’s character is over protective, but she never goes too far. I was never angry or too frustrated with her. This is partly because the daughter, Betsy, has a good head on her shoulders, and gives her Mom as good as she gets. The actors are great, all the way around. A special shout out goes to the casting of the young soldier. He was super appealing and this movie would not have been so affecting unless you were half in love with him yourself. He was the young man any Mom would hope for in a son, or would want a daughter to marry. And by the way. Pay attention to the title, I am surprised I was so surprised by the ending. **9 out of 10 stars**

Rating: 9 out of 10.

July 30, 2017