“As he marched her to the second level, he heard muttering behind him. She really was going to have to work on her vocal range. If she wanted to make an impact when she called someone a “bossy prat,” she needed to project.”
“I’m not bossy.”
He actually sounded like he believed that.
“Okay, Captain Von Trapp. Keep telling yourself that.”
She’d broken the stern director facade again. He was grinning.”
I was a little disappointed in this one, but only because my expectations were so high. It is generally accounted to be her best book, and I just loved the other three in The London Celebrities series. The setting of London’s West end Theatre scene was just as glamorous and the witty quite sophisticated banter didn’t falter either. It is one of the main appeals of a Lucy Parker novel. I love the way her amusing use of pop culture includes references from Harry Potter, Game of Thrones, and Star Wars characters to even Harper Lee’s controversial Go Set a Watchman. It lends authenticity and immediacy to conversations and inner thoughts. Plus it’s very funny.
Sadly, the romance, maybe because it was so similar to the others, did not engage me as much. Luc Savage (that name!) hires Lily Lamprey (that name!) as one of the actors in his latest production, 1553, about Princess Elizabeth, Princess Mary, and Lady Jane Grey. It is to open his own historic theatre which he is also renovating. He has to be talked into even looking at Lily’s audition tape for the role of Elizabeth I because although very high-profile as the sexy bombshell in a very popular prime-time soap opera, she has no experience in the theatre, and has a very soft breathy voice like Marilyn Monroe. Not exactly Virgin Queen material. However, he needs the publicity her casting will bring, and gives her the part when he finally sees her surprising acting talent. Also, he quickly learns she is not the empty-headed floozy she looks like and plays so well on TV. Lucy Parker does opposites attract romance very very well. In my experience, her heroines are usually sweet girl-next-door types and her heroes are powerful and cantankerous. In addition to the unlikely romance between the protagonists set to the drama of putting on the play that will open Luc’s new theatre, we have some side stories. Lily has to come to terms with problematic parents which have saddled her with abandonment issues. As a TV actress with a weak voice, she is under a lot of pressure to defeat expectations and prove herself to the company and the public. To complicate matters we have a prominent tabloid with a personal vendetta against Luc and by association, Lily. Towards the end, there are two crises that rear up. One cements their relationship and then the other (temporarily of course) tears them apart.
My problem with the romance was with the hero. He got on my bad side right away with his prejudging of Lily who is lovable from the get-go. It was not only sexist, snooty, and stupid but considering we are told that he returned to the London *Thee-uh-Tuh* only after selling out in order to direct Hollywood blockbusters, it was exceedingly hypocritical. Also, he was just so “above it all.” I mean, he could barely bring himself to pull a cracker at Christmas dinner with his nice family! And then he removes himself from the room when they start their traditional game of charades. Come on now. He has a lot in common with her heroes in other books, In fact, they, as well as her heroines, are almost interchangeable. Almost. But the others are made more palatable by some vulnerabilities and more of a sense of humor.
So whether it was the hero or I was just tired of the nice girl having to bring to heel a mean boy in an uneven power dynamic, this one was just a shade below the others in the series for me. It was still very good.
July 22, 2022