A Three-Leaf Clover
I approached this premier of Hallmark’s post-Christmas theme , Winter Escape, with not a lot of enthusiasm. I have had very bad luck with Irish-themed movies, and unlike the girl in this one, the luck of the Irish did not see fit to bestow itself upon me.
Fiona is a ballerina who just cannot get a break. She is always just one more audition away from her big starring role, and let’s face it, she is getting up there, especially for a ballet dancer. In her latest failure, she quit her job to try out for her dream role of Giselle, which of course she didn’t get. Bad news delivered by a red-haired and barely recognizable Ali Liebert, who also directed. While commiserating with her mother Helen, she finds a letter from Helen’s Birth Mother whom Helen not only has never met, but whose attempt to reach out has gone unanswered lo these many years (like around 15!). Helen is played by the elegant and beautiful Moira Kelly, beloved of Rom-Com connoisseurs everywhere for her role as Kate Mosely in The Cutting Edge. Since Helen’s antique shop has to be closed for a couple of weeks due to a plumbing problem, and they are both at temporary loose ends, Fiona plans a trip to the Emerald Isle to look up Helen’s long neglected birth mother. Also, Helen’s spouse is out of town on a business trip instead of being dead, or as good as dead, as they usually are in Hallmark’s parent/child Journeys of the Heart. No, he is a supportive husband and their marriage appears to be a happy one from all we ever hear about him. Which isn’t much.
On their first night in the picturesque Irish seaside town where they are staying, Fiona finds her destiny in the form of a pub owner and widowed father of a little girl whose ballet teacher moved to Vienna to breed ferrets (true story). Oh these quirky little details. For some reason, Fiona is very rude and ornery to him. Very Ugly American. But he seems to like it, as well as her dart throwing acumen, because he agrees to take her on a search for The Luck of the Irish tour of the countryside. While doing that, and following the clues to her mother’s birth mother’s whereabouts, need I say that Fiona and he fall for each other and Fiona also gets close to his ballet dancing daughter? Rhetorical question. Throw in community involvement and a vacant building which was formerly the local dance studio, while you’re at it.
Through all of this, Helen just kind of passively goes where ever Fiona leads. A measure of anticipation is achieved when her Bio-Mom is tracked down and Helen gets to know her through their mutual love of antiques before she finally properly introduces herself as her long lost daughter. “Call me Gigi” is nice enough but their emotional reunion left me largely unaffected because we never really hear any of her (or Helen’s) back story. So she’s kind of boring. Also, Helen is never held accountable for her lame and heartless non-response to nice Gigi’s letter.
The romance is strictly by the book, including the call from New York, luring Fiona back for another shot at Giselle. I won’t divulge the resolution of her dilemma, but she made the correct decision in my opinion. All in all I found this a pretty lackluster story which would have been very lackluster indeed without Moira Kelly, Shenae Grimes-Beech, and the very attractive Irish actor Stephen Hagan.
Rebekah's Readings and Watchings 