She’s Making a List

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Coal-Worthy

It’s not that I didn’t understand this movie, it’s that so many little things did not make sense. And it was boring. I really had high hopes for it. The premise was cute and different, and it starred two of Hallmark’s biggest and most popular stars: Lacey Chabert and Andrew Walker. I would have thought they would have given them a better script. And I don’t know much about direction, I just know when it’s good, but things were said or implied that I didn’t see on screen. Then at the end, the plot just went off into La-La Land, and by that I don’t mean Los Angeles.

In a nut shell, here is the plot. The naughty or nice list is real. But Santa’s elves have long since been relieved of the huge responsibility of deciding whether the children of the world get presents or coal in their stockings. That  job has been sourced to Naughty or Nice, Inc. who uses modern technology and algorithms to separate the good, the bad, and the in-between. They have a huge fancy office building in a big city so the whole company and its mission is right out there on Front Street. The algorithm is adequate for most kids, but some kids are on the line between naughty and nice. And that is where the human inspectors come in. Isabel (Chabert) is one of the best and up for a big promotion. The inspectors are dispersed throughout the Santa Claus believing world assigned to take a closer in-person look at the actions and behavior of these fence-straddling kids. They are armed with a huge guide book detailing, among other things, the rules of engagement in order to make the final determination of coal or presents for Christmas. And no one knows the rule book better or follows it more closely than Isabel. Sounds cute, right? And I am the last person to turn my nose up at a little whimsey. The production values were good, there were some clever and cute lines and concepts, and Lacey Chabert and Andrew Walker are always competent at the very least. But it ended up in a muddle that could have been done much better. And easily fixed.

The first case has Isabel scrutinizing two little boys playing with a ball. One dares the other to throw the ball as high as he can and when he does it breaks a car tail light when it lands (somehow?). It was just an accident, but the one kid runs away and the other struggles with his conscience and then runs away. Lacey writes down “Mischief, Destruction, and Evasion”. Both the boys are judged “Naughty.” Case Closed. No presents. One of the messages this movie seems to be trying to convey is about digging deeper past the surface actions before putting a label on a child. Wouldn’t it have been more effective if the kid would have changed his mind and taken responsibility for his actions but after Lacey had left the scene of the crime? Or some other extenuating circumstances?

The next case is a boy named Teddy who is apparently planting seedlings (In December?) with his classmates. He sprays bleach on everyone’s plants except his own! Why? Were they in some kind of plant competition? Why would a kid be so malicious? It’s never made clear. Isabel’s assistant thinks that he meant to spray fertilizer, not bleach. But if that’s true, why would he not fertilize his own plant? Isobel later claims it was the only bottle of bleach in a row of fertilizer bottles so it must have been a mistake. Which is clearly what the viewer is supposed to believe. But the frame showing the bottles clearly shows that is not true.  And why would bottles of bleach be right next to fertilizer in a children’s garden in the first place? And he was definitely acting guilty and sneaky. Making mountains out of mole hills? Maybe. But it was disengaging and distracting for no reason. Nothing about it made sense. If he was spraying bleach on innocent little baby plants that is more than just mischievous, it is very concerning behavior. The lesson of not jumping to conclusions about kids’ motivations was confused and murky.

Those two cases are just prologue to Isabel’s main case of Charlie, played by Cadence Compton, who was fantastic. 11-year-old Charlie is an amateur magician we first see making a little kid’s $20 bill “disappear.” Basically she steals it from him. And the other older kids are so impressed that they start waving their money at her so she can make all their money “disappear” too. What the Hell. As far as we see, she never gives them their money back, and the kids never report her to the authorities either. Again what would have served the moral of the story was her giving their money back when judgmental Isabelle wasn’t looking. Or maybe using the money to buy a warm coat for a homeless kid, or do some other good deed. No, what she did was more than just “naughty.” She does other bad stuff too. But since Isabel is now dating her handsome father Jason (very much against the rules but she couldn’t care less all of a sudden), she starts looking to make an exception for Charlie and protect her from getting coal instead of presents. Because you see, Charlie’s mother died last year, so all is forgiven and excused. Plus she picks up litter. We find out later that when she did get coal for Christmas last year, her Dad secretly replaced it with real presents anyway. I’m like, “Maybe a little coal in her stocking would have done her a lot of good!” Isabel is breaking all the rules when it comes to this one girl because of her crush on Charlie’s father. It just wasn’t right or fair to all the other gray-area kids. Not that Charlie was actually that “gray area” in my opinion. But let’s just overlook Isabel’s shady behavior. I mean it’s Lacey Chabert after all.

I won’t go on with other examples of badly presented and mixed messages, but trust me. Isabel gets closer to Jason, finds out she has been doing more harm than good in putting kids on the “Naughty List,” and Charlie is miraculously transformed from bad girl to good girl at the drop of a hat. As it turns out, next year Isabelle’s boss (Steve Bacic) is going to take the whole human element out of labeling the children of the world and rely strictly on the algorithm. There will no longer be any excuses or human input. A now wiser Isabelle is so upset by this, that she quits and then decides to visit the top man, Santa Claus, along with Charlie and Jason to plead her case: No child is ever really naughty, they are just trying to find their way in the complicated adult world. No comment. But it all ends in a happy ending with a world free of coal, naughty lists, and children not being held accountable for their actions. I’m sorry, but this is a 5 in my book.

Rating: 5 out of 10.

Adventures in Love & Birding

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Love Birds

Back to the Hallmark saltmines (I kid) after a three week hiatus while The Groomsmen trilogy was being shown instead of new premieres. I had already seen them thanks to a free trial of Hallmark+. They weren’t horrible or anything, but not particularly memorable either and I had no desire to see them again for reviewing purposes. 

This seemed like it could be a promising back to business movie as it paired two longtime Hallmark veterans for the very first time in a Hallmark (which was hard to believe). Predictably, they were very good together in this first of the “Fall Into Love” grouping. Only a few weeks until “Countdown to Christmas!” Yikes!  Rachel Boston was her usual very very animated self and Andrew Walker was Andrew Walker, which is a pretty good thing. It was about the hobby of birding which was different. They were age appropriate for their roles which caused the movie not to lose 1 (or sometimes 2) stars in my 1 to 10 star rating scale.

Rachel plays Celeste who was recently dumped by her husband of 22 years. She is fine though, other than the usual busybody friends who are trying to set her up with various men and are constantly hounding her to “get back out there” when all she wants to do is reorganize the garage. She is also a little verklempt because her high school senior daughter will be going away to college soon. She wants to spend more time with her but her daughter has her own busy life. Actually, her daughter is trying to distance herself a little to prepare for the wrench of leaving her home and Mom. Also she is nursing some doubts about going to college right away, but we don’t know that yet. Andrew plays John who was recently dumped by his long time girlfriend and birding partner. He quit pursuing his doctorate and left teaching for an office job which pissed her off. He likes the outdoors and wants to start his own birding guide business. (Add this one to the Hallmark Dubious Business list.) Celeste is recruited by a mutual friend to be John’s birding partner in the annual NorCal Ornithological Society’s Bird-a-Thon. And Celeste gets the idea that she is supposed to pretend like she is his fake girlfriend as well as mutual birding enthusiast to show up the cheating competitive b**ch who is also participating. She is mistaken in this extra assignment, which leads to an amusing first meeting with John in front of his Ex and her new partner/boyfriend. The stakes are a lot higher this year because a corporate sponsor has put up prize money to the tune of “5 figures”. So if he wins it, the 10,000 to 99,999 dollar prize (I’m guessing closer to the lower figure) will decide John’s path in life: risk going into the Bird guide business or staying on the corporate fast track at the office. By the way, the number of different birds each couple count in the 3 week long contest (the highest count wins), is run on the honor system. That seemed very naive to me especially this year since money was involved. They couldn’t take a picture of the birds they spot? Just to keep honest people honest? Sounds like Bad Business to me.

Anyway, bird montages and romance ensue. Besides the birding, Celeste and John also attend some outside functions together and the relationship building was good. Extra points for a rare mid-movie uninterrupted kiss. Rachel and Andrew had an easy rapport and really played well together. The secondary story of Celeste and her daughter Morgan’s changing relationship and Morgan’s doubts about her future played well also. I even had a little sniffle at  the end. Speaking of Morgan, the actress who played her, Talisa Mae Stewart looked awfully familiar. It turns out she is a dead ringer for similarly named Taissa Farmiga who played Gladys in The Gilded Age.

Talisa
Taisa

 

So that was pretty interesting. The last minute temporary break up was dumb as usual but at least it didn’t involve hearing one half of a private conversation while eavesdropping and totally getting everything ass-backwards. All in All, lots more good than bad. A respectable but unspectacular “7”.

Rating: 7 out of 10.

All I Need for Christmas

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All is Calm, All is Bright

This is one of those quiet humble Hallmarks that doesn’t try to break any crazy new ground. It’s a very usual type story with little in the way of real twists or surprises. No attempts to swing for the fences or set the Hallmark world on fire. But I really liked it and was engaged in the story and characters throughout. It’s the kind that about a half hour in, you find yourself surprised and say to yourself “This is really good!”

Both of the lead characters have equally important storylines. Maggie Mackenzie is a professional musician whose career is going nowhere. The band she was going to open for canceled her because they wanted a bigger act. To get her career back on the upswing, she needs to write some new fresh songs, so her manager gives her a phone with a series of music apps on it called “Archline” designed to help aspiring musicians with writing lyrics, sound and auto-tuning. Maggie is offended and views such things as phony, ripping off real musicians, and kind of cheating. While she’s at it, she also eschews  social media to promote her career. Since her big gig has been canceled, she decides to go home to Vermont where her parents own a Christmas tree farm.

Dan Jeannotte plays Archer, the developer of the popular app. He is one half of two estranged siblings who grew up with a very toxic father who has recently died. Usually in Hallmarks when a parent or grandparent dies, they reach back from the grave to help their beloved survivor find love and happiness. This father is so awful that he reached out to continue to pit his two adult children against each other and to foster their  unhealthy rivalry.  Piper’s two kids will get trust funds and any future children of Archer will not because Piper “won” by having her two kids “first”. His will also stipulates that whoever’s net worth is greater by Christmas, will get his seat on his  corporation’s board of directors. Piper is ecstatic and gloating because she just had 2 major settlements come in which will make her the winner. This tracks with how they were raised. As Archer tells Maggie later in the movie, “buckle up for this one.” As soon as the two were old enough to start earning money, their parents kept a record of their earnings to the penny and whoever made the most money by Christmas got a boatload of Christmas presents and the loser got nothing. When he was old enough, Archer was wise enough to get therapy and because of that had long since cut ties with his father.  “I couldn’t heal from the damage while he was still trying to inflict it.” Piper, on the other hand, stuck with dear old Dad and is still carrying around a lot of baggage because of that. Her kids are great though so she must be doing something right. Hallmark kid actor Azriel Dalman plays her son, and he is always good.

Seeing a photo of the one happy family Christmas they had in Vermont, he decides to visit the same huge cabin they stayed in and it just happens to be in the same town as the Mackenzies’ Christmas Tree farm. All proceeds as one would expect. Initially, Maggie is hostile towards Archer as she learns right away that he is the developer of the evil apps that she objects to so strongly. But she can’t help but see that Archer is not the devil but a nice decent guy despite his wealth and success. She shows him how to cut down a Christmas Tree (he has never had one before), and he shows her how his app can help whip the pretty awful children’s Christmas choir she has volunteered to lead into shape. Also her father is firmly on Archers side of technology. When he garners 240,000 followers shooting videos of his adorable pet pigs and life on the farm, her harsh attitude further softens. Meanwhile, on a whim he sends his sister a picture of the log mansion he is staying at and to his surprise, she shows up there with her two kids who have made it clear that they want a real Christmas with Uncle Archer and their own tree. The brother and sister have their struggles and ups and downs while striving to repair their breach. Of course, once we get past the inevitable final conflicts and misunderstandings, breakthroughs are finally made all over the place and we have hopeful resolutions for Dad’s farm, (which I assume was struggling, because…you know), the sibling relationship, the seat on the board, the romance between Archer and Maggie, and her career trajectory.

Their were several reasons why this one succeeded with me. First the acting of Dan Jeannotte as Archer and Emily Tennant, who usually plays the romantic lead and nice girl, as the troubled Piper was excellent. I really really liked Archer. He was so nice, normal, and steady,  handling all of the challenges that came his way with grace and humor. And both Piper and Maggie, were both pretty troublesome throughout most of the story. I liked Mallory Janson as Maggie as well. She’s a good actress and made a character that had some very irritating ways and attitudes somewhat tolerable. It was a nice peaceful kind of story, but with enough conflict, tension and anticipation to make it interesting. It was a reminder that as much as I appreciate comedy, surprises, out of the box characters and story lines, Hallmarks “old faithful” type stories can also have their charms. Predictability does not have to be boring.

Rating: 7.5 out of 10.

Three Wiser Men and a Boy

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Christmas is Saved!

It’s 5 years later, and we’re back with the three Brenner boys. On the surface, everything seems fine. Luke is married to Thomas’s mother Sophie and being a Dad. Thomas was the baby in Three Wise Men and a Baby who was foisted on the three brothers by a complete stranger to temporarily take care of. Which they did, and by doing so managed to heal a breach that had developed between them, learned to appreciate how great their mother was, and grew up a good bit themselves. Thomas’s mother, I’m happy to report, is now gainfully employed and being a success at her job. She is going to some kind of work conference and Luke is going to be taking care of Thomas on his own while she is away. Stephan, former pet psychologist, has now written a self help book for humans about conquering his own crippling anxiety. He is still seeing Susie, whom he got together with at the end of the previous movie. When we first see Taylor, he is pitching the new video game he has created to an investor on a video call in what appears to be an office in his own company.

But all is not what it seems. To make a long story short they still have a lot of work to do on themselves. Especially Stephan and Taylor. Luke, who has been promoted to Fire Chief,  still pretty much has it all together although he is as tightly wound as ever. He has dropped some balls at work and at home but that’s parenthood for you, right? The corporate representative that Taylor is pitching his game to wants to buy the game for a large amount of money, not invest in it. Taylor refuses his offer because he views it as selling out. After the call, we see that Taylor is using a coffee shop as a front for an office and he and his props are kicked out. He goes home to his apartment and is met with an eviction notice for not paying his rent. Stephan has been neglecting Susie in favor of promoting his aforementioned book and their relationship is showing some cracks. As does his new calm and collected facade. Susie wants to get married like a grownup and Stephan is oblivious. Taylor, due to his being homeless, suggests that all three of them move back in with Mom as a Christmas treat for her and so they all can take care of Thomas while his mother is away. Of course we know that many challenges are on their way and by the end they will result in “the boys” getting back on the right track once again.

Since they have the parent and uncle thing pretty much nailed now, the challenges come in the form of Mom’s new boyfriend and them taking charge of Thomas’s school Christmas pageant. While visiting a rehearsal, they had accidentally destroyed all of the sets and props and served the children “poison” cookies so half of the kids quit, along with the director. Mom’s new boyfriend, who is a pastor and pretty much the perfect man and in all ways worthy of their wonderful mother, is very much resented by the boys and is not exactly welcomed with open arms into their Mom’s life. Taking charge of the pageant does not go well as all of the kids who had any talent are gone, and the boys think the whole thing has to be rewritten. They are determined not to let this pageant be a disaster that will scar the kids’ lives forever, but true to form, they screw it up even worse by calling in “the big guns,” Mark LeClark,  the Christmas decorating champion from the previous movie. He is all about Christmas glitz, giant inflatables, smoke machines, and disco lights. In short, everything not in line with the true spirit of Christmas. After the set burns down thanks to a blowtorch and an overloaded circuit board (way to go there Mr. Fire Chief-maybe not so together after all), they finally listen to the advice that all the adults in the room have been trying to tell them and go back to the original simple plan. The pageant is a success and, to borrow a line from the show, “Christmas is Saved!” The play is called “The Grump Who Ruined Christmas” to avoid copyright infringement which was a humorous touch.

Besides this basic plot, there was a lot more going on in this movie, including Taylor finding  romance with one of the volunteers. She is described as female version of himself including a predilection for constantly sucking on a candy cane. Only she is a much better more mature version of him and he learns a lot from her. The character and the actress were real bright spots, and it was an very clever idea for the love interest. She was funny and my favorite character even though she replaced Ali Leibert as Taylor’s girlfriend. There are a lot of pep talks in this. The “boys” give a lot of them and get a lot of them. They also get told off a lot by virtually everybody at least once, even Mark LeClark. At first I really wasn’t feeling this movie, as the growth we thought we saw in the brothers at the end of the first movie seemed to be more of a one step forward but two steps back situation. A lot of it was a rehashing, but the script was funny. Not really in a laugh-out-loud way but with clever lines and terrific visual comedy. So, well written (by Kimberley Sustad and Paul Campbell) and directed. Cute cameo appearance by Ms Sustad, btw. The obligatory heartwarming scenes were there of course, but I could have done with one or two less of those. No complaints about the acting of the three co-leads or the supporting characters, even the kids. Everyone was great, but Paul Campbell was a stand out as always. The true meaning of Christmas was learned once again. I hope we don’t have to learn it a third time because there just might be a third movie next year as the door was left open just a crack. Can we see some real steps forward with no backward ones? Can they be men and not boys? And can we keep Taylor’s girlfriend next time around? (If there is a next time.)

Rating: 7.5 out of 10.

In Merry Measure

Right in Tune

The previews of this one were funny and charming and I was so glad the movie lived up to them. I really liked the glimpses of the lead actress, whom I didn’t recognize. It turns out that Patty Murin has been in a few Hallmarks before, but usually plays the not-as-glamorous best friend role. She was adorable in this and her comic timing was tops.  It also starred Brendan Penny, a Hallmark go-to guy, whom I like, as the love interest. They had a great rapport and bounced off of each other naturally with their acting of the often fast-paced dialogue.

Darcy is a former pop star whose popularity has faded and now sings in small intimate venues. When she loses her agent, she goes home to Dayton Ohio for Christmas and ends up coaching a high-school singing team with her high-school rival, Adam (Brendan Perry). How this all comes to be is a very good story. Her widowed sister’s daughter tries out for an opening on the championship choral team and totally blows it because of her lack of confidence. In fact, the coach didn’t even let her finish the audition! Really mean and insensitive. This pisses Darcy off so much, that she gets all of the rejects together to form a competing team. They start out to be awful (and hilarious), but Darcy’s coaching style gives them confidence, and they quickly are just as good as their rivals, if not better. The #1 team recognizes their talent and the kids propose to the two bickering antagonistic coaches that they join forces and form a new group to compete in the county(?) competition. The two frenemies are now co-coaches.

Brendan Penny plays an interesting character. At first, he really is quite an arrogant jerk. He is also whiny and self-pitying. And then he has a dorky nerdy thing going on as well. Not exactly leading man material, but the banter and snarkiness between the two coaches is witty and funny. Thankfully, he learns from Darcy’s more positive and affirming approach with the kids. When he admits his harsh and insensitive methods with the kids were wrong and apologizes, things warm up considerably between the two. They become friends, but it’s not until he shows up at Darcy’s doorstep without his nerdy glasses and a bit of a makeover, that Darcy starts to fall for him. It’s a cliche, but it’s one I love.

After a lot of work and many disappointments, Darcy finally gets a chance at a contract with a big record label. Predictably, she has to choose between meeting the bigwigs and being with the team on their big night. I’m not sure what old Hallmark would have done, but with new Hallmark, she goes to New York with the blessings of everyone to meet the VIPs without a second thought. She gets the contract, but instead of schmoozing the night away, which the powerbrokers want her to do, she risks offending them and tells them she has to go back to Dayton to be with her team. Good for her, and they respected her for it.

Besides the excellent acting, funny dialogue, and good message, this movie featured a really great Christmas song selection and some equally great singing. There was actually an original song, written by our songwriter heroine that was actually really good! Now that Bill Abbott has left, I’m glad Hallmark has moved away from trying to pretend Christmas is not a Christian Holiday and embraced a few Christmas Carols that are actually about the birth of Jesus. Last year, a movie “la-la-la-ed” their way through Joy to the World to avoid referring to the deity. That was a low point. Now Mr. “Christmas is a secular holiday” Abbott has found his inner Christian and left for GAF, far away from all of the scary gay people. But I digress. It all ended with a series of flashback scenes from the movie we just watched. I guess they needed some filler, but it was creative and something different.

Rating: 9 out of 10.

Always Amore

The Recipe Needed a New Twist

**Spoilers**

This was well-acted by the talented and beautiful Autumn Reeser, as always. She has never disappointed and I approach a Hallmark movie featuring her with optimism. The same goes for Tyler Hynes, who gives a warm and natural performance. For once, he’s a strong guy who doesn’t need therapy. He plays a kind of restaurant whisperer hired by the primary investor in Autumn’s restaurant to turn things around.  Kind of like Chef Gordon Ramsay in Kitchen Nightmares but super nice and not swear-y. Unfortunately, this one is the done-to-death “save the restaurant” plotline. Autumn plays a still-grieving widow who is struggling to keep her late husband’s legacy, which is his restaurant, alive.  The problem is that doing that means keeping herself, the restaurant, the menu and recipes, and the staff mired in the past. Case in point, as pointed out incredulously by Tyler, despite being on the verge of bankruptcy, they are still expensively importing their tomatoes from Italy because that’s what her husband did. I sincerely doubt that Italian tomatoes are any better than good ol’ American tomatoes. And so does Tyler, who is exceedingly compassionate and patient despite some very trying hostile attitudes. He finally convinces her that there is no legacy without a functioning restaurant. A restaurant emphasizing love, family, and tradition is all very well, but there is none of that if a profit is not being made. Once that pilot light is turned on, it’s just a matter of convincing the bank to give her a loan to buy out her main investor who is going to sell to a big corporate entity. But the bank is not going to do that until the restaurant shows some signs of life. She has to convince her husband’s protege, himself a brilliant chef, to enter a food competition to generate buzz.  He is reluctant because he perceives that as being disloyal to his mentor. After plenty of annoying waffling, he agrees. And Autumn contributes her awesome baking skills to the effort. But what about when intimidating but beloved Mother-in-law Patty “Bad Seed” McCormack finds out what they are up to? Is she going to be like lovely wise “Nonna”, or scary Rhoda?

Besides the talented cast (including a personal fave, Latonya Williams, as the contest head, and the talented child actor, Erica Tremblay, as Autumn’s daughter) the food photography is gorgeous and the menu items look delicious. Or as they describe in the movie, “glorious, stunning, delectable, genius, a miracle, etc.”. Heavy on the tension and distress, as well as the thesaurus, and light on the wit and humor, the script is the same old retread of the same old “save the business” story with nothing special to set it apart. Autumn’s recovery from grief and finding her own path and a new love was fine, but it was hardly anything new.

Despite the finest freshest ingredients, if the recipe isn’t good, neither is the dish.

Rating: 6 out of 10.

April 7, 2022