Merry Memories

No Glitter!

I loved Lindura’s performance in this movie. She plays Michaela, a very rigid hyper-organized, tightly wound control freak. She is, not surprisingly, an accountant, who is helping her brother take care of his 6-year-old son while his military wife is on deployment. Her idea of really letting loose and having fun is adding an explanation point or two to the notices she has designed for the office Christmas party she is in charge of.

When her nephew Danny’s class project is to make a scrapbook about his Christmas activities, he will need Michaela’s help and she is all in. But Danny is no dummy and knows his aunt too well. He knows that she will want him to keep things neat and organized within boxes and lines on the page. He likes his teacher’s idea that a scrapbook should be alive, colorful, and emotional rather than informational. He wants to give it to his Mom as a gift so she can feel what Christmas was like since she will not be home with him and his Dad. Trying to get into the spirit of things, Michaela watches a video about scrapbooking. Also she’s the type that wants to research and know the rules. The first thing she hears is that there is no one right way to make a scrapbook, and there are no rules. The scrapbooker shows examples of colorful, free form chaos on the pages with nary a line or a box in sight. Michaela knows she’s in trouble. Although loathe to ask for help under any circumstances, when Danny practically begs his handsome free-spirited teacher Bryan to help him and his aunt, she reluctantly agrees. Of course, as they make their way through Danny’s list of Christmas activities, Michaela and Bryan fall for each other. Needless to say, as she spends time with an unpredictable 6-year-old, and his easy-going teacher, she starts to loosen up and see the joy in being more free and easy.

Lindura manages to make a character that could have been annoying in the extreme actually sympathetic and likable. She loves Danny and never lets herself show the inner horror she feels at the notion of an unorganized scrapbook or an unplanned out day. She is always kind, patient, and cheerful. But the viewer sees behind the smiley facade. And the inner tension we can see she feels trying to keep her head from exploding is obvious and hilarious. When she watches helplessly as Danny starts slathering glue all over the scrapbook page and sprinkling pine needles all over it with abandon, her expression is priceless. “But what if we put the pine needles in an envelope and…O-o-o-kay,” she says as she weakly concedes defeat. She is learning. And it is not long before she lets her two giddy co-workers have a say in the office party organization as well.

There is not much of a plot to this one. It’s more slice of Christmas life with Michaela learning how to be more spontaneous and flexible with each Christmas activity and Bryan coming to realize that it might be time to give up his nomadic lifestyle (long story) and settle down. Although technically this checks the diversity box for Hallmark, it doesn’t really. Yes, the main characters are black, but white actors could very easily have taken their place. Actually it probably was written with white actors in mind. Or at least not written specifically for a black cast. You can always tell when a non-ethnic person is writing a role that seems ethnic on the surface. I guess some might say this interchangeability might be a good thing. But I’m not so sure.

Rating: 7 out of 10.

Much About Love

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Much Ado

About a Shrew

This one requires a complicated set up so I’ll get right to it. Bea (Ashley Williams) is a successful television director who has returned to her mother’s annual Shakespeare Festival to direct the last play staged for that summer, The Taming of the Shrew. Her mother tells her this is her last season heading the Festival which is the impetus for Bea (Bee-a) confessing that she has been wanting  to take over for her mother once she retired. They learn that not only does her contract to do that rest on whether her Taming of the Shrew turns out to be a critical and financial success, but that the continuation of the festival itself is at stake. Someone wants to buy it and the board is willing to sell it unless Bea can show she can successfully take over from her mother and insure its continued success.   Bea and company are not too worried because Bea is an experienced director and she has gotten a famous award winning television actress, Hannah Michaels, to play Kate. Hannah wants to boost her acting cred by doing Shakespeare on the stage and there has been a lot of publicity about it already. As for Bea’s love interest, to Bea’s dismay, the actor her mother has already hired to play Petruchio is well-known actor Benny Gersten (Niall Matter) with whom Bea had a romance 20 years ago while they were young actors playing Romeo and Juliet. Benny returns to the festival every year to recharge. It has been awhile since he and Bea have met but their relationship has always been rocky stemming not only from their break-up but their differing approaches to Shakespeare. They bicker a lot. Kind of like…well, you know. Before rehearsals begin, Benny tells Bea that he thinks it would be better for all concerned if he played a smaller role and let another actor, Clay, have the leading role. This seems to be because he can’t tolerate Bea’s non-traditional approach to Shakespeare but didn’t make a lot of sense. It did have the benefit of making the Kate/Petruchio pairing more age appropriate as Niall Matter is old enough to be Lindura’s (the actress playing Hannah/Kate’s) father. It also sets up the secondary romance between Clay and Hannah (Claudio and Hero).

I liked this one quite a lot. Hallmarks based on great works of literature always have a head start with me. And this features two of them! Niall Matter and Ashley Williams worked well together and their romantic pairing was believable and engaging. We get a lot of The Taming of the Shrew during Bea’s directing and rehearsals, and a bit of the contentious relationship between Kate and Petruchio is reflected in Benny and Bea. I appreciated that the modern troubles staging this play, which, after all, is based on domestic abuse, were addressed. Bea’s reading is not an unusual one, to get around the dilemma. As far as the play this movie is supposedly based on, Much Ado About Nothing, there are almost enough connections for it to be called a modern retelling. Barely. The names are similar (Bea/Beatrice and Benny/Benedict). Both couples relationship is contentious based on their history. Also, the company, recognizing that beneath their snarky banter, the two are actually a perfect match, trick them into believing that each are hiding romantic feelings for the other. This leads to a truce between the two which gives them room to develop a relationship. Also there was a masquerade ball. 

But I didn’t feel the connections between the Shakespeare play and this movie really shone through in this story. The tropes in “Much Ado” are now all too common and oft repeated. There were too many differences and it was kind of confused by the other Shakespeare play which was more a part of the story. Why couldn’t the play they were putting on be “Much Ado” and not “Taming”? There was too much other unrelated stuff going on, including Hannah’s surprising ineptness in her role. Though likable, she was kind of a flake. Was Hero a flake in the Shakespeare play? I’m afraid I don’t know. She is having trouble learning her lines and is more interested in flirting with Clay than focusing on the play. Bea is concerned because she sees her own experience playing Juliet to Benny’s Romeo 20 years prior. She had let her feelings for him override her focus on her role resulting in bad reviews which caused her to quit acting and focus on directing. And then we have the big crisis of Hannah quitting the play and running off when she finds out the whole future of the festival rests on her being a success as Kate. I mean, really? She is supposed to be a professional. The whole episode was dumb, including why she came back.  But despite the distractions, this was pretty entertaining thanks to the jam-packed plot and bright script. I should probably watch it again to look for more shout outs to “Much Ado.” I’m sure I must have missed some. I love the way “William Shakespeare” is credited as a writer of this movie on IMDb. The Bard can rest easy now.

Rating: 7.5 out of 10.

A Christmas Angel Match

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Winging It

There seems to be some mixed, mostly negative, (man, I thought I was a little sour sometimes) reviews for this one, but I really enjoyed it. Written by the lead actress, Meghan Ory, it had some cute lines, ideas, and “world building” as far as angel and heaven culture was concerned. I thought the sets and the costuming were terrific. 

Monica (Ory) is an experienced and award winning angel who has worked at the Department of Christmas Connection all her life. She is 587 years old and we are told that she was born an angel, so has never been human. She takes a thoughtful and serious approach to helping singles find true love during the Christmas season. She goes strictly by the Angel Handbook aka The Hark. But she’s been in a slump lately.  Young people these days are too distracted and busy on their phones to look up and make an in-person connection with one who might be their soulmate. She loses the Angel of the Year award to the new kid on the block (only 97 years old), Michael (Benjamin Ayers), who takes a “fun” approach to match making. Monica believes that a more serious well planned methods facilitate more meaningful long-lasting relationships. Michael may have put together more matches than her, but how solid are they once the Christmas magic wears off? The tidings are bad, not glad, when a mistake happens and they both are assigned the same couple to match and are forced to work together. There is a lot riding on this particular assignment. “Cloud Command” is not happy with the DCC’s performance lately and they may be forced to downsize and merge with the Valentine’s Day folks. And the office manager Gabriel does not get along with Cupid.

I like when there is a lot going on in a Hallmark romance. In addition to getting together the “tenderheart” (human) young couple, their grandparents are making a match of it, as well as, of course, Monica and Michael. Monica takes the lead at first. But the plan to have Patrick and Daisy bond over cute puppies goes awry as well as the tried and true “Brewed Awakening”, the old collision with coffee routine. They are both called on the carpet and Monica and Michael realize that they have to work as a team. Along with trying (unsuccessfully) to get Patrick and Daisy to connect throughout most of the movie, Michael makes it his mission to show Monica some human type fun and get her to loosen up. Neither Michael nor Monica are exactly likable at first “We are not arguing, You’re just wrong!” But I liked their journey. As they tick off all of the meet-cute tropes on the Hallmark checklist, (Christmas crafts, picking out a Christmas tree, snowball fight, hot chocolate, getting caught under the mistletoe, etc. etc.) the two angels slowly learn to work together and develop a friendship and mutual respect.  I still haven’t tired of the self aware humor that results when Hallmark makes fun of their own Christmas romances. And this movie was all about that-right down to the partially heard convo that results in a misunderstanding and temporary heartbreak.

There were some nice touches that added a little depth.  Along the way, we learn that  Monica has been matching Patrick’s family for generations which is one reason why this one is so important to her. At one point Michael finds Monica in church looking for divine intervention, she says. He thinks church is a good place for that. It wasn’t perfect. It started out repetitive and got a little draggy in the middle and although Daisy was adorable, I didn’t take to Patrick. Some of the acting was a little forced. Daisy’s best friend was a gay man who also gets matched up and he was too stereotypical and it had too much of a “Check that off the list” feel. As was the interracial aspect of Daisy and Patrick, I suppose. Hallmark really has a lot to balance, so I can’t be too hard on them. On the other hand, “Baby Steps” just doesn’t cut it anymore. All in all, I appreciated the fast paced dialogue and banter and the out of the box plot. I wonder what will happen next with Monica and Michael. A heavenly wedding and little baby angels?

Rating: 7.5 out of 10.