Making Waves

Straight out of the Playbook but not Bad at All.

**spoilers**

This was based on one of the most frequently used Hallmark cliches: A bright and ambitious young city girl goes back to her hometown to accomplish a task for a demanding (female) boss that will ensure the future of her career.  Her lost childhood/teenage love who is still in town is somehow the key to her professional success. We are not spared her reconnecting with beloved loved ones, usually a grandma, grandpa, or other relative, whom for some reason, even though they are “beloved”,  she hasn’t seen for 10 (or 20) years. This time it’s her old best friend from whom she was inseparable until her wedding to another best friend. Just so the viewers know we are not straying outside the box in any way whatsoever, we also have a save the beloved local iconic historical something or other from the big bad multinational development company subplot thrown into the mix. In this iteration, Amelia is a bright and talented music scout (producer? agent?) who wants to sign an under-the-radar indie band from her hometown on the Outer Banks, NC which has now sprouted mountains in the distance because it’s filmed in Canada. Yes, North Carolina does have mountains, but not there. She loves their sound and they have started to develop a large following. And you won’t believe this, but that old boyfriend? He is the lead singer and leader of the band. She doesn’t know this in advance because she mysteriously does not recognize his voice even though her ear for music is almost legendary.

But somehow it worked and I didn’t hate it. Holland Roden was fine as the female lead, Amelia,  and had the advantage of being someone new to Hallmark. She was very pretty. Corey Cott was more than fine as the male lead. He made a believable indie rock star on the rise, as he had the look and was talented with an excellent singing voice. He was very endearing in his love for Amelia. Her always interrupting their intimate moments by answering her phone no matter what didn’t seem to faze him at all! There was one part near the end when I just wanted to bonk her over the head.

Amelia’s boss Lydia and her ex-husband and now rival added some interest to the very basic and predictable plot as well. Unfortunately, it was by virtue of the fact that I  started to “Love to Hate” them both very early on.  I think Lydia was meant to be  tough but kind of quirky and funny in her “over-the-top-ness.” But her bad behavior was just irritating to me. The ex was pompous and arrogant, and I was looking forward to him losing the race to sign the band to the not-so-good “good guys.” I was kind of upset when Lydia turned out to be just as bad as her ex. Worse, really. Because her plans for the group and lies to Amelia were such a betrayal. She was unrepentant and unrehabilitated, so it did pave the way for Amelia to quit and start her own record label. Which will nurture young artists and help them be “their best selves” instead of making lots of lovely money touring and catering to the masses. Eye-roll. Lydia’s expression of shock when Amelia quit was a highlight, however. The actress was good. (Marci T. House.)

It was refreshing that the big bad development company that was buying up land and popular unspoiled local venues in the area turned out to be not so bad after all. Amelia’s friend accepts their generous offer to buy her and her husband’s Inn, which frees them from all of the financial stress and getting up early that they had been burdened with. And her husband lovingly saved their seaside cottage for her. That made me happy.  The money enabled her and Amelia to partner up to form their above-mentioned own label and sign the soon-to-be break-out group plus another one.  That whole scenario was straight out of fantasy land, of course. One of those naive Hallmark business enterprises that does not bear looking at too closely, or closely at all. Heck, just don’t even think about it.

Despite all of the quibbles, it was quite watchable and very summery.

Rating: 7 out of 10.

Love in Glacier National: A National Park Romance

Snow Job

This one left me cold. The plot was the usual boring and predictable with the added bonus of annoying characters (3), examples of lazy incomprehensible plot elements (2 main ones), and downright offensive stereotypes of women (2). It drove my rating below  5 stars, that is, not entertaining but tolerable, into 3 or 4-star territory (not entertaining plus something very very wrong here.) It had some beautiful mountain scenery if you do not mind it was not filmed in Glacier National Park or any National Park at all, or even in this country.  The title of this one would be the worst ever for a Hallmark even if it were filmed in Glacier National Park.

Heather is a world-renowned expert in snow and avalanches. She has a doctorate in the subject and has developed a technology that predicts them with proven accuracy. She accepts an invitation to visit an old friend’s ski resort and install the forecasting equipment. She brings her sister who has spent the last of her and her husband’s savings on IVF treatments to get pregnant. It has been very hard on them and she needs a break while waiting to find out whether this last treatment has worked. Heather meets handsome hunky Chris who is the head of the search and rescue team. He is not only a Luddite who eschews her science-based life-saving technology, he is downright offensive about it. He relies on looking at the weather and sniffing and tasting the snow to determine whether the ski runs are safe. No kidding. His whole team is open-minded and on board, but when he stumbles into her class he rudely stands at the threshold disruptively chewing on a donut, and then leaves. Nevertheless, he is a good father to his motherless young teen daughter Samantha.  That, combined with his hunky hotness is enough for Heather to fall for him despite his disrespect for her life’s work. Especially when he emerges shirtless from the sauna looking like the top half of every action figure ever made and just as plastic. The daughter is played by Amelie Wolf, the daughter of the director. She is a Hallmark regular kid actor and she is fine. Unfortunately, Heather has a rival in red-haired Sonya, a shallow catty jealous massage therapist. She is so unprofessional that when she sees the sparks between Chris and Heather she tries to hurt Heather on the massage table. Sonya is the worst stereotype of a man-hungry desperate female (see paragraph 1) She even comes to his cabin at night to seduce him with his daughter practically in the same room. Amusingly, Samantha calls her on putting lipstick on before she goes to bed. Heather’s sister is similarly enamored by Chris’s hotness swooning and drooling all over him on her sister’s behalf because she needs a man to be happy. (Offensive stereotype #2.)

That takes care of the annoying characters. There were two plot points that were needlessly mishandled. The first was fairly minor. When Sonya shows up at a party where Chris and Heather are dancing, she is told off by his daughter in the one entertaining scene in the movie. She stops Sonya in her tracks. “My dad is with someone smart who chooses Chapstick over lip plumper. Now is not the best time.” Sonya retorts by telling her that she has some things to “talk over” with her dad which comes across as a veiled threat. I was sure curious!  But she leaves the party and the whole thing is just dropped. We never see her again. The more egregious one involves the suspense of whether the sister’s IVF, her last, has finally worked. [SPOILER ALERT] She finally gets up the nerve to take the pregnancy test while Heather is at the party. Tragically it is negative and she looks devastated. But the next morning, all is well and we have a scene where she and Chris’s daughter are yucking it up in a hot tub and jumping out to make snow angels in their bathing suits giggling uncontrollably. She doesn’t even tell her sister the I guess not so devastating news after all, and her sister doesn’t care enough to ask. Again, the whole thing is just left hanging never to be referred to again. Both loose ends could have been easily fixed with a quick edit or two. That they just left it is lazy and contemptuous of their viewers.

Despite her great relationship with his daughter and her attraction to Chris, Heather can not handle his disrespect and his refusal to even consider being open to using her technology as a tool. She pleads with him to trust her and hits him with argument after argument but nothing doing. She is strong and persistent but he won’t even explain himself.  To his surprise and disbelief (!), she walks out on him. This guy. It is only when her method saves his life, the lives of his team, and an injured skier that he admits he was wrong and apologizes.  That’s what it takes. But not before he checks with a male colleague who went to Heather’s training sessions first. What a prize.

The music was annoying and weird. The only other plus besides the scenery and Samantha’s takedown of Red Sonya was that Heather only brought 2 coats. You would have to be a Hallmark regular to understand how ground-breaking this is.

Rating: 3.5 out of 10.

Christmas Bedtime Stories

Just What is the Message Here?

**Spoilers**

Even though his body was never recovered, Danielle’s husband has been declared dead by the military. His jet was shot down in the middle of a large sea. Even if he survived the crash, there is no way he could have reached land. It was fully investigated by military intelligence and it was determined that there is no hope he survived. A young mother of an 8-year-old, she has turned the corner on her grief and has gotten engaged to her husband’s best friend, Pierce, who has been an unfailing support and a second father to her daughter. Her daughter wants her to tell her stories about her dead father to help her remember him. As Danielle starts to recount her history with Colby, her husband, she starts to see things (another soldier who resembles him,  something he said repeated, a lost ornament found, etc.) in real life. Danielle sees these as signs that the universe is telling her to slow down with Pierce. She thinks that Colby might still be alive. She begins to have second thoughts. She goes to the base commander, the father of a good friend, to get a better grip on the situation. He lays out all of the whys and wherefores of why he couldn’t possibly have survived. She is convinced, but the “signs” keep coming. She just can’t shake her doubts off. This negatively impacts her relationship with Pierce and they finally break it off, breaking the wonderful wonderful Pierce’s heart who is played by lovely Steve Lund whom we never hear from again. The night before the dance she sees breaking news that 4 POWs have been found and will soon be coming home. She goes to the base commander for more info, but he tells her he already checked and that the POWs were all “foreigners.” There is no chance. She goes to the dance, and there is her husband bathed in a misty light, fit as a fiddle, looking for her. What the What?! Is it a dream? No. It’s not.  The family is reunited.

Words just fail me (not really). But where do I begin?  Is there any military-related entity or person that this movie didn’t hurt or offend? It makes the base commander and military intelligence look incompetent. Not necessarily for declaring him dead when he wasn’t, although that certainly didn’t earn them any points, but for the misinformation about the POWs being foreigners, killing Danielle’s hopes yet again. And then the recently rescued POW just shows up a day later, all alone, with no warning at a Christmas dance? No hospitalization? Debriefing? No communication to the next of kin? No support or even acknowledgment of him or his widow? No press? Did he even check in with his superiors when he escaped from Yemen? Did he just teleport to the dance?

It insults POWs. This guy shows up out of the blue after being in captivity under brutal conditions, not only unscathed physically or mentally but looking like he has been spending those 3 years at Club Med taking full advantage of the gourmet meals and the fitness facilities. When Danielle asks how he survived, he responds that he just thought about his family and their love. Oh Really? So any ex-POW who died or actually suffered physical and/or mental damage just didn’t love his family enough?

This movie is a slap in the face and potentially harmful to any military wife who has suffered the tragedy of losing a husband but is trying to move forward and build a new life. Stay in the Past! Don’t believe anyone in authority that tells you your husband is dead! If there isn’t a body, there is still hope, no matter what!  Pay no attention to the facts or the insights and good sense of other women who grieved for their husbands but have found peace and happiness with a new partner in life. Any coincidence is a sign from your dead husband trying to tell you he is still alive!  No, I don’t think any woman in a similar situation as Danielle will take this movie seriously, but Hallmark put this scenario out there thoughtlessly with no regard for people who have rightly been told there is no hope even if a body has not been recovered.

It is insulting that Hallmark thought they could just conjure up a happy miracle out of absolutely nothing in the last 5 minutes of the movie and think their viewer’s hearts would be moved. Hey Hallmark, your viewers have brains too. And one more thing. Do not cast the wonderful Steve Lund in a movie where he does not get the girl. I venture to guess that that is not going to fly with 95% of your viewership.  It certainly didn’t with me.

Rating: 1 out of 10.