Mystery

The Forgotten Garden

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by Kate Morton

**Spoilers**

Why did I read this book? Because of all of the great reviews. Because it sounded really good. Because I wanted to try something by this highly touted author. Because the cover was really pretty and the title intriguing (although the picture on my copy had nothing to do with the garden in the story.) Because I wanted to read something a little different and it had been quite a long time that I had read any multi-generational or otherwise sweeping family dramas. It was a genre that I used to enjoy a lot. And because it became available in a timely manner from my library waiting list. After reading about a quarter of the book and realizing that I didn’t particularly like or care about 2 of the 3 main characters, why did I keep reading? No idea. I guess the “big mysteries” kept me going, hoping for a shocking twist, a mind-blowing reveal, and satisfying justice for the evil doers and just reward for the good people.

The two main characters that left me cold were Nell and her granddaughter, Cassandra. Most of Nell’s story takes place in 1975 when she is in her mid-sixties. We learn that she was a delightful child and a lovely young woman whose life took a turn when her beloved father told her she was adopted. He had found her abandoned on the dock where he was port-master in Brisbane Australia, when she was only 4. When no one claimed her, he raised her as his own with his nice but sickly wife and his other children. She is so devastated by this news that her life is forever blighted. Or rather, she chooses to turn her back on her loving family emotionally, dump her adored fiance, and turn into a dried-up old stick, a terrible mother, and full of self-hatred. She has vague memories of being loved and cherished before ending up abandoned on a ship, and of the woman who took her there whom she only remembers as “The Authoress”.

When the old bat dies she leaves a cottage in Cornwall England to her granddaughter Cassandra, whom she raised, along with a fairy tale book. Nell had gone to England in 1975 right before Cassandra had come to live with her and had been on the verge of discovering her origins. She had to go home to Brisbane and was not able to return because her daughter left her granddaughter almost literally on her doorstep for her to raise. After her grandmother dies in 2005, Cassandra decides to go to Cornwall and continue Nell’s quest for the truth. The cottage is on the grounds of a great estate by the sea that Nell had learned her bio parents were heirs to. Cassandra is a lonely young widow whose husband and child were killed 10 years ago in a tragic accident. She is a good sort, but grew to be as dull and boring as she could be. It was not engaging to spend probably about 75% of the book with one unpleasant senior citizen and one almost middle-aged woman without a lick of spirit or humor.

The other main character is Eliza. She is the daughter of Georgiana, the daughter of the owners of Blackhurst, the great estate that Nell’s little cottage is on. Georgiana eloped with a sailor and fled her home from an evil so great that she chose to raise her daughter in a London tenement rather than return home when her husband was killed. Her daughter is a brave, intelligent, creative, and spirited girl who loves to tell stories. Her, I liked. Orphaned, she is tracked down and “rescued” from abject poverty in London to go and live with her mother’s family at Blackhurst. Although she is no longer destitute, her family is menacing and hateful. Nevertheless, she makes friends with Rose, the spoiled daughter of the house, and they are devoted to each other. We learn that Eliza grows up to be “The Authoress” that Nell remembers from her toddlerhood.

Although Nell thinks she has uncovered the mystery of her mother and father, she is still in the dark as to why The Authoress abandoned her on a ship bound for Australia. Of course, the reader suspects, since this is a mystery, that all may not be as it appears. The reader would be right. I had guessed pretty early on what the mystery of Nell’s parentage was, although there was a red herring that threw me off for a minute. We don’t learn until the end why Eliza abandoned Rose on the ship. But when we do, it throws her whole story in the toilet. Or let’s say that it flushed the toilet that her story had already been thrown into. The one truly positive and admirable character of all three main protagonists had already been damaged in my eyes by both her decisions and her slavish and unaccountable devotion to Rose. I felt sorry for Rose, sometimes, but I was very put off by her. She was not a good person. I will say that the antagonists and the evil characters, though cartoonish, were successfully crafted. Rose was very complex.

The theme of this book is not to embroil yourself in the past but to move forward through challenges and the bad things and look forward toward the future.
“You make a life out of what you have, not what you’re missing.”
Nell ruined her life, and made her loved ones victims as well, by letting her knowledge of her abandonment rule her life. What made it worse was the knowledge that so many good people had sacrificed so much because of her. It was a waste. But in her 60s she forsook her search for her past to raise her granddaughter, Cassandra. She finally became a successful worthwhile person because of that. In taking up the search where Nell left off, in Cornwall, Cassandra leaves her grief over her dead husband and child behind and finds friends, a purpose, and a new love. The cautionary tale is provided by Eliza who leaves her child and her future dreams on a ship bound for Australia to revisit her childhood hovel and retrieve a “legacy” hidden there by her long-dead mother. The consequence of that little detour was a severe punishment indeed. So two main characters with whom spending time was tedious, and a tragic and disappointing ending for the good one. I held out hope for this book to the end, and a great ending could have saved it. But it was not to be.

Rating: 2 out of 5.

The Ghost Parade

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by Margaret Sutton

“No wonder she’s afraid.”  Judy said aloud. ” I told you the box was empty. Someone stole those heads and tried to scare us. You know they couldn’t have walked out of the box alone. See! It’s empty!”
She lifted back the cover!
Lorraine screamed! Then she fell back into Arthur’s arms and began sobbing hysterically.
That head with horns had popped out at her for all the world as if it had been alive.

Just when a mystery is heating up near Farringdon, Judy is about to leave for a month’s vacation at a girl’s camp at The Thousand Islands near the Canadian border. She is not a happy camper. On assignment from the paper, Horace takes her along to the scene where Chief Kelly has just busted up a counterfeiters’ ring. Some of the criminals are still at large, and Judy is sure the police could use her help. On top of that, Arthur Farringdon-Pett has just bought an airplane. Oh well, I guess Judy will have to endure a boring month of swimming, boating and other camp activities with her friends instead of chasing criminals and joy-riding in airplanes.

Fear Not. Before they even arrive at the camp, Judy has acquired a huge crate full of horrific-looking Indian Masks at an auction and will be keeping them with her at the camp along with her two cats Blackberry and Ghostie. On top of that, she meets a strange old crone called “the Cat Woman” who is headed to the same area. The suspicious old woman tells the friends that the masks are cursed and will bring “sickness, trouble, and death” to all in their vicinity. Hopefully the strict matron will not raise any objections to Judy’s unexpected accoutrements.

Besides dealing with the less-than-thrilled Mrs. Dinwiddie, Judy has plenty else on her plate. First the scary Masks seem to have taken on a life of their own, mysteriously disappearing out of the trunk, then spotted parading through the camp. Have the “Ghosts of Dead Warriors” come to life? Next Blackberry and Ghostie have violent fits and Blackberry scratches Judy’s vain sometime frenemy, Lorraine Lee, on the face. Judy along with Pauline, Honey, and Irene take the beloved pets to the Cat Woman who owns an island nearby. She cures them and takes care of them since they have been banned from the camp. On the way back the girls almost drown during a violent storm on the River, and then Mrs. Dinwiddie gets deathly ill herself. Judy saves her life using the same treatment that The Cat Woman used on the cats (don’t ask, it’s gross) and things are just getting started. Lorraine disappears just as Arthur shows up in his new plane and then the plane disappears! Judy tracks Lorraine to Cat Island looking for a cure for the scar on her face. And who should show up but Slippery McGuirk, the head of the Counterfeit Ring! And weirder still, he is married to the Cat Woman, who is old enough to be his mother!

This is a Judy Bolton that is very action-packed with some character exploration as well. Lorraine Lee shows her bad side as well as a good side, as does Arthur Farringdon-Pett. We get the first clear hints that Judy’s destiny lies not with rich sophisticated Arthur, but with her longtime friend Peter Dobbs. Pauline, Judy’s New York City friend, who is my favorite character besides Judy, played a strong role in this book. In the teaser for the next book, The Yellow Phantom, we are told that talented but poor Irene’s life will be changed forever. Pauline is in that one too.

Rating: 4 out of 5.

Seven Strange Clues (Judy Bolton #4)

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By Margaret Sutton

“All kinds of ghastly things may have happened in this tunnel. What’s that?”

The others turned as he said it and when they saw what had frightened Horace he looked a little sheepish. Blackberry was climbing down the ladder. But the cat certainly made an eerie picture as his agile body descended noiselessly….Irene shivered and clutched Horace’s arm.

“There’s something about cats that I don’t quite like,” she said “….not black ones in cellars.”

The shadow of the murdered Vine Thompson still lingers over Judy’s house on Grove Street and once again, her evil doings continue to provide Judy with mysteries to solve and adventures to be had. There is more than one mystery in this fourth book in the series. It starts out innocently enough with Judy and her school friends planning to enter a poster contest to celebrate “Health Week”. Meanwhile, Dr. Bolton has rented out his garage to two strangers who board at Irene’s house. They offer to build a workbench in the Bolton’s cellar with some lumber in the garage. Judy, and Honey will work on their posters there.

Despite her distinct lack of artistic talent, Judy decides to paint a bowl of fruit for her poster.

Golly! It’s bright [Horace] exclaimed “What is it? The sun?”

“Of course not, Silly. Can’t you see it’s in a blue dish?”…

I thought that was the sky.”

“You had the picture upside down.”

“So I did. Hmm! I see now. It’s an orange. Looks as if it’s beginning to go bad. But Judy, seriously, orange leaves aren’t yellow and they aren’t as long as this”…If you just put a little more green in those leaves——

“But they’re not leaves. They’re bananas!”

When Judy wins first prize, everyone is in shock. Sweet Mrs. Bolton wonders if Judy’s poster was taken “for one of those modernistic paintings.” When they go to the exhibit at Brandt’s department store where the posters are being displayed, they see that someone has put Judy’s name on someone else’s beautifully done poster. Why? What are the strange sounds coming from the cellar, and why are papers missing and who ate the apple out of Judy’s bowl of fruit? Why has snobby, mean, and hateful Kay Vincent suddenly befriended poor Irene? Why is Honey behaving so strangely? Why does Kay’s poster have a missing corner and a smudge on it? And most importantly of all, who burned down the High School?

All eyes turn to Judy and she is persona non grata when it is suspected that she took someone else’s poster and claimed it as her own. To make matters worse, it is Honey’s poster that someone has put Judy’s name on, and Honey is not happy. Rumors are spreading that, incredibly, Judy or Honey is the one who burned down the school! And why are the shades always drawn on the car that Irene’s boarders are keeping in Judy’s garage? It all comes to a head when Judy discovers a secret room underneath the Bolton’s cellar complete with a tunnel leading to their garage. I will say no more except to point out that this book was written in 1932, 1 year before Prohibition ended.

This one excelled in tying all of the diverse mysteries into a neatly packaged whole. Both the personal dramas and the genuine criminality that Judy uncovers make for one of the better books in the series. Judy single-handedly extracts a confession from the culprit who started the school fire,  and her detective work leads to the disgrace of a prominent citizen of Farringdon. At least we hope so. She even is responsible for getting Irene out of the drudgery of her life as a mill worker. This book advances the relationships between Judy and her friends, and justice is served on all fronts. But have we seen the last of Kay Vincent? Time will tell.

Rating: 5 out of 5.

The Secret Book of Flora Lea

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By Patti Callahan Henry

Loved the title. Loved the cover. Loved the premise. The book was a real mess. I usually don’t rate books as low as 2 stars simply because I usually quit reading them well before I feel qualified to pass judgment on them. But this started off well and despite my irritations which built up as the book went on, I was intrigued by the mystery and so I stuck with it, hoping for a big payoff at the end.

Hazel works in a rare bookstore in London but this is her last day as she is about to go to her dream job at Sotheby’s after a short vacation to Paris with her long-term boyfriend. She is sad about leaving because the owners are like her family. Alone in the office, Hazel opens a shipment of rare books and much to her shock they include a manuscript of a children’s fantasy book called Whisperwood and the River of Stars by Peggy Andrews.

When Hazel was a teenager she and her little sister, 6-year-old Flora, were sent to a little farm near Oxford under Operation Pied Piper. This was a scheme at the beginning of WWII to send many of the children away from London to keep them safe from the bombings. Hazel and her sister are fortunate in that they are taken in by Bridey and her son Harry who are very cool and kind. Hazel and her sister are devoted to each other and are further bonded by a fantasy story that Hazel has created and shares with Flora. They “go into” their fantasy story quite often. It is about a land called Whisperwood and is a great secret between just the two of them. Flora relies on Hazel telling her the story whenever she needs comfort and security and is quite enamored with it. Hazel and Harry become infatuated with each other and one day they leave Flora alone asleep in a meadow by a nearby river. The river plays a role in Whisperwood and Flora is attracted by the “river of stars and galaxies” and falls in. She is never seen again and is presumed drowned though her body is never found.

When Hazel looks at the book in the bookstore office it is her secret fantasy story come to life but expanded and embellished with illustrations. Since no one but her and Flora knew about Whisperwood she concludes that Flora must have survived the fall in the river and somehow told the story to someone who told someone else who wrote a book about it. Or could someone have somehow learned about the story before Flora’s disappearance? Or could Flora actually be Peggy Andrews the American author?! The rest of the book is trying to find and talk to the very private and elusive Peggy and chasing down all of the people she knew way back when who might somehow have heard about Whisperwood. This includes her teenage crush, Harry, whom she rejected out of guilt that she was with him instead of watching after her little sister.

There are many reasons why this book did not work for me, but there are several main ones. First of all the details told about Whisperwood interspersed throughout the novel were too precious. I largely skipped over all the twee descriptions. I don’t want to hear about the weird dream you had last night, either. I didn’t like how Hazel fell back with Harry whom she hadn’t seen in 20 years and didn’t really know anymore. She treated her long-term boyfriend shabbily, professing her love to him right to the point where he rightly didn’t believe her and walked out in hurt and frustration. Hazel rubbed me the wrong way from the minute she stole the valuable manuscript from her employer who was supposedly like family and kept delaying fessing up to him until it was too late. “I can explain” is a refrain we hear too often from Hazel about many of her bad decisions.

**Major Spoilers Ahead**

But the absolute most frustrating thing was that the whole book was about the quest to solve how Hazel’s story made its way to America and Peggy Andrews, but in the end, it was nothing but a wild goose chase. A good bit of the book is spent with Peggy, her secretive mother, and their troubled relationship. Twenty-five-year-old Peggy is the same age Flora would be and the reader is teased constantly that Peggy is Flora. Why else would we spend so much time with them and her romance with her boyfriend, “Wren”? But in the end, all of that time and effort came to nothing. The solution to the mystery of what became of Flora came from out of left field from another source entirely. In fact, Flora and Hazel could have been reunited a year before the events of the book even started. But Hazel being Hazel, she sourly refused to be interviewed by a journalist who was writing a series about the lost children of Operation Pied Piper.

So after Hazel, her mother, and Flora are reunited and all of the circumstances of Flora’s disappearance are unraveled and examined, everyone keeps blathering on to everyone else about the wonder of “Whisperwood” landing on Hazel’s desk and how it was a miracle which led to finding Flora. Hazel is told that even the famous illustrator of the book read an “article in the Oxford Mail about your story, about the stolen illustrations and how they led to the solved cold case of your lost sister, the River Child, as they call her.” This false narrative made a good story but it was all nonsense and very irritating. I kept saying, “Wait, What?! What are they talking about?” I read the chain of events over again, to make sure I hadn’t missed anything. And to be fair, they do learn that Flora did survive the river, but Hazel had already come to that conclusion. Because of the brick wall Hazel and company ran into with Peggy and the book, her frustrated mother talks Hazel into meeting with the journalist who has been “hounding” her (Hazel’s words) for over a year.
I paraphrase:
“Gee Hazel, maybe you should meet with that journalist after all.”
“Absolutely Not, Mum! Why drag all of that tragedy up all over again? It would be too painful”.
“But Hazel, someone might read the story, and know something.”
“Oh. OK, then.”
And that meeting is what solves all of the mysteries and gives the book its happy ending for Hazel and Flora (who had been only a phone call away long before this story even started.)

To add to the pointlessness of it all, we learn at the end that distraught teenage Hazel was in the same local chapel that Flora was hidden in right after she was rescued from the river. Hazel even heard her calling out but she was so wrapped up in her own grief and drama that she dismissed the cries she heard as an owl. So Flora needed to never have been lost to begin with if Hazel hadn’t been so self-involved and oblivious.

When I finally came to the end I felt like I had been on a long trip to nowhere. Instead of The Secret Book of Flora Lea it should have been called When a Respected Journalist Wants to Write About What Became of Your Lost Little Sister who Disappeared 20 Years Ago, Take the Call.

Rating: 2 out of 5.

The Lantern’s Dance

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By Laurie R. King

I usually read Laurie R. King’s Russell/Holmes mysteries in book form so I can look for clues and check for understanding as I read. And I collect, and therefore buy, her books in Hardback because they, or at least the dust jackets, are so beautiful. I read this one on Audible because I had a credit I kinda needed to use. Nevertheless, I enjoyed listening to this 18th in the series. Forgetting the well-done audible performance, the book itself was extraordinary. To me it was right up there with her first three: The Beekeeper’s Apprentice, A Monstrous Regiment of Women, A Letter to Mary, and her 14th book, The Murder of Mary Russell. King peoples many of her novels with real-life historical personages who intermingle with fictional icons which adds so much to their appeal. In the course of the series, we meet people such as Lord Peter Wimsey, Kimbal O’Hara (Rudyard Kipling’s Kim) Dashiell Hammett, Cole Porter, Elsa Maxwell, T.E. Lawrence, and J.R.R. Tolkien. But like The Murder of Mary Russell, one of the most compelling aspects of this book is the exploration of the backstories of Arthur Conan Doyle’s creations by way of Laurie R. King by way of Mary Russell’s journals. In King’s books, Sherlock is not a fictional character created by Doyle but a real person whom his friend Watson (who is only mentioned in passing a time or two and whom Mary calls “Uncle John”) has based a series of famous detective stories. The resulting fame is sometimes very much an irritation and inconvenience to the real detective. The books begin after Holmes has “retired” to the country and meets 15-year-old Mary Russell, who gives him a new lease on life. He takes her on as an apprentice and later marries her. Or she marries him, maybe I should say.

In The Murder of Mary Russell King delved into Mrs. Hudson’s eye-popping history. In this one, the curtain is flung open on Sherlock and Mycroft Holmes’ family background and a past childhood tragedy. Of course, this tale of Holmes’s past is not based on ACD canon. All we know from the creator of Sherlock Holmes is that Sherlock’s grandmother was the sister of non-fictional French Artist, Horace Vernet. From that little nugget, King weaves a fantastical yet meticulously researched tale that is grounded firmly in Sherlockiana lore and respected speculative theories concerning the great detective. I won’t go into detail, but I will just say that Laurie takes it to a whole new level. I was blown away by the great reveal at the end which I suspect that I would have suspected had I been able to carefully read the book rather than listen to it. That’s my story and I’m sticking to it.

Having just arrived home from Transylvania, Holmes and Russell are looking forward to a quiet visit with Holmes’ son, the artist, Damian Adler, and his little family. But it is not to be. The Adler home was broken into by a machete-wielding intruder shortly after some mysterious trunks and crates had arrived for Damien. Now the Adler family has gone missing. Mary, hobbled by a broken ankle is left to her own devices while Sherlock tracks down his son. Of course, Damian’s mysterious boxes are not safe from Mary’s curiosity. What she discovers in the trunks keeps her well-occupied in decoding and translating the fascinating journals of a girl named Lakshmi. We are introduced to her as a child as she is transplanted from France to India. The journals end with her settled in England after fleeing India under great danger. But what does she have to do with the Vernets, Sherlock Holmes, or Damian Adler? Or is the connection with his mother Irene?

The answer is both intriguing, moving, and even amusing. I had a lump in my throat and at the last, was chuckling. And I can’t wait for King’s next entry in the series. I hope and trust the plot will pick up where this one leaves off and build on the last sentence: Well,I thought, This is certainly going to make for an interesting conversation when next we see Mycroft.”

Rating: 5 out of 5.


Simply the Best

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by Susan Elizabeth Phillips

The Python stopped by the table. “Let’s do a roundup here. Your top client is charged with murder, his mother is crawling on the floor doing cleanup, his sister has been working her ass off in your kitchen when she should have been a guest, and topping it all off, Tyler Capello—a player you have not signed—shows up at your party with his slimy ex-agent who sets your place on fire. Is that about right?” He punched out the words. “Am I missing anything?” The River was never at a loss for words. Until now.

Susan Elizabeth Phillips is an automatic buy for me both for loyalty’s sake and because even her lesser books are always enjoyable on the whole. There are always hours of entertainment to be had. Nevertheless, I opened this book with a bit of trepidation. She has not been as consistent lately. Also I’m a lot pickier about chick lit than I used to be. I’m much less about the romance and the usual tropes these days. But SEP always delivers effortless humor, and is such an engaging writer, that she drew me right in like the premier Rom-Com writer she is. I was happily reading along thinking how similar this was to one of her best books, Match Me if You Can, when I realized that I really didn’t like the main character, Rory. Not a good thing. She was a brat. And to make it worse, SEP seemed to think that just because Rory is  self-aware and acknowledges her brattiness to herself, it somehow excuses her behavior and makes her more likable. Not to me. She does this throughout the book, until she finally actually ratchets down her nonsense and starts to get it together.

Rory has always felt “less than” thanks to her father and stepmother who always put her down and compared her to their perfect son, her half-brother, Clint. He is now a star football player playing for the Chicago Stars and a client of Brett, a sports agent who works for Heath Champion “The Python”, the hero of the aforementioned Match Me if You Can. Clint is infatuated with a beautiful shallow gold digger and is on the outs with both Rory and Brett because they tried to tell him the truth about her. Early in the book (slight spoiler), Ashley is murdered and Clint disappears. This is ample excuse to throw the two leads together to solve the murder, find Clint, and needless to say, fall in lust, then love, as is usual in this genre. While driving together to the Upper Peninsula of Michigan, I was irritated by Rory and Brett’s totally gratuitous encounter with some survivalist conspiracy theory MAGA types. Although played for laughs, it wasn’t that funny and served no purpose but to give the author the excuse to vent her rage against these people and to espouse her views on true patriotism. Even though I largely agree with her, I just wanted to tell her to settle down. One sided portrayals do more harm than good. I waited in vain for some balance. She included a similar group in an earlier book, but they were well-rounded and had some relevance to the plot.

I didn’t enjoy the banter that SEP is so good at as much as I usually do because most of it was based on Rory’s unnecessarily rude comments and it made me dislike her even more. About halfway through, Clint is found and, Whoops! Strike three. I despised him even more than Rory. I hope SEP does not use Clint as the hero of her next Chicago Stars book because, like his sister Rory, he was a brat.* In his case, he was a petulant spoiled whiny brat. It was disappointing because he was described by all and sundry in the highest possible terms as honest, moral, talented and smart. Wish we had seen that side of him much sooner than we did. As it was, it was too little too late.

Thank Goodness it is about at this time that Rory has an epiphany and starts to behave in a more mature manner.

Sitting here surrounded by gravestones, she saw the truth. She didn’t have the guts to put herself on the line. Big dreams without follow-through was her mode, and the reason was blindingly clear. As long as she didn’t really try, she didn’t have to risk failing.

Throughout most of the book, she refuses to accept any financial help from all of the rich people in her life to pull herself out of her debt and start realizing her dream of making chocolate for a living. She finally realizes that instead of accepting charity, she can accept money as an investment in her business. That bright idea took a lot longer than it should have considering the desperate straits in which she had found herself. We know what a genius she is at her craft thanks to all of the chocolate porn. Unfortunately, about the time Rory and Clint start to get less irritating, our hero, Brett, who I hadn’t had any problems with, turns into a stalker. When Rory confronts him about his feelings towards her, he blows it and won’t admit that he loves her. (Possibly because he doesn’t know he’s in love with her, which is another Chick-Lit trope I am so tired of). Rory rightly tells him to get lost. And he. Will. Not. Leave. Her. Alone.

In the middle of all this Rory’s stepmother appears on the scene and, as I suspected, she is not the evil witch that Rory had made her out to be. I liked her romance with an on-the-spectrum nerdy guy although it was still very trope-y. What about Ashley’s real killer? You may well ask. I won’t say who it was but it was extremely lame. Probably #1 on the list of Things Not to Do in a murder mystery.

All in all, despite SEP’s writing talent and humor, I felt like her heart wasn’t really in this one. It had too much in common with Match Me if You Can (quirky feisty girl meets Master of the Universe) With some plot things thrown in and some subtracted to make it just different enough. But Susan Elizabeth Phillips is still on my automatic buy list. Because the good thing about inconsistency is that if an author’s latest book is a disappointment, that means that maybe her next one will be great. But please, Elizabeth, can we just have a heroine with a normal profession next time? How about a teacher or an accountant instead of a matchmaker, opera singer, puppeteer, portrait painter, Genius Physics Professor, Televangelist’s widow, former child star (twice), First Lady of the United States, etc. etc.?

*Unfortunately this is exactly what SEP did. I will still read it, but will be getting this from the library. First time I haven’t been first in line to purchase for 25 years.

Rating: 3 out of 5.

The Invisible Chimes (Judy Bolton #3)

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By Margaret Sutton

Judy’s hands trembled and her gray eyes were dark with apprehension as she lifted the loose floorboards and looked.
“Good Heavens!”
The two boards fell back across the open space with a crash as Judy uttered this startled exclamation. She simply sat back on her heels and refused to think until her mind had been prepared for this appalling thing she had discovered.

In the last book, we learned that Peter is the son of Grace Thompson who was rejected by her parents, Peter’s grandparents, The Dobbses, after she ran off with the oldest son of Vine Thompson, a criminal gang leader. When Grace died, after having another baby, who apparently also died, The Dobbses adopted her 3-year-old son, Peter, and raised him.

This book opens with Arthur driving Judy and her friends out to the country to visit an antique store and tea room. After admiring the antiques, they go into the tea room for a snack. Horace asks a pretty girl who is playing the piano to dance. But they soon suspect that her loud piano playing was to distract the owners and guests from the antique store being robbed. The thieves and the piano player make their getaway by stealing Arthur’s beloved car. After the police come, Judy and her friends chase them down and end up almost getting run over by the gang when they get out of their car and try to block the road. At the last minute, the young girl turns the wheel from the driver and saves their lives. She is injured and the grateful Boltons take her home to recover where they learn she has amnesia.

The heart of this book is uncovering the mystery of the girl’s background. Judy calls her “Honey” as they don’t know her name and she has honey-colored hair. She is sweet, eager to please, and grateful to the Boltons for taking her in. But is she a thief and part of a criminal family? Or was she kidnapped? Judy uncovers some lies Honey has told but doesn’t want to believe that Honey is anything other than the good and lovely person she appears to be. But whom was Honey meeting in secret in the dead of night and what was in the package that the stranger gave her? And what are those chimes Judy keeps hearing in her home seemingly out of nowhere? To uncover the truth Dr. Bolton invites a psychiatrist friend from New York City to observe Honey. Thus, we meet Pauline Faulkner, his daughter, who becomes a good friend of Judy and plays a part in this and several other of her mysteries down the road. Judy starts keeping a notebook to record clues and observations and discovers many inconsistencies that make Honey suspicious (to the reader, at least). She wants to catch the thieves that almost killed her and her friends as well as recover the stolen antiques and discover what the connection is between the gang and Honey. When Mrs. Dobbs, Peter’s grandmother, has a stroke she becomes strangely attached to Honey and starts calling her “Grace,” the name of her dead daughter.

While Honey is caring for Mrs. Dobbs, Judy discovers a musical vase that was stolen from the antique store hidden under the floorboards in Honey’s bedroom. That solves the mystery of the chimes but things are looking very dark indeed for the Boltons’ young house guest. Judy feels angry and betrayed. Can Honey really be the sneaky and criminal liar that all the evidence seems to indicate? Judy thinks so and wants her arrested immediately. The cooler heads of her parents and Peter persuade Judy to not judge until they hear Honey’s explanation.

When Judy gets a letter from Pauline who has been doing some detective work for her in New York City, she thinks she has all of the answers and confronts Honey with her disturbing discoveries. But she is not prepared for the story that Honey has to tell. By the end of the book, there are tears aplenty but they are tears of happiness and Honey will start her life anew with a “clean slate.”

Rating: 5 out of 5.

The Girl You Left Behind

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By Jojo Moyes

“Conned any other women out of their valuables lately ?” she says quietly, so quietly that only he will hear it.
“Nope. I’ve been too busy stealing handbags and seducing the vulnerable.”
Her head shoots up and his eyes lock on hers. He is, she sees with some shock, as furious as she is.”

**spoilers**

As well-written and compelling as some parts of this book were, it took me well over a month to get through it. I chose to do other things rather than return to it. I looked at a lot of movies and some TV series. Plus Christmas. But the main reason was that I was just so utterly disgusted by the behavior and choices of the present-day main character in the novel, Liv. And her travails take up most of the book. I just wanted to avoid her because she just made me mad. The story of the WWI character, Sophie, was very tense and involving throughout her story. But I felt like she was on a path that was as disastrous as it was inevitable. So I can’t say I enjoyed it, exactly. I cared about her greatly, and we leave her at a cliffhanger in her life to begin the modern-day half of the story. Not my favorite device. On the whole, I can recommend the book because although the last part of the book was dragged out, it ended well and with a surprising game-changing appearance at the end. The unsurprising long-suspected truth about the provenance of a painting that links the past with the present is dramatically and touchingly revealed.

In this dual timeframe plot, we begin in a small village in France during WWI. We follow Sophie LeFevre who, with her family, runs an inn that has been taken over by the German occupiers. Her beloved husband, a talented artist is a prisoner of war. The powerful Kommandant is a refined gentleman and art lover who covets Sophie’s husband’s painting of her that hangs in the Inn. And it becomes evident that he also covets Sophie.

Part two is set in 2006 London. The painting, The Girl You Left Behind, now hangs in a young widow’s house which was designed by her husband, a brilliant and famous young architect. Liv cherishes the beautiful painting for its own sake but also because her husband David gave it to her on their honeymoon. Reclusive Liv is still grieving David after 4 years and knows she must get on with her life, but seems incapable of doing so. We also are introduced to Paul, who is a lawyer specializing in returning stolen Nazi art to their rightful heirs. Liv meets Paul, also a single father, when he chivalrously rescues her from an embarrassing situation. They are attracted to each other and Liv is continually struck by what a kind and good man he is. Thanks to Paul, Liv starts to come out of her shell and live again. On Paul and Liv’s first night together he sees her painting hanging in her bedroom and is shocked to the core. It is the same painting he and his company have been trying to locate for their clients, the descendants of the artist, Sophie’s husband. What follows is a court case with Paul and the heirs on one side and Liv on the other. Her lawyers are non-entities who we don’t get to know. This was one reason that the courtroom drama which should have been compelling, wasn’t.

As I mentioned, Liv all but ruined the book for me. She is determined to keep the painting because it’s hers, god damn it. Her husband bought it in good faith and she loves it. She doesn’t care that all signs indicate that it had been stolen from the artist’s family during World War I and was probably also caught up in the Nazis’ evil web of stolen art during WWII. The family understandably wants the painting, now worth millions, back. Liv irrationally blames Paul treating him like a criminal who is trying to rob her of her painting instead of a good guy trying to do an honorable job. Her behavior to him was just shabby and made no sense. Until near the end of the book, that is, when she decides she needs a booty call. That over, she turns on him again. She will not see reason from anyone who has her best interests at heart and in fighting the family’s claim, loses her house, her friends, her reputation, and most sadly, her dead husband’s legacy and reputation. I kept hoping for growth, change, and wisdom to descend on her from the blue, but was continually disappointed.

When she finally has somewhat of an epiphany (pretty much out of nowhere), it is too little too late. When the true story of the painting comes out thanks only to noble Paul’s heroic efforts, it leads to the revelation that Liv has been in the right all along. Not in her actions and decisions, but only by happenstance and luck. In the end, she gets her totally undeserved happy ending.

What rescues the book plot-wise is that we finally learn what became of Sophie and her adored Edouard. But it’s kind of like a bone the reader is thrown. Even the most potentially fascinating detective work at the end is skipped over even while the mystery leading up to the climax is drawn out way too long. The positives were just not outweighed by the pain, injustice, and sadness in the story.

Rating: 2.5 out of 5.

The Mystery on Judy Lane (Judy Bolton #13.5)

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by Beverly Hatfield

Judy sighed. I can’t decide if this mystery is interfering with Christmas or if Christmas is interfering with the mystery.

Before going to the third book in the Judy Bolton series, we take a short detour to celebrate the season, with The Mystery on Judy Lane, which is set during Christmas time. This book is a later addition to the series and was written by Beverly Hatfield who co-authored book # 39, The Strange Likeness (A Judy Bolton Mystery, #39).. It is set in 1940 between The Name on the Bracelet, in which Judy and Peter become officially engaged, and The Clue in the Patchwork Quilt, which sees the death of both of Judy’s grandparents, The Smeeds. Of natural causes, I hasten to add. So this one gives us an opportunity to see Judy and Peter as a newly engaged couple and their working relationship in Peter’s Roulsville office as attorney and secretary. It is also a fond farewell to kind hard-working Grandpa Smeed and loving but moody and somewhat intimidating Grandma Smeed.

The mystery involves the Pipers of The Unfinished House and Ruth Piper’s mother-in-law, Ella. Mrs. Ella Piper comes to visit Peter to sign her will, which seems to have some complications and mysteries attached to it. Earlier, while Judy was shopping for Peter’s Christmas present, she senses she is being spied on by a strange woman. What follows is a mystery involving the Roulsville Paper Mill, a land dispute, threats against Peter’s law practice, and finally criminal mischief in the form of rocks through windows. Why are Judy and Peter being targeted? Both Mrs. Piper and George the owner of the stationary store where Judy bought Peter’s present fall under suspicion, as well as Ruth’s cousins-in-law who are possible claimants to an inheritance. Interspersed with the sinister goings-on are the Christmas secrets and plans of Judy and her friends and family. We get to spend valuable time with the Smeeds when Horace and Judy are stranded there overnight during a snowstorm. Finally, with the help of Horace’s investigative reporting skills, Arthur’s inside information, Honey’s spying from George’s store, and Judy’s derring- do (and female intuition), all is solved satisfactorily for all just in time for Christmas. And of course, Peter helps too.

Though not written by or based on any input from Margaret Sutton, this book fits right into the series perfectly. Past mysteries are referred to and future mysteries and occurrences are foreshadowed, and sometimes quite poignantly. The writing style perfectly mirrors the original author’s and all of the characters’ personalities are faithful to her original creations. One can tell a lot of knowledge, love, and respect went into this one. Like Margaret, Beverly incorporated true events in her own life into this story. After reading this, Margaret Sutton’s daughter gave her blessing to its publication and asked Beverly to co-author The Strange Likeness which so successfully brought closure to the Judy Bolton series.

Rating: 5 out of 5.

The Haunted Attic (Judy Bolton #2)

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by Margaret Sutton

“Judy, You weren’t talking to the mill girls?” “Why not? They are our neighbors, you know.”… “That’s all the more reason why you should be careful of your associates. Suppose you were classed as one [them]? You wouldn’t have a single friend in High School.”… Please Judy, for my sake, keep away from the mill girls. they’re not our kind.”

Picking up right where The Vanishing Shadow left off, this 2nd in the Judy Bolton series has plenty of mysteries and drama to occupy her as she settles into her new home in Farringdon. In addition, Margaret Sutton also explores class snobbery and the cruelty that popular cliques can inflict on outsiders.

After moving into the big rented house on Grove Street which is said to be haunted by the ghost of Vine Thompson, a sort of Ma Barker character, Judy starts to experience strange sightings and mysterious attic noises herself. The whole community thinks the house is haunted and this is affecting Dr. Bolton’s formerly thriving Roulsville practice as no one wants to come to his home office. Judy, who does not believe in ghosts, vows to solve the mystery in time for the big Halloween party she intends to throw. Along the way, Judy and her brother Horace discover hidden jewelry on the property, and a big trunk full of fancy vintage clothing and poignant love letters, not to mention a half-starved white kitten Horace adopts and names “Ghost.”

Meanwhile, Judy is having trouble fitting in at school despite her friendship with socially prominent and popular Lois Farrington-Pett. Lois gives her a friendship ring identical to the one she gave her friend Lorraine a long time ago but wants Judy to keep it secret. Judy’s confidence and optimism take a blow when she is not immediately accepted by the popular kids. She is not rich, is a stranger, makes more than one faux pas, and has become friendly with the wrong crowd who go to the high school on the poor blue-collar side of town. To make matters worse, Lorraine’s ring has been stolen by burglars and when she sees what she thinks is her ring on Judy’s finger the accusations start flying. As in The Vanishing Shadow, Judy’s refusal to break a promise results in all sorts of mayhem, and unfortunately, Lois is quarantined at home with Scarlet Fever and can’t come to Judy’s defense and straighten things out. Things get a lot worse before they get better which makes for a very exciting and dramatic book.

And that’s not even the end of it! In addition to ghosts of dead criminals, the discovery of stolen loot, and teen drama, we have the mystery of  Judy’s friend and supporter, Peter’s, parentage which has been kept secret from him by the Dobbses, whom Peter calls his grandparents. All finally gather at Judy’s Halloween Party (which is a story in itself!) where all of the mysteries are solved, ghosts uncovered, and criminals caught. It is truly a party for the ages, the likes of which surely had never been seen before in sophisticated and staid Farringdon. We even have social progress made with somewhat of a truce between social factions and Judy accepted by both the popular kids and the factory girls. The third book in the series will continue to build on the secrets of Peter’s past and the criminal Vine gang in very unexpected and shocking ways.

Rating: 5 out of 5.