Christmas Above the Clouds

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God Bless Us, Everyone

It’s Countdown to Christmas and time for another remake of Dickens’ A Christmas Carol. This makes the third fantasy movie this year for Hallmark and half of its offerings so far. And that’s great, if, like me, you enjoy a little fantasy with your Christmas Romances. But you can stop now, Hallmark. This modern adaptation of the Christmas classic was well done. Ella Neezer is the worst sort of scrooge as the C.E.O. of a successful travel agency (Great Expectations Travel). It is in a huge high rise in New York City with a huge staff, so apparently that business model is not as defunct as I thought it was. Her latest crime against humanity is turning down a marketing campaign that highlights couples in love. “Why can’t we see a nice high powered single woman having the vacation of her life without anyone else around?”. This means that her staff has to work through Christmas on a new one, while she flies first class to Australia on a business trip (turning down, once again, her loving sister’s invitation to spend Christmas with her family in Utah.) Spending Christmas on an airplane suits her just fine as she has nothing but contempt for the holiday. But she is dragging along her personal assistant, Bobbi Cratchet (Emily Tennant), stuffed in coach, poor kid. Bobbi not only will not be able to spend Christmas with her loving family, but with all of the last minute duties Ella gives her, will not even have time to say goodbye to her little son, Tim, who struggles with severe asthma.

Once on the flight, she is barely keeping it together as the flight turns out to be a special Christmas edition full of merry holiday making with a relentlessly cheerful (and singing!) flight staff. All Ella wants is to be left alone peacefully wallowing in her solitude. But to her dismay, she finds herself seated next to her ex-fiancé, Jake (Tyler Hynes). 

Let’s skip to the ghosts. The first one, of course, is Christmas Past, the perkiest flight attendant ever played by Faith Wright, who is adorable. We get a glimpse of Ella and her sister Frances’s neglected childhood, her happy college days with Jake, and how they broke up over her workaholism on Christmas 6 years ago. She learns the reason why Bobbi was late for work one morning which caused Ella to almost fire her. She was in the emergency room all night with her son. Bobbie is struggling financially due to the company’s less than generous health plan. Ella starts to show a bit of humanity and remorse. But just a bit.

The Ghost of Christmas Present shows Ella what her employees and her family really think of her. Her employees hate her and conspire behind her back. Although her sister still loves her, the rest of the family is glad she did not join them for Christmas. Even the kindest of the people she comes in contact with only pity her. She sees that Jake, for some mysterious reason, is still hung up on her and doesn’t date. Up to this point, she is only partially seeing the error of her ways. She is still complaining and tries to defend herself (Why didn’t Bobbi tell me her little boy was so sick? Why did she “agree to skip Christmas”?) Christmas Present is like “Oh really?!” and sets her straight.  Enter Christmas Yet to Come. This ghost is played by a big black dude dressed in black complete with sunglasses. Unlike peppy and chatty Past and Present, he is very scary and does not say a word. It is Christmas a year from now and she finds out that she is dead! How? How did she die? We are not told but inquiring minds want to know. Jake is now a lonely librarian “like Donna Reed?!” And also poor little Tim is dead too! Jeez, Hallmark. Needless to say, Ella, threatened with death, finally sees the light, and makes up for her bad behavior.

I have to say that Erin Krakow did a good job in this one. She used to be more of a miss than a hit with me, but in the last couple of years, she has won me over. I am no longer on edge when I see her cast as the leading lady. That cannot be said about Tyler Hynds. He seems to have found a niche of playing tortured weak characters who have a lot of work to do on themselves, ideally in therapy. But I am happy to report that he played a normal good guy in this one and I liked him. The script provided nice dashes of humor both during the ghostly visitations and between them, when she was trying to process what was happening to her and interacting with Jake. On a final note, I have to say that I hated the roomy white athleisure lounge wear Erin wore throughout almost the whole movie. I’m sure it was comfy, but it did nothing for her at all. Despite that outfit however, on the Christmas Carol remake scale, this was a “God Bless Us Every One.”

Rating: 7.5 out of 10.

The Wish Swap

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If Wishes were Chickens

Emily Tennant, fresh from her role as an adversarial sister in a Countdown to Christmas movie, is back in the saddle as the main girl In The Wish Swap. She is paired with Jake Foy, who has worked in Hallmark movies before, but not in quite awhile. I really liked him and would like to see him cast in more lead roles. And ones that require flannel. Casey is an executive recruiter for a large company and her fatal flaw is that she carries self sufficiency too far. She wants to do everything herself and won’t ask for help when she could use it. Henry manages a large farm and doesn’t really have a fatal flaw, except he is kind of reserved, likes to stay in the background, and won’t “put himself out there” as they say. They first meet at a restaurant where they are meeting friends (Casey) and family (Henry) to celebrate their birthdays. The two parties are seated next to each other and the sparks fly immediately. When Casey’s friends bring out a birthday cake, Casey offers to share it with Henry’s party. Casey is very open and outgoing, the opposite of Henry. They make their birthday wishes and blow out the candles together. And that’s where the title of this movie comes in. Somehow (we are never told why or how) their wishes come true, but Casey gets Henry’s wish of owning his own farm, and Henry gets Casey’s wish of being on “Dancing Your Heart Out,” a reality show like Dancing with the Stars but with ordinary people.

Casey figures out what happened right away, doesn’t even freak out like any normal person would, but finds Henry and explains what happened. He doesn’t freak out either. She makes a deal with him. If she can be his partner on the national dance contest, she will let him run her farm for a whole year part time as a second job so he can save up enough money to buy his own place. Being on a nationwide dance show is Henry’s worse nightmare, but he agrees. What she doesn’t tell him is that her birthday wish is actually three wishes. What could be worse for a reserved somewhat shy person like Henry than being on a nationwide dance show? How about doing a stand up comedy routine in front of a club full of people? In order to get Henry to agree to be her partner in comedy she ups the ante by promising Henry part ownership of her farm. That is his dream and he cannot refuse. Casey’s third wish is a secret.

This was a cute movie with a better than average script. The banter between the various characters was amusing and everyone was likable. Nary a bad guy in the bunch which can be refreshing. What with Henry being forced out of his comfort zone with the dancing and having to do a comedy routine (which wasn’t half bad) with Casey, there was plenty of opportunity for situational comedy as well as romance. And of course the same goes for city girl Casey’s struggles working with Henry doing the usual Farm duties on the most darling little farm ever.

Henry’s sister Charlotte (Molly Saunders-possible Hallmark lead in training?) who helped out on the farm added value and a nice way with a line. Along with her wannabe boyfriend she provided the secondary romance. The last minute conflict was on the lame side, but in order for the couple to have their happy ending,  they had to prove they had learned their life lessons once and for all as well as seal the deal on their love story. But do they win the dance contest? I thought the writers had left a loose end, but the very last scene provides the answer.

Rating: 7 out of 10.

All I Need for Christmas

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All is Calm, All is Bright

This is one of those quiet humble Hallmarks that doesn’t try to break any crazy new ground. It’s a very usual type story with little in the way of real twists or surprises. No attempts to swing for the fences or set the Hallmark world on fire. But I really liked it and was engaged in the story and characters throughout. It’s the kind that about a half hour in, you find yourself surprised and say to yourself “This is really good!”

Both of the lead characters have equally important storylines. Maggie Mackenzie is a professional musician whose career is going nowhere. The band she was going to open for canceled her because they wanted a bigger act. To get her career back on the upswing, she needs to write some new fresh songs, so her manager gives her a phone with a series of music apps on it called “Archline” designed to help aspiring musicians with writing lyrics, sound and auto-tuning. Maggie is offended and views such things as phony, ripping off real musicians, and kind of cheating. While she’s at it, she also eschews  social media to promote her career. Since her big gig has been canceled, she decides to go home to Vermont where her parents own a Christmas tree farm.

Dan Jeannotte plays Archer, the developer of the popular app. He is one half of two estranged siblings who grew up with a very toxic father who has recently died. Usually in Hallmarks when a parent or grandparent dies, they reach back from the grave to help their beloved survivor find love and happiness. This father is so awful that he reached out to continue to pit his two adult children against each other and to foster their  unhealthy rivalry.  Piper’s two kids will get trust funds and any future children of Archer will not because Piper “won” by having her two kids “first”. His will also stipulates that whoever’s net worth is greater by Christmas, will get his seat on his  corporation’s board of directors. Piper is ecstatic and gloating because she just had 2 major settlements come in which will make her the winner. This tracks with how they were raised. As Archer tells Maggie later in the movie, “buckle up for this one.” As soon as the two were old enough to start earning money, their parents kept a record of their earnings to the penny and whoever made the most money by Christmas got a boatload of Christmas presents and the loser got nothing. When he was old enough, Archer was wise enough to get therapy and because of that had long since cut ties with his father.  “I couldn’t heal from the damage while he was still trying to inflict it.” Piper, on the other hand, stuck with dear old Dad and is still carrying around a lot of baggage because of that. Her kids are great though so she must be doing something right. Hallmark kid actor Azriel Dalman plays her son, and he is always good.

Seeing a photo of the one happy family Christmas they had in Vermont, he decides to visit the same huge cabin they stayed in and it just happens to be in the same town as the Mackenzies’ Christmas Tree farm. All proceeds as one would expect. Initially, Maggie is hostile towards Archer as she learns right away that he is the developer of the evil apps that she objects to so strongly. But she can’t help but see that Archer is not the devil but a nice decent guy despite his wealth and success. She shows him how to cut down a Christmas Tree (he has never had one before), and he shows her how his app can help whip the pretty awful children’s Christmas choir she has volunteered to lead into shape. Also her father is firmly on Archers side of technology. When he garners 240,000 followers shooting videos of his adorable pet pigs and life on the farm, her harsh attitude further softens. Meanwhile, on a whim he sends his sister a picture of the log mansion he is staying at and to his surprise, she shows up there with her two kids who have made it clear that they want a real Christmas with Uncle Archer and their own tree. The brother and sister have their struggles and ups and downs while striving to repair their breach. Of course, once we get past the inevitable final conflicts and misunderstandings, breakthroughs are finally made all over the place and we have hopeful resolutions for Dad’s farm, (which I assume was struggling, because…you know), the sibling relationship, the seat on the board, the romance between Archer and Maggie, and her career trajectory.

Their were several reasons why this one succeeded with me. First the acting of Dan Jeannotte as Archer and Emily Tennant, who usually plays the romantic lead and nice girl, as the troubled Piper was excellent. I really really liked Archer. He was so nice, normal, and steady,  handling all of the challenges that came his way with grace and humor. And both Piper and Maggie, were both pretty troublesome throughout most of the story. I liked Mallory Janson as Maggie as well. She’s a good actress and made a character that had some very irritating ways and attitudes somewhat tolerable. It was a nice peaceful kind of story, but with enough conflict, tension and anticipation to make it interesting. It was a reminder that as much as I appreciate comedy, surprises, out of the box characters and story lines, Hallmarks “old faithful” type stories can also have their charms. Predictability does not have to be boring.

Rating: 7.5 out of 10.

A Kindhearted Christmas

Secret Santa and Mr. Hyde

Widow Jamie, played by Jennie Garth, is inspired to become a Secret Santa to her town. With a seemingly limitless pocketbook, she successfully provides a Christmas Tree to the town, replenishes the local food bank’s coffers, and provides a needy family with the Christmas of their dreams. Her good works catch the attention of a local anchorman who makes it his business to unmask the do-gooder. Jamie has admired him from afar and is thrilled yet nervous to have gotten his attention. He unsurprisingly is attracted to her as well. Jennie does very well in this. She is warm, amusing, and relatable as a shy older woman getting a second chance at love. Emily Tennant is good as her married daughter, who along with Jamie’s employee, Colleen, figures out their mother and boss is the mysterious Santa. They work together to help Mom in her mission and also to help her avoid exposure.

There were some serious problems with the male lead character played by the normally likable Cameron Mathison. Anchorman Scott, like Jamie, has some mysterious source of limitless income. Local anchormen do not make a lot of money. Yet he buys out a whole expensive restaurant in order to dine alone with the winsome Jamie. Given the theme of this movie it seemed wasteful and indulgent given all of the good Christmas causes the money could have been spent on. Second, he is thoroughly taken in by an obvious imposter who falsely confesses to being S. S. He is really a gullible idiot in this scene, compounded by the fact that he is supposed to be a seasoned journalist.

The third strike is his harsh reaction when Jamie finally confesses that she is the Secret Santa. He turns on her on a dime screaming at her “You lied to me!” and acts like a crazy jerk. His change of personality comes out of nowhere, is totally out of character, and is shocking. He even accuses the modest and reticent Jamie of “doing it all for the publicity,” which makes zero sense. To make matters even weirder, the next day he provides a trip to Paris for her daughter’s honeymoon. I mean, why? when he seemingly now feels betrayed by her mother and Emily confessed she was all part of it? (And again, where is all this fundage coming from?) Jamie ends up apologizing and groveling when it should have been the other way around. All of this honestly ruined the integrity of the movie and brought a sweet story way down in my estimation. It would have been at least a “7”

Rating: 6 out of 10.

December 6, 2021

The Mechanics of Love

Dude, Run for the Hills!

I’m used to dumb stuff to choose to overlook when I am looking at Hallmark or Hallmark-style movies. But this one takes the cake for the most petulant, stupidest, most incompetent bride ever. With about a week to go before her wedding, Emily Tennant plays the bride who hasn’t done her seating arrangements, hired a caterer, purchased flowers, decided on a cake, or chosen her colors yet. All she does is sit around and whine about how her wedding is “out of control” as far as complications, guest list, and expense. All things she has complete control over. Oh, and she’s an artist, so it’s not like she has an inflexible 48-hour-a-week time-suck of a career.

She viciously turns on her sweet fiance who had the utter gall to give her a fun jokey gift of muffin tins for a surprise extra gift for getting their marriage license. She sulks for days over this and almost cancels the wedding. She is petulant and unreasonable over everything. She selfishly and thoughtlessly disappears on her wedding day throwing her family and her fiance into a panic just so she can sulk some more.

Luckily, the engaged couple was not the main couple. The main lead, her sister, Shenae Grimes, arrives to save the day and while she is back home, dump her bad boyfriend, quit her engineering career as the head of design to become an auto-mechanic, and find a new boyfriend. Tyler Hines is as reliable and attractive as the new guy who has loved her since middle school.

The only thing I loved about this disaster was the bride’s headdress which was gorgeous and very unusual. Yes, unfortunately for the groom, the wedding took place.

Rating: 4 out of 10.

June 28, 2020

Marry Me at Christmas

Pretty Bad. But I did enjoy Trevor Donovan.

Nothing special here. Same old same old story partially redeemed by the character of Johnny Blake played by a well-cast Trevor Donovan. The secondary characters were played by Hallmark perennials, though the 2 female leads were relative newcomers to the Hallmark stable. Emily Tennant, the bride, who provides the #2 lead was fresh and appealing. I see Hallmark in her future. I wish Hallmark would steer away from extravagantly beautiful heroines toward more down-to-earth girls. I just can relate to cute more than impossibly gorgeous. All though this is a backhanded compliment to the physical beauty of Rachel Skarsten, I was distracted throughout most of the movie by her over-processed long ringlets. What is this? 1989?

The success of these things, for me, depends on the existence of some dialogue with some snap to it, some humor, some surprises(a little suspense?), appealing casting, good acting, enough non-phony not-needless conflict to provide some catharsis or the comeuppance of evil-doers. Do I ask for all of these things at once? No, that would be asking too much. (though it has happened, rarely). But I need at least 2. The “supercute” (gag me) snowball fight kicked off a big fail for me.

On a side note, when, oh when, is Hallmark Inc. going to get on the bandwagon and start starring a few of the talented and numerous black actors and actresses as the romantic leads? And I’m not talking about black bosses, black millionaire clients, or black best friends. A.) It seriously calls into question their values, and B.), It’s super stupid business-wise. The most popular and profitable romances and dramas in the theatres today feature black people in the leads. Tyler Perry anyone? What about Malcolm D. Lee and his Best Man movies? There are dozens of examples. Come on. I have more than a few black women friends who would jump on such a Hallmark movie like a duck on a junebug. I can’t believe they have seldom been called on this. WTH?!**4 stars out of 10**

Rating: 4 out of 10.

November 4, 2017

The Wedding March

Seriously, I Couldn’t Take My Eyes Off of It.

This one was actually not bad at all. The chemistry between Jack Wagner and Josie Bissett was good. They were both age-appropriate despite numerous comments about Jack Wagner being 11 years older than Ms. Bissett. They looked fine together. At least, at 45, she was playing a woman with a college-age daughter instead of a toddler. Same for him. I liked that they did not try to follow the usual Hallmark formula and manufacture a secondary romance between their 2 kids. Instead, casting two talented young actresses who became instant buddies. Jack’s daughter looked like a tall and thin Scarlett Johanssen. The one wrong note was Josie’s god-awful wig. Why? Surely, if she needed a wig, Hallmark could have afforded one that looked natural. This one was so ugly, I am surprised Miss Bissett herself didn’t speak up. I have seen more flattering wigs in a Halloween costume shop. It was all very strange, especially since her make-up looked quite pretty instead of being laid on with a trowel like many of the Hallmark makeup artists do. **8 out 10 stars**

Rating: 8 out of 10.

June 29, 2016