Three Wisest Men

The current image has no alternative text. The file name is: threewisest.jpg

“Nothing like a trilogy to make people happy.”

It is the Christmas after the last movie and two of the three brothers have not shown much of the hoped for growth and wisdom which we are promised by the end of the second film. But there is some progress! 

The “worst” brother, Taylor (Tyler Hynes), has flourished in his career and is being offered a partnership in a successful tech company in Silicon Valley. But we know by his perpetually pained expression (a Tyler Hynes trademark) while the head honcho is offering him the moon and stars to come on board, that he still has “issues”. Taking the fabulous opportunity would involve moving out of state and out of his mother’s (huge and luxurious) basement.  But there is hope. He is still with new girlfriend Caroline, “the love of his life,” who was such a bright spot and force for good in the second movie. The actress, Erin Kurpluk’s, star has not dimmed in this one.

Stephan (Paul Campbell) and Susie are planning their wedding, but he still lives in his Mom’s guest house in her backyard. This is a magic guest house. It morphs from small and sort of modest to ginormous and luxurious from one scene to another. Unless there are two “guesthouses” in her backyard. This kind of lack of attention to detail that Hallmark is famous for does not have any affect on plot or character but it is very distracting. As is the borderline weird product placement. Stephan’s wedding plans are not going well thanks to his skittish behavior and shilly-shallying over decisions. Also his prospective father-in-law is visiting for Christmas and they do not get along.

 Luke (Andrew Walker), the third brother is just fine, if a little tense, being the fire chief, the father to Thomas, the titular child of the first 2 movies, and husband to his pregnant-with-twins wife. He’s nervous about his impending fatherhood, which a very ranty and unpleasant birth coach in the first scene did not help. She needed to go back to birth-coaching school.

To get the ball rolling, the boys learn their mother Barbara a.k.a. “Gigi” (Margaret Colin) is selling her huge house which not only throws Stephan and Taylor’s living arrangements into disarray but spurs the boys to make this Christmas, their last in the childhood home, “The Best Christmas Ever.” Thus, the lion’s share of the time remaining is devoted to a rather random string of over the top hijinks, shenanigans, and frenzied activity/disasters which added nothing to the actual story (was there one?) and provided all too few chuckles, unfortunately. 

However. There were a few high spots that kept the movie in watchable territory. The well-written dialogue (by Campbell and Sustad) flows smoothly thanks to the rapport of the actors playing the three brothers. Jerry, the talking cockatiel, was pretty funny, and I liked the callbacks to the previous two movies: Mr. B of the Christmas Pageant, Mark Laclark, and Kimberley Sustad’s cameo as the wry local doctor, for 3. Even Fiona (Ali Liebert, yay), Taylor’s girlfriend in the first movie, pops up in a pivotal role. At first I thought they had forgotten about Roy, Gigi’s new boyfriend in the second movie, but his mysterious absence is finally mentioned (I may have missed something) and he returns in a climactic scene. I liked Roy. There is a heartwarming scene or two where Taylor acknowledges his fear of change, and Stephan finally makes it all better with Susie. Best of all, her rude Dad gets told off by a disgusted Gigi very satisfactorily and he is suitably abashed and apologizes. At the end, the trilogy is wrapped up with the two problematic brothers making mature decisions about their future, and Luke welcoming twin daughters to the fold. This ended up being a good wrap up of the trilogy. As Dr. Kimberley Sustad says, “3 is the magic number.” And enough is enough.

Rating: 7 out of 10.

Merry Christmas, Ted Cooper!

The current image has no alternative text. The file name is: merrychristmasted.jpg

Ted’s Misfortunes

This hugely enjoyable movie is what results when Hallmark brings a gimmick free well written and plotted story together with two of their most engaging and talented lead actors. I am happy to report that this was, well, fantastic. A rare 10 out of 10. In the arc of the story, there was not a tired and over-used trope to be found. Well, to be strictly accurate, some tropes were to be found, but they were not over used. This is, after all, a Hallmark Countdown to Christmas movie. It starts out on an attention getting note, when we realize that this is centered around a male character, not a female, or a couple whose individual stories get an equal focus as they merge together.

Robert Buckley plays sunshiny Ted Cooper, a TV meteorologist in Corning, New York. He is, for good reason, “the most likable man” in the state. Ted has achieved some notoriety for always having bad luck during the Christmas season. He has been attacked by a possum living in his Christmas tree, and almost burned his house down another year. One time, he contracted a disease so rare that it was named after him. In fact, this year, his co workers have a pool set up as to which possible disaster(s) will befall Ted this year. Will he be impaled by reindeer antlers? Get run over by a sleigh? Go to jail? Electrocuted? Choke on a chunk of fruitcake? But, contrary to what one might expect, Ted’s Christmas Spirit has not been dampened. Ever optimistic, he is confident that this is the year he will not fall victim to his legendary bad luck. He takes the ribbing and teasing (primarily from his co worker, Ken the slightly smarmy anchorman, played by Brendan Penny in a funny turn) in good part, and even throws back a few zingers of his own. He is not a victim. We are not only told that everyone loves Ted, but it isn’t long before we love him too. He is kind and considerate, always putting others first, but he’s also cute, funny, and smart.

Being the good brother he is, he is spending Christmas with his older sister in Lackawanna who is in charge of the Gingerbread Invitational which will be raising money for the local hospital. Of course he can’t get his car started so he has to take the bus, and then mistakes a college girl’s luggage for his own. So he spends the first few acts of the movie dressed like a “sorority girl during rush week.” Cue pink sweater jokes. He is soon squared away in the wardrobe department when his old favorite teacher, Ms Mittens, takes him in hand, and, with her walking group, takes him shopping. Of course he becomes an honorary member of her crew, The Sole Sisters. But it isn’t long before a box of Christmas lights falls on him and knocks him out. At the emergency room, he is seen by the doctor whom he had a massive crush on while in high school. They have some banter and make a connection which is further facilitated when he has to get further treatment later that day after getting poked in the eye by a Christmas tree. “Oh, our favorite customer!” “What can I say? I like to support local businesses.” He has to do his first TV spot promoting the Invitational while wearing a Santa Claus eye patch much to the amusement of his crew back in Corning. It looks like Ted’s run of Christmas bad luck is continuing apace and someone in his newsroom is going to strike it rich with the “Ted’s Misfortunes” betting pool. And did I mention that the “Lands in Jail” choice is soon quickly checked off?

That’s just the first 20 minutes. I was just so almost-in-awe of all of the twists and turns, the humor, the heart, and the sweet romance in this story, I wish I could talk about them all in exhaustive detail.  Kimberly Sustad is wonderful as usual as Hope, who as a doctor and the once most popular girl in highschool, Ted thinks is too good for him. Thanks to his sister’s manipulations they start dating and Hope is smitten by his cuteness and fun personality. But trouble looms when she starts to question whether Ted is letting her in to see the real person under the good guy persona. First, he refuses to send back a hamburger which was not made to his instruction because he doesn’t want to get the waiter in trouble. Her worries are confirmed when she learns he is putting off accepting a big promotion in nearby Buffalo out of gratitude to the station in Corning who gave him a chance when no one else would. Ted is loyal to a fault and always gives up what he wants to make everyone else happy. 

There is heart in this story as charm. We learn why Ted puts everyone else’s feelings ahead of his own and how, thanks to his sister and Hope, he finally learns that he can balance advocating for himself while still being a friend to all.

It is no surprise that Robert Buckley, who developed this story, and Kimberly Sustad who are always engaging and natural on their own, make an irresistible pair together. Their partnership in the romance and repartee is effortless. The humor is warm and integral to every interaction, not based just on a few clever one liners. The conflict is not manufactured out of some phony machinations, but is a natural result of plot and character. What a concept! Every detail was on point, including nods to “national treasure” Mark Harmon and Taylor Swift. Kudos for including an actress in a wheelchair as Hope’s best friend! The movie concludes with Janice in Corning winning a fortune for her perverse guess that Ted will end up “Kissing a Beautiful Woman on Live TV” (odds 10,000 to 1) and anchorman Ken having to sell his boat. Mark my words, this one is destined to become a Hallmark Classic and top 5 all time popular Christmas favorite along the lines of A Biltmore Christmas, Snow Bride, and Round and Round.

Rating: 10 out of 10.

The Santa Class

The current image has no alternative text. The file name is: santaclass.jpg

Campy Christmas Camp

Kimberly Sustad plays Kate North who has inherited North Star Academy, a school for Santas from her recently retired father. “What is a Santa School?” you may well ask. Well, it’s just what it sounds like. It’s for the training of those aspiring to be “picture perfect” Santa Clauses in order nab the most prestigious Santa jobs at the best malls, department stores, and parades. After her father retired, most of her clients have left for the competition (more on that later) and she, already only reluctantly trying to run this school, is left with 6 trainees which on the surface could only be described as pretty hopeless. We have a Jewish hippie Santa, a very intense  woman Santa with a chip on her shoulder (for some  reason), A Santa who speaks through a hand puppet-excuse me- “figure” aka “ “a talking piece of felt,” an elderly cool black Santa who wants to prove himself to his grandkids, a young skinny Santa who is only there to research his doctoral thesis on Santa Mythology, and an actor named “Paul Campbell”, up for a part in a Christmas Movie and played by my and many others’ favorite Hallmark actor, Paul Campbell.

Things are not going well. To add to her woes, we have the aforementioned competition, the Saint Nicholas School, “America’s Top Santa School,” which has been has been sucking the life out of North Star Academy for years. Back in 2013, North Star Academy’s business manager Blaise left to set up his own school, because Kate’s father, a legend in the business, was too focused on turning out wonderful Santas and not making as much profit as he could. Blaise has built a very profitable corporate-backed school and is now about to branch out into training Cupids, Leprechauns, and Easter Bunnies. Kate is on the verge of selling out to the owner of many malls who has offered to buy the school. He is actually nice and not a bad guy. Kate’s love interest is a hot shot Santa trainer (voted the best in America), played by Hallmark mainstay Ben Ayers, who was recently fired from St. Nicholas by Blaise because his high salary was eating into the board members’ Christmas bonuses. Kate and Dan went on a date once but Kate dumped him when she found out he worked for money-grubbing Blaise. Now fired Dan comes to Kate begging her for a job, and she agrees to take him on as her Santa trainer for the current session. Ben and Kimberley’s chemistry was excellent. She is such a presence that she needs a strong actor as a partner, and they both shine in these goofball roles.

Can we just say that  this movie is not thoroughly grounded in reality?  And this is not solely due to the fantasy element which is introduced when, driving back to Kate’s school,  they almost run over an old fat man in a red suit who is stumbling down  the middle of the road. It’s the real Santa Claus! But he has hit his head somehow and has amnesia. Kate and Dan know he is the real one because they both see his sleigh with his 8 reindeer flying away back home. They decide to take him back to her school to take care of him and help him regain his memory of who he is before it’s too late for all of the little boys and girls of the world to get their presents.

We are asked to just ignore a lot of questionable or nonsensical plot elements. The main thing is that the action is set during Christmas season right on up to Christmas Day. Shouldn’t Santas be trained during the summer or early autumn? There they are at Santa school when they should be already fully trained and working at being Santa Clauses. Even though the ending is happy and full of hope, we are not sure why. Nothing is really resolved. Yes, our team won the “Christmas Cup” from their rival, but it really doesn’t solve any of their problems. The money-rich corporate backed competition is still there, even though bad Blaise’s heart grew a few sizes thanks to a special gift from Santa Claus. I wasn’t convinced Kate still didn’t feel trapped running the school. Is Dan really worthy of her? And other stuff.

But it was fine! The presence and performance of Kimberly Sustad and the rest of the cast of characters more than made up for any gaps in logic. The whole plot line was kind of brave and really outside the usual box. It just barreled along and just kind of dared the viewer to question what was going on with the details. It was really funny with lots of jokes (some inside jokes for Hallmark fans), snappy dialogue, snarky banter, and interesting well acted characters. Trevor Lerner was perfect as Santa Claus, whose magic keeps popping out as needed. The romance between Kate’s academic sister Bailey (Doctor of European Folklore) and the the doctoral candidate Santa was cute. As a parting gift, Santa gives Kate a beacon in the form of a magic whistle which she is to use if she ever needs Santa’s help again. So that solves everything. We don’t have to worry or question that the future success of Kate’s business or her love life will be anything but but guaranteed. And I feel like there was hint of a sequel on the horizon. So maybe the loose ends will be tied up eventually.

Rating: 8.5 out of 10.

Three Wiser Men and a Boy

The current image has no alternative text. The file name is: threewiser.jpg

Christmas is Saved!

It’s 5 years later, and we’re back with the three Brenner boys. On the surface, everything seems fine. Luke is married to Thomas’s mother Sophie and being a Dad. Thomas was the baby in Three Wise Men and a Baby who was foisted on the three brothers by a complete stranger to temporarily take care of. Which they did, and by doing so managed to heal a breach that had developed between them, learned to appreciate how great their mother was, and grew up a good bit themselves. Thomas’s mother, I’m happy to report, is now gainfully employed and being a success at her job. She is going to some kind of work conference and Luke is going to be taking care of Thomas on his own while she is away. Stephan, former pet psychologist, has now written a self help book for humans about conquering his own crippling anxiety. He is still seeing Susie, whom he got together with at the end of the previous movie. When we first see Taylor, he is pitching the new video game he has created to an investor on a video call in what appears to be an office in his own company.

But all is not what it seems. To make a long story short they still have a lot of work to do on themselves. Especially Stephan and Taylor. Luke, who has been promoted to Fire Chief,  still pretty much has it all together although he is as tightly wound as ever. He has dropped some balls at work and at home but that’s parenthood for you, right? The corporate representative that Taylor is pitching his game to wants to buy the game for a large amount of money, not invest in it. Taylor refuses his offer because he views it as selling out. After the call, we see that Taylor is using a coffee shop as a front for an office and he and his props are kicked out. He goes home to his apartment and is met with an eviction notice for not paying his rent. Stephan has been neglecting Susie in favor of promoting his aforementioned book and their relationship is showing some cracks. As does his new calm and collected facade. Susie wants to get married like a grownup and Stephan is oblivious. Taylor, due to his being homeless, suggests that all three of them move back in with Mom as a Christmas treat for her and so they all can take care of Thomas while his mother is away. Of course we know that many challenges are on their way and by the end they will result in “the boys” getting back on the right track once again.

Since they have the parent and uncle thing pretty much nailed now, the challenges come in the form of Mom’s new boyfriend and them taking charge of Thomas’s school Christmas pageant. While visiting a rehearsal, they had accidentally destroyed all of the sets and props and served the children “poison” cookies so half of the kids quit, along with the director. Mom’s new boyfriend, who is a pastor and pretty much the perfect man and in all ways worthy of their wonderful mother, is very much resented by the boys and is not exactly welcomed with open arms into their Mom’s life. Taking charge of the pageant does not go well as all of the kids who had any talent are gone, and the boys think the whole thing has to be rewritten. They are determined not to let this pageant be a disaster that will scar the kids’ lives forever, but true to form, they screw it up even worse by calling in “the big guns,” Mark LeClark,  the Christmas decorating champion from the previous movie. He is all about Christmas glitz, giant inflatables, smoke machines, and disco lights. In short, everything not in line with the true spirit of Christmas. After the set burns down thanks to a blowtorch and an overloaded circuit board (way to go there Mr. Fire Chief-maybe not so together after all), they finally listen to the advice that all the adults in the room have been trying to tell them and go back to the original simple plan. The pageant is a success and, to borrow a line from the show, “Christmas is Saved!” The play is called “The Grump Who Ruined Christmas” to avoid copyright infringement which was a humorous touch.

Besides this basic plot, there was a lot more going on in this movie, including Taylor finding  romance with one of the volunteers. She is described as female version of himself including a predilection for constantly sucking on a candy cane. Only she is a much better more mature version of him and he learns a lot from her. The character and the actress were real bright spots, and it was an very clever idea for the love interest. She was funny and my favorite character even though she replaced Ali Leibert as Taylor’s girlfriend. There are a lot of pep talks in this. The “boys” give a lot of them and get a lot of them. They also get told off a lot by virtually everybody at least once, even Mark LeClark. At first I really wasn’t feeling this movie, as the growth we thought we saw in the brothers at the end of the first movie seemed to be more of a one step forward but two steps back situation. A lot of it was a rehashing, but the script was funny. Not really in a laugh-out-loud way but with clever lines and terrific visual comedy. So, well written (by Kimberley Sustad and Paul Campbell) and directed. Cute cameo appearance by Ms Sustad, btw. The obligatory heartwarming scenes were there of course, but I could have done with one or two less of those. No complaints about the acting of the three co-leads or the supporting characters, even the kids. Everyone was great, but Paul Campbell was a stand out as always. The true meaning of Christmas was learned once again. I hope we don’t have to learn it a third time because there just might be a third movie next year as the door was left open just a crack. Can we see some real steps forward with no backward ones? Can they be men and not boys? And can we keep Taylor’s girlfriend next time around? (If there is a next time.)

Rating: 7.5 out of 10.

The Real West

A Ranchy Romance

I’m afraid I am somewhat of an outlier on this one. Kimberley Sustad, with her acting and authenticity was a queen, as usual. The script was a good take on 2007’s Steve Carell dramedy-romance Dan, In Real Life with the leading roles reversed. Some funny lines were made funnier by Kimberly Sustad’s comic timing, as always. And when emotions and angst are called for she is always more than equal to that as well. The plot had some good elements, both amusing and poignant. Rebecca’s ( Kimberley Sustad) relationship and banter with her two sons and her mother were well drawn mostly due to the acting of all concerned. But unfortunately, I just couldn’t get over the way the romance part was handled, the behavior of Rebecca’s flaky free-spirit younger sister Cassidy, and how the college issue with her 17-year-old son was resolved.

Rebecca is a university professor and widow with a teenage son and a 9-year-old who is told by her family that she needs to get a life and start dating again. Meanwhile, they are set to join her mother and sister at a dude ranch for a family vacation. When they get there, she learns that her sister has arranged the whole thing to follow a guy she has gotten serious about and thinks might be “The One”. She met him in upstate New York but he works there in Colorado as the horse guy for the ranch. She wants her sister to meet him and give him her Seal of Approval before she takes it any further because she isn’t a good judge of character like her sister is. Also, her mother hopes to set Rebecca up with a childhood friend who has grown up to be a real hunk. To add to the fun,  her 17-year-old son has invited his girlfriend along without her permission or knowledge until the young lady shows up with her luggage the morning of their departure. I’m not even going to go there because it turned out to be a very minor ripple in a sea of trouble.

Rebecca has yet to meet Jake, her sister’s boyfriend, when she goes into town to buy a cowboy hat. She meets a ruggedly handsome cowboy-looking dude there whom she takes to be the store clerk. The immediate electricity between the two just crackles. He flirts with her very seductively including getting all up in her space. This was not harmless fun and jokey flirting, but in earnest. He pretends he is the store clerk and proceeds to help her find the perfect hat because the hat should reflect the inner self. Whatever. The Sorting Hat routine continues as he places 3 hats on her head to choose from, looks deep into her eyes, and spouts off lines such as “Tried and true… When others grow weary, you grow stronger…Tough and tender…and strong enough to ride the land but gentle enough to warm the hearts of anyone lucky enough to know you.” Ick. Now I couldn’t tell if Lucas Bryant was kidding with his performance of a laconic, growly-voiced cowboy type, but I am up to here with every actor who plays a cowboy trying to channel Sam Elliot, kidding or not.  One of the funnier lines was Rebecca’s reaction to his hat-fitting methodology. “Oh. It’s a hat AND a horoscope.” But she is smitten, and buys all 3 of the hats after which she goes out for a 3-hour coffee break with him and they exchange numbers. Later, back at the ranch, her sister’s boyfriend shows up and she introduces him to her family. Guess who. Now I didn’t blame Rebecca at all. She was shocked, disturbed, and embarrassed. But I didn’t like how Lucas Bryant’s part in this was glossed over and ignored. He actively pursued her while still in an at least semi-serious relationship with another woman who turned out to be her sister. And he didn’t seem to care or have any sense of regret or chagrin over his behavior. He was very passive about the whole thing like her sister’s feelings had nothing to do with him. Either he had no empathy which I hope was not the case (because there is a word for someone who has no empathy) or he just didn’t show any. He was pretty inscrutable. He doesn’t break up with the sister until the movie is almost over and after the two boys had grown attached to him and he and Rebecca were hot and heavy emotionally.

Speaking of the sister, she  stupidly and obliviously persisted in throwing Rebecca and Jake alone together so Rebecca could get to know him. It was so bad, I thought that she was trying to match-make between the two having decided he was not for her after all. If only. That would have been fine and kind of funny. But no, when she finally figures out the two are well on their way to being seriously involved, she gets all mad at her sister! When she did nothing but throw them together at every opportunity! Why didn’t Rebecca tell her the truth about him putting the moves on her behind her back and their mutual attraction when her one job was to alert her sister to any red flags she sussed out? No clue.

I don’t want to pile on about this movie because there were so many great things about it. I will only briefly mention the third thing that didn’t sit right with me. What was with Rebecca giving her son her blessing to follow his girlfriend of 4 months to an out-of-town and lesser university rather than stay at home to go to a better school? And one to which he presumably would not have had to pay tuition since she was a professor there? That seemed way too irresponsible and indulgent to me.

Believe it or not this was a good movie with good acting from all concerned except I didn’t know what Lucas Bryant was trying to do. Probably the direction he got. Besides Kimberley Sustad, Lynda Boyd as the mother made an impact despite her few lines and small part. The side plot of Rebecca’s youngest son being obsessed with ghosts was amusing and quirky until we found out what was behind his interest, and then it was poignant. Azriel Dalman as the youngest son was wonderful as always. He is a regular Hallmark actor.

I didn’t see this movie until 3 days after the premiere for reasons I won’t go into but I wanted to love it going by the many glowing reviews and positive feedback. I just couldn’t get past the way the main characters were written. I was disappointed. Oh and by the way, the next time a Hallmark actor says “It’s complicated.” I won’t be responsible for my actions.

Rating: 6.5 out of 10.

To All a Good Night

Don’t Look Now, but There’s an Elephant in the Room

No one does cheesy like Hallmark and they brought out the big guns with a cute but naughty dog, soldiers, and letters from the dead. But thanks to the acting talents of the deservedly universally admired Kimberley Sustad, it all worked out to be a very enjoyable movie with a minimum of cringe. This despite the fact that Kimberley’s character Ceci is unfortunately in the most annoying profession for a Hallmark lead, a freelance photographer. She was more than ably supported by Hallmark regulars Karen Kruper and a favorite of mine, Leanne Lapp. Kudos also to Hallmark newcomers Mark Ghanime and the  appealing Luisa d’Oliveira as our heroine’s supportive and funny best friend. Thanks to the  smart and often amusing script the movie never descended into the sappy melodrama I kept dreading was just around the corner. And all of the characters, even the secondary ones, were well rounded with hints of interesting back stories.

Ceci  is trying to recover from her beloved father’s recent death while dealing with a new stepmother whom he married right before he died. Vivian is a strong personality (we find out why later) and Ceci is standoffish with her. Her suspicion is understandable, as we learn her father surprisingly left his brand new wife half of everything, including a piece of parkland that Ceci had always thought of as her own legacy. Every Christmas Ceci and her father raised money for worthy causes by having the townspeople decorate the Christmas trees on this land for a donation. The event is called “To all a Good Night” but she is canceling it this year because of her grief.  

Enter our hero, Sam, a combat veteran, who though well on the road to recovery, has gone through an emotional and physical ringer. He is working for his father a wealthy and high-powered property developer, but really isn’t happy there. Leanne Lapp plays his supportive cousin who is very much suited to take over the business from her aging uncle. Sam gets a letter with only an ink stamp of an elephant for the return address, and the next thing we know, he is on his motorcycle racing towards Harmony Bay, Ceci’s home town. He wipes out on a trail in the woods and is rescued anonymously by Ceci, whose only identifier is her elephant pendant given to her by her father which she never takes off. Except now that she wants to keep her identity secret from him. I forget why? Eventually, she finds out he is a property developer and the trail he was on leads only to her piece of land. What is he up to? Is her stepmother planning to sell her share? Refreshingly, these characters actually communicate with each other in a timely manner. While we wonder and wait in some suspense, conflicts don’t go on past all logic and understanding.

There are many threads that come together, tears shed, and secrets revealed along the way to the satisfying conclusion. I don’t need to tell you that by the end, Ceci not only gains a future husband  but a surrogate mother in Vivian. The “To all a Good Night” event goes on and her land is her own to be developed as she wishes. Although there was hardly a Hallmark trope left by the wayside, this movie was elevated by the acting and well-written characters. The pathos was kept palatable by the humor and lightheartedness that was worked into the script. Almost an 8.

Rating: 8 out of 10.

Fourth Down and Love

Not quite a Touchdown, but at least a Field Goal

I did not hold high hopes for this one for a few reasons. First of all, there is the age thing, which probably bothers me more than it should for some reason. Ryan Paevey is 39 years old and it is absurd that he could credibly play a star wide receiver in the NFL. It is rare that wide receivers play much past age 30, and the youngest his character could be is 35. Secondly and sadly, I have not been much of a Pascale Hutton fan. She just always seems so placid and too mellow. I don’t watch When Calls the Heart, so maybe I would feel differently if I did.  Also, getting back to the age thing, she is 44 years old and is playing a character that must be at least 10 years younger.

But I was surprised. Ryan and Pascale were good together and totally believable as a couple, despite Erin, Pascale’s character, hitting the nurturing maternal thing pretty hard, and not only with her daughter. She really won me over with her comic timing delivering the humorous lines (“It’s a powerpoint. We’re doomed.”) and her skill with physical comedy as well. Her bee scene was a standout. The two actors seemed to play off each other very well and both seemed to be having a great time with this movie.

The plot was not much being the same old second chance romance of a former couple parted in their youth by a misunderstanding and lack of communication. It was made more tiresome because the lack of communication continued on and on until the end despite them becoming friends and then getting serious again. Briefly, Mike (Paevey) breaks multiple ribs in his first game after a long absence recovering from an ACL tear. Not surprising given his age. Sorry, not sorry. He goes home to recover and ends up helping his brother Jimmy by coaching the girls’ flag football team. Mike and Erin are reunited, she having mysteriously ghosted him after he was drafted by the Pros after college, breaking his heart. Her daughter has joined the girls’ team after being discounted and ignored trying to play on the boy’s team. The weakness of the plot was more than countered by the strong cast of characters. To single out just two, Kalyn Miles, Erin’s friend, and partner in their real estate firm was a standout, as was the always reliable Heather Doerksen as Danielle, Mike’s droll smart-mouthed sister-in-law who, along with her husband, immediately starts scheming to get the two reunited. The family dynamic adds a lot, as well as the adventures in coaching and the competition on the field as the girls go through the season and finally play the boys for the championship. I can’t help it: I love a good dose of girl power in my stories.

The strong cast was bolstered by some entertaining cameos: Ben Wilkinson as a sportscaster, and Kimberly Sustad appearing as a sideline reporter. Another favorite, Steve Bacic, played Mike’s quite dastardly agent who-spoiler alert!-gets satisfactorily fired at the end. I prefer him as a good guy, but he was well-cast.

It’s about time a football story was included in Hallmarks Fall lineup.

Rating: 7.5 out of 10.

Game of Love

Let the Games Begin

I think so highly of Kimberley Sustad that I’m not sure whether I liked the non-Kimberley Sustad parts or not. I suspect if her character had been played by anyone else, I would have absolutely hated her. As it was although she was very flawed with many issues to tackle,  Sustad managed to make her sympathetic and likable enough that I could put up with her with patience until she started to see light. If only how she managed that could be formulated, bottled, and distributed to her colleagues.

Audrey is a quest and adventure game designer. She is a loner in her personal life-her only friends are an older woman whom she plays board games with at a cafe, and an unseen person that she plays a word game with that is not Words with Friends, but she does “chat” quite a bit with him (or her). Of course, she is not interested in romantic love and dating is a big no-no. If she were a guy, she would be living in her mother’s basement. Right off the bat, she has to be shamed into going on a blind date she had already agreed to arranged by her only friend. She shows up to the elite restaurant in a hoodie and jeans. She has the grace to be embarrassed when her date is a real hottie and smartly dressed. They get thrown out because there’s a dress code. Her date calls her out on her rudeness and arrogance and leaves. Her behavior did not endear her to me either. But you know, Kimberley Sustad.  In her professional life, she is known as “Not a Team Player.” She works on her own and doesn’t want help or input from her fellow employees. She wears headphones all the time to keep people away. Nice little detail. When eagerly approached by Patti, a hero-worshiping new employee, adorably played by Christin Park, as yet uncredited on IMDb, she is politely dismissed. Actually, how Audrey treats her is very rude and unkind, but Kimberley plays it so you don’t hate her.

Needless to say, because PLOT, Audrey’s world is about to be rocked. Her boss tasks her to work with a marketing consultant (Matthew, played by Brooks Darnell) to develop a game that will finally win a coveted award and the deadline is only a month away. It will be called “Love Life” and is based on the search for love (Uh-Oh!). Audrey is horrified but she has no choice. Kimberley needs a strong co-lead to keep up with her, and Brooks Darnell fills the bill nicely. Matthew has the opposite problem from Audrey in that he is anxious to fit in and be accepted by everyone. Everything he does is “on trend.” Meanwhile, he has lost his true self.

Audrey does a terrible job developing a game about something she has no use for and finally realizes, thanks to Matthew, that she needs help from others. With the help of her newly formed team, including adorable sweet Patti, they start to make great strides. Both Matthew and Audrey learn about each other and start to like each other. We learn why they are the way they are and they help each other become better. Audrey learns how to play well with others and also starts to get close to Matthew. Matthew starts to shed the need to pretend to be something he is not. He takes down the trendy anonymous abstract painting in his stark apartment and replaces it with his own original photographic art. Symbolism! This from his former profession that he had been pressured to give up as too quixotic and unprofitable. Their learning curve which involves a lot of game stuff takes up the bulk of the movie, and got a little long.

This movie did not escape the usual “big crisis with only 18 minutes to go” syndrome. Kimberly backslides into her old ways which was stupid and didn’t make sense, but it was brief. Had to be because only 5 minutes to go by this time. Anyway, the Hallmark Happy ending followed apace with love, happiness, and professional success for all. Oh. And guess who her Not-Words-with-Friends chat buddy turned out to be? Yup.

The backdrop of game development was pretty interesting and unusual, the script had some nice details, the set decoration and graphics were on point, and the romance was serviceable. The acting and character development were its strength. There was not a lot of humor, except stemming from Sustad’s delivery, warmth, and authenticity.  It was good but not outstanding. All in all, I give it a 7 1/2 on my special Hallmark scale.

Rating: 7.5 out of 10.

Three Wise Men and a Baby

Three Very Popular and Attractive Actors and a Baby

**Spoilers**

This was cute with some good lines and good physical comedy. Three bickering brothers all live with their Mom, Margaret Colin, who was in the original Three Men and a Baby and Independence Day. She was a welcome surprise. Luke, the well-adjusted and responsible fireman  (Andrew Walker) is there just temporarily while his house is being built. The immature tech guy and gamer (Tyler Hynes)  unsurprisingly lives in the basement and the shy pet therapist (Paul Campbell) in a small house in the backyard. These actors are three of the most popular Hallmark actors, and the script gave each of them an opportunity to shine and show off their appeal. I’m sure this will be very highly rated with high ratings.

In the familiar plot, a baby is left at the firehouse with a note addressed to Luke to take care of him until Christmas Eve, when she will be back. Luke takes the baby home for his mom to take care of but Mom has to leave for a family emergency, which leaves the unemployed Taylor (fired for being a loudmouthed jerk) to bear the brunt of the babysitting. Paul who is self-employed pitches in and predictable shenanigans follow predictably if amusingly.

Penned by the multitalented Paul Campbell and Kimberley Sustad (who makes a brief cameo appearance, along with Preston Van der Slice), this one had some good lines of which curmudgeonly Taylor got the majority. There was some contrived physical comedy consisting of dressing up in elf costumes for no discernable reason, and the re-creation of a Christmas dance performance the boys made up as kids (which was cute as heck). Taking care of the baby helps the brothers reconcile and work together. In a dramatic scene after a scare at the hospital, they each admit their share of the blame for their estrangement. Taylor in particular comes forth with a much-needed apology for his past behavior. They also realize and appreciate what an awesome mom they have. They have trouble enough with one baby, while their mother raised three rambunctious boys, damaged by their father’s desertion, by herself.  They decide to enter the neighborhood Christmas light decorating contest. Both to win a cruise for their mother as a special Christmas gift and to beat the former school bully who lives across the street and has been taunting them throughout the picture. Unpredictably, they don’t win due to a last-minute technological malfunction. They compensate with an off-the-cuff no-tech retelling of the Christmas story which, although only vaguely resembles the gospel version, is much more authentic to the true spirit of Christmas. Even though they lose, Mom is more than compensated by the joy of seeing her boys being close friends again.

Oh, and there’s some romance too. After the human “wrecking ball”, Taylor, makes up for his behavior at work he is reconciled with his workmate and former girlfriend, Ali Liebert, who has been popping up throughout the movie. Stephan, the reclusive brother, gets together with a single dog-mom who has pursued him relentlessly throughout the movie. It was a bit of a surprise when she turns from a man-hungry cliche into a nice woman. Still, his declaration at the end That he is “enraptured” by her was very much over the top and came out of nowhere. We see in the “One Year Later” epilogue that Luke has gotten together with the down-on-her-luck young mother of the baby. It turns out he helped deliver her which was why she left it with him while she found a job. Even their former nemesis, Mark the neighbor, is included in the festivities.

Rating: 8 out of 10.

Lights, Camera, Christmas!

Cute and Clever, but I Didn’t Buy the Love Story.

**spoilers**

Hallmark had a little fun with this parody of Hallmark Christmas movies. And I had fun with it as well. Kimberley Sustad, who is a favorite with many viewers including me, plays Kerry, a formerly aspiring dress designer who now owns a dress shop in a small town. She lives with her mother and her shop is on the verge of failure. She is very self-effacing and lacks confidence. Hallmark, oops, excuse me “Dazzle”, comes to town to film their latest Christmas movie, My Favorite Santa, which is super-cheesy. We get to know the cast and crew including the male star and love interest, Brad “the King of Christmas” Baxter.  He embodies all of the cliches attached to a phony vain movie star, including his trademark flirty wink to the camera which caps off all of his movies. When the production’s costume designer quits, Kerry is dragooned into taking her place. She proves her worth time after time. As she gets to know  Brad, she realizes that beneath the Hollywood facade, he is a nice guy. They start to fall for each other.  There is a secondary romance as well between the producer and the director. They are exes who used to be the most successful movie-making team at Hallm…um, “Dazzle”. They go from only being able to talk to each other through an intermediary, a put-upon P.A., to mutual respect, and then re-igniting their love for each other.

Unfortunately, although very promising, it fell short for me. First of all, it was kind of boring. There was no drama, tension or suspense. The enemies-to-lovers conflict between the divorced showrunners was slow and predictable with a minimum of fireworks. I didn’t buy the Brad character. How could a truly genuine and nice guy act like such a dolt? His character is meant to be funny, but also mildly contemptible as well. He certainly wasn’t worthy of Kerry especially as played by the lovely and talented Kimberley Sustad. At one point, he offers Kerry a job as his costume designer after he gets a game-changing movie role in London. She takes a leap of faith and turns down her dream job in New York to go with him. But when he reads a piece criticizing his going against type to play a villain, he chickens out and backs out of the gig. He didn’t even think of his promise to Kerry. So Kerry lost her dream job and the London opportunity.  Thanks, Brad.

I give Hallmark props for parodying itself in an amusing and effective way. And the structure was unusual for Hallmark as well. It is told in flashbacks at the premiere with the principals taking questions from the audience. We learn that Brad changed his mind again and took the role in London (without Kerry) but she is now working in Hollywood as a costume designer for the re-married team with a 6 picture contract. Brad and Kerry get together at the end after Brad apologizes and vows to change, but I didn’t believe in the relationship. And, so far, I’m not a fan of John Brotherton. I have to add that the final scene was very funny. I chuckled.

Rating: 7 out of 10.