Books to Screen

Sense and Sensibility

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Very Respectable Effort

Since I was unavoidably delayed in watching this 4th and last of the Jane Austen-based Loveuary Hallmarks, I couldn’t help but read some of the reviews and comments about it on the usual social media sites. This was not a reworking, or a homage, or modernization, or a 20th-century woman thrust back into the time of the book, but an actual straight up serious treatment of the book. Granted it featured not an all-black cast, but a mostly-black cast. In fact, the only main characters who were not black were Eleanor and Maryanne’s weak and greedy half-brother John Dashwood, his brother-in-law, nice Edward Ferrars Elinor Dashwood’s love interest, and generous Sir John Middleton. Except for the mostly ridiculous user reviews on IMDb (don’t get me started) the movie was almost unreservedly enjoyed by almost all. Many admired how the production managed to be so faithful to the book despite the short running time of 8o-odd  minutes. The production values, acting, sets, and costumes were also highly regarded. I certainly concur! I am not going to regurgitate the plot of Sense and Sensibility because if you haven’t read it or seen one of the many adaptations, including the Oscar-winning movie version starring…well, everyone, shame on you. Kidding, but I highly recommend changing that state of affairs. If indeed you haven’t seen it, SPOILERS AHEAD.

Of course, there were some aspects of the plot that were cut, consolidated, or condensed, but this did not seem to negatively impact the main thrust of the story in my opinion. For example, Mrs. Jennings’ daughter, Mrs. Palmer, is missing in action, as is her sister Lady Middleton, John Middleton’s wife. No loss at all concerning the latter most will agree. Without the comedically mismatched Palmers though, when Marianne has her breakdown they stop over at their former estate, Norland, instead of the Palmer estate on the way back home to their cottage. It is there that Maryanne almost dies of pneumonia.  That stop over at their former home is at half-brother John’s invitation, somewhat redeeming his character. Plus he said sorry. I kind of liked that, TBH, but I am not a purist and I like redemption. Essentially all of the important plot points and characters were there and the essential dynamics were not compromised. Even Eliza, Colonel Brandon’s unhappy and victimized ward makes an appearance at the wedding uniting Eleanor and Edward. And in typical Hallmark fashion, she is happy and smiling. I liked that little touch as well.

I was afraid I would just be bored by this treatment as I know the story so well, but that was not the case either. The mixed-race cast mostly did a very credible job of keeping my interest with special kudos to Dan Jeannotte who played Edward and Deborah Ayorinde who played Eleanor. Carlyss Peer was a very satisfactory villainess and Martina Laird was funny as Mrs. Jennings.  Unfortunately, the racial aspect of the casting could have lent a more interesting dynamic than it did. When horrible Fanny Dashwood discourages her sister-in-law from hoping for a match between Elinor and her brother Edward by saying Edward must wed “the right kind of woman,” Mrs. Dashwood replies with dignity “I understand you perfectly.” This conversation is right out of the book but could have been given a social nuance that would have added significance and drama had Fanny been played by a white actress.  Actually, I thought Carlyss Peer was white at first and was impressed by the meaning it subtly gave that conversation. I only found out later that she is black. Oh well. Along these same lines, I would have welcomed a white actor playing the scoundrel, Willoughby. His cold and distant reaction to meeting her at the London ball would have made Marianne’s heartbreak and humiliation all the more affecting and layered had this been the case. Marianne got too little development probably due to the understandable time constraint, but as a consequence her learning curve was too easy, and thus less affecting. While I am quibbling, I need to add that The Dashwood “cottage” that they were “reduced” to settle for was so huge and well-appointed that I had a hard time feeling bad for the displaced and struggling little family. It made Mrs. Dashwood’s complaints about how far they had fallen seem whiny and silly.

But all in all, kudos to Hallmark for attempting these tributes to Jane Austen and doing a more than credible job in the execution. As well done as this one was, I have to add “for a Hallmark.” I put this one in third place behind An American in Austen and Paging Mr. Darcy.

Rating: 7.5 out of 10.

Guiding Emily

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That was the First Time I Saw Emily, and the Last Time She Saw Me.—Garth.

I have been looking forward to this one as soon as I started to see the previews. The story is about how a woman who suddenly loses her sight due to a rock climbing accident learns to cope with her new life. It is also the story of Garth, a guide dog in training, voiced by Eric McCormack, and how he learns to curb his rambunctiousness and love for snacks in order to focus on his role of being the eyes for a blind person. Unknown to his trainer and the head of the guide dog facility, Garth has already decided that Emily is his person even though they met only briefly. She is his motivation to be a good dog, learn his craft, and graduate from guide dog school. Unfortunately, there are many people ahead of Emily to be assigned one of the highly trained dogs. The wait time for a blind person to get a guide dog can be years. But I’m getting ahead of myself.

Besides the story, one of the reasons I was anticipating this one was the cast. I’ve been very impressed with Sarah Drew, who plays Emily, in earlier Hallmarks. I like her natural acting, and I am a sucker for long red hair and girl-next-door looks due to my love for Anne of Green Gables. I also love Antonio Cupo. Have a little crush on him, actually, but he has been spending more time behind the camera in recent years, other than a few cameos and supporting roles. I figured it must be a special movie to tempt him into a lead acting role in a Hallmark production. I was also happy to see good ol’ Matty Finochio in a secondary role as well. He is a Hallmark “go-to” for a supportive friend and comic relief. And he did a wonderful job in this as usual. And Peter Benson, another Hallmark stalwart plays the owner/manager of the guide dog facility.

Emily is the head of a professional team at work and is popular and respected. She is also engaged to be married to someone who was not Antonio Cupo. So I knew he was destined to exit stage left after Emily had her accident. He was not a bad guy, but he did not have the time or focus to give Emily what she needed after she lost her sight, even though there was every reason to believe it would be a temporary situation. About an hour in, when the bandages are removed, Emily finds out it is permanent. We follow Emily through her despair, depression, and apathy for doing anything other than sitting on the couch. She struggles to cope with everyday challenges and is pretty defeated. When she asks her friend and work buddy, Matty F., to give HR her resignation letter, he returns with the whole team, and they refuse to let her give up. This is a turning point for her. She enrolls in blind school, eventually returns to work, and reconnects with her old friend Matthew (Antonio Cupo), who runs a rock climbing fitness thingy. It’s all uphill from there. No pun intended.

Meanwhile, Garth is having his own journey with his training. When Emily shows up at the guide dog facility, Garth is overjoyed. But this is where he learns that dogs can’t pick their owners and vice versa. There is a waiting list, and they are matched accordingly. Will Garth and Emily be reunited? Well, it’s Hallmark, so we know the answer. But how it all came together made sense and was quite touching.

This was an excellent movie. It was a romantic and very engaging story, full of suspense, interesting, and educational. They did a good job condensing Emily’s journey into the last hour of the movie and still found time to fit in a romance and Garth’s story as well. I liked that she does not go from defeat to triumph but to just learning to cope with challenges, standing on her own two feet, and getting back to her old self. It was good that other than Sarah Drew, the blind characters in the story were all played by blind actors.

Rating: 8 out of 10.

The Irresistible Blueberry Farm

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A Little Fruit, A Little Fantasy

Once again a movie I rated long ago deserves an upgrade after re-watching it years later. In this case, it’s The Irresistible Blueberry Farm which premiered way back in 2015. It was on the other night and it had been mentioned to me recently as one I would really like.  I didn’t remember being very impressed with it way back when. In fact, I barely remembered it all. I saw that I gave it a 4 on IMDb. And the title certainly didn’t impress me! Irresistible Blueberries? Come on! And spare me from another farm story. Pumpkins, Christmas Trees, Cranberries, Grapes, Apples, Pears, Olives, Tulips, Maple Syrup, Pecans: Except for veggies,  is there anything that grows in the ground that hasn’t been done?

But it was on the other night, so I gave it a go. And it was fantastic!

Yes, it was the same old city girl with almost fiance and very high heels goes-to-small-town-on-a-mission plot. In her will her beloved grandmother (yes) has tasked her to deliver a letter IN PERSON to a gentleman who lives in her old hometown. While trying to find him she learns that her grandmother was a talented artist and finds some of her paintings, one of which is of a home on a blueberry farm. More importantly, she meets working-class dude Roy who fishes her out of the water after she falls off a dock. Right off the bat she passionately kisses him. She is stunned and embarrassed by her out-of-character behavior and he is just stunned (in a good way.) And he just happens to be the nephew of the man for whom Ellen has been searching, who just passed away 3 months ago. He and Grandma were young lovers. Roy is trying to save his uncle’s blueberry farm and Ellen, as an attorney, helps him do just that.

There were several things that really made this movie for me. The first one was the undeniable chemistry between Mark Blucas who plays Roy and Alison Sweeney who plays Ellen. They really put the physical attraction between the two characters on the front burner while the emotional attraction simmered along as well. When, later in the movie, Ellen’s scary mother (another reason why this movie really worked) and her nice fiance show up to bring her home, they both know right away that there is going to be trouble when they see the two together. Another reason I liked it was the slightly “out there” choice to have Ellen’s grandmother visit her to encourage and advise her when Ellen is alone. But she’s not a ghost, exactly, even though she’s dead. She just comes to Ellen who takes her appearances in stride, and they talk together. Loved the dose of fantasy and that she’s played by the late great Shirley Jones.

Ellen’s dilemma of choosing between the two men and the two ways of life, as well as her mother’s coercion to get her back to her prestigious career and socially prominent fiance provide drama and tension even though we know which path Ellen will choose. Because Ellen and Roy’s love cannot be denied. To top it all off, there is a nice happy ending epilogue and a very touching visual at the end that ties in the romance between Ellen’s Grandmother and Roy’s Great-Uncle. It was all meant to be.

Rating: 8 out of 10.

Sweeter than Chocolate

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“Love is Worth the Grief.”

I wasn’t exactly bowled over by Dan Jeannotte in the previous movie I remembered seeing him in (turns out I’ve seen him in 4 movies) and was not looking forward to this one. Chocolate. Again. Save the little Shop. Again. But he won me over right away.  He brought humor and charm to his character who started off a little smarmy and full of himself but ended up quite warm and sympathetic. And his chemistry with the female lead, Eloise Mumford, was almost tangible.  She has done an excellent job in several recent Hallmarks. She tends to star in more emotional serious scripts, rather than light comedic fare. Probably because she almost always looks like she is going to burst into tears at any given moment. This movie is sweeter and lighter in tone and she handles the banter and romantic comedy vibe pretty well though it’s not her forte.

The plot wasn’t much and has been done before quite recently (eat magic food-find true love). But despite that, thanks to the pairing of the two leads, and some entertaining side stories, I enjoyed it. Lucy and her mother own a chocolate shop that features their magic chocolate cupids. According to the family legend, anyone who is open to love and eats one of them on Valentine’s Day will meet their perfect match. When her best friend does just that and ends up getting engaged to her boyfriend, she is so over the moon that she posts about it. It goes viral and the little family legend gets the attention of a TV producer who sends her ace investigative reporter to do a story on it. In a little twist, she wants a happy feel-good story, not an expose. Unfortunately, too used to looking for scams everywhere, he offends and insults Lucy and her shop and gets thrown out. When his editor tells him that a promotion to the anchor position he covets is riding on his ability to branch out from hard-hitting takedowns of scam artists to include more fluffy morning show-friendly pieces, he convinces Lucy to give him another chance. The publicity would boost sales and save their shop.

The romance between ambitious and cynical Dean Chase and shy and vulnerable Lucy is engaging. Lucy has never tried one of her own chocolate cupids because she does not want to open herself up to love and romance. She was painfully affected by how the death of her father devastated her mother for so long. Despite themselves, Dean and Lucy grow closer as the one story has led to a whole series featuring interviews with couples that the magic chocolates have brought together. She needs the sales that Dean’s stories are generating but the orders become more than the shop can handle. Things get overwhelming, a few things go wrong, Dean may be moving to New York, and Lucy does not handle any of it well. She starts to think that the magic chocolates are cursed, and generally gets all weepy and starts to go off the deep end, which Eloise Mumford is very good at. Luckily for the happy ending, Lucy’s mother steps in with her insights, wisdom, and her own backstory, and helps Lucy to understand that even though opening herself to love may sometimes lead to grief and pain, it is worth the risk. And Grandpa “Opa” would approve.

This Hallmark had a nice balance of emotional struggles, humor, character arcs, and romance. A dash of magic and a good message made for a winning recipe.

Rating: 7 out of 10.

Noel Next Door

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A Good Start to the Season

And so it begins. This offering is the official kick-off to Hallmark’s Countdown to Christmas. By December 18th, there will be a total of 31 Christmas movies, and this does not include 9 more that will be showing on Hallmark’s Movies and Mysteries. Some will be awful, most average, and some really good. But one thing’s for sure, there will be more diversity than ever. Not only with age, ethnicity, and sexual orientation but culturally as well. Kwanzaa and Hanukkah will be celebrated and 2 Chinese celebrations will be featured. For those who like to keep that kind of thing to a minimum, you can head on over to GAC along with Candace Cameron Bure, Danica Mckellar, Jen Lilley, and Trevor Donovan. In addition, Lifetime will have an additional 15 Christmassy contributions with a little more edge to them and probably even more diversity.

Anyway, back to Noel Next Door. It was excellent. A youngish recently divorced mother who works in a diner meets a handsome partially paralyzed stroke victim who is sweet and kind (he gives her a 200% tip on his takeout order) and they are instantly attracted to each other. Her name is Noelle. Yes, really. Meanwhile, her tween son has several run-ins with the neighborhood scrooge who has recently moved into the neighborhood.  In addition to insisting the condominium complex take down their Christmas tree, slamming his door in the faces of some little kid carolers, and walking around with an angry disgusted face all the time, he yells at and threatens young Henry who continually kicks his soccer ball against the wall of his condo. Noelle’s son is a nice boy at home but does have a bit of a bratty side. In other words, he acts like a real kid. Little do the two know, while they fall in love, that he is actually the Christmas-hating neighborhood grouch with an anger management problem, and she is the incompetent mother of a mean little punk.

The tension builds throughout the movie in anticipation of the two neighbors meeting in person and discovering each others’ true identities. Meanwhile, they grow more and more attached and happy with each other. It is handled very well, as the big moment doesn’t come until about the 75% mark and their reactions are pretty hilarious and well-acted. In addition to her work, her son, and her new relationship, Noelle has to deal with an ex-husband who is a one-man asshole parade. He threatens her with a lawyer when she won’t surrender her court-appointed Christmas day with young Henry to him and his mistress at their old home. There is some blind date comedy (Are you one of those people who believes our planet is round?) and some heart-tugging moments as well.

Both Corey Sevier and Natalie Hall were terrific. I still don’t like Natalie’s hair and makeup, but she did well in a more mature down-to-earth role than she is usually given. Joanna Douglas plays her sister and she was lovely and appealing as always. She needs to be given a lead role with Hallmark if she is even interested. Corey had the difficult job of being a bit of a jerk on one hand, and a sympathetic romantic lead on the other. It didn’t hurt that they had a good script to work with. It dealt with serious situations with a nice blend of comedy, drama, and romance along with a good message and plenty of Christmas Spirit to spare.

Rating: 8 out of 10.

Pumpkin Everything

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If You Like Pumpkins, You will Love This One. If You don’t, Avoid at All Costs.

Going by the title and the description of the plot, I didn’t hold too much hope for this one, and I was right. This is just your standard Hallmark placeholder with emphasis on the season and the atmosphere, and little emphasis on making a real effort with a good story and script. There was no depth or complexity to this one at all and it is careful not to step outside the box in any way.  There was little humor, other than seeing some of the townspeople pretend to struggle to lift heavy pumpkins which were obviously very fake, very plastic, and as light as feathers.

Taylor Cole, who I didn’t recognize at first, plays Amy, a very successful best-selling author who has just finished the third in her vampire series. Ahem. She comes home right when she is to start her national publicity tour to help her mom take care of  Gramps, played by Michael Ironside who is also unrecognizable. He just drove his truck into the local coffee shop and ended up with a sprained wrist. He is a real piece of work, this one. He has spent the last 15 years or so pouting and sulking that Amy pursued her dream of being a writer instead of taking over his pumpkin store. He even backed out of paying for her college because of it. Jerk.

Despite Amy’s laudably kind and patient efforts, he obstinately remains semi-estranged from her. Add to this, he keeps having accidents because he won’t acknowledge that he is too old and delusional as to his capabilities to live alone safely. He selfishly won’t go into the retirement community which would give his daughter and granddaughter some piece of mind. And he can’t afford it anyway without selling his home and his pumpkin store. Amy’s old boyfriend, a recovering alcoholic and former delinquent (his mother died) is helping him with the store and is doing a great job.

I was just waiting for Amy to cancel her much sought-after promotional appearance on a national morning show to cater to the old coot, but that didn’t happen. If it had I would have turned this half-hearted effort off in disgust.  She was actually quite firm with him and confronted him with some home truths a couple of times. So that was good. The other bright spots were the underused Amy Groening who played Amy’s agent and the actress who played Amy’s mother. She has a little romance of her own when she charges in to confront the owner of the coffee shop who is rightly planning to sue Grandpa for demolishing his store and ends up falling for him like a ton of bricks. Also noteworthy was a super hip female resident of the retirement community who connects with Grandpa over their love of jazz. She was a star. Of course, it all works out in the end, but not without Grandpa falling off a chair and ending up in the hospital (again).  This knocks some sense into him, literally, and he finally agrees to join the retirement community. It is not explained how he is going to afford it though because he basically gives his store to Corey Sevier instead of selling it for mucho dinero. I guess poor Taylor will have to ante up with her book proceeds. Luckily, it looks like she can afford it. I’m guessing the irony of this will be lost on Grandpa.

Rating: 5 out of 10.

October 10, 2022

Big Sky River

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A Parable for Step-Parents.

**spoilers**

This was a low-key pleasant way to pass the time while also serving as a cautionary tale for loving step-parents. There’s not a whole lot of action, but then again it also avoided a lot of tired tent pole scenes and tropes that Hallmark is famous for. This was on Hallmark Murders & Mysteries, and those usually have something a little more to offer than the usual stuff that Hallmark churns out like an assembly line.

Tara is a recent divorcee whose ex-husband wants to distance her from his daughter, her stepdaughter, Erin, so she can bond with his new girlfriend without Tara in the way. Tara and Erin love each other dearly. Of course they do. Tara is the only mother Erin has ever known, and Erin has been Tara’s daughter for 10 of her 13 years. But Tara has no rights now that she is divorced from Erin’s father. This is a sad and scary situation for both of them, but being a mature, reasonable woman Tara respects James’ wishes (not that she has much of a choice) and is leaving for the summer. As a young girl, she spent a vacation at a dude ranch in Parable, Montana with her parents and she has always thought back on that time fondly. No, surprisingly, this is not a Dude ranch story. The dude ranch is now defunct but she is renting a house nearby.  

While in her summer home she takes care of the resident chickens, rides horses, makes friends, and dances, but more importantly meets a handsome next-door neighbor who is also the local sheriff, and his two boys. They form a connection right away, but being parents they are cautious and careful. And, as they both know, Tara will be leaving at the end of the summer. Meanwhile, the ex-husband, Hallmark’s longstanding never-the-romantic-lead-and-also-director Peter Benson, is not having a smooth time with his daughter. She has chased off 4 nannies and the agency won’t send anymore. He basically wants to just get rid of her and she won’t go to camp. He calls Tara and asks her to take Erin for the rest of the summer. Both Tara and Erin are thrilled and Erin happily joins her mom and makes herself at home in Parable.

And that’s about it until the big crisis. I won’t go any further, but it results in Tara finally putting her foot down with James and James caving in immediately. It was the highlight of the movie.  By the end, Tara and Erin will be together in Parable with Tara and Boone pursuing their promising relationship and hopefully forming one big happy family.

I appreciated late 30 and 40-somethings dealing with age-appropriate situations. Too often, Hallmark has had their 40-year-old actors dealing with life situations more common to twenty-somethings. The moral, or parable, if you will, of this story is, that if you’re the loving parent of a stepchild, better go ahead and adopt them. Marriages are not always forever but parenthood is. Don’t lose your rights to your child.

Rating: 7 out of 10.

August 18, 2022

Persuasion

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It Wasn’t That Bad.

It was not my intention to review the much-criticized new adaptation of Jane Austen’s Persuasion. But such has been the vitriol and bitterness of some of the reviews, that I can’t resist. Because I didn’t hate it. I was confused by it and confounded by some of the decisions that were made particularly concerning Anne’s character, but there was much that I enjoyed. And I certainly didn’t think everyone involved should be “thrown in prison”.

It follows the plot pretty closely. All of the characters are substantially the same people as in the book and the very faithful films.  Except for Anne. Anne is not the same character at all. The mumblings and murmurings started with the miscasting of the gorgeous Dakota Johnson as the mousy beaten-down Anne. And the trailer really got people going. Since Anne Elliott is one of Austen’s most beloved characters, the sneak peak did not sit well with many. Particularly the hyper-vigilant “Janeites”. Because of all the hate, I approached this movie with an open tolerant mind and sat down to be entertained. One aspect of the movie that has incurred much criticism is Anne continually breaking the fourth wall. She makes sarcastic and witty comments to the viewer about the behavior of her family members. Her observations are dead on. “My Father. He’s never met a reflective surface he didn’t like. Vanity is the beginning and end of his character. Also the middle.” She gives the viewers sly glances when one of her fellow characters does or says something particularly absurd. It was clearly an attempt to interject Austen’s own voice into the narrative and simultaneously enliven Anne.

As Sir Walter Elliot, Richard E. Grant could not have been better. In fact, all of the actors except one were good to excellent. But things started to get weird almost immediately. Instead of keeping Anne’s outspoken and barbed observations between herself and the audience, she calls out her relatives directly to their faces. Anne is shown to be publicly full of verve and spirit. If they had kept this facet of her personality a secret between Anne and us, her confidants, they could have kept much of the integrity of her character. They missed an opportunity to show how Anne’s true feelings and opinions are at odds with the way she is forced to navigate her world. She acts out and in the process makes her character eccentric and at times, incomprehensible.  There are many examples but most jarring was Anne spouting off out of the blue and unprovoked during a dinner party to all and sundry that she herself was the first choice of Charles, her sister Mary’s husband. Needless to say, she brings the merry party to a standstill. However true, even the most socially inept meanest mean girl wouldn’t do that! It was almost Tourettes-like. I can’t think of why this was done, as well as the many many other examples of weird behavior Anne displays such as the octopus speech and drinking way too much wine right from the bottle. The director replaced Anne Eliot with Bridget Jones. Remember Bridget’s response at the dinner table full of couples that all singletons having scales? And as Bridget Jones, Dakota Johnson was charming and funny. She just wasn’t Anne Eliot in a work that is supposed to be all about the character regaining her bloom and spirit long suppressed by sorrow and regret. There is nothing to prevent This Anne from going after her heart’s desire right from the get-go.

There was little to no chemistry between Anne and Captain Wentworth, who looked decidedly grungy throughout the production. I didn’t care for him. Henry Golding’s shady and scheming William Eliot actually falls in love with the common and unattractive Mrs. Clay and marries her at the end. Just weird and nonsensical. Back to the good. The cinematography was beautiful and the scenery and fashions were both lovely. I actually liked the contemporary pop-culture parlance (“playlist,” “fashion forward,” “you’re a 10,” “we’re exes”, “I’m an empath,” etc.) I thought it was fresh, whimsical, and definitely brave. I was drawn in as I always am by Jane Austen’s regency world however askew this one was. In fact, I rather enjoyed the off-center vibe.

I was able to tolerate the strange choices by the writer and director while I was looking at it. It was only later upon reflection that my feelings started to sour. I hated that they could have made Anne a modern kick-ass heroine, while still maintaining the integrity of one of Jane Austen’s most interesting creations and her truly moving character arc. I hear that Netflix is (or was) planning to bring more of Austen’s novels to the screen. If they decide to go ahead with this despite the fact that “everyone” hates this one, I will be very curious and interested.

Rating: 3 out of 5.

July 20, 2022

Caroline?

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More Than I Expected

This movie came to my attention thanks (many thanks) to a comment on one of my reviews. Thank-you Sally Silverscreen of https://18cinemalane.com/. In reading the brief synopsis I thought I was in for a juicy soap opera/romance along the lines of The Scapegoat or Barbara Stanwick’s No Man of Her Own. The first scene challenged my preconceived expectations when it opens as two adults are discussing the death of someone who appears to be the eponymous Caroline. The rest of the movie is told in a flashback beginning 2 or 3 decades earlier.

An attractive young woman appears at the door of a mansion and claims to be the long-believed dead daughter of the house. Suspiciously just in time to claim her part of an inheritance. Is she an imposter and a scammer? Seems likely. And yet it isn’t really about that. Whether she is or isn’t it becomes clear as she interacts with the rest of the family that she is a good person and very smart and capable. Further, she seems to be on a mission to improve the lives and futures of her two young possible step-siblings. The young daughter is stricken with cerebral palsy and spoiled and overly protected by her mother. She is treated like a pet or a baby to the point that her parents don’t even know she can read let alone put her own coat on. They expect her brother to be her constant companion. He is destined to be her caretaker when their parents are no longer able to. So he is trapped and isolated as well, with no friends, future prospects, or chance of happiness.

Caroline’s developing relationship with the children and with the other family members, her conflict with the mother’s wrong-headed ignorant notions of how to treat her children, her brave strategies to help the young kids, and the complex relationships among the family members add up to a compelling drama. To add to this we have deeply interesting and complex characters (especially the children) and the overarching mystery of who is Caroline really, and how and why did she come to this family. The answer is revealed near the end in a letter to the boy and it is not shocking but quite touching. The final bookend scene in which all is revealed as to Caroline’s accomplishments up to her death, the impact she made on the 2 children, as well as the entire community and beyond, is poignant and beautiful.

Of course, the whole plot is wildly implausible, and there are certainly some unanswered questions.   There was some drama and suspense created at the expense of common sense and established characterization. There is a whiff of Lifetime Movie Network about this Hallmark Hall of Fame production. But so many positives completely outweigh the flaws and make it very deserving of its 1990 Emmys for Best Direction and Best Made for Television Movie. Not to mention Patricia Neal and Dorothy Macguire adding their considerable cachet in small but key roles. I highly recommend seeking it out. It isn’t hard to find and is free on YouTube and Amazon Prime.

Rating: 4 out of 5.

July 11, 2022

A Gift to Remember

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Nice!

I really enjoyed this one back in 2017, but I never reviewed it. It came up again during Christmas in July or Merry Movie Week or whatever so I decided to re-watch it. I am pleased to say it really held up.

 First off, it was based on an amnesia scenario and thus was able to avoid the city bad/country good rescue the whatever from the evil corporation,” Let’s go to or save the festival!” Hallmark tent poles. It was actually set in Philadelphia although it is debatable whether it was filmed there. Another point in its favor was that this featured an interracial secondary romance, fairly unusual in 2017 for Hallmark. Third and most important were the talents and charm of the two stars Ali Liebert and Peter Porte. Ali has been up and down with me depending on the state of her botox treatments. One of her main appeals is her unusually expressive eyebrows. So when her eyebrows are working, all is well. I know that sounds funny, but it’s true! This is early-ish in her Hallmark career and her first lead role in a Hallmark after languishing in the friend zone for a couple of years. Peter Porte’s acting chops are not up to Ali’s but he is too gorgeous to be real and he seems like a nice guy. They worked well together.

Ali plays Darcy, a shy and reticent bookstore employee who does not like to take chances or rock the boat. She accidentally runs over Peter Porte on her bike sending him into retrograde amnesia. She feels responsible because she is so nice and in her desire to help him regain his memory, she starts uncovering clues to his background and identity. By doing this, she discovers she is persistent, a problem solver, and is willing to conquer the fears that are holding her back from going for the job as manager of the bookstore. She figures out that he is rich, has an important job in the literary world, doesn’t like Christmas, and is about to become engaged to his girlfriend. These conclusions make sense given the clues, but don’t make sense as she comes to know Aiden and they don’t jive with his gradually returning memory either. So we have a little mystery going on as well as a roadblock to their growing attraction to each other.  When the truth comes out, it all makes perfect sense, and all of the details are tied up. (He is single for one thing) Aiden’s real story results in a very nice ending with Darcy meeting his real family, and her little local bookstore triumphing over Mega-book’s ruthless machinations. And she gets promoted to manager. Ali Liebert just has a special spark in this, and she was just charming.

This part is really silly, but I really liked her make-up. It was pretty rather than glamorous until she had a fancy event to attend, and only then did she have the false eyelashes and the red lipstick. It seems like these days Hallmark actresses put on the Glamour Shots treatment just to walk the dog. Oh, the good old days of 2017.

Rating: 8 out of 10.

June 26, 2022