My Argentine Heart

Back at the Estancia

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I got so caught up in the financial complications of this one that I didn’t pay full attention to the more important parts, namely the romance, the scenery, and our heroine Abril’s Boston/career v. Argentina/man dilemma.

Abril, Julie Gonzalo, is a business consultant whose reputation in the industry was ruined by almost driving a multi-billion dollar company into bankruptcy. She’s actually famous as a cautionary tale and is unemployable in her field. When her cousin calls her from Argentina, she tells her she has gotten an offer to buy their ranch they inherited from their grandparents. Belinda is tired of trying to run it on her own and wants to pursue her dream of owning a restaurant.  Abril prefers to have the ranch in her hip pocket as a possible vacation or retirement home, even though she hasn’t visited in years and years since she was 18.  She hotfoots it to Argentina to see if there is a way to keep the ranch and still allow Belinda to achieve her restaurant dream. If she can work some financial wizardry, maybe she can punch up her resume and get a job again. When she arrives, she finds out it is her former boyfriend who has made the below-market but fair offer for the ranch. She is having none of that. Diego has given up his finance career in Mexico City to return to the soil and find his soul by owning the ranch that his ancestors have been caretakers of for generations. While going over the financials, Abril discovers an old loan which has never been repaid. Belinda explains that the loan had been sold and then resold and she doesn’t even know who owns the loan now and that whoever owns it has never asked for payment. She was advised to just forget about it. Rest assured that this will eventually come back to bite them. Abril looks for investors so she and Belinda can retain ownership and keep from selling it to Diego.  She discloses the loan to an interested party, as she is legally and ethically bound to do, and he ends up finding the loan, buying it, and asking for immediate payment or else he will take over the ranch and they will get nothing. Now faced with a common enemy, Diego and Abril end their hostilities and start working together, etc., etc. She wishes she had just sold the ranch to Diego especially since Belinda really and truly wants nothing to do with it anymore.

So many questions. First off could a bank do that? The answer is yes, depending on the original terms of the loan. But they cannot demand late payment penalties like they are doing. Belinda and Abril’s lawyer, a very handsome guy and really nice and Belinda’s love interest, threatens to tie the whole thing up in court. To avoid that, the bank offers to forgive the loan if they sell them the ranch for a fraction of its worth, much below Diego’s offer. At no time are we told the amounts of Diego’s offer, the size of the loan, the income from the ranch, its fair market value, or what the bank offered for the ranch. So it was all very murky. Abril contacts a former colleague in America who owes her a solid about investing in the ranch. He doesn’t want to do that, but offers Abril a position in his company with a high salary because he feels partially responsible for Abril’s reputation being ruined and being a pariah in the industry. Abril is ecstatic because that “solves everything.”  Diego and Belinda are confused, as was I, but Abril explains that now that she has a steady income, she does not have to rely on her savings to keep body and soul together while she is unemployed. Along with her savings, if she sells her condo, she can personally pay off the loan, and then she and Belinda can accept Diego’s offer to buy the ranch.  Belinda and Diego point out to this double MBA in Finance that the loan is twice as much as Abril would get back from the sale. But Abril assures them that it is “not about the money”. I thought Belinda should have at least offered her a share in her restaurant-to-be but she doesn’t. On the other hand, has poor Belinda ever been compensated by Abril for doing all the work running the ranch? Just a random thought. Later Abril suggests to Diego that maybe they could be partners and run the ranch together (she, remotely, from Boston) and she gets a big “No”. He does not want to share.

 So if I figure correctly, Abril loses her share of the ranch plus half of all her savings and the sale price of her condo. “You’re investing $10 to get back $5!” She has to find a new and cheaper place while working for a company which offered her a job out of guilt. But that’s OK because she has the satisfaction of helping her cousin achieve her dream and knowing that her family ranch will be in the hands of someone who will preserve its legacy and not in the hands of a greedy bank. Methinks Abril got the short end of the stick, and I really wouldn’t encourage her to put this on her resume. On her way back to Boston, in a considerably worse financial situation than when she left, Diego enters stage left at the Iguazú Falls, to save the day. He has had a think, and decides that he has been too proud and will now let Abril be his partner in the ranch instead of paying her the cash as long as she stays there with him in Argentina. He loves her, she loves him, and Abril decides that is a fine idea and they kiss.

Juan Pablo Di Pace, who played Diego, was very handsome and charismatic and Julie Gonzalo has never looked lovelier. They were both born in Argentina and were pretty good together. The rest of the cast were all local actors, and they were all great. The Argentinian setting was interesting and beautiful. It all looked pretty authentic to me, except their gaucho clothes looked a little costume-y. But I felt like Abril thoughtlessly discounted Belinda’s desire to sell the Ranch and Diego rubbed me the wrong way as well. He was inflexible and stubborn off and on through most of the movie added to a chip of class warfare of his shoulder. At the end of the day, the things that bugged me outweighed what I liked.

Rating: 6 out of 10.

3 Bed, 2 Bath, 1 Ghost

Wooooo Wooooo

Hallmark tried something different here and they pretty much pulled it off. Anna is a newly minted real estate agent who has just unenthusiastically joined her Dad’s firm. She has recently broken up with her fiance, Elliot, and is still hurting from that and the failure of their home restoration business. Elliot, who will soon be moving to Boston to reestablish his business, is still in town in a last-ditch effort to get a historical designation for a house he still wants to restore.

 Anna’s Dad has given her a prime property to sell, which has angered jealous Terrence who thinks he should have gotten it as he has been the firm’s top salesman for 15 years. Terrence is a creepy bad guy, but I saw his point. This is nepotism pure and simple, and is another strike against her toxic father who is domineering and controlling with his princess, Anna.

Although a beautiful old historical mansion, it has never sold or been occupied since the original owners passed away in the 1950s. It is “jinxed.” And we soon find out why. In the introduction, set 100 years prior, we met Ruby, a 1923 flapper and socialite who was having her birthday party at the house. The set decoration and costumes are very well done, bravo Hallmark. She leaves the party briefly to break up with her long-time love who is the chauffeur. They live in two different worlds and are not meant to be. No Sybil and Tom from Downtown Abbey here. We learn that Ruby was killed in an auto accident shortly thereafter, and died regretting her break up and still loving Charlie the Chauffeur. How do we know this? From Ruby! She is a ghost, still lives in the house, and has been scaring off potential new owners ever since her parents died. But something has changed. For the first time, someone can see and interact with her, and it is Anna. Why? What is going on?

The women go from antagonists to friends, working together to get the house into the right hands, i.e. buyers who will not tear it down. Ruby determines to help Anna reunite with Elliot because she senses that if that can happen she can pass over to be with Charlie. But is he waiting for her on the other side or did he move on and find new love after her death?

Humor is provided by Ruby’s first appearances to Anna, her matchmaking efforts, and her introduction and reactions to life in the 21st century. There is some drama with Anna trying to overcome her issues with her relationships with Elliot and her father and trying to save the beautiful house from destruction that selling it would guarantee, thanks to her overbearing and money-grubbing parent. The friendship between ghost and girl is the main focus of this movie. After everything comes to a head, the rather touching and romantic ending reveals why Anna and Ruby had a special connection.

This was a pretty good one, but had some weaknesses that were worrisome to me.

**Spoilers ahead**

Anna does a lot of research into Ruby’s life, but why did she not go back to the library to help Ruby find out what became of Charlie? Anna finds some valuable letters in the attic written to Ruby from F. Scott Fitzgerald, Hemingway, and Josephine Baker which help her save the house in the end. But who owns them? I assume her father’s real estate company owns the house since they mentioned just wanting to flip it. But how and from whom did they get it and with all those valuable letters, not to mention antiques still moldering away inside undiscovered? It is never explained why Anna had emotional problems that caused her relationship with Elliot to fizzle and to let her father run roughshod over her. The connection between Charlie and Elliot was nicely done, but the conclusion would have been more effective if there had been a secret familial connection between Anna and Ruby as well. Connecting the two couples more completely would have added a real “Wow” factor to that ending. As always with Hallmark, bothersome plot holes and unanswered questions could have been easily fixed with a few easy tweaks.

**End spoilers**

All of the actors were fine, but special kudos to William Vaughn who played slimy Terrence and Madeleine Arthur who played Ruby. She is a dead ringer for Christina Ricci who recently portrayed Zelda Fitzgerald in an Amazon Prime series. I can’t believe that was a coincidence and did lend a certain something to her portrayal.

This was a 7-star movie for entertainment value (on my special Hallmark scale), but I’m adding an extra star for Hallmark’s effort in trying something new and making a pretty darn good job of it.

Rating: 8 out of 10.

Cut, Color, Murder

Dye, Die, Don’t Bother

I don’t have a bad word to say about the actors in this new Hallmark mystery series. Gonzalo and McPartlin were just fine, and they had a good rapport. But boy oh boy was it dumb. This is a new entry in Hallmark’s spunky female amateur detective line. They usually run their own “womanly” business so they can take off whenever one of their acquaintances or customers gets murdered in order to catch the killer. We have flower shops, bookstores, antique stores, and bakeries. We also have matchmakers(!?), wedding photographers, crossword puzzle editors, and podcast hosts. Strangely, in two of my favorites, Aurora Teagarden and Mystery 101, the spunky female amateur detectives actually have mainstream professions. With the arrival of Cut, Color, Murder, we now have a beauty shop owner. What took them so long?

In this one, Julie is taking her talents to the world of beauty pageants in which her younger sister is a participant and she is doing hair. The bitchy showrunner gets murdered and there are plenty of suspects because she was evil to absolutely everyone. Julie is the widow of a policeman who was killed in the line of duty (or was it an unsolved cold-blooded murder?). So she has ties to the police department primarily through the chief of police who she has wrapped around her little finger. Enter new guy, Ryan McPartlin, a handsome hotshot detective with whom she butts heads because he is a professional. After Julie meets an anonymous text messager alone in a spooky abandoned house at night because he/she has info about her husband, it was remote throwing time. Except I had to find it first because I had already thrown it after all the laws she broke and chain of evidence procedures ignored in the meantime.  She is rescued from certain death by Ryan and let’s just say this show leaves no cliche unincluded.

We know this is a series because after the mystery is solved we have a bit of a cliffhanger while Julie is having a pow-wow with her dead husband at the cemetery because she has decided to move on (is that something you just decide to do?) and wants to give him a heads up ( I guess?). We know that there is going to be an over-arching mystery of her trying to solve her husband’s murder and getting into all kinds of trouble. Not a spoiler, because I’m not psychic, but I predict that the murderer of her husband turns out to be the indulgent good-guy/father-figure/police chief in an unknown number of episodes hence.

Rating: 5 out of 10.

February 9, 2022

3 Holiday Tales

Great Cast Did Not Phone this One In

Julie Gonzalo’s excellent acting skills are put to good use in this pretty amusing Hallmark type offering. She was very funny indeed. The young actress, Alexandra Peters playing Myra was phenomenal. She put to shame most of the kid actors that frequent these type of movies. Eleven years old when she made this, she is now grown up to a very pretty woman. I wish her all the success she deserves. The likable Ally Mills as the older neighbor looks great: She hasn’t changed a bit and her chemistry with her husband, played by the Oscar nominated Bruce Davison was every thing one would hope for. I really enjoyed this, and may seek out the 3rd movie in the series as it appears to have some talent, including Miss Peters attached to it. They all looked like they were having a great time.

Rating: 4 out of 5.

November 5, 2020

Jingle Bell Bride

Above Average

Pretty good. Julie Gonzalo was charming and funny and I liked that they incorporated her Latina heritage into the character. I usually appreciate it when there is more going on than just the love story, and this one brought in her professional life and challenges. I like the tension with her coworker trying to steal her client when she got stuck in Alaska. A Sweet love story and I was actually a little moved at one point.

Rating: 7 out of 10.

November 2, 2020

How to Train Your Husband (or How to Pick Your Second Husband First.)

Dumb and Dumber

I thought this might be a remake of the funny and charming If a Man Answers with Sandra Dee and Bobby Darin. No such luck. The only thing it had going for it was the change of pace from the usual Hallmark tropes. The couple was already married and working to save their marriage. No festivals! Yay! However, the female lead character was an incompetent marriage counselor and stupid and clueless to boot with her own marriage. Her mother was toxic and not in a fun way. The black couple was sensible and well-adjusted. Not sure why they were friends with the idiot main couple.

Rating: 5 out of 10.

May 19, 2020

Flip that Romance

Too much Fighting!

Yeah, maybe it was the mood I was in, but I got very tired very quickly of the constant bickering and over-competitiveness of the two principals. It was particularly egregious on the part of the woman, who let her emotions run away with her and bid more than she could afford and over the maximum she agreed on with her partner. Just to get one over her ex-boyfriend. She was too hostile for me. I was really frosted by the immaturity and foolishness. Julie Gonzalo was okay as the female lead, but I loved Tyler Hynes as her love interest. He’s responsible for most of the stars I gave this one.

Rating: 7 out of 10.

March 17, 2019

Falling for Vermont

Autumn, Athena, Angela, Alex, and Amnesia

Thanks to the excellent acting of all concerned, especially the two leads, this was a very enjoyable little movie. The gimmick in this one was amnesia. This is not one of the usuals. A stressed-out and manipulated best-selling young adult author makes her getaway right before she is about to be interviewed on TV. Yes, she leaves everyone in the lurch at the last minute, very unprofessionally, I might add. She has an automobile accident and gets amnesia. In order to give her a week or two without her memory for a story and a romance to develop, the viewer is called upon to suspend their disbelief for a bit. She is a world-famous author who was about to be on the red carpet for the world premiere of a movie based on one of her novels. And no one except her sister and her boyfriend/manager knows she is missing. Add to that, the police do not search for a car which would have been found in hours because a tree fell across the road where her car drove into a gully. Big red flashing arrow there, officers. Of course, her cell phone and all the clues to her identity are left in her car.

Charity Wakefield
Julie Gonzalo

Oh well, these are the little things you just have to roll with when looking at a Hallmance. The degree of watchability rests largely on the appeal of the leads and secondary characters, and, based on this, it was a win. The actress, Julia Gonzalo, reminded me of another actress, and it was driving me crazy until I figured it out: A little-known in America English actress, Charity Wakefield. She played Marianne Dashwood in the Andrew Davies helmed 2008 production of Sense and Sensibility. Looked just like her.

I liked the widowed doctor as portrayed by Benjamin Ayers as well. Very likable guy. Pleasant scenery, gentle romance, nothing much to mock. The amnesia trick added some suspense and interest as well. I loved the way the set decorators stuck fake orange leaves in random places as well to convey the Fall theme. Very amusing. Well worth watching.**8 stars out of 10**

Rating: 8 out of 10.

September 27, 2017