Merry and Bright

Candy Canes Incorporated

I came upon this older Hallmark Christmas movie by chance a couple of minutes in and up popped Andrew Walker and in walked Jodie Sweetin. I looked it up and not only had I not reviewed this, I had not even seen it. Since I am not reviewing GAC or GAF or whatever they are calling themselves these days anymore, I had caught up with all the movies I had on my DVR.  As I have mentioned, while Jodie has not always been a favorite, she has grown on me in the last 2 years. Her acting and looks always give a down-to-earth relatable aspect to the characters she plays. And she has a killer smile. Andrew is always good, and with the right partner, he can be great. I came in at the “meet cute”. Jodie’s mother (the talented and award-winning Sharon Lawrence) is always trying to fix her up, and Jodie thinks Andrew is a prospective date sent by her mother rather than an important business associate. The misunderstanding results in some pretty amusing back and forth.

Jodie has taken over her grandmother’s candy cane business after her death. It is the family legacy and it is struggling. How successful can a business be with a product you can only sell for 4 or 5 months a year? She knows what she is doing as she has an MBA and gave up a good career in California to take over. The investors or the board of Merry and Bright, the name of the company, have called in a consultant (Andrew Walker) to figure out how to generate more profit for the business. He is Christmas and small-town averse and doesn’t want to be there as much as Jodie doesn’t want him there. They butt heads as Jodie wants to do things her way. This could have been a lot more frustrating than it was, but luckily Jodie is a smart businesswoman and already knows they have to expand their product line.

**Spoiler**

As Andrew and Jodie work together they soon begin to like and respect each other. Can romance be far behind? That was a rhetorical question. Meanwhile, Sharon has a nice, funny, but heartwarming storyline. I can see why she took this part. She is not a dog person, but a dog at a shelter has caught Jodie’s eye, and Mom reluctantly adopts it for Jodie a week before Christmas as a surprise. Her antics in trying to hide it but not having the heart to leave it alone in the house is cute and sweet. Adorable dogs always elevate a Hallmark movie or any movie, for that matter. Unless the dog is in danger. The final solution to the business problem is clever and sensible. And Jodie lets her Mom keep the dog when she sees how attached they have grown to each other.

This perfectly enjoyable story is capped off by a nice epilogue where we see the renewed success of the business and Andrew getting down on one knee to propose marriage. That is an increasingly rare conclusion to the romance end of these shows these days, and it was refreshing. Also, rarer than that, and also very refreshing, was a business owner who was smart and savvy.

Rating: 7 out of 10.

Christmas at the Golden Dragon

The More the Merrier

This is a delightful interconnected multi-story movie with an ensemble cast along the lines of Love, Actually, and the Garry Marshall helmed holiday-based productions. The casting and the acting were impeccable. The stories center around a popular Chinese Restaurant whose owners are retiring and will permanently be closing its doors on Christmas Eve. Each story is an engaging little gem and they all come together in a well-organized and balanced way. All of them are wrapped up like a neat little Christmas gift, but leave us wanting more.

First, we meet a lonely widow, played by the classy Barbara Niven, whose CEO daughter, Sara Canning, is frustrated with her for her inability to move on from her husband’s death. They do not remember their late husband and father in the same way at all. At the restaurant, she runs into an employee of her corporation she is friendly with, a divorced father (Antonio Cupo, Wow!) of two girls. He is struggling with how to parent his girls as a single father. Next, we meet the weak son of the owners. He flunked out of college, is quite lost, and with the restaurant closing, his future is up in the air. He is secretly a talented chef but is discounted and dominated by his traditional father. Will he find a backbone with the help of an old friend and classmate? Working as the restaurant delivery boy is a hard-working, kind, and caring young Hispanic who has been accepted at several prestigious universities but can’t afford to go without a scholarship. He is afraid of his father’s reaction if he tells him about his college aspirations. Finally, we have the daughter of the family who has never experienced a traditional American Christmas because she has always worked at her family’s restaurant on Christmas Day. This one provides most of the humor. She is finally free to leave and visit her non-Chinese boyfriend’s family for a “real” Christmas, which, to her confusion and disappointment, turns out to be nothing but a fantasy. It’s actually pretty funny thanks to the lovely boyfriend and his patient family.

I liked that almost all of the characters start out with some unlikeable qualities. Their relationships with each other with the restaurant serving as the foundation serve up much-needed personal growth, shaking up, and change for the better. As they all come together to keep The Golden Dragon open through one more Christmas Day, we see sadness and frustration left behind and reason for hope and optimism in the future. And just maybe a few promising romances on the horizon.

Rating: 8 out of 9.

A Kismet Christmas

Kismet Kookies

Anyone who looks at Hallmark movies or their copycats to any great degree gets used to questionable plot points, plot holes, and many opportunities to suspend disbelief. But this one had more than the usual problems you just have to ignore and move past. Going in, I was hopeful and curious to see Sarah Ramos, because I remember her as Lauren Graham’s daughter on Parenthood. Carlo Marks usually gives a likable performance.

Sarah is a prominent children’s author who has to return to her hometown to reward the winner of a contest promoting her new book. Of course, as is required of fictional Hallmark authors, she is suffering from writer’s block and is having trouble finishing it.  It turns out the little winner is the daughter of Travis the boy next door she had a teenage crush on and had been avoiding for over 10 years. After humiliating herself by bursting into his wedding and declaring her love, she has never returned home because of the bad memories. Yeah, it was pretty embarrassing. But why did Travis even answer the door in the middle of his vows? Was this lout raised by wolves? And how did Sarah not know her friend and next-door neighbor was getting married?

Here’s the second problem. Her beloved grandmother Mia (Marilu Henner) still lives in the house across the street. Are they telling me Sarah never visited Grandma Mia when she is supposed to be so devoted to her? 10 years of phone calls, emails, and Hallmark Cards, I guess.

She meets Travis because he lives in his parents’ old house now and gets to know his little girl,(who hugs everyone all the time. I’ve never seen such a huggy little girl) and a rekindled romance ensues. But where is the wife? Is she dead? Divorced? On vacation? I was expecting her to pop up any minute. We find out after a great deal of flirting has been going on that they are divorced and she travels with her band a lot. Whew!

And why did Grammy stop making the beloved Christmas cookies again? She taped up the recipe after Sarah ripped it up. Sarah finds it hidden away behind a wall, and she goes ahead and whips up a batch of 12 cookies. These cookies have been missed greatly by the community because they have the magical power of revealing your true love in a dream. (this is what got Sarah into all that trouble)  Yet, we are told there was a line out the door for them. How could there have been “a line out the door” for  12 cookies, especially when at least 4 were already given away?

As usual, there was an unnecessary conflict at the end which was more fake than usual and made no sense. She runs away when Travis suggests that she stay in New Britain to explore their relationship and buy Grammy’s house. Why? After she has a convo with Benny, her agent, in which nothing she didn’t already know is imparted, she changes her mind. She also realizes that the cookies really are magic because she and Travis now love each other as adults and, Yay! He is now single.

Rating: 5 out of 10.

October 27, 2022

Catering Christmas

Very Pleasant

This was a very nice romance. I liked the dynamic between Molly (the caterer hired for the biggest event held in the small town) and Carson ( the leading citizen’s nephew put in charge of this charity gala). Molly is just starting her business which has been her dream since childhood. The name of her catering business is called “Molly’s Menu Magic” which I mention because that is a very silly name. It sounds like it was named by a 4-year-old and doesn’t exactly convey sophistication and expertise.  What was she thinking? Carson is an internationally famous and successful event photographer who is home for Christmas and is helping his Aunt, who hopes that he will take charge of the family foundation when she retires. Carson is smitten by Molly right away, but she rightly is not interested in getting involved with a guy who travels the world 11 months of the year. She wants to concentrate on building her business.

Influenced by Carson’s recommendation, Aunt Jean hires Molly even though she is not as experienced as the most prominent caterer in town. The rest of the movie is Carson trying to get close to Molly and worm his way into her affections. Molly likes him and nicely doesn’t avoid him (she can’t-he is basically her temporary boss) but she is cautious and professional at all times. Daniel’s pursuit of Molly might have come across as a little inappropriate and stalker-ish given the power dynamic, but thanks to Merritt Patterson and Daniel Lissing’s portrayals, it does not. He comes across as very nice, a little vulnerable, and trying to be helpful, and Merritt is very together and has the situation well in hand.  It creates some welcome romantic tension.

One thing I really liked about this was that we don’t have any of the usual catering disasters that threaten the heroine’s future livelihood.  Everything goes smoothly thanks to Molly’s skills and talent. There is a crisis, but it has nothing to do with her and she solves it for them. Molly and Carson get closer against her better judgment and the plot is kept moving by Molly trying to duplicate a lost fudge recipe beloved by Aunt Jean, a cute turn by an as-yet uncredited actress as Molly’s young assistant, and Carson’s growing appreciation of the mission of his family’s foundation (thanks to Molly.) We also have a sweet secondary romance for Aunt Jean. The romantic crisis comes when Carson’s beautiful agent shows up right before the Gala to whisk him away for a fashion show in Berlin confirming Molly’s worse fears. All is resolved with Daniel trading in his glamorous career for a more fulfilling one, and Molly’s business really taking off. Also, I think Daniel and Molly just might make a go of their relationship!

Rating: 4 out of 5.

**This will be my last review of any movie showing on GAC. It has been brought home to me just how pernicious this network is behind its soft words. I was not aware of how closely affiliated the ownership group is to our former president and the PACs that fund and support him and his agenda. I suspect that they may have even been connected to the dark money that funded the January 6th insurrection.**

Pumpkin Everything

If You Like Pumpkins, You will Love This One. If You don’t, Avoid at All Costs.

Going by the title and the description of the plot, I didn’t hold too much hope for this one, and I was right. This is just your standard Hallmark placeholder with emphasis on the season and the atmosphere, and little emphasis on making a real effort with a good story and script. There was no depth or complexity to this one at all and it is careful not to step outside the box in any way.  There was little humor, other than seeing some of the townspeople pretend to struggle to lift heavy pumpkins which were obviously very fake, very plastic, and as light as feathers.

Taylor Cole, who I didn’t recognize at first, plays Amy, a very successful best-selling author who has just finished the third in her vampire series. Ahem. She comes home right when she is to start her national publicity tour to help her mom take care of  Gramps, played by Michael Ironside who is also unrecognizable. He just drove his truck into the local coffee shop and ended up with a sprained wrist. He is a real piece of work, this one. He has spent the last 15 years or so pouting and sulking that Amy pursued her dream of being a writer instead of taking over his pumpkin store. He even backed out of paying for her college because of it. Jerk.

Despite Amy’s laudably kind and patient efforts, he obstinately remains semi-estranged from her. Add to this, he keeps having accidents because he won’t acknowledge that he is too old and delusional as to his capabilities to live alone safely. He selfishly won’t go into the retirement community which would give his daughter and granddaughter some piece of mind. And he can’t afford it anyway without selling his home and his pumpkin store. Amy’s old boyfriend, a recovering alcoholic and former delinquent (his mother died) is helping him with the store and is doing a great job.

I was just waiting for Amy to cancel her much sought-after promotional appearance on a national morning show to cater to the old coot, but that didn’t happen. If it had I would have turned this half-hearted effort off in disgust.  She was actually quite firm with him and confronted him with some home truths a couple of times. So that was good. The other bright spots were the underused Amy Groening who played Amy’s agent and the actress who played Amy’s mother. She has a little romance of her own when she charges in to confront the owner of the coffee shop who is rightly planning to sue Grandpa for demolishing his store and ends up falling for him like a ton of bricks. Also noteworthy was a super hip female resident of the retirement community who connects with Grandpa over their love of jazz.  She was a star. Of course, it all works out in the end, but not without Grandpa falling off a chair end ending up in the hospital (again).  This knocks some sense into him, literally, and he finally agrees to join the retirement community. It is not explained how he is going to afford it though because he basically gives his store to Corey Sevier instead of selling it for mucho dinero. I guess poor Taylor will have to ante up with her book proceeds. Luckily, it looks like she can afford it. I’m guessing the irony of this will be lost on Grandpa.

Rating: 2.5 out of 5.

October 10, 2022

Groundswell

Wetsuits and cover-ups.

Lacey Chabert plays a sous chef who dreams of running her own restaurant. Her “boyfriend” is a famous chef and her boss. When he not only fails to introduce her to an influential food critic who is in raptures over her food and concepts but takes credit for her work as well, she dumps him. So that was good on her. She flees to her Aunt June’s mansion in Hawaii which is right on the beach and must be worth over $30,000,000. She starts to take surfing lessons from a handsome still sad widower.  And in what must be a first for Hallmark, he doesn’t have any kids! Crazy! Other than that, there are no surprises here plot-wise at least. By the end of the movie she learns to surf, wins a $50,000 cooking contest with sad widower’s nice brother, gives her disrespectful user of an ex-boyfriend a final heave-ho (he followed her to Hawaii), gets the guy, and opens her own restaurant there in paradise.

The most interesting thing about this one was waiting for Lacey Chabert to put on a bathing suit. Here she is in Hawaii, living on the beach, taking surfing lessons in the ocean, and she never puts on a swimsuit. What makes it even odder is that her love interest who is giving her lessons is very tan and fit with many abs fully displayed in appropriate swimwear. The optics of it were so weird, that Hallmark scriptwriters felt the need to address it by having him tease her about the wetsuit when she shows up for her first lesson. Something along the lines of, “You’re not in Cape Cod in the winter, you’re in Hawaii, in the summer.” It doesn’t work. Not even a one-piece in the whole movie. I guess when Lacey Chabert doesn’t want to wear a swimsuit, she doesn’t wear a swimsuit! I don’t really blame her for her modesty, but going forward, maybe she should avoid filming in tropical climes when she is required to go in the ocean.

Rating: 5 out of 10.

August 29, 2022

Dating the Delaneys

Very Punny

The dating adventures of three generations of Delaney women make for great entertainment. It’s a treat when Hallmark’s romantic comedies are actually romantic and actually funny. And this one has a nice message as well. “There’s nothing wrong with wanting a relationship, but it’s better when you discover you don’t need one.” The main focus is on Rachel Boston with her daughter as a side story. Widowed Grandma is already happily dating a nice pickleball enthusiast when the story begins. Rachel, as bakery owner Maggie, also has a son whose function is to demonstrate what a terrible father her ex-husband is. Brendan Zub added some edge to the thankless role. Maggie is friendly with a widower, played by the talented and funny Paul Campbell, whom she sits next to at her boy’s high school basketball games. They discuss how hard it is to get used to dating after many many years of marriage. One thing leads to another and they decide to “pretend” to date for “practice”. LOL. These two kids have obviously never seen a Hallmark movie or any romantic comedy of any kind.

There was so much to like about this one. First of all Rachel Boston was really good in this, and her rapport with Paul Campbell was easy and sweet and, in my view, much more successful than an earlier pairing. She makes a great mother. She should play one more often. In fact, the whole family dynamic was a big plus, adding humor and warmth as well as a bit of drama.

The disastrous blind dates were genuinely funny. When Maggie’s rude pig of a dinner date gets up for the restroom the waiter zooms in to tell her to just leave while she has the chance. ”Blind Date, right? How did you know? The whole restaurant knows!” She looks around and everyone is nodding at her. I actually laughed out loud. Besides the funny situations, the banter was fun as well. Her likable and savvy assistant can’t believe Maggie is not using a dating app. “You went on a blind date? What in the 1986 is that?” I loved the family’s love of corny puns. It was cute and quirky but also served to show how important a shared sense of humor is in a relationship.  Both of the Delaney women are as clueless as their hopeful suitors are smitten.  The daughter’s slow realization that the dorky Josh Groban lookalike is the one for her rather than the popular loser she has a crush on is just as sweet and engaging as the grown-up romance. Other than the terrible puns that just won’t quit, this one shone in every way. But I love terrible puns, so it’s a 10.

Rating: 9.5 out of 10.

Always Amore

The Recipe Needed a New Twist

**Spoilers**

This was well-acted by the talented and beautiful Autumn Reeser, as always. She has never disappointed and I approach a Hallmark movie featuring her with optimism. The same goes for Tyler Hynes, who gives a warm and natural performance. For once, he’s a strong guy who doesn’t need therapy. He plays a kind of restaurant whisperer hired by the primary investor in Autumn’s restaurant to turn things around.  Kind of like Chef Gordon Ramsay in Kitchen Nightmares but super nice and not swear-y. Unfortunately, this one is the done-to-death “save the restaurant” plotline. Autumn plays a still-grieving widow who is struggling to keep her late husband’s legacy, which is his restaurant, alive.  The problem is that doing that means keeping herself, the restaurant, the menu and recipes, and the staff mired in the past. Case in point, as pointed out incredulously by Tyler, despite being on the verge of bankruptcy, they are still expensively importing their tomatoes from Italy because that’s what her husband did. I sincerely doubt that Italian tomatoes are any better than good ol’ American tomatoes. And so does Tyler, who is exceedingly compassionate and patient despite some very trying hostile attitudes. He finally convinces her that there is no legacy without a functioning restaurant. A restaurant emphasizing love, family, and tradition is all very well, but there is none of that if a profit is not being made. Once that pilot light is turned on, it’s just a matter of convincing the bank to give her a loan to buy out her main investor who is going to sell to a big corporate entity. But the bank is not going to do that until the restaurant shows some signs of life. She has to convince her husband’s protege, himself a brilliant chef, to enter a food competition to generate buzz.  He is reluctant because he perceives that as being disloyal to his mentor. After plenty of annoying waffling, he agrees. And Autumn contributes her awesome baking skills to the effort. But what about when intimidating but beloved Mother-in-law Patty “Bad Seed” McCormack finds out what they are up to? Is she going to be like lovely wise “Nonna”, or scary Rhoda?

Besides the talented cast (including a personal fave, Latonya Williams, as the contest head, and the talented child actor, Erica Tremblay, as Autumn’s daughter) the food photography is gorgeous and the menu items look delicious. Or as they describe in the movie, “glorious, stunning, delectable, genius, a miracle, etc.”. Heavy on the tension and distress, as well as the thesaurus, and light on the wit and humor, the script is the same old retread of the same old “save the business” story with nothing special to set it apart. Autumn’s recovery from grief and finding her own path and a new love was fine, but it was hardly anything new.

Despite the finest freshest ingredients, if the recipe isn’t good, neither is the dish.

Rating: 6 out of 10.

April 7, 2022

Welcome to Mama’s

After she inherits an Italian restaurant in Brooklyn, Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.

Where’s the Pizza?

Isn’t there a saying somewhere about “Never eating at a restaurant called “Mama’s”? Or is that “Mom’s”?

Long after “Papa” “left us”, “Mama” has also passed away and left her restaurant to Amy, a young friend and former manager of another restaurant, whom she used to take care of and mentor. Her will stipulates that Frank, the current head chef, retain his position. Mama’s (husky-voiced Lorraine Bracco) story is told in flashbacks in between the present-day story of trying to save her legacy. Her restaurant was struggling when she retired and has been in a death spiral under the care of Frank. He was fired from his last job for refusing to comply with his boss’s menu. When Mama agreed to let him be in charge of what he cooked, introducing new dishes to her beloved if tired menu, it didn’t exactly overwhelm the critics or the clientele. His answer is to put a noisy arcade game in the dining area as if it were a sports bar. So no, Frank isn’t exactly God’s gift to chefdom or humanity for that matter. But boy, he acts as if he is. When Amy, the new owner comes in to take over, he is uncooperative and pissy. He refuses to follow his boss’s (Amy’s) orders which got him fired from his last job (he lied to Mama that he had learned his lesson in order to get hired). He also goes behind her back to interview with another restaurant telling his friend he will use his new recipes at Mama’s as a testing ground and then leave if he gets the new position. When Amy finds out that Frank wasn’t honest about what a flop his creations were with an influential critic, she tells him she is replacing his menu and hands the changes to him. He doesn’t even check it out and preps his own menu which causes havoc on the soft opening. In short, Frank is an incompetent louse and not the sharpest knife in the drawer either.

Now you may well ask, why doesn’t Amy fire his sorry A**? Why does she fall in love with him? Why is Amy, a qualified manager such a wuss giving him chance after chance? Why is the restaurant called “Mama’s Ristorante and Pizzeria” when they don’t serve Pizza? Why were Mama and Papa called “Mama” and “Papa” when they didn’t have any kids? Ask away, but I’m afraid I can’t help you. Now this wasn’t all bad. The cinematography was great, the food looked delicious, and the acting was tolerable, but the looming shadow of bad (but very cute-I’ll give him that) Frank was just too much to overcome.

Rating: 5 out of 10.

February 28, 2022

The Wedding Veil Legacy

Last but not Least

The script was not a challenge for good actors: no great emotional highs and lows, but the whole cast of seasoned Hallmark actors did an excellent job. All handled the good humor and banter with aplomb. I particularly enjoyed Matty Finochio as the assistant, Stanley.

Tracy, played by Alison Sweeney, the third woman in the triumvirate of Wedding Veil owners begins her story by breaking up with her boyfriend, Finn. It is handled very maturely. He has gotten a great job across the country, and Tracy does not want to leave New York or her own great job. They are sad to part ways, but as we have gathered from the previous two installments, they have grown apart lately anyway.

Tracy takes the veil to a tailor(?) to have a snag repaired and meets Victor Webster getting fitted for a tuxedo. There is some good-natured raillery. Allison is planning an important party for her job and is in the market for a new caterer. Her search brings her to a new restaurant accompanied by Autumn and Lacey. Lo and behold Victor is the head chef and part-owner with his family. The meeting between the women and Victor is chuckle-worthy thanks to the three actresses’ comic timing and easy rapport.

The side story of Tracy’s mission to obtain a newly discovered early draft of the famous Emma Lazarus poem for the museum where it can be enjoyed by the public is interesting. It adds some suspense and provides the pretext (Victor might know an investor), along with picking out art for the new location of Victor’s restaurant, fun with food, and rug hauling around, for the promising couple to spend more time together. Alison and Victor make a good pair both age-wise and in physicality.

Unlike the second installment, the plot is tightly written. There are quite a few little stories, but the focus remains on the couple and their developing relationship. Every individual side element gets tied into the whole, including the Emma Lazarus poem welcoming immigrants to America. The continuing mystery of how the veil got to San Francisco is well incorporated into this final chapter and provides a satisfying conclusion involving a lovely coincidence and a twist. After the veil does its job of finding husbands for the three likable friends, it finds its own happy final home.

Of the three movies, I rank the first one the best for its humor, this one second for the well-constructed plot, and the second one my least favorite. 7 1/2 stars

Rating: 7.5 out of 10.

February 21, 2022