Holiday Crashers

Lying Liars from Lieville. But No Judgement.

**Spoilers**

Lifelong BFFs, Toni and Bri, work together in an invitation and card shop. Bri is the wild fun loving madcap one-always up for a lark but kind of aimless. Toni graduated at the top of her class from “Haltword”, a top Ivy League law school wink wink, but had a panic attack while taking the bar so is not a lawyer. She is working at the shop while trying to figure out her path forward. She is the daughter of one of those lawyers who promote themselves with those nerve-jangling TV ads and paste their faces on billboards and buses. She loves her Dad very much but she has always been embarrassed by his brand of ambulance-chasing injury lawyering and the way he drums up business. It’s not that she doesn’t love the law, but is afraid ending up like her father. He, of course, wants her to partner with him, but she is reluctant because in sophisticated circles he is somewhat of a joke.  So, in her mid-twenties, she is “taking a pause” and trying to figure it all out.

While delivering boxes of party invitations to a wealthy matron during another party she is throwing, Bri gets the the idea of pretending to be a guest for a laugh and drags Toni into the adventure against her better judgement. They both have a great time (Toni may have her feet on the ground but that doesn’t mean she is a stick in the mud). Toni meets Justin, an attractive guest and there is instant attraction between them. One thing leads to another, and the girls, taking advantage of their access to extra invitations, start going to all of the best parties in town while creating new exciting fake identities for themselves for each party. Like a Formula One Race Car Driver, Crash Test Dummy Manufacturer, and Olympic Skier. All harmless fun, you understand. In their adventures, Bri falls for a humble parking valet she keeps meeting, and Toni continues to run into Justin who is the corporate head of a corporation that acquires other corporations. Justin, played by the elegant Chris McNally, is just…Wow…in this movie. At one party she meets Latisha, one of Justin’s employees who was a fellow classmate of hers from “Haltword”. Latisha tells her boss what a great lawyer Toni is (based on what a great student she knew her to be).  He invites her on a Christmas retreat as a consultant after she advises him not to get involved in buying a company that her Dad will soon be filing a class action suit against. Toni tries to refuse but is powerless in the face of Latisha who almost gives birth on the portico. Also Bri, the human dynamo, adds her two cents, and Toni is powerless to refuse.

So just harmless party crashing and fantasy identities has just turned serious. Toni can get into serious trouble with the bar association for practicing law without a license even though she is just consulting and will refuse to be paid. It will also harm Justin and his company’s credibility. As Justin and Toni continue to fall for each other, Toni learns that due to a troubled childhood with his father and a past romantic betrayal, Justin cannot tolerate liars. Always on the verge of confessing the truth to Justin but never quite finding the courage, she finds herself in an increasingly impossible situation.

Despite all of the deception and lying, this was still enjoyable. The script had some funny jokes; especially the pop-culture references sprinkled throughout. Lyndsy Fonseca, who played Toni, has established a good track record with me, and newcomer Daniella Monet as Bri was a lot of fun. Because of their acting I just made the decision not to be judgey about their characters’ behavior.  Besides, a most beloved rom-com, While You Were Sleeping was based on Sandra Bullock’s big lie, and who ever had a problem with Sandra Bullock’s Lucy? Certainly not me.

 As all of the fake identities start to catch up with the two friends, it results in some pretty good comedy as well as tension. Olympic Skier, Huh? And Doula? The romance between Vinny the valet and Bri was sweet. It turns out Bri is not the only one who can conjure up a fake identity. Bri finding the ideal career path at last was an engaging sub plot, and her backstory did a lot to justify her more questionable actions. I love the way Toni came to terms with her Dad’s ways. The best scene in the movie is when she hears some of the party goers make fun of him and his commercials and she stalks over and rips them a new one, revealing her true identity in the process. This was a breakthrough for her and the point where she finally starts finding her way forward careerwise.  I also liked that Justin held Toni accountable for her lies when the truth finally came out. She was truly remorseful and apologetic, but he rightly had none of it, and they didn’t meet again for another year. She had passed the bar and had gone into partnership with her Dad, even starring in one of his crazy TV spots. I loved that. Good for her. When Justin sees her on TV, his heart melts and a happy ending is not far behind. Not that her saving him and his firm “two billion dollars” with her inside information played a factor in his forgiveness. Not at all.

Rating: 7.5 out of 10.

3 Bed, 2 Bath, 1 Ghost

Wooooo Wooooo

Hallmark tried something different here and they pretty much pulled it off. Anna is a newly minted real estate agent who has just unenthusiastically joined her Dad’s firm. She has recently broken up with her fiance, Elliot, and is still hurting from that and the failure of their home restoration business. Elliot, who will soon be moving to Boston to reestablish his business, is still in town in a last-ditch effort to get a historical designation for a house he still wants to restore.

 Anna’s Dad has given her a prime property to sell, which has angered jealous Terrence who thinks he should have gotten it as he has been the firm’s top salesman for 15 years. Terrence is a creepy bad guy, but I saw his point. This is nepotism pure and simple, and is another strike against her toxic father who is domineering and controlling with his princess, Anna.

Although a beautiful old historical mansion, it has never sold or been occupied since the original owners passed away in the 1950s. It is “jinxed.” And we soon find out why. In the introduction, set 100 years prior, we met Ruby, a 1923 flapper and socialite who was having her birthday party at the house. The set decoration and costumes are very well done, bravo Hallmark. She leaves the party briefly to break up with her long-time love who is the chauffeur. They live in two different worlds and are not meant to be. No Sybil and Tom from Downtown Abbey here. We learn that Ruby was killed in an auto accident shortly thereafter, and died regretting her break up and still loving Charlie the Chauffeur. How do we know this? From Ruby! She is a ghost, still lives in the house, and has been scaring off potential new owners ever since her parents died. But something has changed. For the first time, someone can see and interact with her, and it is Anna. Why? What is going on?

The women go from antagonists to friends, working together to get the house into the right hands, i.e. buyers who will not tear it down. Ruby determines to help Anna reunite with Elliot because she senses that if that can happen she can pass over to be with Charlie. But is he waiting for her on the other side or did he move on and find new love after her death?

Humor is provided by Ruby’s first appearances to Anna, her matchmaking efforts, and her introduction and reactions to life in the 21st century. There is some drama with Anna trying to overcome her issues with her relationships with Elliot and her father and trying to save the beautiful house from destruction that selling it would guarantee, thanks to her overbearing and money-grubbing parent. The friendship between ghost and girl is the main focus of this movie. After everything comes to a head, the rather touching and romantic ending reveals why Anna and Ruby had a special connection.

This was a pretty good one, but had some weaknesses that were worrisome to me.

**Spoilers ahead**

Anna does a lot of research into Ruby’s life, but why did she not go back to the library to help Ruby find out what became of Charlie? Anna finds some valuable letters in the attic written to Ruby from F. Scott Fitzgerald, Hemingway, and Josephine Baker which help her save the house in the end. But who owns them? I assume her father’s real estate company owns the house since they mentioned just wanting to flip it. But how and from whom did they get it and with all those valuable letters, not to mention antiques still moldering away inside undiscovered? It is never explained why Anna had emotional problems that caused her relationship with Elliot to fizzle and to let her father run roughshod over her. The connection between Charlie and Elliot was nicely done, but the conclusion would have been more effective if there had been a secret familial connection between Anna and Ruby as well. Connecting the two couples more completely would have added a real “Wow” factor to that ending. As always with Hallmark, bothersome plot holes and unanswered questions could have been easily fixed with a few easy tweaks.

**End spoilers**

All of the actors were fine, but special kudos to William Vaughn who played slimy Terrence and Madeleine Arthur who played Ruby. She is a dead ringer for Christina Ricci who recently portrayed Zelda Fitzgerald in an Amazon Prime series. I can’t believe that was a coincidence and did lend a certain something to her portrayal.

This was a 7-star movie for entertainment value (on my special Hallmark scale), but I’m adding an extra star for Hallmark’s effort in trying something new and making a pretty darn good job of it.

Rating: 8 out of 10.