She’s Making a List

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Coal-Worthy

It’s not that I didn’t understand this movie, it’s that so many little things did not make sense. And it was boring. I really had high hopes for it. The premise was cute and different, and it starred two of Hallmark’s biggest and most popular stars: Lacey Chabert and Andrew Walker. I would have thought they would have given them a better script. And I don’t know much about direction, I just know when it’s good, but things were said or implied that I didn’t see on screen. Then at the end, the plot just went off into La-La Land, and by that I don’t mean Los Angeles.

In a nut shell, here is the plot. The naughty or nice list is real. But Santa’s elves have long since been relieved of the huge responsibility of deciding whether the children of the world get presents or coal in their stockings. That  job has been sourced to Naughty or Nice, Inc. who uses modern technology and algorithms to separate the good, the bad, and the in-between. They have a huge fancy office building in a big city so the whole company and its mission is right out there on Front Street. The algorithm is adequate for most kids, but some kids are on the line between naughty and nice. And that is where the human inspectors come in. Isabel (Chabert) is one of the best and up for a big promotion. The inspectors are dispersed throughout the Santa Claus believing world assigned to take a closer in-person look at the actions and behavior of these fence-straddling kids. They are armed with a huge guide book detailing, among other things, the rules of engagement in order to make the final determination of coal or presents for Christmas. And no one knows the rule book better or follows it more closely than Isabel. Sounds cute, right? And I am the last person to turn my nose up at a little whimsey. The production values were good, there were some clever and cute lines and concepts, and Lacey Chabert and Andrew Walker are always competent at the very least. But it ended up in a muddle that could have been done much better. And easily fixed.

The first case has Isabel scrutinizing two little boys playing with a ball. One dares the other to throw the ball as high as he can and when he does it breaks a car tail light when it lands (somehow?). It was just an accident, but the one kid runs away and the other struggles with his conscience and then runs away. Lacey writes down “Mischief, Destruction, and Evasion”. Both the boys are judged “Naughty.” Case Closed. No presents. One of the messages this movie seems to be trying to convey is about digging deeper past the surface actions before putting a label on a child. Wouldn’t it have been more effective if the kid would have changed his mind and taken responsibility for his actions but after Lacey had left the scene of the crime? Or some other extenuating circumstances?

The next case is a boy named Teddy who is apparently planting seedlings (In December?) with his classmates. He sprays bleach on everyone’s plants except his own! Why? Were they in some kind of plant competition? Why would a kid be so malicious? It’s never made clear. Isabel’s assistant thinks that he meant to spray fertilizer, not bleach. But if that’s true, why would he not fertilize his own plant? Isobel later claims it was the only bottle of bleach in a row of fertilizer bottles so it must have been a mistake. Which is clearly what the viewer is supposed to believe. But the frame showing the bottles clearly shows that is not true.  And why would bottles of bleach be right next to fertilizer in a children’s garden in the first place? And he was definitely acting guilty and sneaky. Making mountains out of mole hills? Maybe. But it was disengaging and distracting for no reason. Nothing about it made sense. If he was spraying bleach on innocent little baby plants that is more than just mischievous, it is very concerning behavior. The lesson of not jumping to conclusions about kids’ motivations was confused and murky.

Those two cases are just prologue to Isabel’s main case of Charlie, played by Cadence Compton, who was fantastic. 11-year-old Charlie is an amateur magician we first see making a little kid’s $20 bill “disappear.” Basically she steals it from him. And the other older kids are so impressed that they start waving their money at her so she can make all their money “disappear” too. What the Hell. As far as we see, she never gives them their money back, and the kids never report her to the authorities either. Again what would have served the moral of the story was her giving their money back when judgmental Isabelle wasn’t looking. Or maybe using the money to buy a warm coat for a homeless kid, or do some other good deed. No, what she did was more than just “naughty.” She does other bad stuff too. But since Isabel is now dating her handsome father Jason (very much against the rules but she couldn’t care less all of a sudden), she starts looking to make an exception for Charlie and protect her from getting coal instead of presents. Because you see, Charlie’s mother died last year, so all is forgiven and excused. Plus she picks up litter. We find out later that when she did get coal for Christmas last year, her Dad secretly replaced it with real presents anyway. I’m like, “Maybe a little coal in her stocking would have done her a lot of good!” Isabel is breaking all the rules when it comes to this one girl because of her crush on Charlie’s father. It just wasn’t right or fair to all the other gray-area kids. Not that Charlie was actually that “gray area” in my opinion. But let’s just overlook Isabel’s shady behavior. I mean it’s Lacey Chabert after all.

I won’t go on with other examples of badly presented and mixed messages, but trust me. Isabel gets closer to Jason, finds out she has been doing more harm than good in putting kids on the “Naughty List,” and Charlie is miraculously transformed from bad girl to good girl at the drop of a hat. As it turns out, next year Isabelle’s boss (Steve Bacic) is going to take the whole human element out of labeling the children of the world and rely strictly on the algorithm. There will no longer be any excuses or human input. A now wiser Isabelle is so upset by this, that she quits and then decides to visit the top man, Santa Claus, along with Charlie and Jason to plead her case: No child is ever really naughty, they are just trying to find their way in the complicated adult world. No comment. But it all ends in a happy ending with a world free of coal, naughty lists, and children not being held accountable for their actions. I’m sorry, but this is a 5 in my book.

Rating: 5 out of 10.

Sealed with a List

Twas’ the List Before Christmas

This is the third movie Hallmark has cast Evan Roderick in and I wish they would just stop. Bear with me. It’s not him as an actor I have an objection to, but they persist in casting him as the romantic interest of leading ladies who are at least 5 years older than him. And that would be OK if he had an older more mature vibe, which he does not. He could easily pass for a college student or even younger. And to add to the problem I have with his casting, in 2 out of the 3 Hallmarks I’ve seen him in, he has played immature brats. I saw his two movies previous to this one but only remember one of them so I can’t speak for what kind of guy he was in the middle one. So, to me, the chemistry is off between the leads. In this one, Katie Findlay is such a presence as an actor and plays such a charming and admirable character, that I couldn’t understand what she saw in him. She deserved better. Evan Roderick was very suited to play Wyatt, the spoiled rich-kid nepo baby, and he conveyed all of the sorry characteristics that that label implies to a T. Unfortunately, he did such a good job that I never did take to him even after he started to reform and act like a big boy.

It’s Christmas and Katie Findlay plays Carley, who is a valued employee at her job because she is reliable, responsible, and hard-working. Her work ethic stems from the fact that her father left her and her mother when she was a young girl, and her mother had to work 3 jobs to support them and put her through college. She feels she cannot let her mother down after all of her sacrifices. She is such a shining star at work that the head of the company taps her to train his son to be her boss. The very position she has legitimately earned for herself. She is spurred to change the trajectory of her life. When she gets home she makes a list of New Year’s resolutions with the help of her best friend who lives the full exciting life she has always dreamed of. We fast forward to the next year at the same time. Her friend is coming home from Italy for Christmas and Carley has made no progress on her list, and she is embarrassed about that. The first thing on her list is to quit her boring job and pursue her dream of being a dress designer.

At work, she has put up with Wyatt’s lazy entitled ways but with a month to go in the year, the last straw has finally broken the camel’s back. Due to not doing his job, they are about to lose the business of a huge client. He is about to own up to it but Carley unexpectedly takes the fall for him. “Why?” you may ask. Good question. She does it so she will get fired because she can’t bear to quit, due to the way she was raised. (I guess?) And that happens, even though everyone knows the screw-up is not her fault. As a result, in disgust with his son, Wyatt’s Dad cuts off his trust fund money and he only has what he earns in his position at his firm. And if he doesn’t change his ways, the tap will be cut off permanently. Carley, determined to fulfill all of the resolutions on her list before her friend comes home, enlists Wyatt’s help to do so, and in return, she will help him grow up and be self-sufficient. Why she would ask him of all people for help keeping her focused on working through the list is quite the mystery. Unless by “Say Yes to Adventure” she meant “Party Party Party”, that is.

However, it eventually works out, and, bonus, Wyatt and Carley fall in love. By the end of the movie, she has gotten out of her safe and secure rut and started opening her life up to her dreams and new possibilities. She has reached an understanding with her mother who only sacrificed so that Carly could lead the life she was always meant to lead, which was not to be stuck in a dead-end job. Wyatt does grow up and proves himself at his father’s firm, becoming independent by getting his own modest place, and becoming an upstanding citizen in all respects.

Despite some choices that did not make sense, this was still an above-average movie for Hallmark. Katie Findlay is a joy and the script was good with some cute situations and dialogue. There were some touching moments as well with Carley’s Mom and Wyatt’s Dad. Wyatt was provided an excuse for his behavior (however lame I thought it was) and managed to redeem himself at the end.  Next time, if there is a next time, I hope Evan Roderick can score a role in a Hallmark movie in which he is a good man all the way through. As for Katie Findlay, can we go back to a hero who is worthy of her like in the first movie I saw her in?

Rating: 7 out of 10.

Serving Up the Holidays

Indigestible

A restaurant-owning chef whose sales are flagging a bit after a strong debut is sent on a retreat for amateur foodies and chefs by her partner to recharge and find inspiration. This is a Christmas movie, so the main reason for her struggles is Christmas related. She is a daughter of a renowned Chef whose restaurant was always open at Christmas, and because her parents were so busy during the season and always working on Christmas Day, she never got the warm fuzzies for the season. She refuses to institute a comfy simple nostalgic Christmas menu and insists on sticking with her uber-sophisticated artistic creations that we are told are not in demand during the Christmas season. She gives in when she and her partner learn that their main investor is about to pull out due to a lack of Christmas buzz. She arrives at the mountain retreat and learns to her consternation that the class is being taught by her old Cordon Bleu rival and frenemy, James, the love interest.

 I liked the looks of the actress who played chef Scarlett. I think she had a certain edge to her delivery as well. However, the character was written as an arrogant and rude brat. A legend in her own mind. She is contemptuous of her fellow classmates because they are just beginners. She isn’t outwardly unkind to them, but with her body language and cold eyes, you can just feel her disdain for the situation she finds herself in. She rudely doodles on her notebook and conspicuously ignores the chef/teacher while he is trying to lead the class. She contradicts him. When tasked with coming up with ideas for gingerbread that isn’t a gingerbread man, she comes up with designs like a ship in a bottle that are clearly, if not impossible to realize, certainly beyond the scope of the class. She was thoroughly unlikeable and behaved badly throughout most of the show. The character needed an actress who could balance some of the bad traits with some warmth and vulnerability, not enhance them.

Of course, she softens later and learns a thing or two from Chef James and her mother who is also a respected chef but also unpretentious and a breath of fresh air. But by that time, her character is so firmly established that I just didn’t buy the transformation. The hero was a peach and she was a pill, so the romance just didn’t work for me either. He was too soft for her and on her. What she needed was a thorough comeuppance. And she didn’t get it.

Rating: 5.5 out of 10.

A Royal Runaway Romance

” So You Went and Fell in Love with a Princess.”

A royal on a road trip. What could go wrong? This one was ripe for every cliche in the book being a mash-up of two popular Hallmark tropes. But it was actually pretty good. Yes, we had a festival, S’mores at the fireside, save the Bed-and-Breakfast, and a ranch family reconciliation, but thanks to excellent rapport and chemistry between the two lead characters it was slightly above average for me.

The Princess of Bundleberry? Burberry? (obviously not an eastern or southern European  country because it doesn’t end in “ia”) falls for the Chicago, America artist who is painting her portrait. When he goes back home, she schemes to follow him by visiting her Uncle in California. Once in California, her passport is confiscated (S.O.P. for royals in case they want to fly the coop) and she is forced to drive instead of fly to Chicago where the supremely barely interested artist is having a showing. Meanwhile, she is assigned a bodyguard/watchdog. Her Uncle sympathizes with her predicament and gives her his blessing to follow her heart, as he once did, and hires the reluctant (he’s about to go on vacation) bodyguard to drive her across the American west to Chicago (in a gorgeous vintage Mustang) to see if there is a future with this artist fellow. Of course,  the alert viewer understands that there is no chance of this thanks to many clues.

A couple of things pulled this out of the mire. First, the princess, played by newcomer Philippa Northeast, who started out stiff and boring, really opened up once she started experiencing “typical” American culture. Her enthusiasm and embrace of diners, food, festivals, salt of the earth Americans, and the beautiful expanse of the United States was very endearing. The romance going on between her and the bodyguard was well constructed. In addition to the fun they have along the way, they also have a few serious conversations that contribute to their friendship and understanding. He always maintains his professionalism despite being friendly and nice so there was a slow burn thing going on. There is the anticipation of her reunion with the artist and what’s going to happen. We know he was just casually flirting with her in Buttleberry and he is more involved with his career than with a relationship with her. His cavalier treatment was a stretch since he probably owed his current popularity to painting her portrait, she is beautiful and nice, and he is single. We know he is not gay, because that role is filled by the understanding Uncle. Yet he disses her every step of the way, not even returning her calls.  You gotta kind of admire his chutzpah, actually.

I need not say more about how this all plays out except to say it is a much better ending than Roman Holiday.

Rating: 7 out of 10.

April 14, 2022

Second Chance at Love

God and Family First.

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Gloria Rubin and Eric LaSalle play Brenda and Jack, the divorced parents of happily married Alicia. We learn from Alicia’s voice-over in the beginning that when her family put God and family first, they were happy. But when her two parents started getting too involved in their careers, they grew apart and when she was twelve they divorced and virtually ceased contact with each other.

As the title and the trailers suggest, this is about the parents finding each other once again after many years apart. But it is also about Alicia’s and her husband Arnold’s marriage as well. While at first their marriage seems solid we see fairly quickly that there are subtle cracks. Arnold is way too flattered when a pretty girl smiles at him. Alicia is way too involved in her parents’ lives, to the point that Arnold feels like he is losing his wife and the intimacy of their relationship. The father dates quite a lot, but when things get serious, he breaks up with them. The mother has no interest in dating, insisting she is fulfilled by her career, NOT LONELY, and is happy on her own. Except she is not on her own. Whenever she feels at loose ends, she goes over to Alicia and Arnold’s house or calls Alicia on the phone. Alicia sees what is happening but can’t and won’t distance herself from her mother. She is very conflicted. When she wants time alone with her husband she does not appreciate her mother’s presence. But when her mother does not have time for her, she is not happy with that either. She keeps saying the right things but keeps doing very foolish things, pushing her loving husband to the limit. Brenda finally wakes up to her pattern of behavior thanks to her own mother who leads a very active social life (the wonderful BJ Harrison) and agrees to “get back out there.” Brenda and Jack, using the same dating app, accidentally meet on a blind date with each other.

This is a movie that deals with challenging relationship problems between couples in love and between parents and children. It is about the impact of divorce. Not everything is black and white with easy solutions. There is a lot of conversation and many one step forward, two steps back situations with both couples. Although both couples have their happy endings, it does not come easily until the end when the carefully constructed challenges and problems collapse into a pile of mush. But before that, this is a Hallmark that is very (very) unusual. It is well-written and well-acted.

Criticism of Hallmark reached a crescendo this last Christmas. Great exception was taken by some to ignoring God and religion (Christianity) in Christmas movies. In one movie, the carolers La-la-la-ed their way through a Christmas carol about Jesus, which was, indeed, ridiculous. This sense of betrayal is also all mixed up with Hallmark featuring mixed-race couples and Gay couples. I hope the disaffected take note of this one. Although not preachy at all or overtly religious, it is not shy about the role of the church and the importance of putting God and family first in life. No, it’s not the only way to lead a good fulfilling life or to have a successful happy relationship. But it is one way. And this movie is an affirmation of that path.

Rating: 9 out of 10.

March 27, 2022

Christmas in Evergreen: Letters to Santa

Take a Chill Pill, Jill

**Spoilers**

Jill Wagner is usually very natural and believable in whatever type of role she takes on. She is always a beacon of maturity and balance. Not so much in this one. She was a bit over-caffeinated and somewhat exhausting. Could it be the influence of being in holly jolly Evergreen?

Lisa, a big city real estate stager decides to briefly go home to Evergreen, the Christmas capital of the world, or at least of Hallmarkland. She is disappointed to see Daisy’s Country Store out of business and up for sale and learns that the VIP citizens of the town are scared that a big conglomerate will buy it and put up a McDonald’s or something in the middle of their picturesque little Christmas village. Haven’t they ever heard of Zoning laws? And how to use them? Lisa decides to stage the store to make it a more attractive investment for someone who will keep it the way it was. And presumably, everyone else who won’t as well? She hires handsome Kevin, a famous contractor, who is visiting his morose Dad in Evergreen to help. They transform the dilapidated store, but the prospective buyers fall through. Eventually, she gets her and Oliver, her business partner and BFF’s number one client, Polly, to visit and hopefully buy the store. Polly OOhs and AAhs but doesn’t bite and wants Oliver and Lisa to work for her exclusively. They are thrilled at the opportunity. Kevin hears about it and decides to leave town. Also, Kevin, who doesn’t realize Oliver is gay, thinks Lisa and Oliver are “together.” Of course, Oliver’s sexual orientation is not stated because it is way back in 2018 before Gay people existed in Hallmarkland. But when Lisa falls in a snowbank laughing hysterically (HAHAHAHAHAHAHAHAHA!!!! NONONONONONONONO!!!! HAHAHAHAHAHAHA!!!!!!) at the prospect of her and Oliver hooking up, we get the idea.

Anyway, Lisa and Kevin reconcile and Lisa buys the store herself. Christmas miracles abound but not without the help of the magic snow globe (see movie #1) a mysterious key to something or other, and a 25-year-old letter to Santa that went astray and didn’t make it to the North Pole.

Rating: 6 out of 10.

December 10, 2021

The Christmas Contest

I Did Not See it Coming

**spoilers**

This movie was a solid 7 until the inevitable emotional crisis of Lara (Candace) at the end which bumped in up to an almost 8, rounded up. This was shaping up as a light and fluffy typical Hallmark plot of 2 exes who begin to rekindle their relationship when they are reluctantly thrown together years after a painful breakup. They are both finalists in a contest over which one can be the most Christmassy. The winner gets $50,000 for the charity of their choice. It involves such things as trivia, baking, singing and dancing, and Christmas tree decorating all of which provide plenty of opportunity for some great physical comedy as well as some witty snarky dialogue.

Candace’s excellent comedic talents are on display throughout. John Brotherton as Ben overacts to the point of obnoxiousness, but at least we know his character is a good guy underneath the immature surface. There were some entertaining subplots involving his relationship with a lonely 12-year-old boy, and his mother coming out of her shell. Lara’s mother’s barely concealed antipathy to Ben was very entertaining as well. Everything was pretty funny as Ben and Lara, along with their hand-picked teams try to outdo each other in their quest for the prize. I definitely chuckled. Things are looking up for their relationship as well until Ben breaks Lara’s heart once again. The swift and unexpected turn from comedy to drama was head swiveling. It’s not just a bump in the road as is usual in these things. Candace’s despair and anguish over her disappointment was one of the best pieces of acting in a Hallmark movie I’ve seen. She was heartbreaking. And then, just as we thought we were done with the dramatic developments, it exposes a dark side to her relationship with her mother, beautifully played by the apparently ageless Barbara Niven. Throughout the movie, Lara’s mother seemed to have an ideal relationship with her daughter: loving, supportive, and fun. Almost sisterly, but in a good way. I truly did not see the blowup coming.

Candace’s relationships with her mother and her ex are, of course, repaired by the end. They all vow to change. Even Candace, who all the while had come across as a really together person with her life on the right track. It was a thoughtful and unexpected way to get to the happy ending and with a good message to boot.

Rating: 8 out of 10.

December 1, 2021

Jingle Bell Bride

Above Average

Pretty good. Julie Gonzalo was charming and funny and I liked that they incorporated her Latina heritage into the character. I usually appreciate it when there is more going on than just the love story, and this one brought in her professional life and challenges. I like the tension with her coworker trying to steal her client when she got stuck in Alaska. A Sweet love story and I was actually a little moved at one point.

Rating: 7 out of 10.

November 2, 2020

The Mechanics of Love

Dude, Run for the Hills!

I’m used to dumb stuff to choose to overlook when I am looking at Hallmark or Hallmark-style movies. But this one takes the cake for the most petulant, stupidest, most incompetent bride ever. With about a week to go before her wedding, Emily Tennant plays the bride who hasn’t done her seating arrangements, hired a caterer, purchased flowers, decided on a cake, or chosen her colors yet. All she does is sit around and whine about how her wedding is “out of control” as far as complications, guest list, and expense. All things she has complete control over. Oh, and she’s an artist, so it’s not like she has an inflexible 48-hour-a-week time-suck of a career.

She viciously turns on her sweet fiance who had the utter gall to give her a fun jokey gift of muffin tins for a surprise extra gift for getting their marriage license. She sulks for days over this and almost cancels the wedding. She is petulant and unreasonable over everything. She selfishly and thoughtlessly disappears on her wedding day throwing her family and her fiance into a panic just so she can sulk some more.

Luckily, the engaged couple was not the main couple. The main lead, her sister, Shenae Grimes, arrives to save the day and while she is back home, dump her bad boyfriend, quit her engineering career as the head of design to become an auto-mechanic, and find a new boyfriend. Tyler Hines is as reliable and attractive as the new guy who has loved her since middle school.

The only thing I loved about this disaster was the bride’s headdress which was gorgeous and very unusual. Yes, unfortunately for the groom, the wedding took place.

Rating: 4 out of 10.

June 28, 2020

Road to Christmas

Some Special Touches

Very pleasant. Nothing super special, but nothing to make you want to throw your remote at the TV set either. The acting was definitely above average by Jessy and Chad Michael Murray. I like the actress who played the mother, Teryl Rothery. She is in many Hallmark films and is always very reliable. I liked the plot with the three adopted Brothers finally reunited as a surprise for Christmas. It added an emotional depth that’s been missing in many of these Hallmark Christmas stories. I love the graphics that show the journeys of the two protagonists! One normally does not see such creativity and cuteness in a Hallmark movie. It took me by surprise.

One final comment that I hope isn’t too mean but just needs to be said. Jessy Schram has lost way too much weight and looks a good bit worse for wear. If she’s been sick I hope she gets better soon because she really is a top-notch Hallmark actress.**7 out of 10 stars**

Rating: 7 out of 10.

November 7, 2018