She’s Making a List

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Coal-Worthy

It’s not that I didn’t understand this movie, it’s that so many little things did not make sense. And it was boring. I really had high hopes for it. The premise was cute and different, and it starred two of Hallmark’s biggest and most popular stars: Lacey Chabert and Andrew Walker. I would have thought they would have given them a better script. And I don’t know much about direction, I just know when it’s good, but things were said or implied that I didn’t see on screen. Then at the end, the plot just went off into La-La Land, and by that I don’t mean Los Angeles.

In a nut shell, here is the plot. The naughty or nice list is real. But Santa’s elves have long since been relieved of the huge responsibility of deciding whether the children of the world get presents or coal in their stockings. That  job has been sourced to Naughty or Nice, Inc. who uses modern technology and algorithms to separate the good, the bad, and the in-between. They have a huge fancy office building in a big city so the whole company and its mission is right out there on Front Street. The algorithm is adequate for most kids, but some kids are on the line between naughty and nice. And that is where the human inspectors come in. Isabel (Chabert) is one of the best and up for a big promotion. The inspectors are dispersed throughout the Santa Claus believing world assigned to take a closer in-person look at the actions and behavior of these fence-straddling kids. They are armed with a huge guide book detailing, among other things, the rules of engagement in order to make the final determination of coal or presents for Christmas. And no one knows the rule book better or follows it more closely than Isabel. Sounds cute, right? And I am the last person to turn my nose up at a little whimsey. The production values were good, there were some clever and cute lines and concepts, and Lacey Chabert and Andrew Walker are always competent at the very least. But it ended up in a muddle that could have been done much better. And easily fixed.

The first case has Isabel scrutinizing two little boys playing with a ball. One dares the other to throw the ball as high as he can and when he does it breaks a car tail light when it lands (somehow?). It was just an accident, but the one kid runs away and the other struggles with his conscience and then runs away. Lacey writes down “Mischief, Destruction, and Evasion”. Both the boys are judged “Naughty.” Case Closed. No presents. One of the messages this movie seems to be trying to convey is about digging deeper past the surface actions before putting a label on a child. Wouldn’t it have been more effective if the kid would have changed his mind and taken responsibility for his actions but after Lacey had left the scene of the crime? Or some other extenuating circumstances?

The next case is a boy named Teddy who is apparently planting seedlings (In December?) with his classmates. He sprays bleach on everyone’s plants except his own! Why? Were they in some kind of plant competition? Why would a kid be so malicious? It’s never made clear. Isabel’s assistant thinks that he meant to spray fertilizer, not bleach. But if that’s true, why would he not fertilize his own plant? Isobel later claims it was the only bottle of bleach in a row of fertilizer bottles so it must have been a mistake. Which is clearly what the viewer is supposed to believe. But the frame showing the bottles clearly shows that is not true.  And why would bottles of bleach be right next to fertilizer in a children’s garden in the first place? And he was definitely acting guilty and sneaky. Making mountains out of mole hills? Maybe. But it was disengaging and distracting for no reason. Nothing about it made sense. If he was spraying bleach on innocent little baby plants that is more than just mischievous, it is very concerning behavior. The lesson of not jumping to conclusions about kids’ motivations was confused and murky.

Those two cases are just prologue to Isabel’s main case of Charlie, played by Cadence Compton, who was fantastic. 11-year-old Charlie is an amateur magician we first see making a little kid’s $20 bill “disappear.” Basically she steals it from him. And the other older kids are so impressed that they start waving their money at her so she can make all their money “disappear” too. What the Hell. As far as we see, she never gives them their money back, and the kids never report her to the authorities either. Again what would have served the moral of the story was her giving their money back when judgmental Isabelle wasn’t looking. Or maybe using the money to buy a warm coat for a homeless kid, or do some other good deed. No, what she did was more than just “naughty.” She does other bad stuff too. But since Isabel is now dating her handsome father Jason (very much against the rules but she couldn’t care less all of a sudden), she starts looking to make an exception for Charlie and protect her from getting coal instead of presents. Because you see, Charlie’s mother died last year, so all is forgiven and excused. Plus she picks up litter. We find out later that when she did get coal for Christmas last year, her Dad secretly replaced it with real presents anyway. I’m like, “Maybe a little coal in her stocking would have done her a lot of good!” Isabel is breaking all the rules when it comes to this one girl because of her crush on Charlie’s father. It just wasn’t right or fair to all the other gray-area kids. Not that Charlie was actually that “gray area” in my opinion. But let’s just overlook Isabel’s shady behavior. I mean it’s Lacey Chabert after all.

I won’t go on with other examples of badly presented and mixed messages, but trust me. Isabel gets closer to Jason, finds out she has been doing more harm than good in putting kids on the “Naughty List,” and Charlie is miraculously transformed from bad girl to good girl at the drop of a hat. As it turns out, next year Isabelle’s boss (Steve Bacic) is going to take the whole human element out of labeling the children of the world and rely strictly on the algorithm. There will no longer be any excuses or human input. A now wiser Isabelle is so upset by this, that she quits and then decides to visit the top man, Santa Claus, along with Charlie and Jason to plead her case: No child is ever really naughty, they are just trying to find their way in the complicated adult world. No comment. But it all ends in a happy ending with a world free of coal, naughty lists, and children not being held accountable for their actions. I’m sorry, but this is a 5 in my book.

Rating: 5 out of 10.

Fourth Down and Love

Not quite a Touchdown, but at least a Field Goal

I did not hold high hopes for this one for a few reasons. First of all, there is the age thing, which probably bothers me more than it should for some reason. Ryan Paevey is 39 years old and it is absurd that he could credibly play a star wide receiver in the NFL. It is rare that wide receivers play much past age 30, and the youngest his character could be is 35. Secondly and sadly, I have not been much of a Pascale Hutton fan. She just always seems so placid and too mellow. I don’t watch When Calls the Heart, so maybe I would feel differently if I did.  Also, getting back to the age thing, she is 44 years old and is playing a character that must be at least 10 years younger.

But I was surprised. Ryan and Pascale were good together and totally believable as a couple, despite Erin, Pascale’s character, hitting the nurturing maternal thing pretty hard, and not only with her daughter. She really won me over with her comic timing delivering the humorous lines (“It’s a powerpoint. We’re doomed.”) and her skill with physical comedy as well. Her bee scene was a standout. The two actors seemed to play off each other very well and both seemed to be having a great time with this movie.

The plot was not much being the same old second chance romance of a former couple parted in their youth by a misunderstanding and lack of communication. It was made more tiresome because the lack of communication continued on and on until the end despite them becoming friends and then getting serious again. Briefly, Mike (Paevey) breaks multiple ribs in his first game after a long absence recovering from an ACL tear. Not surprising given his age. Sorry, not sorry. He goes home to recover and ends up helping his brother Jimmy by coaching the girls’ flag football team. Mike and Erin are reunited, she having mysteriously ghosted him after he was drafted by the Pros after college, breaking his heart. Her daughter has joined the girls’ team after being discounted and ignored trying to play on the boy’s team. The weakness of the plot was more than countered by the strong cast of characters. To single out just two, Kalyn Miles, Erin’s friend, and partner in their real estate firm was a standout, as was the always reliable Heather Doerksen as Danielle, Mike’s droll smart-mouthed sister-in-law who, along with her husband, immediately starts scheming to get the two reunited. The family dynamic adds a lot, as well as the adventures in coaching and the competition on the field as the girls go through the season and finally play the boys for the championship. I can’t help it: I love a good dose of girl power in my stories.

The strong cast was bolstered by some entertaining cameos: Ben Wilkinson as a sportscaster, and Kimberly Sustad appearing as a sideline reporter. Another favorite, Steve Bacic, played Mike’s quite dastardly agent who-spoiler alert!-gets satisfactorily fired at the end. I prefer him as a good guy, but he was well-cast.

It’s about time a football story was included in Hallmarks Fall lineup.

Rating: 7.5 out of 10.

Christmas With the Darlings

A Darling Family Story

**Spoilers**

I really liked this Hallmark movie when it first came out in 2020 but never reviewed it. With the Hallmark assembly line of new movies slowing to a crawl, I’m reaching back to some past favorites that I can re-watch without pain or boredom and review. Christmas with the Darlings focuses on family dynamics and the struggle of a younger son to escape from his irresponsible past and become a full-fledged contributor to his family and the family business.

An excellent script is bolstered by a great cast led by Katrina Law, Carlo Marks, and a personal favorite Steve Bacic. Steve (Charles) learns that his late middle brother’s three orphaned children can no longer stay with their relatives in Australia and their guardianship has fallen to him and his irresponsible youngest brother, Max. Unfortunately, he is leaving on a lengthy trip abroad for business so he sees no other alternative, given the flighty partying nature of little brother Max, to put them in a boarding school over Christmas. Fortunately, he has a long-time personal assistant in Katrina Law (Jess) who is not having it. She will soon be leaving her current role to be a lawyer in the corporation and convinces Charles to let her devote her last vacation to taking care of the kids for the Christmas season and showing the 3 orphans a good time. As Steve leaves the country, I reluctantly had to swallow that he was not the love interest. Boo Hoo. Oh well. Max steps up to the plate and Jess soon learns that there is more to Max the goofball than meets the eye. He has done a lot of maturing when no one was paying attention. The kids love both him and Jess. Max has always had a crush on Jess but thought he wasn’t good enough for her. (And he would have been right.) Now Jess is returning his feelings. When Charles comes home he has the opportunity to see Max’s hidden depths, especially since both he and Jess are responsible for wowing a potential client with their family-centric old-fashioned Christmas party instead of the sophisticated affair that he had originally planned. Unfortunately, Max has done too good a job at proving himself because Charles makes him the liaison of the Taiwan division which means he will be separated from Jess and the Children. (Don’t worry, (as if) he doesn’t get on the plane but still has a good future with the company and with Jess) This one could really use a sequel, unlike so many Hallmark sequels that should never have been.

I was initially disappointed that Steve Bacic was not the main man, but he really made the most of his role as the tough brother and boss, but who really wanted to do the right thing for the children. He was a good man as well as a great and successful businessman. His priorities were just temporarily out of whack. Carlo really won me over as the love interest. He conveyed his yearning for Jess, his love for the children, his regret at disappointing his family in the past, and the conflict of wanting to make his brother proud, but sadness of having to leave Jess and the kids. And the kids were great too. They each had their own personality(!).

It is worth noting that this was one of the first of the Hallmark Christmas offerings to include a gay romance, however secondary it was. Jess’s best friend Zoe, a shy surgeon, has a crush on a bartender, Kate, that we see is definitely returned. Not a lot is made of it but it is unapologetically there and very sweet. Later in this 2020 season, a gay couple is featured prominently as a main couple.  That movie incurred all kinds of wrath and bitterness (and happy support and praise.) This one was like, “Let’s put this one in there and get people used to it one step at a time. By the end of the season, they won’t even know what hit em’” Well, people did notice and many were not amused. Reviewing this halfway through 2022, I am proud of Hallmark. They deserve a lot of credit for doubling down on all kinds of diversity despite boycotts and even a rival “family-friendly” network starting up and wooing away some of their top stars. They have not backed down, and I even see by the previews that they are premiering a black-centric (is that a word?) series of movies called “Mahogany” this August on their Murders and Mysteries. So, “Yay,” Hallmark and “yay” Christmas in July.

Rating: 9 out of 10.

July 6, 2022

Love, Classified

All About Emilia (or Trudy or Jan)

**spoilers**

This one started off extremely well. The writing was intelligent, and Melora Hardin (A.k.a. Trudy Monk) delivered her lines with verve and vivacity. It was clear that this was going to be one of the Hallmark 2.0s that the network has been flirting with lately that eschews the usual fill in the template set-pieces and characters. Paul Campbell in a cameo appeared as a bartender who serves to introduce the main character, Emilia, played by Melora. So I was set to enjoy this. We later see an uncredited appearance by Ashley Williams and a welcome cameo by Michael Kevin Anderson. And Steve Bacic is a big favorite of mine as well.

Unfortunately, I couldn’t get past the mother, Emilia’s, past abandonment of her children after the death of her husband. Yes, people make “mistakes”. But a 5-year absence is not a “mistake,” it is a heartless, selfish, cowardly choice. And while I know that health crises do cause people to rethink the importance of family and old ties, I thought it was significant that she didn’t come back to see her children until she felt personally vulnerable. Apparently, when everything was going well, her children were not very high up on the priority list. And as for self-centeredness, her hurt daughter was a chip off the old block. She was very unlikable. I don’t fault her for her feelings towards her mother, but I didn’t like her childish acting out, especially towards her very faultless and innocent love interest, Her mother’s doctor. Her son, on the other hand, handled everything perfectly. He was cautious about his mother’s reappearance in his life but willing to give her a chance. When she (predictably) was set to run away again, he called her out on her propensity to run from trouble and conflict instead of sticking it out. I liked his anger.

As the movie went on, Melora Hardin’s performance started to grate on my nerves more and more. Her over-the-top emoting was just hammy. Her speech at her book signing was just cringe-inducing. The self-involved airing of all of her bad behavior and embracing her children’s successes was not an apology to her children, it was another “all about me” TMI performance. So, what promised to be a more sophisticated (lesbian romance front and center instead of a brief hint in the background) version of family-friendly fare, just fizzled, for me. Stars for the good things about it.**6 out of 10**

Rating: 6 out of 10.

April 24, 2022

All for Love

Romancing the Seal (Navy)

I thought I’d re-watch this one, because I usually really like Sara Rue, and the very sexy Steve Bacic has become one of my favorites. He is a very busy actor and occasionally stops in to do a Hallmark movie. I wish he’d do more. I thought I would be bumping this one up to an 8 after I saw it again, but no, it’s still a 7. The main reason was that Sara really got on my nerves. Both the actress and her character. The actress really overacted and over-did the “I’m so adorable and spunky” bit.

Jo is a romance novelist whose last novel was panned because she got so many details about firefighting wrong. She is in a slump because her novels have lacked authenticity. The current rough draft is about a Navy Seal, and it suffers from the same problem. Her editor, a wonderfully no-nonsense Teryl Rothery, sends her to Seal training school, run by her brother Colin, a former Seal. (Just go with it) Steve Bacic is perfectly cast as the ex-Navy Seal. And Sara Rue is as well as the soft and feminine Jo.

Jo’s wimpy behavior at the end when she jumped to conclusions about Colin still being hooked up with his ex was very irritating. I hate the “big misunderstanding” cliché which could be quickly resolved with a little honest communication. When she learned the truth, which had to stalk her and attack her and overpower her to be believed, she was still very namby pamby about going after him. She had to be coerced and implored by all and sundry to fix her stupidity.

This one had a lot of potential, and was still pretty cute, but Sara’s over-the-top performance and her character’s lack of gumption in the end really disappointed me.**7 out of 10**

Rating: 7 out of 10.

June 13, 2021

Nearlyweds

Stupid and Maddening

This Hallmark movie had no characters worth rooting for. All 3 of the husbands were class “A” stupid jerks. All of their better halves could have done so much better considering their beauty, overall niceness, and successful careers. But they still settled for their men with one (thank God) exception with a minimum of groveling on the men’s part. Naomi Judd (why do women who aspire to be actresses freeze their faces?) is a truly evil pervert and her husband, oops, son, is so in her thrall and so weak and naïve that words fail. She literally almost murders her daughter-in-law, a doctor, by the way, and all is forgiven after a not-very-believable apology. The solution to their little problem is that the couple pays her to move out of the house she should not have been occupying to begin with. Stupid girl #2 makes a fool out of herself longing for and stalking a husband who hires as his secretary his ex-high school sweetheart, “his first love,” he tells her, who tortured and bullied his new (very cute) wife when they were teenagers. And he has the gall to leave her when she dares to call him on it. Our heroine #3, actually does not take her psychotically controlling male chauvinist future wife abuser back, even though he begs her (quite satisfyingly). She would have been OK had it not been for her devotion to her very irritating dog, causing a modicum of sympathy for the husband. It is hard to enjoy a movie when 5 out of 6 protagonists are worthy of nothing but contempt. **3 stars out of 10**

Rating: 3 out of 10.

April 12, 2014