by Margaret Sutton

“Irene, nothing!” she fumed. “That girl’s Johanna Holiday, the wench who made away with her mother’s poetry. I know you!” She pointed a shaking finger at the trembling Irene.

Judy, standing near the old lady, caught a whiff of her breath and guessed that she had taken an overdose from the bottle that she called her tonic. She had noticed how frequently her employer resorted to the stimulant.

Margaret Sutton originally wrote this book as a stand-alone unrelated to the Judy Bolton series. When it didn’t sell, she revamped it into a Judy Bolton book. In many ways, it falls very seamlessly into the series, but it does incorporate some elements that seem a little unusual for a girl’s series book. Judy’s friend, Irene, who is barely 17 and still in high school has a serious romance with and becomes engaged to a man who is well into his 20s. One of the characters is an eccentric literary agent with a drinking problem and some of the situations in which Judy and her girlfriends find themselves seem more appropriate or realistic for older girls.

At the end of The Ghost Parade, Judy’s friend Pauline, the daughter of Dr. Faulkner who made an appearance in The Invisible Chimes, invites Judy and Irene to her home in New York City to finish out their extended summer vacation while Farringdon’s new high school is being built. Dr. Faulkner really gets around. Apparently, every crazy person in New York City was or is a patient of his. Lots of coincidences in this one. On the bus to Pauline’s luxurious home in Gramercy Park, the girls’ attention is caught by a handsome young(ish) man. Irene declares him her “ideal” and the girls hope to meet him in New York. It seems unlikely but Judy discovers he is an author of murder mysteries. She has no trouble getting a job with his agent, the eccentric and gruff Emily Grimshaw, in an effort to pursue their acquaintance. And, indeed, it isn’t long before Dale Meredith shows up. When Judy brings Irene along to the office, the formidable tough-as-nails editor takes one look at her, goes into hysterics, and insists she is someone named “Joy” who we find out is the dead daughter of one of her clients, the poet and recluse, Sarah Glenn. Dale and the 3 girls become friendly but it isn’t long before Dale’s preference for Irene becomes obvious (much to Pauline’s irritation). In fact, it is love at first sight. Meanwhile, some valuable manuscripts of the poet mysteriously disappear and Irene also mysteriously and alarmingly disappears soon after. Is there a connection between Sarah Glenn, her dead daughter, Joy, whom Irene so strongly resembles, Irene, and the stolen manuscripts?

Judy has her work cut out for her in this one. In her desperation to find Irene while fearing the worst, she is also trying to protect her from being suspected of stealing the manuscripts. She is at her wit’s end when Peter, Arthur, and her brother Horace show up to help her with the search, ably supported by New York’s finest.

The Yellow Phantom makes good use of its New York City setting. the girls have a night out on the town, and later, Judy ventures alone into the wilds of Brooklyn following clues to Irene’s whereabouts. In addition to the baffling mystery of what happened to Irene and how the manuscripts disappeared from Ms. Grimshaw’s secure office in broad daylight, we have a bonafide serious romance, attempted murder, evil villain, fear of insanity, and a sad tale of a tragic romance, bad poetry, and a yellow phantom in a tower window. Peter and Judy’s relationship is moved forward, and the hapless Irene seems to have fallen into a secure future with an inheritance and Dale. Lord knows she needs someone willing and able to take charge of her. The only quibble I have is the solution to how the manuscripts disappeared is pretty preposterous and somewhat of a letdown.

We can only hope that it will be nothing but smooth sailing ahead for Dale and Irene’s romance. I guess we will find out in The Mystic Ball. Wink, wink.